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Enter for your chance to win LOLA’S SECRET by Monica McInerney

Monday, October 22nd, 2012

McInerney_LolasSecretTP“McInerney brings a light touch and plenty of humor to her on-the-nose depiction of the characters… Lola, and the novel, cheerily salute the extraordinary in the ordinary and the connections of family and friends.”–Booklist

Praised as “Australia’s answer to Maeve Binchy, a modern-day Jane Austen” (The Sun Herald, Australia), Monica McInerney, internationally bestselling author of The Alphabet Sisters, returns with a poignant novel of love, loss, and the enduring strength of family ties.

Nestled in a picturesque corner of southern Australia, the Valley View Motel has been run by the Quinlans for years—and nobody adores the place more than Lola, the family’s lovable and mischievous Irish-born matriarch. So when she insists that her relatives spend their Christmas elsewhere, the close-knit bunch can’t help but be a bit curious. Lola has always had a knack for clever schemes; after all, she once slyly reunited her three feuding granddaughters, whom she nicknamed the Alphabet Sisters. And with the holiday season fast approaching, Lola decides it’s time to stir up some extra excitement.

Plotting in secret and online, Lola thinks it would be fun to invite a select group of strangers to stay at the motel for Christmas. Will these guests become friends, ignite sparks, fall in love? As she counts down the days until their arrival, Lola’s own family dramas threaten to upend her best-laid plans. Yet amid moments of humor, heartache, and unexpected twists of fate, Lola finds that she’s the one who’s in for the biggest surprise of all.

Lola’s Secret by Monica McInerney: A Reader’s Guide

Friday, August 3rd, 2012

McInerney_LolasSecretTP Praised as “Australia’s answer to Maeve Binchy, a modern-day Jane Austen” (The Sun Herald, Australia), Monica McInerney, internationally bestselling author of The Alphabet Sisters, returns with a poignant novel of love, loss, and the enduring strength of family ties.

A Conversation with Random House Reader’s Circle and Monica McInerney:

Random House Reader’s Circle: This novel catches up with some of the same characters your readers came to know and love in your earlier novel The Alphabet Sisters. What made you decide to revisit this family, especially Lola Quinlan?

Monica McInerney: Lola has always been one of my favorite characters. I loved writing her scenes and dialogue in The Alphabet Sisters, seeing the world and family life through the eyes of a woman in her eighties. She’s wise, outspoken, witty, cheeky, flamboyant, just so much fun to write. I didn’t know my own grandmothers, so I think in many ways Lola also became the grandmother I’d loved to have had myself—the only problem being that she was fictional.

In October 2010 I was in Australia on a monthlong promotional tour for my novel At Home with the Templetons. Throughout the tour, readers kept mentioning The Alphabet Sisters to me, telling me how it had made them laugh and cry and how they had loved Lola, in particular. I was so touched to hear that, because it has always been a special book to me, too. On the last week of the book tour, a missed flight meant I had to unexpectedly spend a night in a motel in my hometown of Clare, the setting for The Alphabet Sisters. I went to sleep thinking about being back there, about the Quinlan family from The Alphabet Sisters, and about Lola herself. I woke up at five A.M. with the entire plot for Lola’s Secret in my head. I leaped out of bed, made a cup of tea, and got my notebook. I also have to confess that I put on some lipstick—I was never able to write any of Lola’s scenes unless I was wearing a garish red lipstick like she favors! For the next hour, I wrote pages of notes. As soon as I got back home to Dublin, I started writing the book. It poured out of me, day and night, and I finished it in less than six months. It’s the fastest I have ever written one of my novels. I enjoyed every minute of it, too. It was like being in Lola’s own company the entire time, as though she was telling me the story and I was simply writing it down.

RHRC: Do you have plans to feature any of the family members or guests again in future novels?

MM: I’d definitely like to revisit the Quinlan family one day. As a reader, I often wonder myself what becomes of the characters in books I’ve finished, and as a writer, the great thing is you can write it and find out. I’d like to bring Lola back home to Ireland and see what she thinks of her home country sixty years after she was last there.

RHRC: You grew up in the Clare Valley of Australia, where the book is set. Are any of the locations or characters in the book based on people or places in real life?

MM: I love setting my novels in my hometown. So far, the Clare Valley has appeared in five of my novels—I think it’s a way of me visiting and being there, even when I’m on the other side of the world. The Valley View Motel is fictitious, although there are sev- eral motels in the town of Clare. I worked as a kitchen hand, waitress, and cleaner in one of them in my teenage years, so I certainly borrowed some experiences from that, for both The Alphabet Sisters and Lola’s Secret. As a teenager, I also used to haunt the thrift shop in the town’s main street, looking for books and vintage clothing. I loved eavesdropping on the conversations between the volunteers, usually older women. So that fed into Lola’s Secret, too. I’ve also experienced those scorching one hundred degrees Fahrenheit De- cember days in South Australia, the feeling of hot dry heat that’s like opening an oven door every time you step outside. All of those real-life memories found their way into the fictional story.

RHRC: What was your writing process like for this novel? Have your methods changed over time?

MM: Each book is so different. That surprises me about the writing process, even after nine novels. Lola’s Secret arrived unexpect- edly and flowed out of me, as I mentioned earlier. I knew all the characters already and it was a joyous experience to spend time with them again. I knew how each of them would react in any situation. I am writing my tenth book at the moment, and it’s a very different experience. I’m getting to know each of the characters slowly, and the plot is unfolding in the same way. I try to write at least two thousand words every day. Writing a book is sometimes like building a house, you have to do it brick by brick by brick.

RHRC: Lola defies many stereotypes of the elderly, including technophobia. Have you known any seniors in real life who love the Internet as much as Lola and her friends do?

MM: I’m surrounded by them! I’m also so far behind them when it comes to technology it’s embarrassing. My ninety-five-year-old father-in-law here in Dublin uses the Internet, sends email, and also rings and texts on his mobile phone. My seventy-two-year-old mother in Australia Skypes, sends emails, and texts all seven of her children and many of her grandchildren, too. My husband and I recently had visitors from Australia. I met them in the center of Dublin, and they said how much they liked our house. “But you haven’t been there yet,” I said, puzzled. They cheerily explained that they had looked it up on Google Earth the previous night on their laptop while they were using the free Wi-Fi in their hotel room, which they had booked over the Internet. They are in their mid-seventies. My local library has a trio of computers and every time I’m there I see elderly people blogging, researching family trees, watching videos. I can barely make calls on my cellphone (and it is a very long way from being a smartphone, let me tell you!).

RHRC: If she were here right now, what advice do you think Lola would have for yourself or your readers?

MM: Be kind to yourself and be kind to others. And try to laugh as much as you can.

RHRC: What have your experiences been with book clubs? Are you part of one? Do you ever speak at book clubs?

MM: I’ve been involved in book clubs from both sides, as a member of one here in Dublin for several years, and recently, as the guest of a book club discussing my previous novel At Home with the Templetons. I loved both experiences and they have also been so helpful for me as a writer. It was a revelation to see the different reactions my book club members had to the same book. We argued so forcefully about different aspects of characters, plots, finales, etc. There was never a discussion in which everyone felt exactly the same way about a book. I found that fascinating. It underlines to me what magical objects books are—they really do change to suit whoever is reading them, because we all bring our own hopes, experiences, opinions, and selves to each book we read.

The book club discussing my novel At Home with the Templetons didn’t hold back either. It was a very lively evening. Several readers were angry (with good reason, I must admit) with one of my characters’ actions, and I had to defend and explain why she had done what she had done. Another was upset that I kept two of the main characters apart for so long. I thoroughly enjoyed the discussion. I felt like a lioness defending my cubs.

RHRC: What are some of your favorite books you’ve read recently?

MM: I’ve read and enjoyed so many different sorts of books this year: The Hunger Games trilogy by Suzanne Collins is aimed at young adults but has so much in it for all ages about morality, media, celebrity, and politics. I read all three back-to-back, I couldn’t put them down. How to Be a Woman, a funny feminist memoir by English columnist Caitlin Moran, is a book I’ve given to my friends, sisters, nieces, even my mother to read—it’s challenging, opinion- ated, comforting, invigorating, and very funny. I loved the 1950s classic of New York life The Best of Everything by Rona Jaffe. Irish writer Sebastian Barry’s On Cannan’s Side was so moving and also enlightening about Irish emigration and many important moments of modern American history. I also loved a beautiful collection of poetry called The Taste of River Water by Australian writer Cate Kennedy.

RHRC: Can you tell us anything about what you’re working on next?

MM: I’m back writing the big family comedy-drama I was working on before I suddenly got the idea for Lola’s Secret. It’s been bubbling away in my subconscious for the past year and I am now nearly half- way into it. I’m enjoying writing it very much. I wanted to explore a different kind of family setup with this book, one with stepsisters and stepbrothers. I’m fascinated with the different dynamics and loyalties within a blended family, especially when an event forces everyone to face up to their true feelings. It revolves around one main question: Can you forgive someone you’re not sure you ever loved in the first place?

Reader’s Guide:

1. Lola is charming, outspoken, and flamboyant, as well as a kindly meddler and a take-no-prisoners busybody. Would you like to have her for your grandmother or great-grandmother? How would your life be different with a Lola in it?

2. This novel has so many themes running through it—family, happiness, love, loss, reconciliation, mental illness, community, secrets, etc. Which thematic elements resonated with you the most?

3. The novel has an interesting structure, alternating between Lola’s perspective and that of several of her potential guests. Why do you think the author chose to structure the book that way?

4. Lola considers herself a “Fixer,” a concerned observer. She’s always sticking her nose in her friends’ and family’s business. Why does she do it? Does her point of view change at all over the course of the book?

5. Geraldine and Lola are polar opposites and have never gotten along. What enables them to eventually come to terms with each other?

6. What did you think of Bett’s struggles with motherhood and work-life balance?

7. Why do you think Bett and Carrie couldn’t stop bickering without Lola’s help?

8. Lola is overjoyed to be able to reconnect with her old flame Alex, something that’s becoming more and more common in our day and age. What do you think is driving the resurgent interest in finding love late in life?

9. Of all the different characters and guests, who was your favorite?

10. To you, what is the true meaning of Christmas?

An interview with Monica McInerney, author of At Home with the Templetons

Friday, April 8th, 2011

At Home with TempletonsRandom House Reader’s Circle: How did you come up with the idea for this book? And how long did it take you to write it?

Monica McInerney: The starting point for the novel was the idea of life in a stately home tourist attraction—or more to the point, the idea of after- hours life there. I’ve always loved the idea of what goes on behind the scenes in places like restaurants and bed & breakfasts (as I wrote about in Greetings from Somewhere Else), or in hotels (The Alphabet Sisters), or even businesses like travel agencies (Family Baggage). What I love exploring is what happens when the public have gone home, when the polite facade is dropped, when reality takes over. And what could be more intriguing than a stately home run as a living museum by a family who appear to have arrived quite out of nowhere? In the early stages of writing, I visited a stately home in the north of England. As I toured the huge rooms with the rest of the group, I as struck by how little anyone listened to the guide. People seemed to be whispering to one another about what they’d had for breakfast, what they wanted for lunch, where they’d be going next, while the poor guide kept valiantly reciting facts and figures about the history of the house and the family who had lived in it for centuries. I remember thinking, That guide could be telling these people anything—making it up as he goes along, in fact—for all the attention they’re paying him. And so the idea for the rest of the novel was born. . . . I thought about the novel for more than six months before I started writing it, imagining my ideal stately home, deciding where to locate it, casting my characters, plotting my story. The actual writing took twelve months. I watched the four seasons pass by through my Dublin office window, looking out at a rainy Irish summer, a crisp, windy autumn, the low dark skies of winter—Ireland’s coldest in years—the streets outside covered in snow, me at my desk with a hot water bottle on my lap. Spring arrived as I was doing the final edits.

RHRC: By the end of At Home with the Templetons, the main characters are spread out around the world, living in places like Australia, England, Ireland, New Zealand, and the United States. What is it that draws you to these locales? Do you do a lot of traveling yourself ? And is there much research involved?

MM: I’ve definitely drawn on my own travel experiences in At Home with the Templetons. I visited nearly all the McInerney_Monicaplaces featured in the book—some specifically for research (Yorkshire, Scotland, Sligo, the goldfields of Australia), others I’d been to for different reasons and then decided to use as locations. For example, I was in Chicago and Woodstock on a book tour in 2008 and knew within minutes of arriving in both places that I wanted to feature them as locations for this book. My research initially involves a lot of walking around, taking photos, talking to local people—general sightseeing on the surface, but there’s always another sound track playing in my mind, imagining my characters walking those same streets, seeing what I’m seeing, eating in the same restaurants, talking to the same people. . . . I rely on memory rather than photographs once I’m back at my desk writing, but then I go back to the photos and guidebooks during the editing process to make sure I have my facts right.

RHRC: You tend to write about large families. Did you grow up in a big family? And were there any similarities to the Templetons?

MM: I’m the middle child in a family of seven, and grew up in what I’d call a cauldron of words—there was always lots of action, drama, conversations, and laughter in our house. I’m sure it’s no coincidence that my novels are always full of characters—as I know well, the more people there are, the more drama unfolds, often in very unexpected ways. Like the Templetons, I grew up in quite an unusual house—the railway stationmaster’s house in Clare, South Australia. It was a long way from being a stately home in the Victorian goldfields, but it was a beautiful, big house (it needed to be, for the nine of us), located on the edge of the town, up on a height, across from the railway station, beside the hills, with a large, rambling terraced garden. Living in a distinctive house definitely left its mark on me. I loved that it was special, that people knew it as “the railway house,” that it had so many quirks and architectural touches, with its high roof and carved veranda posts, ivy- covered walls, and tree- filled garden. A local person once confessed to my mother that she always used to hurry past our house on winter evenings, convinced it was a haunted house. “It is, but with kids, not ghosts,” Mum sighed. Apart from that, and the fact that there were lots of us, too, there are no real similarities between my family and the Templetons. I’m very careful to make my fictional families as different as possible from my real one!

Check out the rest of our interview with Monica McInerney in the back of the paperback.

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