Magic Tree House
Junie B. Jones
★ The tragic Romanovs, last imperial family of Russia, have long held tremendous fascination. The interest generated by this family is intense, from debates about Duchess Anastasia and her survival to the discovery of their pathetic mass graves. A significant number of post-Glasnost Russian citizens consider the Romanovs holy to the extent that the Russian Orthodox Church has canonized them. This well-researched and well-annotated book provides information not only on the history of these famous figures but also on the Russian people living at the time and on the social conditions that contributed to the family’s demise. The narrative alternates between a straightforward recounting of the Romanovs’ lives and primary source narratives of peasants’ lives. The contrast is compelling and enhances understanding of how the divide between the extremely rich and the very poor can lead directly to violent and dramatic political change. While the description and snippets on the serfs and factory workers are workmanlike, the pictures painted of the reclusive and insular Romanovs is striking. Unsuited to the positions in which they found themselves, Nicholas and Alexandra raised their children in a bubble, inadequately educating them and providing them only slight exposure to society. The informative text illuminates their inability to understand the social conditions in Russia and the impact it might have had on them. This is both a sobering work, and the account of the discovery of their bones and the aftermath is at once fascinating and distressing. A solid resource and good recreational reading for high school students.–School Library Journal, starred
★ History comes to vivid life in Fleming’s sweeping story of the dramatic decline and fall of the House of Romanov. Her account provides not only intimate portraits of Tsar Nicholas, his wife, Alexandra, and the five Romanov children but also a beautifully realized examination of the context of their lives—Russia in a state of increasing social unrest and turmoil. The latter aspect is realized in part through generous excerpts from letters, diaries, memoirs, and more that are seamlessly interspersed throughout the narrative. All underscore the incredible disparity between the glittering lives of the Romanovs and the desperately impoverished ones of the peasant population. Instead of attempting to reform this, Nicholas simply refused to acknowledge its presence, rousing himself only long enough to order savage repression of the occasional uprising. Fleming shows that the hapless tsar was ill equipped to discharge his duties, increasingly relying on Alexandra for guidance; unfortunately, at the same time, she was increasingly reliant on the counsel of the evil monk Rasputin. The end, when it came, was swift and—for the Romanovs, who were brutally murdered—terrible. Compulsively readable, Fleming’s artful work of narrative history is beautifully researched and documented. For readers who regard history as dull, Fleming’s extraordinary book is proof positive that, on the contrary, it is endlessly fascinating, absorbing as any novel, and the stuff of an altogether memorable reading experience. –Booklist, starred
★ It’s an astounding and complex story, and Fleming lays it neatly out for readers unfamiliar with the context. Czar Nicholas II was ill-prepared in experience and temperament to step into his legendary father’s footsteps. Nicholas’ beloved wife (and granddaughter of Queen Victoria), Alexandra, was socially insecure, becoming increasingly so as she gave birth to four daughters in a country that required a male heir. When Alexei was born with hemophilia, the desperate monarchs hid his condition and turned to the disruptive, self-proclaimed holy man Rasputin. Excerpts from contemporary accounts make it clear how years of oppression and deprivation made the population ripe for revolutionary fervor, while a costly war took its toll on a poorly trained and ill-equipped military. The secretive deaths and burials of the Romanovs fed rumors and speculation for decades until modern technology and new information solved the mysteries. Award-winning author Fleming crafts an exciting narrative from this complicated history and its intriguing personalities. It is full of rich details about the Romanovs, insights into figures such as Vladimir Lenin and firsthand accounts from ordinary Russians affected by the tumultuous events. A variety of photographs adds a solid visual dimension, while the meticulous research supports but never upstages the tale.
A remarkable human story, told with clarity and confidence. (bibliography, Web resources, source notes, picture credits, index) – Kirkus Reviews, starred
★ Making vibrant use of primary sources that emerged since the collapse of the Soviet Union in 1991, Fleming (Amelia Lost) brings to life the last imperial family of Russia. Writing with a strong point of view based on diary entries, personal letters, and other firsthand accounts, she enriches their well-known story with vivid details. The narrative begins in February 1903 (with some flashbacks to the meeting of tsar Nicholas and German-born tsarina Alexandra) and also features primary sources from peasants and factory workers—including an excerpt from Maxim Gorky’s 1913 memoir—that help to affectingly trace the increasingly deplorable conditions and growing discontent that led to the Russian Revolution; key figures such as Rasputin and Lenin are profiled in some depth. Fleming’s fulsome portraits of Nicholas and Alexandra, along with her depiction of their devoted relationship, highlight the role their personalities played in their downfall, as well as that of their beloved country. A wonderful introduction to this era in Russian history and a great read for those already familiar with it. – Publishers Weekly, starred
★ Her focus here is not just the Romanovs, the last imperial family of Russia, but the Revolutionary leaders and common people as well. She cogently and sympathetically demonstrates how each group was the product of its circumstances, then how they all moved inexorably toward the tragic yet fascinating conclusion. Each member of the Romanov family emerges from these pages as a fully realized individual, but their portraits are balanced with vignettes that illuminate the lives of ordinary people, giving the book a bracing context missing from Massie’s Nicholas and Alexandra, still the standard popular history. The epic, sweeping narrative seamlessly incorporates scholarly authority, primary sources, appropriate historical speculation, and a keen eye for the most telling details. Moreover, the juxtaposition of the supremely privileged lifestyle of Russian nobility with the meager subsistence of peasants, factory workers, and soldiers creates a narrative tension that builds toward the horrifying climax. Front and back matter include a map, genealogy, bibliography, and source notes, while two sixteen-page inserts contain numerous captioned photographs. – The Horn Book, starred