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Some interesting facts you'll find in Temperament:
- Temperament shows how in each period of Western history--from ancient
Greece through the Medieval and Renaissance periods and into the French
Enlightenment--music played a crucial role in scientific, religious,
artistic, and philosophical arguments about the nature of our world.
These controversies, which began with Pythagoras in the sixth century
B.C.E., continue to this day.
- Readers will discover the roles in these disputes played by
legendary historical figures such as Leonardo da Vinci, Galileo Galilei,
Johannes Kepler, Rene Descartes, Isaac Newton, and Jean-Jacques Rousseau
(along with many Popes and heads of state). For example, Kepler believed
that the arrangement of the planets in the sky was patterned after a
musical scale; Newton claimed that God chose the tones of the musical
scale to conform to the colors of the rainbow; and important Renaissance
thinkers searched for the secret tunings of the ancients in an attempt
to reinvest music with the lost power to heal and destroy.
- Temperament reveals that the musical scale we all regard today as "a
given" was once considered a crime against nature and that because older
scale tunings were limited in their ability to play all music "in tune,"
early keyboard instruments were sometimes built with as many as 33 keys
in each octave (as opposed to the 12 we now have). Temperament explores
many other wild technological innovations and mechanical inventions that
arose in attempts to overcome the limitations of pre-modern musical
tunings.
- The book is filled with original insights, in a narrative called
"absorbing, meticulous, [and] deeply thoughtful" by Pulitzer Prize
winner Tim Page. In page after page, Temperament uncovers connections
between art, music, philosophy, religion, politics and science
throughout hundreds of years of European history. It offers parallels,
for example, between the rise of perspective in art and the acceptance
of modern musical tunings, and between philosophical doctrines forbidden
by the church (for which Giordano Bruno was burned at the stake) and the
musical theories of Galileo's father, Vincenzo.
- Today's tuning system became a major focus of ancient Chinese
musical philosophers, even though Chinese music has absolutely no need
for it.
- The story is ultimately about how in every cultural period certain
arguments arise again and again, although each time in a slightly
different guises. It is in many ways a story about the human condition:
how we try, in every generation, to establish an incontrovertible truth
about the way things are or should be, only to meet with inevitable
disappointment.
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