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Posts Tagged ‘reading group’

Lisa Genova interviews Second Nature author Jacquelyn Mitchard

Thursday, September 1st, 2011

Lisa Genova, who conducted this interview, is the New York Times bestselling author of Still Alice and Left Neglected. She graduated valedictorian from Bates College with a degree in biopsychology and earned a Ph.D. in neuroscience from Harvard University. She lives on Cape Cod with her husband and three children.

LG: I love reading about characters who are forced to face huge, unusual, life-and-death obstacles. I think I love this because it’s a chance to see the resilience and adaptability of the human spirit, to witness powerful and meaningful change. You gave your main character, Sicily Coyne, one doozy of an obstacle. How did you come to imagine this woman who loses her face in a horrific fire?

Second NatureJM: When I was little, there was a fire on the west side of Chicago at a school called Our Lady of Angels. Everyone had a neighbor, a cousin, a sibling, a good friend who knew, and knew well, one of the 92 children and three teaching sisters who died there. People kept copies of the Life magazine cover photo of firefighter Richard Scheidt, carrying out the unmarked body of ten-year-old John Jakowski from the building. The picture is excruciating. Scheidt’s face is the personification of agony and mercy, almost like the mother of Christ. The child looks as though he has peacefully fallen asleep. That was the central image with which the book started, the firefighter giving his life so that a child might not die alone—in part, perhaps, because his own child survived, although terribly disfigured. The face transplant was a pretty natural idea because I was pre-med in college (unlike you, Lisa, I was undone by mathematics). I’m bewitched by science. Once I learned that this procedure could become simpler with practice (because everyone has a trigeminal nerve and an orbital floor in more or less the same place) I asked myself, what will be the next complication? And then the idea bloomed. What might naturally happen if someone’s beauty is restored, after a dozen years, in the bloom of her young womanhood? And that was the ethical mystery, the hinge of the story.

LG: Sicily, Marie, Beth, and Eliza are all strong, smart, stubborn Italian women. Where did the inspiration for these dynamic women come from?

JM: I grew up in an Italian neighborhood. All my boyfriends were handsome hoodlums, much prettier than I was. My godmother and godfather were first generation Italians, and so were my best friend’s parents, and much of the way I learned to make sense of the world (and to make great gravy) were as a result of days spent in my godmother’s kitchen. My own mother was star-crossed in many ways, but was a strong, smart, stubborn woman, much like Marie, Sicily’s aunt. In fact, physically and in her speech, my mother could be Marie, if my mother had not died very young. I didn’t realize this until you asked the question.

LG: Readers who fell in love with the Cappadora family in The Deep End of the Ocean and No Time to Wave Goodbye will be thrilled to see them again in SECOND NATURE. Had you always imagined that Vincent’s journey would lead him to someone like Sicily?

JM: Vincent Cappadora is just me, in so many difficult and also good ways—someone who wants badly to do the right thing and manages to snatch defeat from the jaws of victory half the time, and the other half of the time breaks the tape at the last moment. He may get what he wants, or even what he needs, but not without going through a significant patch of hell first. How Vincent turns out depends on the thing that is most difficult for most people, and that’s the willingness to crack open and be hurt.

***

Buy a hardcover or eBook of Second Nature,  available September 6th!

Henry House, the “practice” baby: Reader’s Circle interviews Lisa Grunwald

Tuesday, August 16th, 2011

Irresistible Henry HouseLisa Grunwald’s novel, The Irresistible Henry House, is now available in paperback.

Random House Reader’s Circle: When you talk to people who’ve read The Irresistible Henry House, what’s the first question they usually ask?

Lisa Grunwald: It’s almost always whether the story was actually based on a real practice, whether people actually used real babies to teach college classes on mothering. The answer is yes, but I’ve sent a lot of incredulous people to the Cornell University website where I first found the photograph that helped inspire the novel.

RHRC: How did that discovery come about?

LG: In 2005, I was doing research for an anthology of American women’s letters. Specifically I was hoping to find a letter from a home economics student. There was an online exhibit at the Cornell website called “What Was Home Economics?” Among other photographs was this captivating image of a baby called “Bobby Domecon”—the last name a combination of “Domestic” and “Economics.” (Historian Joan Jacobs Brumberg at Cornell told me that it’s pronounced “Dough-me-con.”) I quickly learned that at Cornell, from the 1920s through the 1960s, babies supplied by local orphanages were used to teach mothering skills to students, who would take turns bathing and feeding and dressing their charges. Last time I checked, the site was still up at www.cornell.edu, and it’s well worth a look.

Irresistible Henry House baby

RHRC: Did you ever think about tracking down some of the real children?

LG: I certainly thought about it. Before I was a novelist, I was a journalist, and the reporter grunwald_lisain me was really drawn to the idea of writing a nonfiction book. But two things changed my mind. First, I just loved the idea of the practice house as the premise for a novel and as the starting point for a fictional character. How would he ever learn to trust someone? How would he feel about women? How would he ever be able to draw a distinction between being loved and being used? And where might all that lead him—romantically, professionally? It was just—yes, irresistible to me to ponder these questions. And the second thing? Well, I suspected that it would be virtually impossible to find enough of those now-grownup children to make a nonfiction book complete. After their time in the practice houses, the babies were returned to their orphanages and adopted like any other children, or put into foster care. Very few records were kept.

RHRC: Since the novel’s publication, have you heard anything more about the practice?

LG: I did find a series of articles about a case at Eastern Illinois State College, where the superintendent of the Child Welfare Division had objected to the practice. This didn’t

deter a home ec teacher named Ruth Schmalhausen, who passionately defended the practice. At the time—this was the mid-fifties—it was really very common. The program was available at some fifty colleges around the country. In relating the Schmalhausen controversy, Time magazine took what I thought was a somewhat snarky position about the superintendent’s objections, writing “Heaven only knows how many neuroses little David might develop.” It was one of those moments during the research when I really felt the distance we’d come in the way we think about childhood.

RHRC: Some critics have compared Henry to Forest Gump and T. S. Garp. How accurate do you find those comparisons?

LG: Those are extraordinarily memorable characters in fiction, and to think that Henry has been mentioned alongside them just thrills me. But certainly some of the comparison

comes from the fact that all three novels are centered around young men whose stories coincide with, and in certain ways reflect, the changes that occurred in this country’s social and cultural history.

RHRC: Did you have to do research on those changes, too, or are you and Henry of the same generation?

LG: I’m a half-generation younger than Henry. He was born in 1946, and I was born in 1959, so many of the cultural milestones he encounters are things I encountered, but from a much younger perspective. And I loved doing the research. As Henry grows up, we see the new childcare book by Benjamin Spock and the new magazine Playboy from Hugh Hefner. We hear music from Bing Crosby and the Beatles. We witness the March on Washington, the riots at Berkeley, the opening of Hair and the release of Yellow Submarine.

RHRC: And ultimately what does all that have to do with Henry?

LG: It’s the chaotic but passionate backdrop against which he tries to find a place and a person with whom he feels authentic, trusting, and trustworthy. It’s a journey.

RHRC: And do you know how it ends? What happens after the last page?

LG: If I know, I’m not telling.

Let’s Take the Long Way Home: A Memoir of Friendship

Friday, July 15th, 2011

Let's Take the Long Way HomeThis summer, Reader’s Circle is proud to present in paperback one of the best memoirs we’ve read in years. A few months ago, as we started to think about publishing Gail Caldwell’s extraordinary memoir in paperback, we remembered all the many readers, bloggers, authors, and reviewers who loved it when it first appeared in hardcover, and we thought: why not capture some of them on film? The result is a moving testimony to the power of Let’s Take the Long Way Home. As Time magazine said when it named the book one of its top ten nonfiction titles of 2010, this is a memoir “meant to be savored and shared.” We hope you and your book clubs will read this and agree that it’s an experience best fulfilled by passing it on to the friends in your life who mean the most to you. And we hope you’ll share this video with them too!

Included in the video are Kelly Corrigan, bestselling author of The Middle Place; Carol Fitzgerald, president of The Book Report Network; Bethanne Patrick, editor of Shelf Awareness; Esther Bushell, founder of LiteraryMatters.com; and Jesse Kornbluth, editor of HeadButler.com.

“Stunning . . . gorgeous . . . A book of such crystalline truth that it makes the heart ache.”—The Boston Globe

Read an excerpt
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Dawn Tripp’s Game of Secrets: a letter to book clubs

Monday, July 11th, 2011

tripp_dawnDear readers,

Was there a special game you played as a child? A game you still love now because of what it meant to you then?

For as long as I can remember, my grandmother and my father played cards. They taught me pitch and gin. When my aunt was visiting, they needed a fourth, and so they taught me bridge. But the game I loved was Scrabble. Before I really knew how to play, I would sit with one of them—usually my grandmother—and I would watch her form those disparate letters into words and lay down those words to catch the colored numbered squares and fill the board. It was by watching that I learned the rules. I remember the thrill I felt when I was old enough to keep my own letters, to have my own rack. We would play after lunch and after a game or two, my aunt and father would drift off to something else. “You want to play again, Nana?” I’d ask. And my grandmother would nod, light another cigarette, and start flipping over the tiles. We would play game after game after game. Until it was time for her to fix supper. Then we’d eat, clear the table, wash the dishes, I would dry them for her and then I’d ask to play again.

When I graduated from college, and moved to New York, I would drive to Connecticut to spend the weekend with Game of Secretsher. We’d play a game the night I came in, usually late, we’d only have time for one. The next morning, I’d go for a run while she had her coffee-cake and tea—then we’d start in, and play game after game. We’d pause for lunch and sit together looking out the window at the swans on the lagoon she loved. Then we’d play until supper, then again after, as the light fell. She had been a concert pianist. And sometimes she played Chopin for me in the evenings—I would beg for that—then she’d have a drink, another cigarette, it would be night by then, I’d grab two cookies from the kitchen, and we’d come back once more to the board still laid out the table. One last game.

The idea for this novel came to me years after she was gone. But as I wrote the scenes of the two women, Ada and Jane, playing Scrabble, I remembered the long sweet hours of those childhood days: the stillness of the house, the light tick-tack as she lay down her tiles, the smell of her cigarette balanced on the ashtray, just resting there untended, dwindling down.

And I remembered too things I did not know I had forgotten, things she had taught me over the years as we played. She played Scrabble for the words, as many women in her generation did. I always played for the numbers. How we play a game can reveal so much about how we tick, how we live, who we are. In Scrabble, some play to keep the board open, some play to shut it down. Some play with an eye to the sum of the total scores of all players; some play, simply, to maximize their own score. Most players will look at the board and see the words that fill it. But a really good player, a canny player—and she was one of those—will also see opportunity in the skinny spaces still left open in between.

As I wrote the scenes for this novel, the game for me became the perfect lens for a story about two women, two families bound together and divided by unspeakable secrets—a brutal past, a murder, a love story. Because what are words if not a bridge? Between one person and another. Thought and reality. Past and present, present and future. Words bridge silence. Words, and the stories they comprise, bridge time.

So reader, tell me this:

What was the game you played as a child? Who did you play that game with? What did it mean to you then? And what has it taught you about life as you are living it now?

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Consider these questions when discussing Game of Secrets.
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Win two copies of Gail Caldwell’s Let’s Take the Long Way Home: one for you, one for a friend!

Tuesday, July 5th, 2011

Let's Take the Long Way Home

Caldwell_gail“A lovely gift to readers . . . You can shelve Let’s Take the Long Way Home,Gail Caldwell’s beautifully written book . . .  next to The Year of Magical Thinking, Joan Didion’s searing memoir about losing her husband. . . . But that’s assuming it makes it to your shelf: This is a book you’ll want to share with your own ‘necessary pillars of life,’ as Caldwell refers to her nearest and dearest.” —The Washington Post (Best Nonfiction of 2010)

Watch Kelly Corrigan and others on why they love Let’s Take the Long Way Home:

Winners will be chosen randomly and notified on September 1st.

The Lights are Stars: the beauty of summer reading

Thursday, June 30th, 2011

hamann_hilary_thayerAnthro of an American GirlHilary Thayer Hamann is the author of the novel Anthropology of an American Girl, available now in paperback.

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My summer house has floors of iridescent green and ceilings of moveable blue.

There are papered walls—willowy panels of lavender and lilacs, and curtains of roses, imperfect and heavily hanging. There are tapestries of wisteria with threads that wend their way through decaying trellis. Feelers probing, twisting, vining, making their escape, strangling to survive.

I have carpets of sand, swells of sand, rolling, diving—when you go low, you see the surface, how it  makes architecture, a city of rooftops.

In my house the lights are stars.

My living room shifts shape. It is a park, a lawn, a porch, a garden. A dune, a deck, a boat. No—a rooftop with tar that melts beneath my feet. A fire escape abandoned by the midday sun. Now an air conditioned café. Now a European train station, A mosque, a church, a synagogue, a shrine—a shrine.

In inclement weather, my roof is a tent, a shop awning, a boardwalk overhang, a screened porch, an antique carousel, a potting shed built of boards that meet only in part, finished with paint that does not fully cover. Through the gaps I watch the world. Little me, little you.

My furniture is the best that money can provide. There is a hammock, a folding chair, a wrinkled blanket, a damp towel, a rolled sweatshirt, a front stoop, a picnic bench. Yesterday’s newspaper. The bleachers at a softball field, the warm hood of a car, the shelter of his arms. The stereo plays just one song, again and again—Ella Fitzgerald singing “Do Nothin’ Til You Hear From Me.”

I live near water. I swim in a pool, paddle on the bay, surf in the ocean. I walk the banks of a rushing river. I sail on a lake of glass. I ride ferries; I like ferries. Standing beneath waterfalls, I pretend the sky is falling—the entire galaxy crashing down. When I want to be wet, the water is there. I am grateful. The sea spreading out before me—taunting, teasing, grinding, unfolding. Giving and taking. They say that seals are the souls of dead sailors. I like that they say that. It needs to be said. After all, we are not merely human; we are humane.

I live far from water. In the desert, beneath the rain shadow, within a mountain cave, tucked inside a windowless railroad apartment of a tenement building. I stare into fountains, count the cubes in my drink. I contemplate fish as they tour their tanks. I knock on the aquarium glass, whisper through the bubbles on top. I establish eye contact, reminding them of how fortunate they are to be wet, and also, to come in colors, for fish are truly miracles. I long for rain. I clench my fists and shout to the heavens. I make pleas and promises, then dance when my prayers are answered. I walk through neighborhoods—your neighborhood—and listen like a Ninja for the tick-thuck tick-thuck of a garden sprinkler. I dart past the spray remembering what it once was to dart past the spray. I am amazed to find that what it once was is what it always will be. Here, I am sustained by memories of all the waters I have ever known. Here, there is always the possibility of a shower. No lights, no towels, a whole new naked. Stepping into my own private ice, I become more wet than ever before. Reanimated, rebaptized. Relief is so much sweeter when we need it that much.

In summer, my days are long and unsupervised. If there is work: I avoid it. If there is fun, it comes in unfortunate clusters of twos and threes. Rather than try to be everywhere at once, I remain no place at all times. In such freedom I am attended by my sole companion—my soul companion—my lover, my friend, my partner in crime—my book. If in winter there is a book to escape to, in summer there is one to escape with. If it feels safe in a blizzard to remain reading in a window seat, snug in a quilted bed, curled on a cushion near a hearth, in a heat wave, there is safety in the elements, comfort in the unknown. You will find me there, in the light, in the air. Book in hand, mind wide open. Ready for change, awaiting epiphanies. I travel—we travel—me and my book. Edinburgh, Toronto, Sydney, Sao Paolo, Hong Kong, Hamburg, Vienna, Paris, New Orleans. I am a Mexican, a Turk, a Czech, Swede. I am a queen, a peasant, a physician, a student, a hustler, a vandal, a thief. An heiress, an orphan. A philosopher, a fool. I live high, I live low. I pace castle walls, assessing my dominion. I slither through grass, lying in wait. I am loose, I am chaste. Animal, intellectual, everything rising up—all the snakes set free. I am a child. Every child. I am so ancient that I am new, and it hurts sometimes to see.

In the summer, the world is my home, my home the world. Come visit me, and bring something to read. God be praised, books are portable, little kingdoms in hand.

Bobbie Ann Mason on book clubs: “Keep the momentum going”

Tuesday, June 28th, 2011

Mason_bobbie annI visited with my first book club recently—the Winder Binder bookstore in Chattanooga, TN.  A pleasant bunch of folks had read one of my books, and they were overflowing with enthusiastic questions, as well as insights that had never occurred to me as the author. It is always a nice surprise when readers find interesting connections in the text that I didn’t know were there. What can be more gratifying for a writer than to have one’s work taken seriously and with good feeling?  It is not the forced assignment of a classroom syllabus, but a voluntary attention and an honest response to the words inside the covers of a book.  The book–that revered relic.  Let us all get our paws on as many as we can and talk about them and share them with our friends.   Even e-books can work.  Reading  is something like being inside a tent. When you are finished, you crawl out and return the book to the shelf, but  an e-book magically retreats into the clouds. The tent goes too, stakes and all.

Reading is so private, and it is often a reader’s  habit to finish a book, close the covers, and plunge into the next one without a backward glance.  “I just  read this terrific book, couldn’t put it down.” End of story. Reading  can be just feeding, but smart reading takes us further.  The classroom is one way to go deeper, but we can’t stay in school forever.

Writers want to be reread.  They want to think that their words don’t just flash by but deserve some reflection.  Girl in the Blue BeretSometimes a book I’m reading is so terrific that when I finish, I simply turn back to page one and start all over again to see what I’ve missed,  to experience it again, more deeply, or because I don’t want to let it go.  In a book club  you can keep the momentum going, let the book ricochet around a group of readers.  A book club is a way to prolong the book, deepen your journey into it, and enjoy  refreshments with friends.

I can hardly think of a more benign and cheerful way to hand in a book report.

I hope you’ll read my new book, The Girl in the Blue Beret, and if you like it share it with book clubs in your area.  This book is very special to me—it takes place in France!  It’s about a bomber pilot who was shot down in Europe during World War II. In  later years he goes back to find the people who had helped him escape from Occupied France.  One of those is a mysterious man named Robert, and of course there was a girl in a blue beret.

Buy the hardcover or eBook

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Consider these questions when reading The Girl in the Blue Beret:

1. Discuss the special bond between Allied aviators and their European helpers.  Why did it take so long for many of them to reunite after the war?

2. What does flying mean to Marshall?  Discuss Marshall’s failed B-17 mission and the effect it had on his life.

3.  Look at and discuss the images of flight throughout the novel. How does the final sentence  tie in?

4.  What is Marshall’s feeling about the young man he remembers as Robert? Does Marshall romanticize him? Why is finding Robert so important to Marshall?

5.  Love and war.  There are two main love stories in this novel–the younger couple, Annette and Robert,  and the mature couple, Annette and Marshall.  How are these relationships different from each other?   What does war do to love and romance?

6. Why is Marshall so unprepared for what Annette reveals to him?  How does he deal with her story? What possibilities lie ahead for him?

7. The name Annette Vallon is inspired by a historical figure–a woman who was William Wordsworth’s lover during the French Revolution, and the mother of his illegitimate child. What suggestions are being made by the use of the name here? What else can you learn about Annette Vallon from further research?

8. What do you make of the epigraph, by William Wordsworth?  Is it appropriate? How does it connect with the use of Annette Vallon’s name?

9. What do mountains mean to Marshall?  Trace the importance of mountains at different stages of his life.

10.  How does Marshall look back on his war experience? How does his  perspective change during the course of the novel?

11. How do the experiences in the book compare with your own experiences of war? Have you ever known anyone captured during wartime?

12. What is meant by second chances?

Escape to Paris for a day: win a copy of Ellen Sussman’s novel French Lessons

Thursday, June 9th, 2011

FrenchLessonsThe perfect read for summer!

**This giveaway is now closed. Thanks to all who entered!**

“Elegant and evocative…Sussman has created wonderful characters who take us through the city as they discover hidden places, including those in their own hearts.” –Luanne Rice

“As inviting as the smell of freshly baked croissants wafting from a Parisian café, this is a novel to savor.”—Ann Packer, author of The Dive from Clausen’s Pier

A single day in Paris changes the lives of three Americans as they each set off to explore the city with a French tutor, learning not just about language but also about love and loss as their lives intersect in surprising ways.

Please enter your information in the fields below. (While supplies last. Winners will be chosen randomly. We regret we can send books to U.S. addresses only.)

A message from Lisa See about her new novel, Dreams of Joy

Tuesday, May 31st, 2011

see_lisaWith Dreams of Joy, I wanted to write about a mother-daughter relationship. I also wanted to create two women who would have their own unique voices. Joy is nineteen, stubborn, naïve, and has run away to China. Pearl, Joy’s mother, chases after her daughter, hoping to bring her home. Joy follows her Tiger personality and often leaps blindly into situations she shouldn’t, while Pearl has had a lifetime of heartbreak and knows from experience that whatever she does will be tempered by fate, destiny, and the vicissitudes of luck. Joy is absolutely sure of herself, while Pearl questions everything.

Joy makes some terrible mistakes, which, as a mother and her writer, I sometimes found hard to watch. Like Pearl, I often felt great pity for Joy but also great impatience. Did these things make her difficult to write? Not really. All I had to do was put myself back in time. I, too, was pretty stubborn and naïve at her age. (What nineteen-year-old isn’t?) With Joy, I think in particular of a scene in the novel where she’s been caught secretly visiting a boy in a village. She keeps insisting “Nothing happened,” when of course it did. Been there, done that—and other dumb things— myself. In fact, this really hit home for me recently when my step-sister brought out a bunch of letters I wrote to her when we were between the ages of sixteen and nineteen. We laughed very hard as we read the letters aloud to each other, but I also couldn’t help feeling real sympathy and compassion for the earnest, but totally idiotic, girl I was back then.

I’m now closer in age to Pearl, and I was already familiar with her strengths and weaknesses from Shanghai Girls. HerDreams of Joy words and sentiments flowed very easily, because I’ve now lived with her every day for over four years. But even if I didn’t know Pearl as well as I do, I could relate to her purely as one mother to another. After all, what mother on earth hasn’t had moments when she’s thought to herself, as Pearl does at one point, It’s just so hard to be a mother? What mother hasn’t worried when she’s seen her child making a life-changing mistake? What mother hasn’t tried to “fix” things for her child, only to make things worse? (But we make things better most of the time, right?) What mother hasn’t at some point had to hide her sadness, anger, and grief, as Pearl does? I could write about those aspects of motherhood, because I’ve experienced them myself.

I drew on all of my experiences as a mother to write Pearl, just as I drew on all my experiences of being a daughter to write Joy. What a “joy” it was, as Joy’s literary mother and as a mother myself, to watch her go through all the terrible things she experiences and see her grow into a wonderful artist and courageous mother. And how happy I was that Pearl, who has been through so much, finally got to have a happy ending.

You don’t need to be a mother to enjoy Dreams of Joy. (Although if you are, it may make you think about the emotions you’ve felt or the experiences you’d had with your own children.) But one thing I can say for certain: we were all young and daughters once upon a time. I hope that as you read Dreams of Joy, you will remember yourself at age nineteen. Be kind, laugh ruefully, and try to have a little sympathy and compassion for the girl you were back then.

***

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Win a paperback of Elizabeth Berg’s The Day I Ate Whatever I Wanted

Monday, May 2nd, 2011

Day I Ate Whatever I WantedFinally coming to trade paperback on May 31, now with an additional story!

Every now and then, right in the middle of an ordinary day, a woman kicks up her heels and commits a small act of liberation. What would you do if you could shed the “shoulds” and do, say—and eat—whatever you really desired? Go AWOL from Weight Watchers and spend an entire day eating every single thing you want? Start a dating service for people over fifty to reclaim the razzle-dazzle in your life—or your marriage? Seek comfort in the face of aging, look for love in the midst of loss, find friendship in the most surprising of places? In these beautiful, funny stories, Elizabeth Berg takes us into the heart of the lives of women who do all these things and more—confronting their true feelings, desires, and joys along the way.

“Reading The Day I Ate Whatever I Wanted is a lot like eating comfort food: it offers great satisfaction. . . . Berg understands the need we all feel to break free of strictures . . . and how small rebellions can lead to understanding.”—New York Post

“Offer this up to the book club and—what the hell—serve chocolate.”People

Winners will be chosen randomly. We regret we can send copies to U.S. residents only. One entry per person; while supplies last.

This giveaway is now closed. Thanks to all who entered!


Shoe
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