Artist Isabella Kirkland's painting "Descendant Species" graces the cover of Edward O. Wilson's
THE FUTURE OF LIFE. The author and artist have worked to provide readers with an interactive
version of the painting- move your cursor over any highlighted animal or plant and learn more
about the species.
CLICK HERE TO VIEW INTERACTIVE PAINTING
EDWARD O. WILSON:
Isabella Kirkland's "Descendant Species" is a rainbow bouquet of
plant and animal species diverse in their beauty and human interest.
Unfortunately, the real-life bouquet is fading. All the species
depicted in the painting are extremely rare. Several, such as Costa
Rica's golden toad, are evidently extinct. If we are to be effective
stewards of earth's remaining life (the creation of religious
conception) it will help to look at these and other species living on
the edge in a more appreciative manner: not just as elements in a
statistical ensemble but as unique entities worthy of detailed study.
Each has a geologically long history, in many cases exceeding that of
our own species, and each is biologically distinct, with its own
place in the ecosystem to which it is--or at least was before humanity
came along--exquisitely adapted. To search for the last members of a
retreating species and learn more about it is an adventure. To
protect it is a moral obligation, too long postponed.
ISABELLA KIRKLAND:
In the original of this painting each species is depicted life-sized.
Oil paintings can endure, as a time-capsule against a future that may
lack some of these rare plants and animals. Classical Dutch still lifes
provide us with a record of plants and animals that were considered new
and exotic in Europe in the 1600's. Many still lifes have an allegory
behind the image: the stories behind these species tell of our place
within and profound effect upon the rest of the natural world.
CLICK HERE TO VIEW INTERACTIVE PAINTING