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This is the centenary year for W. H. Auden, who was born in 1907 and died in 1973. In the introduction to an expanded edition of his Selected Poems, Auden's literary executor Edward Mendelson reminds us not to judge Auden, most public and yet most intimate of poets, in relation to the modernists and their project; Auden's poems from almost the very first were not "written in tones of imaginative superiority and regretful isolation" like those of his contemporaries, but "speak instead in voices… almost unknown to English since the end of the eighteenth century: the voice of a citizen who knows the obligations of citizenship, the voice of a unique individual who does not imagine that his uniqueness makes him more noble, more depraved, or more interesting than anyone else." In that spirit, we offer "Nocturne I," written during the early 1950s—a period when, Mendelson tells us, Auden's shorter poems were concerned with the value of first-person speech and the human face and voice in an increasingly impersonal, statistical world.
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Nocturne I
Appearing unannounced, the moon
Avoids a mountain's jagged prongs
And sweeps into the open sky
Like one who knows where she belongs.
To me, immediately, my heart:
"Adore Her, Mother, Virgin, Muse,
A Face worth watching Who can make
Or break you as Her fancy choose."
At which the reflex of my mind:
"You will not tell me, I presume,
That bunch of barren craters care
Who sleeps with or who tortures whom."
Tonight, like umpteen other nights,
The baser frankness wins of course,
My tougher mind which dares admit
That both are worshippers of force.
Granted what both of them believe,
The Goddess, clearly, has to go,
Whose majesty is but the mask
That hides a faceless dynamo;
And neither of my natures can
Complain if I should be reduced
To a small functionary whose dreams
Are vast, unscrupulous, confused.
Supposing, though, my face is real
And not a myth or a machine,
The moon should look like x and wear
Features I've actually seen,
My neighbor's face, a face as such,
Neither a status nor a sex,
Constant for me no matter what
The value I assign to x;
That gushing lady, possibly,
Who brought some verses of her own,
That hang-dog who keeps coming back
For just a temporary loan;
A counter-image, anyway,
To balance with its lack of weight
My world, the private motor-car
And all the engines of the State.
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Excerpt from SELECTED POEMS. Copyright © 1979, 2007 by The Estate of W. H. Auden. Excerpted by permission of Vintage, a division of Random House LLC. All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
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