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Cynthia Zarin was born in New York City and educated at Harvard and Columbia. She writes for a wide range of magazines and journals, including The New Yorker, where her poems frequently appear. The recipient of fellowships from the National Endowment for the Arts and the Ingram Merrill Foundation, and a winner of the Peter I. B. Lavan Award, Zarin is an artist-in-residence at the Cathedral of St. John the Divine in New York City. She has published two previous volumes of poetry, Fire Lyric and The Swordfish Tooth, as well as several books for children.
Photo (c) Tom Hurwitz
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In her third book of poetry, her first in eight years, Cynthia Zarin, one of the finest poets of her generation, has turned her art to fresh purposes. Taking up the subject of divorce and the splintering and re-forming of family that follows it, Zarin, whose work has been compared to that of Marianne Moore and Elizabeth Bishop, addresses the passage through a time of guilt and sorrow in an oblique yet precise tone that is unique in contemporary poetry. At the book’s center is a powerful sequence of love poems, in which she asks, “Is it light on the trees / that turns them to pale fire / or is it spring, come without / warning to this town on / stilts . . . ?” Whether taking a brood of children to the swimming pool, contemplating a parrot, or imagining a temperate landscape “where Orion / could shoot the bear along the river, and miss, and miss,” Zarin continually reveals beauty in subtle statements of feeling.
The Watercourse is a gorgeous, mature, and profoundly moving collection.
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