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Home > Librarians@Random > A Word from Pat Scales





March 2005

Dear Fellow Book Lovers:

DISCOVERING THE ARTS, PART II

MUSIC

 

The smallest baby responds to music. This is why some parents and caregivers play soft classical music as babies nap. Infants also react to the sweet sound of lullabies and enjoy bouncing to the beat of familiar nursery songs found in collections like The Helen Oxenbury Nursery Collection. I remember learning to skip to music in kindergarten, and in second grade playing the tambourine in the rhythm band. Most children learn to skip to music at a much earlier age now, and all kinds of rhythm instruments are available for the tiniest tots. Many public libraries even circulate such instruments so that their youngest patrons can individually experience music. Each generation finds their own music with or without the urging of librarians, parents, and teachers. But, we can play a role in exposing them to various genres of music and help them see how music plays a distinctive role in every culture.

How can music become a part of library programming?

  • Purchase and circulate music CDs—from classical to folk music.
  • Circulate small CD players for children who may not have them in the home.
  • Sponsor a musical heritage festival, and invite people from various cultures to share their traditional music.
  • Invite someone from the local symphony or high school band and orchestra to introduce the various instruments to children.
  • Sponsor a music trivia contest where older children have to use books in the library to find the answers. Or, sponsor an online trivia contest where patrons submit their answers by email. Perhaps a local music store would donate a CD as a prize for the winner.
  • Introduce readers to books like Peter and the Wolf by Sergei Prokofiev and illustrated by Peter Malone. This particular book comes with a fully-orchestrated and narrated CD. Random House also publishes The Phantom of the Opera by Gaston Leroux. Older readers may enjoy reading this before listening to or viewing Andrew Lloyd Webber’s musical version of the story.
  • Encourage readers to choose a work of historical fiction like North by Night: A Story of the Underground Railroad by Katherine Ayes (ages 10 up) and locate period music to fit the story. Do the same exercise, but use a collection of folktales like The People Could Fly by Virginia Hamilton and illustrated by Leo and Diane Dillon (all ages). Discuss how the music selections vary to match the different genres.

 

  • Locate books like With Love From Spain, Melanie Martin by Carol Weston (ages 8-12) where the main character travels to another country. Ask readers to find examples of music from that country.
  • Include music in a study of other cultures. For example, have readers identify the music that the Irish Travelers might listen to in See You Down the Road by Kim Ablon Whitney (ages 12 up), or the Finnish immigrants in Song of Sampo Lake by William Durbin (ages 10 up)?

These are only a few ideas for including music in the public and school library. There are numerous other ways, but the important thing is that children and young adults learn to listen to music and make it a part of their lives, both culturally and aesthetically.

You may email me at pscales@scgsah.state.sc.us.