Jane Hamilton

"[Hamilton] can make real life riveting.É There can be no better recommendation for a novelist." --The Denver Post

A Map of the World

  • Anchor Books
  • 0-385-72010-6
  • $12.95 (Can. $17.95)

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The Book of Ruth

  • Anchor Books
  • 0-385-26570-0
  • $13.00 (Can. $20.00)

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The Short History of a Prince

  • Anchor Books
  • 0-385-47948-4
  • $12.95 (Can. $19.95)

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About this guide

The questions, discussion topics, author biography and interview that follow are intended to enhance your reading group's discussion of Jane Hamilton's novels A Map of the World, The Book of Ruth, and The Short History of a Prince. Although linked by themes and ideas, each book has its own distinct personality. In A Map of the World and The Book of Ruth, Jane Hamilton has created two women who are far from perfect, but who discover in themselves a great deal of strength to triumph in the face of adversity. In The Short History of a Prince, Hamilton departs from her first two novels both in writing style and main character, adopting a more upbeat tone for her protagonist, Walter McCloud, an aspiring teenage ballet dancer who is eventually forced to confront both his brother's death and a lack of talent that destroys Walter's dream. Despite the stylistic differences among these three books, what remains consistent is Hamilton's ability to convey the emotional lives of her characters with clarity and resonance, ably demonstrating why she has been lauded as one of "the major writers of our time" (San Francisco Chronicle).


About A Map of the World

In the tradition of The Good Mother by Sue Miller and Before and After by Rosellen Brown, A Map of the World is the riveting story of how a single mistake can forever change the lives of everyone involved--in ways that are beyond imagining. One unremarkable June morning, Alice Goodwin is, as usual, trying to keep in check both her temper and her tendency to blame herself for her family's shortcomings. Six years ago, when the Goodwins took over the last dairy farm in the small Midwestern town of Prairie Center, they envisioned their home as a self-made paradise. But these days, as Alice is all too aware, her elder daughter Emma is prone to inexplicable fits of rage, her husband Howard distrusts her maternal competence, and Prairie Center's tight-knit suburban community shows no signs of warming to "those hippies who think they can run a farm." A loner by nature, Alice is torn between a yearning for solitude coupled with a deep need to be at the center of a perfect family.

On this particular day, Emma has started the morning with a violent tantrum, her little sister Claire is eating pennies, and it is Alice's turn to watch her neighbor's two small girls as well as her own children. She absentmindedly steals a minute alone--a minute that turns into ten: time enough for a devastating accident to occur. Her neighbor's daughter Lizzy drowns in the farm's pond, and Alice--whose volatility and unmasked directness keep her on the outskirts of acceptance--becomes the perfect scapegoat. At the same time, a seemingly trivial incident from Alice's past resurfaces and takes on gigantic proportions, leading the Goodwins into a maze of guilt and doubt culminating in a harrowing court trial and the family's shattering downfall.

A page-turning narrative of extreme literary depth, A Map of the World is an achingly accurate drama about an American family and a rural way of life that is fast becoming obsolete.

For discussion: A Map of the World

  1. In the opening pages of the novel, Alice says about her situation, "Now, in my more charitable moods, I wonder if our hardworking community members punished us for something as intangible as whimsy. We would not have felt eccentric in a northern city, but in Prairie Center we were perhaps outside the bounds of the collective imagination." (p. 4) How does the idea of alienation figure into the novel? Why do Dan and Theresa belong to Prairie Center? Does Howard belong? Feeling that she doesn't belong, could Alice have done anything to make herself less vulnerable to public censure?

  2. Compare the different ways the characters grieve: Are there parallels in the husband/wife relationships within the couples--Alice and Howard, Theresa and Dan--and how each spouse expresses, or fails to express, his or her own grief? Do the characters' respective genders play a role in the way they deal with grief? What role does grief play in Howard's relationship with Theresa?

  3. We get very little objective sense of the characters in A Map of the World in relation to one another and their environment; their accounts are extremely subjective and heavily tinged with emotion. How does this lack of objectivity affect your reading of the novel? How well do you feel you know the characters? Are Alice and Howard's versions of the events of the novel believable? Does Alice come across the same way through Howard's eyes as she does through her own?

  4. What is the function of Howard's narration? Does his perspective change your feelings about Alice and what happens to her? Is it clear why he doubts her?

  5. Does Alice's sense of her own inadequacy contribute to how she is viewed by the people of Prairie Center? Does it contribute to Howard's feelings towards her?

  6. At the outset of the novel, Alice says, "I had always suspected that Howard was able to slip into a phone booth, shed his rubber overalls right down to a blue body suit, and then take off into the sky, scooping up the children with one strong arm.... He has always been capable." (p. 9) What are some of Howard and Alice's respective strengths and weaknesses? Is either one stronger than the other in any way?

  7. At the point of the novel when Alice is arrested, she is still completely overwhelmed and incapacitated by Lizzy's death and her role in it. How do the accusations against Alice and her time in prison change her and help her to deal with what happened to Lizzy?

  8. What is revealed about Alice through her interaction with other prisoners? Does her sense of belonging shift while in prison? What new perspectives does she gain?

  9. While in the jail hospital, Alice reflects on her marriage, "Lying in the hospital bed I thought to myself that my passion for Howard had soon been replaced by something that was stronger than respect, or habit, or maybe even need.... "I wasn't certain the group of feelings wouldn't cancel each other out, if any of them could possibly be powerful enough to carry me along by his side, shoulder to shoulder." (p. 298) What binds Alice and Howard? Do the events of the novel change the essence of those ties?


About The Book of Ruth

"I learned, slowly, that if you don't look at the world with perfect vision, you're bound to get yourself cooked." Having come within an inch of her life, Ruth Dahl is determined to take a good look at it--and to figure out whether, in fact, she's to blame for the mess. Pegged the loser in a small-town family that doesn't have much going for it in the first place, Ruth grows up in the shadow of her brilliant brother, trying to survive in a world of poverty and hardship. Matt's brain is his ticket out of Honey Creek. Ruth, without options, cleaves instead to her tough, half-crazy mother, May, and eventually to Ruby, the sweet but slightly deranged young man she loves, marries, and supports. Ruth spots stains at Trim 'N Tidy dry cleaners, bowls at the Town Lanes, and tries in vain to keep the peace at home between May, whose lashing criticisms blow through the cramped house with gale force, and Ruby, who spends his days getting stoned and watching reruns of Bewitched on television. When the precarious household erupts in violence, Ruth is the only one who can piece their story together--and she gets to the truth in a manner at once ferocious, hilarious, and heartbreaking.

In this powerful, incandescent novel, Jane Hamilton has worked a small miracle: she has given voice to a young woman who is indistinguishable except for her passion in her commitment to life. The Book of Ruth is a stunning testament to the human capacity for mercy, compassion, and love.

For discussion: The Book of Ruth

  1. Ruth's story is particularly poignant because of the way she conveys so much that is beyond her understanding. What are the differences between what Ruth tells us and what we infer about her life and the people in it? How does Hamilton achieve this?

  2. How do you respond to Ruth's na•veté? Is her lack of understanding about the people in her life frustrating? Or does her innocence make her a more sympathetic character?

  3. May is in many ways a monstrous character in Ruth's life. What about her is human and invokes our sympathy? Are there any similarities between May and Ruth?

  4. How does Ruth get caught between May and Ruby? Does Justy's birth improve the situation for her at all?

  5. Daisy seems comfortable in the world of the novel, even while she remains distinct and apart from everyone in that world. How is her friendship important to Ruth? Is she as well-drawn as the other characters in the book?

  6. The Book of Ruth's climax is hinted at throughout the novel. What effect does this type of foreshadowing have on your reading? Does it add to or diminish the impact of the events when they finally occur?

  7. Is Ruth's attitude toward Ruby justified at the end of the book?

  8. Compare the characters of Aunt Sid in The Book of Ruth and Aunt Kate in A Map of the World. Do they serve the same function for Ruth and Alice?


About The Short History of a Prince

The moving story of the torments of sexuality and the redemptive power of family and friendship, The Short History of a Prince is the story of Walter McCloud, a boy with dreams unlike most. Introduced as a child to the genius of Balanchine and the lyricism of Tchaikovsky, Walter has always aspired to be a dancer. As he grows older, it becomes clear that despite his desire, he lacks the talent, and he faces the painful knowledge that his more gifted friends have already surpassed him. Soon, however, that pain is overshadowed when his older brother, Daniel, finds a strange lump on his neck and Walter realizes that a family's happiness can change overnight. The year that follows transforms the McClouds, as they try to hold together in the face of the fearful consequences of Daniel's illness, and Walter makes discoveries about himself and his friendships that will change him forever. Decades later, Walter returns home and must come to terms with the memories of that year, grappling once and for all with the challenge of carving out a place for himself in an all-too-familiar world.

For discussion: The Short History of a Prince

  1. A sense of place is significant in each of Hamilton's books. At the heart of The Short History of a Prince is the family's summer home at Lake Margaret. What role does this big old house play in Hamilton's tale? Why is it so important?

  2. In A Map of the World, Hamilton takes the reader on a slow, downward spiral toward disaster; in The Short History of a Prince, she makes it clear early on that Walter's brother will die, thereby revealing the book's ultimate tragedy and then moving beyond it. Does this defuse the story's suspense? Once you know of the death, what is it that makes you want to read on?

  3. Walter's response to his brother's impending death is cruel and self-centered. Is his behavior understandable--even forgivable--at this point? Why or why not?

  4. One of the pleasures of this novel is the evolution of Walter's and Susan's friendship. How does Hamilton manage to show each character at his or her worst in this relationship and yet convince the reader that they can be devoted friends?

  5. Sue Rawson is an important figure in Walter's life, and her association with the world of classical arts holds particular meaning for him. What do you think Hamilton is trying to say with her portrayal of this woman who seems to live on an altogether different plane than the rest of her family?

  6. Is The Short History of a Prince written entirely from Walter's point of view, or were there times when you felt the presence of an omniscient narrator? If so, how did this change of perspective affect your reading of the story? What about Walter's humorous tone? Did his lighthearted attitude diminish the impact of this tale of tragic death, failed romance, and loss of a dream, or serve to make it even more poignant? How does Hamilton manage to take us through such a journey and end with hope?

  7. How would you describe the world as portrayed in Jane Hamilton's novels? Is it particularly just or unjust? Does it strike you as realistic?


Suggestions for further reading

Margaret Atwood, Alias Grace; Chris Bohjalian, Midwives; Rosellen Brown, Before and After; Willa Cather, O Pioneers!; Louise Erdrich, Love Medicine; Pam Houston, Cowboys Are My Weakness; Barbara Kingsolver, Animal Dreams; Norman MacLean, A River Runs Through It; Sue Miller, The Good Mother; Susan Minot, Evening; Wallace Stegner, Crossing to Safety.