1. The Virgin of Small Plains is your eighteeenth novel, but the first you’ve set in your home state of Kansas. Why have you waited until now? What challenges presented themselves in writing about an area and community so close to home?

2. What inspired you to write this story? Was the genesis of The Virgin of Small Plains significantly different from the ideas that spawned your previous books?

3. What about the development of the novel? Did this book present any unique challenges?

4. The action shuttles back and forth in time, altnerately charting the events that lead to and follow from the Virgin’s death in 1987 and the repercussions still simmering seventeen years later. Why did you choose to braid the two narratives in this way? Was it difficult to keep your timelines straight?

5. How carefully do you map the plots of your books before setting down to write? Do your characters sometimes surprise you?

6. Did you find it hard to adopt and sustain the perspectives and voices of multiple narrators in The Virgin of Small Plains? Were certain characters more readily accessible to you than others?

7. You really capture the rhythms of adolescent thought, from Rex’s sexual frustrations to Abby’s heartbreak. Did you base their travails on your own experiences? On those of anyone you know?

8. You never expressly tip your hat to divine intervention in The Virgin of Small Plains, but there are indications throughout the text that some higher power may be at play–even though the story carefully supplies more plausible explanations for seemingly extraordinary events. (Case in point: The climactic car crash, which evokes the clockwork precision of a deus ex machina but at the same time seems like an natural narrative development.) Do you believe in the supernatural or spiritual?

9. The subplot involving Catie Washington both complements and nicely counters the murder mystery at the heart of The Virgin of Small Plains. Did you specifically conceive this character and her story to vary the tone of the book, or did they evolve organically from the story?

10. The twister that dominates the central passage of the novel alters not only the town of Small Plains but also the shape of the action unfolding there: Abby sees Mitch again; Catie’s faith is providentially confirmed; and the reader is properly introduced to Jeff Newquist, a pivotal minor character. How did you hit upon the idea of this perfect storm, so to speak?

11. You’ve achieved success and acclaim as an author of mysteries. Have you always been interested in that genre?

12. How did you launch your career?

13. As many reviewers noted, The Virgin of Small Plains transcends the parameters of that genre. Do you feel that this book delves into new territory for you as a writer?

14. What are you working on next?

15. It must be asked: Have you ever experienced a tornado firsthand?