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Flux: Women on Sex, Work, Love, Kids, and Life In a Half-Changed World
by Peggy Orenstein - Anchor Books
- 0-385-49887-X
- 352 pages
- $14.00 (Can. $21.00)
"I loved it. . . . It's brilliant, fascinating, touching, wonderfully
composed." --Anne Lamott, author of Traveling
Mercies
Read an Interview with the Author More About the Book
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About this guide
The questions, author biography, and interview that follow are intended to
enhance your group's discussion of Peggy Orenstein's Flux, an engaging
and illuminating look at the concept of womanhood at the beginning of the
twenty-first century.
At thirty-four, Peggy Orenstein faced a series of dilemmas shared by many women
of her generation: She was unsure whether she wanted children, uncertain what
the impact of motherhood would be on her career, her relationships, and her
sense of self. Why, when women seemed to have so many choices, did she suddenly
feel as if she had none? After feminist liberation and its subsequent backlash,
she realized that women's lives, including her own, were now in a state of
flux.
After talking to over two hundred women between the ages of twenty-five and
forty-five, Orenstein has blended their voices into a compelling narrative that
allows the reader to get deep inside the lives and choices of other women and
share their thoughts on ambition and power, the experience of sex and love, the
meaning of motherhood, what it means to remain single and childless, and how
these things influence the way women assemble the pieces of their lives.
For all women who are looking for insight into their lives and the forces that
inform them, Flux has the power to inspire discussion and, by
illuminating the key conflicts of real women, show how life might be changed.
Only Peggy Orenstein, with her narrative gift and unique reportorial skills,
could produce such a cutting-edge book, a true blueprint for how women behave at
the turn of the century, an indispensable guide for women making important
decisions that will affect their entire lives.
For discussion
Part I: The Promise - Peggy Orenstein has structured her book in
a deliberate way: the opening of each section presents a chorus of voices,
leading into the solos that anchor chapters. How does this enhance the author's
examination of her subject?
- Early in the book, one of the author's subjects wonders "if we'd be happier
living in a society where there weren't so many choices" [p. 17]. Does
contemporary society offer women more choices than those available to previous
generations? Were our mothers and grandmothers more content than we are today?
- Throughout the book, women of every age confront the question of working for
meaning or working for money. What is the difference? What are the pros and cons
of each choice?
- In Flux, many of the women in their twenties think of marriage as a
means to an end--namely, children. Have you ever viewed marriage this way? Do
you now?
- Six female medical students discuss a seminar they'd just attended on
balancing work and family [pp. 37Ð38]. None of their male classmates came, nor
did the women expect them to. What are the implications of the men's absence on
the women's future careers and personal lives? What can women reasonably expect
or demand from men?
- A corporate double-bind currently exists for women in the workplace: women
who are perceived as feminine are considered ultimately ineffective, but those
who are seen as too masculine are considered overly aggressive. How can these
perceptions be changed?
- Many of the working women in this book, whether they view themselves as
being on the "fast track" or the "mommy track," reportedly feel that it is the
women at work who judge them most harshly. Is this true in your experience? If
so, why do you think this happens?
Part II: The Crunch
- Talk about the Crunch years as they relate to your life (or as you expect
them to). Do you find that, as the author states, "'You can be anything'
collides with 'you can't have it all'" [p. 96]?
- Do you think more women would be more likely to look at single life as an
option and not a sentence if society in general celebrated its ease, rewards,
and satisfactions?
- What role does money play in marriage? Is it the true source of power? Has
your marriage ever undergone changes in the balance of power because of a
dramatic change in the earning status of you or your spouse? Could you imagine
marrying a man who would make less money than you over the long run? What would
be the advantages and disadvantages?
- How can children be "an obstacle to fulfillment rather than its source" [p.
105]? Is the concept of motherhood overly idealized by women?
- Orenstein notes that women, whatever their arrangements, feel like lesser
mothers than those of the previous generation, while men, even with minimal
participation at home, feel like better fathers [p. 110]. Do you think this is
true? If so, why? What might change this?
- The author suggestions that "neither a woman's early childhood experience
nor her expectations . . . nor even a feminist orientation can predict how
she'll navigate the choices and constraints of motherhood" [pp. 165Ð166].
Looking back at your life and the lives of your sisters or close women friends,
how do you account for the different choices all of you have made?
- How does our culture "conspire against egalitarian co-parenting" [p. 173]?
What is your response to caretaking fathers when you see them at the mall or the
playground? Have you ever treated a caretaking father as less competent than a
similar mother?
- Orenstein comments that women's endless attempts to be perfect mothers
remind her of teenage girls, who, no matter what their weight, see themselves as
fat [p. 178]. What does a mother have to do to feel "good enough"? What role
does mother management play in what women consider good motherhood?
- Carrie discusses her expectations for her son and daughter [p. 182]. She
would like her daughter to have a career before a family, and be able to choose
whether to work or not. But she never imagines her son as a stay-at-home dad.
How do you envision your children's lives? Are we perpetuating inequality in our
dreams for our kids?
- With which women do you identify most and least? Which women had experiences
or made choices that were most enlightening to you?
Part III:
Reconsiderations - Women executives cite pay inequity, old-boy
networks, dead-end jobs, and stereotyping as greater obstacles to their careers
than motherhood, yet the challenges of motherhood are often the focus when we
talk about women in the workplace. Is motherhood helping to obscure the depth of
inequalities in the workplace?
- Orenstein quotes anthropologist Mary Catherine Bateson who wrote, "A pattern
chosen by default can become a path of preference" [p. 216]. What are some
examples of this in the book and in your own life?
- The author sees a clear distinction betweeen the self-images of working
mothers and those who stay home full-time. How is this illustrated by the women
in the book?
- The author reports that a recent study of sexual dysfunction found that
"lack of interest in sex was [women's] number one complaint" [p. 230]. Is this
true to your experience? Is it true to the experiences of the women in
Flux?
- Currently, one out of every two marriages fails. Clearly, as an institution,
marriage is not built on bedrock. So why do so many women see marriage as a
goal?
- In what ways were the African American women's experiences different from
the white women's in the book? Is there common ground between the experiences of
these two different groups?
- Orenstein states emphatically, "If you're doing it all, you do not have it
all" [p. 287]. How much truth is in that statement? After reading the women's
stories in the book, do you even "want it all"?
- The author states that if things are ever going to change, men need to
recognize and deal with the work-life dilemma. What can women do, personally and
on a societal level, to get men to address this question, to struggle to
maintain balance just as women do?
- Have any of your opinions about marriage, kids, and work changed as a result
of reading Flux? Has this book encouraged you to reevaluate your previous
choices in any way?
Suggestions for further reading
Natalie Angier, Woman: An Intimate Geography; Terri Apter, Secret Paths: Women
in the New Midlife; Jane Austen, Pride and Prejudice; Mary Catherine Bateson,
Composing a Life; Marcelle Clements, The Improvised Woman: Single Women
Reinventing Single Life; Susan Faludi, Backlash: The Undeclared War Against
American Women; Rhona Mahony, Kidding Ourselves: Breadwinning, Babies, and
Bargaining Power; Anne Roiphe, Fruitful: Living the Contradictions--A Memoir of
Modern Motherhood; Sallie Tisdale, Talk Dirty to Me: An Intimate Philosophy of
Sex; Naomi Wolf, The Beauty Myth: How Images of Beauty Are Used Against Women;
Virginia Woolf, A Room of One's Own.
Also by Peggy Orenstein, available from Anchor Books:
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