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Posts Tagged ‘random house reader’s circle’

Giveaway Opportunity: THE WISHING THREAD by Lisa Van Allen

Thursday, September 19th, 2013

Allen_The Wishing Thread“Reader to reader, knitter to knitter: You’re going to love this book.”—Debbie Macomber

For fans of Jennifer Chiaverini and Sarah Addison Allen, The Wishing Thread is an enchanting novel about the bonds between sisters, the indelible pull of the past, and the transformational power of love.

The Van Ripper women have been the talk of Tarrytown, New York, for centuries. Some say they’re angels; some say they’re crooks. In their tumbledown “Stitchery,” not far from the stomping grounds of the legendary Headless Horseman, the Van Ripper sisters—Aubrey, Bitty, and Meggie—are said to knit people’s most ardent wishes into beautiful scarves and mittens, granting them health, success, or even a blossoming romance. But for the magic to work, sacrifices must be made—and no one knows that better than the Van Rippers.

When the Stitchery matriarch, Mariah, dies, she leaves the yarn shop to her three nieces. Aubrey, shy and reliable, has dedicated her life to weaving spells for the community, though her sisters have long stayed away. Bitty, pragmatic and persistent, has always been skeptical of magic and wants her children to have a normal, nonmagical life. Meggie, restless and free-spirited, follows her own set of rules. Now, after Mariah’s death forces a reunion, the sisters must reassess the state of their lives even as they decide the fate of the Stitchery. But their relationships with one another—and their beliefs in magic—are put to the test. Will the threads hold?

Enter below for your chance to win!

Reader’s Guide: NIGHT FILM by Marisha Pessl

Wednesday, September 18th, 2013

Pessl_Night Film “Mysterious and even a little head-spinning, an amazing act of imagination.”—Dean Baquet, The New York Times Book Review

When you finish reading a book it is never really finished, is it? The characters, places, and stories live on in our heads and we love to discuss what we’ve read with anyone who will listen. Well, we’ve been buzzing about Marisha Pessl’s Night Film for quite some time now and the book has officially been on sale for a month, so if you or your book club has finished reading this novel then now it is time to start the discussion! Random House Reader’s Circle has the discussion questions to continue the conversation. Because, after all, we are never really finished with a book, are we?

Discussion Questions:

1. Professor Wolfgang Beckman accuses Scott of having “no respect for the murk. For the blackly unexplained. The unnail downable.” How does Scott’s perspective on mystery and the “blackly unexplained” change over the course of the novel?

2. Nora asks Scott, “How much evidence do you need before you wonder if it just might be real?” Do you think Scott’s skepticism is a mark of pride, as well as rationality, as Nora suggests? Why does he wish to believe in the curse after his conversation with Inez Gallo? How ready were you to believe in the curse?

3. Scott is relentless in his pursuit of the truth about Cordova. How far would you have gone, in his situation? Is there a point at which you would have stopped pursuing the truth?

4. Cordova’s films were filled with such horror and violence that, in many cases, they were banned from theaters. What is your perspective on violence—its role and its effects—in movies today?

5. Cordova’s philosophy is in many ways antithetical to our modern world, where transparency, over-sharing and social media are the norm. Did you feel drawn to Cordova’s philosophy, or repelled, or both? Why?

6. Discuss how Scott advertently or inadvertently involved his daughter Samantha in his investigation. What did you think of the role she wound up playing, in his discovery?

7. How does your perception of Scott change, from the beginning to the end of the novel?

8. What did you think of the evolution of Nora and Scott’s relationship?

9. Both Scott and Nora reflect on the power of memory and story to alter the way we relate to our experiences. Scott says: “It was never the act itself but our own understanding of it that defeated us, over and over again.” Nora says: “The bad things that happen to you don’t have to mean anything at all.” Do you agree?

10. Beckman says “Every one of us has our box, a dark chamber stowing the thing that lanced our heart.” Consider Nora, Hopper, Ashley, Cordova, and Scott. What do their boxes contain, and in what ways do these secrets motivate them? Imprison them?

11. What do you think helped Hopper come to peace with Ashley’s memory?

12. New York City is just as much a character in the novel as any one person. How does your personal experience of, or relationship with, the city affect your reading?

13. How did the visual elements throughout the book enhance or impact your reading experience?

Join the conversation with Marisha on Facebook and Twitter and stay up to date with her on her website.

Have you already read Night Film? We can’t wait to hear what you think! Share your thoughts with Random House Reader’s Circle on Facebook.

Giveaway Opportunity: INNOCENCE by Dean Koontz

Wednesday, September 11th, 2013

Koontz_InnocenceRarely do writers with long-established templates for success break out of the mold to create something entirely fresh, even game-changing. But, Dean Koontz has done this with Innocence. Rich in atmosphere, mystery, and romance, it is heartbreaking yet life-affirming, with a young protagonist who will win your heart and maybe even prompt you to look at the world in a whole new way. Dean has said this is one of his personal favorites of all his books. We think it will become yours, too.

In a dark world, they light each other’s way.

He lives in solitude beneath the city, an exile from society, which will destroy him if he is ever seen. She dwells in seclusion, a fugitive from enemies who will do her harm if she is ever found. But the bond between them runs deeper than the tragedies that have scarred their lives. Something more than chance—and nothing less than destiny—has brought them together in a world whose hour of reckoning is fast approaching. In Innocence, #1 New York Times bestselling author Dean Koontz blends mystery, suspense, and acute insight into the human soul in a masterfully told tale that will resonate with readers forever.

“A rarity among bestselling writers, Koontz continues to pursue new ways of telling stories, never content with repeating himself.”—Chicago Sun-Times

“[Koontz] has always had near-Dickensian powers of description, and an ability to yank us from one page to the next that few novelists can match.”—Los Angeles Times

“Koontz is a superb plotter and wordsmith. He chronicles the hopes and fears of our time in broad strokes and fine detail, using popular fiction to explore the human condition.”—USA Today

“Characters and the search for meaning, exquisitely crafted, are the soul of [Koontz’s] work. . . . One of the master storytellers of this or any age.”—The Tampa Tribune

Already a fan of Dean Koontz? Share your thoughts with us on Facebook.

Join Dean on Facebook, follow him on Twitter, and sign up for his e-newsletter on DeanKoontz.com!

Giveaway Opportunity: OSTRICH by Matt Greene

Wednesday, August 28th, 2013

Greene_Ostrich“One of the bravest novels I’ve read in a very long time. Matt Greene lets the reader become detective, and clue by clue we uncover not only the truth of Alex’s world, but the deepest truths of what it means to love and lose.”—Carol Rifka Brunt, author of Tell the Wolves I’m Home

This debut novel, Ostrich, from newcomer Matt Greene is full of tremendous charm and brilliance in the spirit of R.J. Palacio’s Wonder and Mark Haddon’s The Curious Incident of the Dog in the Night-Time.

This is Alex’s story. His story about feeling ostrichized. (Alex believes ostrichisized is a better work for excluded because ostriches can’t fly so they often feel left out.) It is also about empathy, his parents, his pet hamster, brain surgery, as well as love, trust, and fate. It is also about courage.

As you can see, this story is about a lot of things and the only way to discover what’s inside is to enter for your chance to win a free copy!

“Irresistible! Ostrich is loaded with wit, charm, and wisdom. Alex is one of the sweetest and most inspiring narrators I’ve ever encountered. I dare you not to laugh, cry, and fall utterly in love.”—Maria Semple, New York Times bestselling author of Where’d You Go, Bernadette?

Follow Matt Greene on Twitter!

Enter here for your chance to win.

Reader’s Guide: THE WISHING THREAD by Lisa Van Allen

Monday, August 26th, 2013

Allen_The Wishing Thread Random House Reader’s Circle has exclusive materials for you and your book club to enjoy! SARAH ADDISON ALLEN is the New York Times bestselling author of Garden Spells, The Sugar Queen, The Girl Who Chased the Moon, The Peach Keeper, and the upcoming Lost Lake, interviews debut novelist Lisa Van Allen.

Sarah Addison Allen:  The Wishing Thread is a delightful novel about the bonds of sisterhood, the transformational power of love, and the pleasures and perils of knitting. What sparked your idea for this novel?

Lisa Van Allen:  It started with the knitting. When I knit a gift for someone, I always say a few prayers for the recipient. It’s about sending deliberate thoughts of love and kindness, along with offering a gift. So it wasn’t a far jump from there to “Wouldn’t it be cool if somebody could knit a magic spell into the fabric of a hat or a scarf so that it rubs off on the wearer?”

Of course, in The Wishing Thread, the people who go to the Stitchery looking for magic never know what they’ll get. Sometimes the spells don’t work as expected. Sometimes they don’t work at all.

Many people in the town think that the Van Ripper sisters are swindlers, preying on people who are desperate enough to turn to “magic” to fix their problems. But others think the sisters are the real deal and will defend the Stitchery’s magic, tooth and nail. Each sister in the story approaches the idea of magic in her own way.

SAA:   The way you write about magic is so unique. What are your favorite books with magic in them that have influenced you?

LVA:  I’ve always loved books that offer fun, imaginative plots along with a certain “makes you think” element—-going all the way back. As a kid I adored The Little Prince for its enigmatic characters, magical surprises, and emotionality. Recently I fell hard for Erin Morgenstern’s The Night Circus. And, Sarah, your latest, The Peach Keeper, was one of those reads that had me sitting down thinking “just for a few minutes” and then realizing hours had gone by. This is always the sign of a great read.

SAA:  Thank you! I’m glad to be in such great company! Magic is so wonderful to write but also so tricky. I think every writer approaches writing in a different way. What are your writing habits? How do you write best?

LVA:  More and more, I find myself collecting things. I make a regular practice of writing lists with titles like “things you find that could change everything” and “reasons you might become stuck in a tree.” Sei Shōnagon inspired this habit for me when I read her eleventh–century collection of writings called The Pillow Book. She makes beautiful, breathtaking lists.

I also keep random boxes in my office of things that seem to go together somehow: pictures, objects, bits of fabric or color, anecdotes, books and pamphlets, scribbles, etc. Each box has its own kind of ordered chaos. I like the idea of all these elements marinating for a while until all the flavors marry and become a cohesive story. I have Twyla Tharp’s book The Creative Habit to thank for this.

SAA:  I hear you have a hedgehog as a pet—-is anything else in the book based on real life?

LVA:  Ha, ha. Yes! My hedgie has quite a following. I guess you could say she was instrumental in developing the character of Icky Van Ripper, the main character’s pet hedgehog in The Wishing Thread. I’m hoping my little beastie won’t sue me for using her likeness or something like that. I’ll have to pay her off with mealworms.

But seriously, I never have models for my (human) characters. That method just doesn’t work for me. I do, however, expand on my own emotional experiences, like every writer.

SAA:  How did you get started knitting? What do you love about it?

LVA:  I actually outright refused to learn to knit for many years. I so was sure I’d hate it! But one day in my mid–twenties, an aunt finally took my shoulders and sat me down, and said “watch my hands.” A few rows later, I was hooked. There’s a scene in The Wishing Thread that definitely came right from that moment.

Of course, I had some false starts with knitting. My first scarf looked like a moth–chewed roll of lumpy toilet paper. One year, I made my brother three socks (one that was okay, one with holes, and one that could only have fit a hoof). But I’m better these days. Ravelry, a social networking site for fiber nerds, helped my technique a lot (find me as “lisava”). Knitting’s a great creative outlet for when I’m away from my manuscripts. I’m not very good at sitting still.

SAA:  Are you working on something new? Can you share anything with us about your next project?

LVA:  I can tell you that my book–in–progress box is filled with bright red plastic berries, peacock feathers, beeswax candles, pictures of farm equipment, random info like “how to make a leech barometer,” and writings about whether or not plants have feelings. It’s gonna be fun!

Join the conversation with Lisa Van Allen on Facebook!

Discussion Questions: ZEALOT by Reza Aslan

Thursday, August 22nd, 2013

Aslan_Zealot Read the book everyone is buzzing about for your next book club discussion! Reza Aslan, author of the #1 New York Times bestselling book Zealot, prepared these discussion questions for you and your book club.

Questions and Topics for Discussion
1. What is the difference in the ancient mind between Fact and Truth?

2. Discuss the Jewish definition of Messiah. Was this a religious or political office, or both?

3. Define the roles of the Jewish priestly hierarchy in Judea. How would a typical Galilean family like Jesus’ view this group?

4. How did Jesus’ upbringing in Nazareth lead him to a deeper understanding of social justice?

5. Discuss the Roman occupation? How did this political context shape Jesus’ outlook and actions?

6. What role did the Temple of Jerusalem play in the lives of the Jews in Jesus’ time?

7. With the above questions in mind, how do the words of the Gospels reflect Jesus’ relationship with both the Romans and the Jewish hierarchy and his call for social justice?

8. After Jesus’ death, his followers formed two separate camps based on two competing interpretations of his teachings. What are your thoughts on James and Paul?

9. How did James’ and Paul’s differences form the Christian church we know today? Why do you think Paul’s interpretation flourished?

Learn more about Zealot
Join the conversation with the author on Twitter

Discussion Questions: THE SOLITARY HOUSE by Lynn Shepherd

Thursday, August 8th, 2013

Shepherd_The Solitary HouseThe Solitary House by Lynn Shepherd hit bookshelves in paperback on July 30th and we have discussion questions for you and your book club. Don’t forget to check the back of your copy for more exclusive content from Random House Reader’s Circle.

Questions and Topics for Discussion

1. Did the author’s rendering of London remind you of any other city you’ve been in? What do you think defines a city? What qualities do you attach to cities?

2. In reading The Solitary House, how do you see the separation of the classes playing into the story? Do you think there are similarities in how people of different income brackets are divided today?

3. What image that the author uses to describe the streets of London strikes you as being the most vivid?

4. When we first meet Charles Maddox, the author describes him as a “sentimental young man.” Do you agree with this assessment? Why or why not?

5. Is detection a science? What methods do Charles Maddox and Maddox use that would lead you to believe that it may or may not be?

6. What qualities do you associate with a book being “Dickensian”? Do you think The Solitary House, beyond using characters created by Charles Dickens, is a Dickensian thriller?

7. Compare and contrast Charles Maddox with the detectives of contemporary mysteries.

8. How do the multiple narrative viewpoints influence your reading of this mystery? Is there any one viewpoint more reliable than the others?

9. Explore the role that notes play in this novel. How does it compare with today’s use of technology, from email to tweets, as a method of communication? Of danger?

10. Discuss the many meanings of the term “solitary house.”

11. How does the author work the concept of discovery into this novel? For example, one of the ways is in chapter four, when Charles listens to the lecture on “A Scientific Journey through Africa.” How do you see the various characters exploring this ever-growing understanding of their world? Compare it to today, when the Internet has made it possible to “explore” previously undiscovered realms.

12. Explore the ways in which the author references both Bleak House and The Woman in White.

13. Why do you think Charles rejected following his father into medicine and instead followed his uncle into detection?

14. Discuss the relationship of Charles Maddox and his uncle. Is it the traditional mentor /mentee relationship? Does Maddox have anything to learn f rom his protégé, or is the training one way?

15. What qualities do you think a good detective has? Why do you think Tulkinghorn hires Charles, and does Charles meet or exceed Tulkinghorn’s expectations? How?

Reading Guide: A THOUSAND PARDONS by Jonathan Dee

Monday, July 29th, 2013

Dee_A Thousand PardonsHappy Monday, Book Clubbers!

Jonathan Dee’s latest novel, A Thousand Pardons, goes on sale August 6 and we’ve got an excerpt from the exclusive Random House Reader’s Circle materials in the back of the book for you to enjoy.

“A Thousand Pardons is that rare thing: a genuine literary thriller. Eerily suspenseful and packed with dramatic event, it also offers a trenchant, hilarious portrait of our collective longing for authenticity in these overmediated times.”—Jennifer Egan, Pulitzer Prize–winning author of A Visit from the Goon Squad

A Conversation with Jonathan Dee and Dana Spiotta

Dana Spiotta is the author of three novels: Lightning Field; Eat the Document, which was a finalist for the 2006 National Book Award and a recipient of the Rosenthal Family Foundation Award from the American Academy of Arts and Letters; and Stone Arabia, which was a finalist for the 2011 National Book Critics Circle Award. Spiotta has won a Guggenheim Fellowship, a New York Foundation for the Arts Fellowship, and the Rome Prize in Literature. She is an assistant professor in the Syracuse University Creative Writing Program.

Dana Spiotta: Helen’s apology wrangling is described as a gift, a vocation, and an accidental specialty. It is mysterious to her exactly why, yet her idea of “total submission” works. This process strikes me as almost religious.

Jonathan Dee: I’m not interested in current events per se, but I am interested in how certain aspects of social or public life that might seem ultra-contemporary actually take their place in a long American continuum. If you look at the practice of “crisis management,” and maybe squint at it a little, you can make out in the corners of your vision the ghosts or the vestiges of a much older, but still thoroughly American, form of public life, one centered not on public opinion but on religion. The theater of press conferences, Oprah sit-downs, et cetera is like an old, sacred vessel into which all this contemporary, pro- fane content gets poured. To me, A Thousand Pardons is a book not about spin or scandal or PR or even forgiveness, but about religious heritage. But I wanted the story itself to have a smooth surface, and to wear its ideas lightly.

DS: A Thousand Pardons has a breakneck pace. Events propel the characters forward, and as soon as they react to one event, another event happens. It’s hard to resist the momentum, and then the reader wants to go back and read it all again, more slowly. Tell me why pace was so important in this book?

JD: It would be going way too far to say I wanted the novel to be a par- able, but I wanted it to have some of the formal aspects of a parable or a religious tale. Parables are short and sweet; they move only forward, from event to event, as you say; they don’t contain flashbacks or other devices for re-ordering time; and there’s no pause in them for reflection or commentary or explorations of meaning. Those things exist outside the story, to be provoked by it.

DS: Helen believes abjection and confession are transformative. But why doesn’t Ben’s abject apology toward the beginning of the book work on Helen? Does he need to atone as well as apologize?

JD: She’s too angry, at that point, to accept it. And she stays angry with him for a long time; she’s been wronged and humiliated by him, so she can’t bring to his case the same sort of objectivity she brings to the dilemmas of her clients. As for Ben, being a lawyer I think he understands too well the negotiability of words; he knows that the road back for him will be about repenting not in speech but in service. He just has to hang around long enough to learn what that service will be.

DS: Public relations has cynicism built into it. It is brilliant and slightly perverse to posit such a sincere person as a public relations savant. Where did the idea come from?

JD: In order to describe a particular subculture, you might want to portray people who are typical or representative of that subculture; but to dramatize it, to make it an interesting setting for a story, you want to bring someone anomalous into that setting, to see how she conforms to it, and it to her.

DS: Did you read a lot of tabloids when you decided to write about crisis management? Public scandal is now so performed and mediated—did the machinations behind these events fascinate you? How do you know so much about it?

JD: What I read, mostly, were memoirs, first-person accounts written by veterans of the crisis-management industry. That’s always the most productive research—research into tone, into voice. Facts are nice too, but facts are more raw material than creative inspiration.

“A page turner . . . What a triumph.”—Kirkus Reviews (starred review)

Giveaway Opportunity: THE SOLITARY HOUSE by Lynn Sherpherd

Wednesday, July 24th, 2013

Shepherd_The Solitary House“A Victorian tour de force . . . a must-read.”—Kirkus Reviews (starred review)

Okay all of you historical fiction readers… we have a title for you! Following in the footsteps of her Murder at Mansfield Park, a brilliantly imagined novel during the Jane Austen era, Lynn Shepherd returns to the page with The Solitary House. This spellbinding new novel follows an unforgettable duo of detectives in the gaslit world of the famous Charles Dickens. Both historical fiction and suspense readers and fans of great classics such as Woman in White and Bleak House will love Shepherd’s latest triumph, The Solitary House.

London, 1850. Charles Maddox had been an up-and-coming officer for the Metropolitan police until a charge of insubordination abruptly ended his career. Now he works alone, struggling to eke out a living by tracking down criminals. Whenever he needs it, he has the help of his great-uncle Maddox, a legendary “thief taker,” a detective as brilliant and intuitive as they come.

On Charles’s latest case, he’ll need all the assistance he can get.

To his shock, Charles has been approached by Edward Tulkinghorn, the shadowy and feared attorney, who offers him a handsome price to do some sleuthing for a client. Powerful financier Sir Julius Cremorne has been receiving threatening letters, and Tulkinghorn wants Charles to—discreetly—find and stop whoever is responsible.

But what starts as a simple, open-and-shut case swiftly escalates into something bigger and much darker. As he cascades toward a collision with an unspeakable truth, Charles can only be aided so far by Maddox. The old man shows signs of forgetfulness and anger, symptoms of an age-related ailment that has yet to be named.

Intricately plotted and intellectually ambitious, The Solitary House is an ingenious novel that does more than spin an enthralling tale: It plumbs the mysteries of the human mind.

Enter below for your chance to win a copy of The Solitary House- complete with exclusive reading materials for you and your book club!

For more information, visit the author’s website or join the conversation on Facebook and Twitter.

“Intellectually enthralling, with dark twists at every turn . . . a haunting novel that will have you guessing until the last pages.”—Historical Novels Review

A Letter to Readers from Lori Nelson Spielman, author of THE LIFE LIST

Monday, July 22nd, 2013

Spielman_The Life List
Dear Reader,

It feels a bit surreal, addressing a letter to Dear Reader. After years of dreaming of becoming an author, it has actually come true. I have a book…and readers! And I sincerely hope you’ll become one of them.

A few years ago, I came across an abandoned life list I’d written as a teen. Lori’s List was penciled across a piece of yellowed notebook paper, along with 27 goals I believed would lead to a happy life. The list and those dreams became the seed for my novel, The Life List.

Rich with themes of forgiveness and family, hope and perseverance, The Life List tells the story of a young woman’s reluctant journey to resurrect her old life list, and her surprise to discover the life, and the self, she’d abandoned along the way.

So thank you, dear Reader, for considering my novel the next time you’re shopping for a book. And once you’ve read it, I’d love to chat with you about it.

Warmly,
Lori

The Life List, a Random House Trade paperback, went on sale July 2nd. For more information visit Lori’s website or join the conversation on Facebook and Twitter!

“Spielman’s debut charms.”—Kirkus Reviews

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