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A conversation with Antonia Fraser
about what is, what was, and what might have been on the eve of
the U.S. publication of her new biography Marie Antoinette.
Why did you choose to write a biography about
Marie Antoinette? What was it about her that piqued your interest
over other female historical figures?
I realize
that I had always in my heart of hearts planned to write a biography
of Marie Antoinette, but my first biography, Mary Queen of Scots,
published thirty-two years ago, was about a roughly similar figure,
a tragic and fascinating queen who was executed. After Mary Queen
of Scots, I turned to the farthest subject possible: Cromwell. Half
my readers after Mary Queen of Scots, suggested Marie Antoinette
incidentally, and some of them recently have reminded me of the
words I used in my letter back: "Not now but one day in the very
remote future."
Do you consider this book revisionist history
in any sense? Do you feel that Marie Antoinette has been treated
unfairly by history?
The
book is, I am sure, revisionist, although I am a little too close
to it at the moment to say in detail. Certainly I think there has
been a great deal of valuable revisionism in women's history, in
which my own The Weaker Vessel, published in the early 1980s,
played its part, I believe. I have been able to take advantage of
recent work by Robert Darnton and Chantal Thomas on French pornography
directed at Marie Antoinette. There is amazing hostility to Marie
Antoinette in some earlier biographies due to misogyny. I have tried
to look at her, her successes and failures, in terms of what she
faced, with detachment.
There seems to be more in this book about Marie
Antoinette's childhood and adolescence than we have ever seen in
any other work about her. Is that the case? If so, was that intentional?
Did you perceive a specific gap in what has been written about Marie
Antoinette?
Yes,
I do believe that the concentration in my book on Marie Antoinette's
childhood, and on her family influences, is very important. It is
surprising how some books actually start with her arrival in France!
For me the influence of her family -- large, close in many ways, rivals
in others -- is an essential element, and the influence of her mother,
Maria Teresa, can never be overestimated.
Was
there a single new piece of information about her that you uncovered
in your research that truly surprised and amazed you?
I
was amazed by the details of her married sex life--or rather the
lack of it for nearly eight years--and found consultations with
medical experts certainly took me along some unexpected paths. The
unexpurgated details of Maria Teresa's letters (written in French)
have been known in full since 1958 in a German translation, which
I consulted. However, I think mine is the fullest and most plausible
account of what went on.
Among the royal houses of eighteenth-century Europe, the life of
a young archduchess is one of little freedom and few choices. However,
are you able to envision Marie Antoinette in a modern context? Had
she been born two hundred years later, who might this remarkable
young woman have become?
Good
question. One couldn't help thinking of Princess Diana when writing
some passages, although of course I don't make a mention in the
text, which would be anachronistic. Forgetting Princess Diana, I
think Marie Antoinette would have made an excellent queen for a
constitutional monarchy -- love of children, love of charity, love
of the arts . . . all just what was needed. But if one forgets the
royal sphere, she might perhaps have been an actress! Or a singer!
She loved opera so much.
If
the French Revolution hadn't happened in her lifetime, how do you
think Marie Antoinette's life might have played out? What would
the world's collective memory have been for her? Would she have
been remembered much at all?
Her
glamour and her love of the arts would have meant that she would
have been remembered like the two royal mistresses in the preceding
reign, Pompadour and Du Barry (she was however much more like Pompadour
in her elegance than Du Barry, who was slightly vulgar). There would
have been a Style Marie Antoinette, I expect, and we would admire
rooms in museums decorated in her taste.
This interview appears in an abridged form in the Nan A. Talese
Fall 2001 Catalog of Authors.
>ANTONIA
FRASER FEATURED AUTHOR PAGE
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