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Lisa Genova, who conducted this interview, is the New York Times bestselling author of Still Alice and Left Neglected. She graduated valedictorian from Bates College with a degree in biopsychology and earned a Ph.D. in neuroscience from Harvard University. She lives on Cape Cod with her husband and three children.
LG: I love reading about characters who are forced to face huge, unusual, life-and-death obstacles. I think I love this because it’s a chance to see the resilience and adaptability of the human spirit, to witness powerful and meaningful change. You gave your main character, Sicily Coyne, one doozy of an obstacle. How did you come to imagine this woman who loses her face in a horrific fire?
JM: When I was little, there was a fire on the west side of Chicago at a school called Our Lady of Angels. Everyone had a neighbor, a cousin, a sibling, a good friend who knew, and knew well, one of the 92 children and three teaching sisters who died there. People kept copies of the Life magazine cover photo of firefighter Richard Scheidt, carrying out the unmarked body of ten-year-old John Jakowski from the building. The picture is excruciating. Scheidt’s face is the personification of agony and mercy, almost like the mother of Christ. The child looks as though he has peacefully fallen asleep. That was the central image with which the book started, the firefighter giving his life so that a child might not die alone—in part, perhaps, because his own child survived, although terribly disfigured. The face transplant was a pretty natural idea because I was pre-med in college (unlike you, Lisa, I was undone by mathematics). I’m bewitched by science. Once I learned that this procedure could become simpler with practice (because everyone has a trigeminal nerve and an orbital floor in more or less the same place) I asked myself, what will be the next complication? And then the idea bloomed. What might naturally happen if someone’s beauty is restored, after a dozen years, in the bloom of her young womanhood? And that was the ethical mystery, the hinge of the story.
LG: Sicily, Marie, Beth, and Eliza are all strong, smart, stubborn Italian women. Where did the inspiration for these dynamic women come from?
JM: I grew up in an Italian neighborhood. All my boyfriends were handsome hoodlums, much prettier than I was. My godmother and godfather were first generation Italians, and so were my best friend’s parents, and much of the way I learned to make sense of the world (and to make great gravy) were as a result of days spent in my godmother’s kitchen. My own mother was star-crossed in many ways, but was a strong, smart, stubborn woman, much like Marie, Sicily’s aunt. In fact, physically and in her speech, my mother could be Marie, if my mother had not died very young. I didn’t realize this until you asked the question.
LG: Readers who fell in love with the Cappadora family in The Deep End of the Ocean and No Time to Wave Goodbye will be thrilled to see them again in SECOND NATURE. Had you always imagined that Vincent’s journey would lead him to someone like Sicily?
JM: Vincent Cappadora is just me, in so many difficult and also good ways—someone who wants badly to do the right thing and manages to snatch defeat from the jaws of victory half the time, and the other half of the time breaks the tape at the last moment. He may get what he wants, or even what he needs, but not without going through a significant patch of hell first. How Vincent turns out depends on the thing that is most difficult for most people, and that’s the willingness to crack open and be hurt.
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Buy a hardcover or eBook of Second Nature, available September 6th!















This summer, Reader’s Circle is proud to present in paperback one of the best memoirs we’ve read in years. A few months ago, as we started to think about publishing Gail Caldwell’s extraordinary memoir in paperback, we remembered all the many readers, bloggers, authors, and reviewers who loved it when it first appeared in hardcover, and we thought: why not capture some of them on film? The result is a moving testimony to the power of Let’s Take the Long Way Home. As Time magazine said when it named the book one of its top ten nonfiction titles of 2010, this is a memoir “meant to be savored and shared.” We hope you and your book clubs will read this and agree that it’s an experience best fulfilled by passing it on to the friends in your life who mean the most to you. And we hope you’ll share this video with them too!
Dear readers,
her. We’d play a game the night I came in, usually late, we’d only have time for one. The next morning, I’d go for a run while she had her coffee-cake and tea—then we’d start in, and play game after game. We’d pause for lunch and sit together looking out the window at the swans on the lagoon she loved. Then we’d play until supper, then again after, as the light fell. She had been a concert pianist. And sometimes she played Chopin for me in the evenings—I would beg for that—then she’d have a drink, another cigarette, it would be night by then, I’d grab two cookies from the kitchen, and we’d come back once more to the board still laid out the table. One last game.
“A lovely gift to readers . . . You can shelve Let’s Take the Long Way Home,Gail Caldwell’s beautifully written book . . . next to The Year of Magical Thinking, Joan Didion’s searing memoir about losing her husband. . . . But that’s assuming it makes it to your shelf: This is a book you’ll want to share with your own ‘necessary pillars of life,’ as Caldwell refers to her nearest and dearest.” —The Washington Post (Best Nonfiction of 2010)
Hilary Thayer Hamann is the author of the novel Anthropology of an American Girl,
I visited with my first book club recently—the Winder Binder bookstore in Chattanooga, TN. A pleasant bunch of folks had read one of my books, and they were overflowing with enthusiastic questions, as well as insights that had never occurred to me as the author. It is always a nice surprise when readers find interesting connections in the text that I didn’t know were there. What can be more gratifying for a writer than to have one’s work taken seriously and with good feeling? It is not the forced assignment of a classroom syllabus, but a voluntary attention and an honest response to the words inside the covers of a book. The book–that revered relic. Let us all get our paws on as many as we can and talk about them and share them with our friends. Even e-books can work. Reading is something like being inside a tent. When you are finished, you crawl out and return the book to the shelf, but an e-book magically retreats into the clouds. The tent goes too, stakes and all.
Sometimes a book I’m reading is so terrific that when I finish, I simply turn back to page one and start all over again to see what I’ve missed, to experience it again, more deeply, or because I don’t want to let it go. In a book club you can keep the momentum going, let the book ricochet around a group of readers. A book club is a way to prolong the book, deepen your journey into it, and enjoy refreshments with friends.
With Dreams of Joy, I wanted to write about a mother-daughter relationship. I also wanted to create two women who would have their own unique voices. Joy is nineteen, stubborn, naïve, and has run away to China. Pearl, Joy’s mother, chases after her daughter, hoping to bring her home. Joy follows her Tiger personality and often leaps blindly into situations she shouldn’t, while Pearl has had a lifetime of heartbreak and knows from experience that whatever she does will be tempered by fate, destiny, and the vicissitudes of luck. Joy is absolutely sure of herself, while Pearl questions everything.
words and sentiments flowed very easily, because I’ve now lived with her every day for over four years. But even if I didn’t know Pearl as well as I do, I could relate to her purely as one mother to another. After all, what mother on earth hasn’t had moments when she’s thought to herself, as Pearl does at one point, It’s just so hard to be a mother? What mother hasn’t worried when she’s seen her child making a life-changing mistake? What mother hasn’t tried to “fix” things for her child, only to make things worse? (But we make things better most of the time, right?) What mother hasn’t at some point had to hide her sadness, anger, and grief, as Pearl does? I could write about those aspects of motherhood, because I’ve experienced them myself.
Finally coming to trade paperback on May 31, now with an additional story!
