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Home > Librarians@Random > Editor's Corner




July 2009

Want to know what excites an RHCB editor? Tune in to the Editor’s Corner
each month to get the inside scoop on a different editor’s latest and greatest project,
from tomorrow’s bestseller to a literary masterpiece!



David Fickling   

Featured Editor: David Fickling, Publisher, David Fickling Books

 

Since its inception I have always known that I want the David Fickling Books imprint to  be first and foremost a 'story house' and I have pursued that aim throughout my editorial career in an entirely pragmatic and straightforward fashion.  I felt I knew what I meant by 'story' , a very broad and capacious idea in my head, and that was good enough for me.  Lately, since 'story' has become a more  fashionable word the concept has  begun to seem rather vague to me, and  I have been trying to work out what I really meant by the word and what it means in terms of our publishing decisions for children. I found myself writing this. Well, at least it's a start.

Teaching my Grandmother

Sometimes we forget why we learn to read. Learning to read is not easy for most of us. As a child there seem to be so many better things we could be doing with our time. It is one of the first pieces of hard intellectual discipline we undertake. Not surprising then that young children, teachers, parents and librarians often see learning to read itself as the goal. But it isn't.  The true goal is to get to the stories.  The stories are the brain food that every child needs, every human being needs.

But can't we just get stories from TV or films?

Of course we can but the reading process calls for the mind to be active and to build and imagine concepts in our own heads.  Films and TV do a lot of the work for us and we are forced to accept the view of the film-maker. The writing process calls for great care in the construction of stories.  By reading well-made stories children can think more deeply and imagine for themselves. They will learn more.

But surely stories are not real? They are just things we read when we are young, fairy tales and such?

Stories are neither true nor untrue. It is for the listener or reader to decide for themselves on the truth of things. That's the magic of them!  They get our minds working. And this is exactly why they are so important. Stories make us think. In fact, they are very much how we human beings learn to think. . .

But come on, fantasy stories just aren't true. We don't want to fill our children's minds with fantasy. They need reality.

Albert Einstein once conducted a thought experiment in which he imagined himself as travelling on a light beam. That wasn't true either, in fact it was a total fantasy, but it enabled him to think more clearly and uncover deeper truths. Some of the truths he uncovered were counter-intuitive and contradict common sense.   Fantasy or mythical stories often enable us to explore human (or non-human) situations in ways we couldn't in real life. They may not be strictly real but we can learn some very deep truths.

But science does not contain stories?

It does. Non-fiction is story just as much as Fiction.

Scientific theories are just stories of a special defined kind, with particularly strict rules of logic and verifiability.  These theories, say if you do this, then this will happen.  Theories can be true or false. Just like stories. And they can be sometimes true and sometimes false too, just like stories. You might define a theory as a provable (or disprovable) story.

What are the best stories for children?

Good stories have a good structure, a good pattern to them. In fact a story isn't a story at all unless it has a pattern, a string of unrelated facts or details just won't do. As we grow older we can deal with more complex patterns and absorb more contradictory truths. We are learning, and we are learning that the truth may not be clear-cut. But to start with children are served well with clear, robust story patterns. This is why fairy tales are good. Their structures are usually time-tested and very satisfying to the young reader.

So just how important are stories?

There is not a single value, moral, or ethic that has ever been written down or spoken, that has not given by story. Everything we record about "right" and "wrong" is recorded in a story. Stories teach us how to relate to each other. From humble gossip to world-changing religions to the whole human record of past events, all is transmitted by story or narrative.  Our most deeply held values are contained in stories.  People without stories are people without freedom. Other people can tell them what is right and wrong. They are reliant on others to tell them what to think.

Reading many different stories gives the child the power to think for themselves, to make your own mind up.  You can't get much more important than that.  Children need the best stories we can give them. The more people that are thinking clearly, the better for all of us.

 

 

 
Books that David Fickling has edited:

The London Eye Mystery

The London Eye Mystery
Siobhan Dowd
Hardcover | David Fickling Books | Juvenile Fiction| 978-0-375-84976-3 (0-375-84976-9) | February 2008 | $15.99
Trade Paperback | Yearling | Juvenile Fiction| 978-0-385-75184-1 (0-385-75184-2) | May 2009 | $7.50
Hardcover Library Binding | David Fickling Books | Juvenile Fiction| 978-0-375-94976-0 (0-375-94976-3) | February 2008 | $18.99



Sylvie and the Songman

Sylvie and the Songman
Tim Binding
Hardcover | David Fickling Books | 978-0-385-75157-5 (0-385-75157-5) | August 2009 | $15.99
Hardcover Library Binding | David Fickling Books | 978-0-385-75159-9 (0-385-75159-1) | August 2009 | $18.99



Barnaby Grimes: Curse of the Night Wolf

Barnaby Grimes: Curse of the Night Wolf
Paul Stewart and Chris Riddell
Hardcover | David Fickling Books | 978-0-385-75125-4 (0-385-75125-7) | September 2008 | $15.99
Hardcover Library Binding | David Fickling Books | 978-0-385-75126-1 (0-385-75126-5) | September 2008 | $18.99


Barnaby Grimes: Return of the Emerald Skull

Barnaby Grimes: Return of the Emerald Skull
Paul Stewart and Chris Riddell
Hardcover | David Fickling Books | Juvenile Fiction - Action & Adventure| 978-0-385-75128-5 (0-385-75128-1) | February 2009 | $15.99
Hardcover Library Binding | David Fickling Books | Juvenile Fiction - Action & Adventure| 978-0-385-75129-2 (0-385-75129-X) | February 2009 | $18.99

The Golden Compass

The Golden Compass: His Dark Materials
Philip Pullman
Hardcover | Knopf Books for Young Readers | Juvenile Fiction - Science Fiction, Fantasy, Magic| 978-0-679-87924-4 (0-679-87924-2) | April 1996 | $20.00
Trade Paperback | Knopf Books for Young Readers | Juvenile Fiction - Science Fiction, Fantasy, Magic; Juvenile Fiction - Action & Adventure| 978-0-375-82345-9 (0-375-82345-X) | September 2002 | $11.95



The Subtle Knife

The Subtle Knife: His Dark Materials
Philip Pullman
Hardcover | Knopf Books for Young Readers | Juvenile Fiction - Science Fiction, Fantasy, Magic| 978-0-679-87925-1 (0-679-87925-0) | July 1997 | $20.00
Trade Paperback | Knopf Books for Young Readers | Juvenile Fiction - Science Fiction, Fantasy, Magic; Juvenile Fiction - Action & Adventure| 978-0-375-82346-6 (0-375-82346-8) | September 2002 | $11.95

The Amber Spyglass

The Amber Spyglass: His Dark Materials
Philip Pullman
Hardcover | Knopf Books for Young Readers | Juvenile Fiction - Science Fiction, Fantasy, Magic; Juvenile Fiction - Action & Adventure| 978-0-679-87926-8 (0-679-87926-9) | October 2000 | $20.00
Trade Paperback | Knopf Books for Young Readers | Juvenile Fiction - Science Fiction, Fantasy, Magic; Juvenile Fiction - Action & Adventure| 978-0-375-82335-0 (0-375-82335-2) | September 2002 | $11.95