PORTRAIT OF RICHARD RODGERS
To honor Richard Rodgers in his Centennial year, The Rodgers & Hammerstein Organization commissioned an oil portrait of the composer, unveiled on his 99th birthday, June 28, 2001. (To view this portrait, visit www.RR2002.com.) The painter, Kim Beaty, is an award-winning portrait artist whose most recent subjects have included United States Supreme Court Justice Ruth Bader Ginsburg, and Senator Patrick Leahy (D.-VT.)
Beaty is also the granddaughter of Richard Rodgers.
"In general, I don't like to do posthumous portraits," says Beaty, "but when Ted Chapin approached me about painting my grandfather for his Centennial, I found I was
happy, even excited, to make the attempt. Grandpa was a difficult person to get to know, but I loved him and felt he loved me. With the aid of the extraordinary collection of photographs at The R&H Organization, working on this portrait has given me a wonderful opportunity to
try to get onto the canvas the emotional quality, the warmth, we all hear in his music."
Beaty based the painting on two photographs. The first was taken during the writing of SOUTH PACIFIC. In the photo Rodgers has evidently pushed aside a formal place setting and the unlit candle, turned over a paper-clipped sheath of lyrics by Hammerstein, and is writing down the music for the lyric he had just been handed. (Another photograph in that series reveals the Hammerstein lyric to be "Bali Ha'i".) The second photograph shows Rodgers at a "playback" during the recording sessions for VICTORY AT SEA. Here, Rodgers is seated on a piano, deeply engaged in a single activity: listening. The artist has merged the image of the writing Rodgers with that of the listening Rodgers to create her portrait of a composer at work:
"What I wanted to get at was that moment of inspiration he must have experienced, when he seems to have pulled that beautiful stuff out of thin air," says Beaty. "He denied the concept of inspiration, claiming it was all due to hard work, but I think his 'sweetest sounds' came from somewhere more elevated..." The other objects in the painting were selected by Beaty, in collaboration with members of her family, to reflect aspects of Rodgers' life. Her aunt Linda contributed a pair of Dorothy Rodgers' placemats and candlesticks, while her mother Mary added a small silver pitcher for holding his cigarettes. A glass of vodka is at the composer's right hand; the candle sheds warmth over the scene, as do the sunbeams in the watercolor scenic design by Jo Mielziner from CAROUSEL -- Rodgers' favorite of all his musicals.
CENTENNIAL COMMITTEES
Planning for the Richard Rodgers Centennial began at The Rodgers & Hammerstein Organization several years ago, and included periodic round table sessions among various departments, including Williamson Music, The R&H Theatre Library, The R&H Concert Library, Special Events and Public Relations, guided by R&H President and Executive Director, Theodore S. Chapin.
Rodgers Committees ("Centennial" in some territories, "Centenary" in others) have been tremendously helpful in bringing the commemorations to a global scale. Special acknowledgement should be made of the following:
The Richard Rodgers Centenary Control Group (United Kingdom)
- Chairman - Mark Rowles
- Lisa Barker, Head of Press and Public Relations, EMI Music
- Bob Clifford, Head of Standard Repertoire, EMI Music
- Joanne Prowse, Director - Member Relations Division, Performing Rights Society
- John Schofield, Managing Direcor, Josef Weinberger Ltd.
- Caroline Underwood, Manager Musical Theatre & Standard Repertoire, Warner Chappell Music
The Richard Rodgers Centennial Committee (Japan)
- Tadahiko Maeda, President of Toho Music Corporation
- Mamoru Murakami, President of Nichion, Inc./Warner Chappell Music Japan
- Ichiro Asatsuma, President of Fujipacific Music, Inc.
Honorary Patrons
We are pleased to announce the four Honorary Patrons of the Centennial:
Dame Julie Andrews, Lord Andrew Lloyd-Webber, and the two daughters of Richard Rodgers -- Linda Rodgers, and Mary Rodgers.