"Eruption: Pu'u O'o" fromThe River of Heaven
We woke near midnight,
flicking on the coat closet's bulb,
the rainforest chilled with mist,
a yellow swirl of gas
in the spill of light outside.
Stars paling, tucked high
in the sky's blue jade,
we saw, through the back windows
and tops of ohia trees,
silhouettes and red showers
as if from Blake's fires,
magenta and billows of black volleying.
Then, a burbling underground,
like rice steaming in the pot,
shook through chandeliers of fern
and the A-frame's tambourine floor,
stirring the cats and chickens
from the crawl-space and their furled sleep.
The fountain rose 900 feet that night,
without us near it, smoking white,
spitting from the cone 6 miles away,
a geyser of flame, pyramids and gyres of ash.
Novices, we dressed and drove out,
first to the crater rim, Uwekahuna
a canyon and sea of ash and moonstone,
the hardened, grey back of Leviathan
steaming and venting, dormant under cloud-cover.
And then next down Volcano Road past the villages
to Hirano Store on Kilauea's long plateau.
There, over canefield and the hardened lava land,
all we saw was in each other's eyes--
the mind's fear and the heart's delight,
running us this way and that.
"Obon: Dance for the Dead" fromThe River of Heaven
I have no memories or photograph of my father
coming home from war, thin as a caneworker,
a splinter of flesh in his olive greens
and khakis and spit-shined G.I. shoes;
Or of my grandfather in his flower-print shirt,
humming his bar-tunes, tying the bandana
to his head to hold the sweat back from his face
as he bent to weed and hoe the garden that Sunday
while swarms of planes maneuvered overhead.
I have no memories of the radio that day
or the clatter of machetes in the Filipino camp,
the long wail of news from over the mountains,
or the glimmerings and sheaths of fear in the village.
I have no story to tell about lacquer shrines
or filial ashes, about a small brass bell,
and incense smoldering in jade bowls, about the silvered,
black face of Miroku gleaming with detachment,
anthurium crowns in the stoneware vase
the hearts and wheels of fire behind her.
And though I've mapped and studied the strike march
from the North Shore to town in 1921, though I've
sung psalms at festival and dipped the bamboo cup
in the stone bowl on the Day of the Dead,
though I've pitched coins and took my turn
at the taiko drum, and folded paper fortunes
and strung them on the graveyard's hala tree;
Though I've made a life and raised my house
oceans east of my birth, though I've craned
my neck and cocked my ear for the sound of flute
and shamisen jangling its tune of woe--
The music nonetheless echoes in its slotted box,
the cold sea chafes the land and swirls over gravestones,
and wind sighs its passionless song through ironwood trees.
More than memory or the image of the slant of grey rain
pounding the thatch coats and peaked hats
of townsmen racing across the blond arch of a bridge,
more than the past and its aches and brocade
of tales and ritual, its dry mouth of repetition,
I want the cold stone in my hand to pound the earth,
I want the splash of cool or steaming water to wash my feet,
I want the dead beside me when I dance, to help me
flesh the notes of my song, to tell me it's all right.
Excerpted from The River of Heaven by
Copyright 1988 by Garrett Hongo. Excerpted by
permission of Knopf,
a division of Random House LLC. All rights reserved. No part of this excerpt
may be reproduced or reprinted without permission in writing from the publisher.