For this, the penultimate day of Poetry Month, we offer you a grand finale before the last farewell, a trio of unique voices that spark like summer fireworks: Amy Clampitt, May Swenson, and Sandra Cisneros. Scroll down and enjoy!

Also, remember that today is Friday, the day for you to vote for the Poem-of-the-Week on the Knopf Poetry Forum. See below for further instructions.

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Two from THE COLLECTED POEMS OF AMY CLAMPITT:


The Waterfall

Orb-weaver shivering
among the filaments: how many
fibers generated from within
transect the air?

How many hirsute, sightless
gropings anchor
these redwood trees, suffuse
the flowery traceries

of the oxalis? The veining
in this hand, these
eyeballs, the circuitous
and scintillating

leap within the brain—
the synapse,
the waterfall, the black-
thread mane of fern

beside it—all, all
suspend, here:
everywhere, existences
hang by a hair.


***


Portola Valley

A dense ravine, no inch
of which was level until
some architect niched in this
shimmer of partition, fishpond
and flowerbed, these fording-
stones' unwalled steep staircase
down to where (speak softly) you
take off your shoes, step onto
guest-house tatami matting,
learn to be Japanese.

There will be red wine,
artichokes, and California
politics for dinner; a mocking-
bird may whisper, a frog rasp
and go kerplunk, the shifting
inlay of goldfish in the court-
yard floor add to your vertigo;
and deer look in, the velvet
thrust of pansy faces and vast
violet petal ears, inquiring,
stun you without a blow


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One from IN OTHER WORDS by May Swenson:


Strawberrying

My hands are murder-red. Many a plump head
drops on the heap in the basket. Or, ripe
to bursting, they might be hearts, matching
the blackbirds's wing-fleck. Gripped to a reed
he shrieks his ko-ka-ree in the next field.
He's left his peck in some juicy cheeks, when
at first blush and mostly white, they showed
streaks of sweetness to the marauder.

We're picking near the shore, the morning
sunny, a slight wind moving rough-veined leaves
our hands rumple among. Fingers find by feel
the ready fruit in clusters. Here and there,
their squishy wounds....Flesh was perfect
yesterday....June was for gorging....
sweet hearts young and firm before decay.

"Take only the biggest and not too ripe,"
a mother calls to her girl and boy, barefoot
in the furrows. "Don't step on any. Don't
change rows. Don't eat too many." Mesmerized
by the largesse, the children squat and pull
and pick handfuls of rich scarlets, half
for the baskets, half for avid mouths.
Soon, whole faces are stained.

A crop this big begs for plunder. Ripeness
wants to be ravished, as udders of cow when hard,
the blue-veined bags distended, ache to be stripped.
Hunkered in mud between the rows, sun burning
the backs of our necks, we grope for, and rip loose
soft nippled heads. If they bleed—too soft—
let them stay. Let them rot in the heat.

When, hidden away in a damp hollow under moldy
leaves, I come upon a clump of heart-shapes
once red, now spiderspit-gray, intact but empty,
still attached to their dead stems—
families smothered as at Pompeii—I rise
and stretch. I eat one more big ripe lopped
head. Red-handed, I leave the field.


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Two from LOOSE WOMAN by Sandra Cisneros:


Little Clown, My Heart

Little clown, my heart,
Spangled again and lopsided,
Handstands and Peking pirouettes,
Backflips snapping open like
A carpenter's hinged ruler,

Little gimp-footed hurray,
Paper parasol of pleasures,
Fleshy undertounge of sorrows,
Sweet potato plant of my additions,

Acapulco cliff-diver corazón,
Fine as an obsidian dagger,
Alley-oop and here we go
Into the froth, my life,
Into the flames!


***


You Like to Give and Watch Me My Pleasure

You like to give and watch me my
pleasure. Machete me in two.
Take for the taking what is yours.
This is how you like to have me.

I'm as naked as a field of cane,
as along as all of Cuba
before you.

You could descend like rain,
destroy like fire
if you chose to.

If you chose to.

I could rise like huracán.
I could erupt as sudden as
a coup d'état of trumpets,
the sleepless eye of the ocean,
a sky of black urracas.
If I chose to.

I don't choose to.
I let myself me taken.

This power is my gift to you.

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"The Waterfall" and "Portola Valley" from THE COLLECTED POEMS OF AMY CLAMPITT. Copyright © 1997 by Amy Clampitt. Excerpted by permission of Alfred A. Knopf, a division of Random House LLC. All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.

"Strawberrying" from IN OTHER WORDS by May Swenson. Copyright © 1987 by May Swenson. Excerpted by permission of Alfred A. Knopf, a division of Random House LLC. All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.

"Little Clown, My Heart" and "You Like to Give and Watch Me My Pleasure" from LOOSE WOMAN by Sandra Cisneros. Copyright © 1994 by Sandra Cisneros. Excerpted by permission of Alfred A. Knopf, a division of Random House LLC. All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.

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Related links:

About THE COLLECTED POEMS OF AMY CLAMPITT:
http://www.randomhouse.com/knopf/catalog/display.pperl?0375700641

About LOOSE WOMAN:
http://www.randomhouse.com/catalog/display.pperl?0679755276

About Amy Clampitt:
http://www.randomhouse.com/knopf/catalog/results2.pperl?authorid=4997

About May Swenson:
http://www.poets.org/poets/poets.cfm?45442B7C000C070209

About Sandra Cisneros:
http://www.randomhouse.com/author/results.pperl?authorid=4977

Discuss today's poems on the Knopf Poetry Forum:
http://www.aaknopf.com/poetry/forum/

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POEM-OF-THE-WEEK:

Today is Friday, time to vote for your favorite poem-of-the-week (April 22-29). The first five to post their selection and reasons why on the Knopf Poetry Forum will receive a signed first edition of Camille Paglia's bestselling BREAK, BLOW, BURN:
http://www.knopfpoetry.com/forum/

THE POETRY IN THE WORLD CONTEST:

We invite you to send us photos and descriptions of how you've seen poetry celebrated out in the real world. If you are a bookseller, send in images of your in-store display. If you admire the display in your favorite bookstore, send us photos of what they did. Teachers, show us a poetry bulletin board you created. Find poetry broadsides hanging on the wall in a library. Have you found a new poetry Web site that you love? Send us the link. If you hang our poems from string in trees outside your house, make poetry kites, or serve your meals out of poetry paper plates, let us know. Surprise us. Whatever you find or choose to do, let us know about it. We will pick the five most creative tributes to poetry and post them on the Borzoi Reader. Winners will receive five books of poetry from Knopf.

View the official rules here:
http://www.knopfpoetry.com/rules.html

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