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Posts Tagged ‘Jane Thynne’

Discussion Questions: The Pursuit of Pearls by Jane Thynne

Thursday, April 28th, 2016

The Pursuit of Pearls_ThynnePerfect for fans of Jacqueline Winspear, Charles Todd, Robert Harris, and Susan Elia MacNeal, here is the next thrilling historical novel featuring Clara Vine, the British actress and special agent who glides through the upper echelons of Nazi society, covertly gathering key intelligence—and placing herself in mortal peril.

Use the following questions when discussing The Pursuit of Pearls with your book club.

1.    Despite their seemingly different political inclinations, Clara visits her sister when she is upset by Grand’s suggestion of Leo’s death. Blood may be thicker than water, but do you believe, as Clara does, that it should be thicker than war?

2.    How does Clara’s status as an English spy change her relationship with Erich?

3.    Clara talks about all the things that have been rationed, such as coffee and meat, or made more difficult, such as easy travel. What do you think is the hardest thing for her to sacrifice? What would be the hardest for you?

4.    What advice would you give to Hedwig about the conflict between Jochen and her parents?

5.    Though Clara narrates the majority of the novel, we occasionally see events from Hedwig’s point of view. In what ways are the two perspectives similar? In what ways are they different?

6.    In part due to Clara’s mixed heritage many of her acquaintances ask where she would eventually like to settle down. Where do you think she should go?

7.    Conrad Adler knows that Clara is part Jewish, but she continues on with her life as always, even seeing Adler again. Do you agree with her decision, or would you have handled the situation differently?

8.    Themes of heritage pervade the book, often bringing into conflict ethnic, religious, cultural, and national identities. What do you think it is that makes you who you are?

9.    What do you think Conrad Adler means when he says that Clara has a look of “fire behind ice”?

10.  In a world of spies, secrets, and war, it is difficult to know who to trust, and Clara chooses her confidants carefully. Do you agree with all of her choices? Who in your life would you choose to trust if you were in Clara’s circumstances?

11.  Do you think Conrad Adler is a good man, or do you think he is as bad as the political party for which he works? Would you trust him? Why or why not?

12.  There are quite a few revelations as the final pieces of the book fall into place. What surprised you the most?

The Real Housewives of Nazi Germany

Thursday, April 28th, 2016

The Pursuit of Pearls_ThynnePerfect for fans of Jacqueline Winspear, Charles Todd, Robert Harris, and Susan Elia MacNeal, here is the next thrilling historical novel featuring Clara Vine, the British actress and special agent who glides through the upper echelons of Nazi society, covertly gathering key intelligence—and placing herself in mortal peril.

Here Jane Thynne writes about the inspiration for her novel, The Pursuit of Pearls.

When I first thought of setting a series of novels in prewar Berlin, I knew a few things. I knew that my heroine was going to be Anglo–German and an actress. I decided that she would be a spy who gains a valuable glimpse of the Nazi elite through the women around her. Yet while I understood a fair bit about the men and the politics of the Third Reich, I realized that I knew far less about the lives of the women in that regime. And increasingly, as I delved deep into the lives of women through their letters and journals, I became fascinated by what I came to think of as the Real Housewives of Nazi Germany.

Under Hitler, every aspect of a woman’s life was tightly controlled, from child–bearing, marriage, and social life, right down to her daily appearance. The ideal woman didn’t pluck her eyebrows, paint her nails, or dye her hair. Nor did she smoke. In the early days of the Reich, bars and restaurants throughout Germany were plastered with signs saying German women don’t smoke, and storm troopers who saw a woman smoking in public were advised to dash the cigarette from her lips.

But the control over women’s appearance didn’t stop at cigarettes and cosmetics. One of the first things Hitler did when he came to power in 1933 was to establish a Reich Fashion Bureau. He realized that fashion carries a potent political message and he knew exactly what image he wanted German women to project to the world. The female look should celebrate tradition, so the Bureau promoted dirndls, bodices, and Tyrolean jackets. Women should only wear clothes made by German designers, with German materials. By “German,” Hitler meant Aryan, which posed an immediate problem because the fashion industry and the textile trade of the time were dominated by Jewish companies. Hitler also frowned on Parisian couture, both because he disliked the French, and also because designers like Coco Chanel encouraged an unnaturally slender silhouette. A nation of women striving for slim hips and boyish bodies was certainly not ideal if Hitler was to achieve one of his major objectives—-to encourage prolific child–bearing.

In one of the many bizarre hypocrisies of the Third Reich, the woman chosen to preside over this Fashion Bureau was Magda Goebbels, the wife of the Propaganda Minister. Like many other aspects of Nazi Germany, Magda Goebbels’s participation was rife with contradictions, and Magda herself was the living, breathing opposite of everything the Bureau promoted. Famed for her love of couture, she changed several times a day, slathered on Elizabeth Arden cosmetics, chain smoked, and wore hand–made Ferragamo shoes. Her favorite fashion designers, Paul Kuhnen, Richard Goetz, Max Becker, and Fritz Grünfeld, were all Jewish.

Yet there was a far greater contradiction in Magda Goebbels’s life than her fashion sense. Before she married, she had a passionate involvement with a leading Zionist called Victor Arlosoroff, who returned to Berlin in 1933 aghast at his former girlfriend’s choice of husband. To me, the idea that the wife of the arch persecutor of the Jews, Joseph Goebbels, should have had an affair with an important Jewish agitator seemed astonishing. But it was typical of the ironies that reigned in that terrible, turbulent regime.

One question always at the back of my mind while I was researching the lives of Nazi women was the extent to which they themselves had exerted a political influence on their husbands. Did any of them act as the power behind the throne? In some cases, the answer was yes. Annelies von Ribbentrop and Lina Heydrich were both considered more ardent Nazis than their husbands. Yet others, like Emmy Goering, actively interceded with their husbands on an occasional basis to save friends. Henriette, the wife of the Hitler Youth leader Baldur von Schirach, was the only one who actually remonstrated with Hitler when she confronted him over dinner at the Berghof about the treatment of Jews in Holland. She was never invited again.

Women are so often the untold half of history and their perspectives are frequently ignored. I think it’s impossible to visualize the Nazi leaders as people without getting a glimpse of their private lives and their most important relationships.

For me, understanding the Real Housewives of Nazi Germany, from the wives of the elite to the ordinary women in the street, was the key to making history and, I hope, my novels come alive.

Discussion Questions: The Scent of Secrets by Jane Thynne

Monday, September 21st, 2015

The Scent of Secrets_ThynneSet in Europe, in 1938, during the tense run-up to war, and perfect for fans of Jacqueline Winspear, Charles Todd, Robert Harris, and Susan Elia MacNeal, this gripping historical novel features the half-British, half-German actress (and wholly covert spy) Clara Vine, who finds herself enmeshed in a dangerous game of subterfuge.

Take a deeper dive into the world of Clara Vine with these discussion questions…

1.   Who surprised you the most in the novel?

2.   Women played a crucial role in Hitler’s vision for the future of Germany. Discuss the role of women in German society in the 1930s. How does Hitler want the position of women to change?

3.   There are several examples of women who are even more fervently in favor of the Nazi cause than their spouses; did that surprise you? Why or why not? Discuss the relationships between the high–ranking Nazi officials and their wives.

4.   What did you think of Rosa’s decision to forge her nephew’s official medical papers? Were you surprised by her decision? Why or why not?

5.   What did you think of Eva Braun? What about her relationship with Hitler? Was she as silly as she sometimes seemed to be, or do you think she understood more about politics than she let on?

6.   Discuss the importance of the Nazi youth clubs and the mother schools in implementing the Nazi philosophy.

7.   Like most Berliners, Clara grows suspicious of everyone—-including her new neighbor, who turns out to be an innocent schoolteacher. Anyone might be a spy, even young children on their Sunday collection rounds. What means of recourse are there for normal citizens who do not support the Nazi regime?

8.   There seem to be a lot of inconsistencies in the personal, political, and moral philosophies of Hitler and his entourage. Hitler detests makeup yet loves actresses and the cinema. Goebbels champions family values yet is a serial philanderer. Rosa observes that party leaders seem to want to keep men and women separate, like flour and sugar, while at the same time encouraging higher birth rates and more marriage. Can you think of any other examples? How do you rationalize these hypocrisies? How do they?

9.   What surprised you most about Hitler?

10.  Compare and contrast the different Nazi wives in the novel.

11. What would your signature scent be?

The Scent of Secrets: Jane Thynne’s Inspiration

Thursday, September 17th, 2015

The Scent of Secrets_Thynne

Set in Europe, in 1938, during the tense run-up to war, and perfect for fans of Jacqueline Winspear, Charles Todd, Robert Harris, and Susan Elia MacNeal, this gripping historical novel features the half-British, half-German actress (and wholly covert spy) Clara Vine, who finds herself enmeshed in a dangerous game of subterfuge.

Jane Thynne talks about what inspired her to write The Scent of Secrets…

A few streets away from Harrods in London’s Knightsbridge stands the anonymous, shiny black door of a private members’ club. From the outside, you would never know that the club is for agents who served in resistance organizations during WWII and beyond. But when you enter and climb the stairs you pass numerous photographs of female spies who served—-and mostly died—-in the field. It is deeply inspiring.

When I began writing about a British agent in Germany in the 1930s it was with the bravery of these women in mind. I had always wanted to write a novel set in Berlin. It was a city that went in a matter of months from being the most exciting place in Europe—-the center of sexual and cultural freedom, of Expressionist film and Bauhaus art—-to the most frightening and repressive. The idea of placing a female British agent not just in Berlin but at the heart of the Nazi regime itself was irresistible.

Having been a journalist, both in TV and newspapers, for most of my career, I was keen on documentary accuracy, so even though I was writing fiction, I spent weeks tramping Berlin’s streets, exploring the prewar buildings that remained and picturing those that had been destroyed. It was a strange process in which my imaginary Berlin—-the 1930s version—-existed like a palimpsest alongside the hastily erected and often ugly postwar buildings. Parts of Goebbels’s Propaganda Ministry still stand, and the Babelsberg film studio remains in its entirety, as does Goering’s Air Ministry, but we can no longer see Hitler’s Reich Chancellery, and the bunker where Hitler and Eva Braun died is buried beneath a parking lot. Yet it wasn’t just the official buildings that mattered. Deciding where an actress like Clara Vine might live was just as important. In the end I chose Winterfeldtstrasse, a lovely tree–lined street in Schöneberg just a block away from where Christopher Isherwood wrote the novel that was filmed as Cabaret.

The streets of Berlin were the easy bit. The chief challenge of my research was that I was writing about women. There are barely enough libraries in the world to contain the books written about the male side of the Third Reich—-the leaders, the politics, the campaigns—-but the experience of German women seems to have gone largely unrecorded. What was it like to be in the League of German Girls? To attend a Bride School or a weekly Mother’s Course? And in the upper echelons of society, how did it feel to be married to a man who became a monster? Were the Nazi leaders’ wives complicit, or did they try to dissuade their men from their crimes?

The answers were not easy to find. No one has wanted to translate the memoirs of women like Lina Heydrich into English, so I brushed up on my German and spent time buried in the London Library, a beautiful Georgian building in St. James’s Square. And the information I found provided for me a whole new perspective on the private life of the Third Reich. The domestic details of the women’s lives seem so fragile and recognizably ordinary beside the war machine that their husbands were preparing. While I was researching the life of Eva Braun I read a few lines about her love of perfume, how she adored Worth’s Je Reviens and liked to create her own concoctions. This was, of course, just another irony of life in Nazi Germany—-cosmetics, especially French ones, were frowned on for ordinary women. Yet that detail, like a snatch of perfume itself, lit an idea in my mind. I thought about the power of scent to evoke feelings—-not just childhood memories, but unsettling emotions and fear too—-and I decided that perfume should be a theme at the heart of my story.

Like the door of that secret agents’ club in London, the wartime lives of German women are easy to pass by. But you only understand how a totalitarian society works when you see it on the human scale. To me, glimpsing the personal lives of the senior men through their relationships with their wives and girlfriends only makes their activities more disturbing.

—-Jane Thynne


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