Oliver Twist’s life has been a hard and desperate one. With his mother dying during his birth, and having no idea who his father was, Oliver has spent his first nine years struggling to survive in a world that has little pity for a poor orphan such as him. After Oliver gets involved with the nefarious Fagin and the sinister Bill Sikes, he is wounded during a burglary. Oliver is rescued by Sikes’s intended victims, the young Rose Maylie, and her guardian, Mrs. Maylie. At last, the boy finds a loving home and people who care for him. But how long will Oliver’s happiness endure, especially when Fagin begins to conspire with a mysterious stranger with a link to the boy's past?

“I highly recommend Campfire’s comics. They do what they are intended to do and do it in a way that excites kids about classic literature.”– Chris Wilson, The Graphic Classroom (a resource for teachers and librarians)

“It is no small task to condense one of Dickens’s most beloved and frequently retold stories from 400 pages into a mere 88 while maintaining the major plot developments. However, remarkably, this graphic novel version is generally a success in this regard… Overall, Johnson’s wordsmithing makes this edition an easy read, and it includes annotations when Dickens’s original phrasing may be unknown to modern readers. Nagulakonda’s use of color–and the lack thereof in the seedy underworld of Fagin and the Artful Dodger–adds vibrancy and a strong emotional tone to Oliver’s plight. Readers who are less familiar with the story will find this an engaging read and might even be persuaded to read the full-length tome.”— Library Journal
Lines and colors have been a part of Rajesh Nagulakonda's life from his childhood in Andhra Pradesh. His grandfather was a goldsmith and his father a printer. Both influenced him to take up art. He spends most of his time visualizing and exploring different art forms. His pursuits have led him to sculpture, nail art on paper, metal engraving, and painting. Rajesh's previous Campfire titles include Magical Animals, Krishna, The Little Alien, Ganesha, Pride and Prejudice, the award-winning Buddha: An Enlightened Life. View titles by Rajesh Nagulakonda
"It is no small task to condense one of Dickens's most beloved and frequently retold stories from 400 pages into a mere 88 while maintaining the major plot developments. However, remarkably, this graphic novel version is generally a success. . . . Owing to the minor violence and complexity of Dickens's plot twists, this would be suitable for middle school students who like darker stories; think A Series of Unfortunate Events for older readers." -- Library Journal

"I highly recommend Campfire’s comics. They do what they are intended to do and do it in  a way that excites kids about classic literature." — Chris Wilson, The Graphic Classroom (a resource for teachers and librarians)

About

Oliver Twist’s life has been a hard and desperate one. With his mother dying during his birth, and having no idea who his father was, Oliver has spent his first nine years struggling to survive in a world that has little pity for a poor orphan such as him. After Oliver gets involved with the nefarious Fagin and the sinister Bill Sikes, he is wounded during a burglary. Oliver is rescued by Sikes’s intended victims, the young Rose Maylie, and her guardian, Mrs. Maylie. At last, the boy finds a loving home and people who care for him. But how long will Oliver’s happiness endure, especially when Fagin begins to conspire with a mysterious stranger with a link to the boy's past?

“I highly recommend Campfire’s comics. They do what they are intended to do and do it in a way that excites kids about classic literature.”– Chris Wilson, The Graphic Classroom (a resource for teachers and librarians)

“It is no small task to condense one of Dickens’s most beloved and frequently retold stories from 400 pages into a mere 88 while maintaining the major plot developments. However, remarkably, this graphic novel version is generally a success in this regard… Overall, Johnson’s wordsmithing makes this edition an easy read, and it includes annotations when Dickens’s original phrasing may be unknown to modern readers. Nagulakonda’s use of color–and the lack thereof in the seedy underworld of Fagin and the Artful Dodger–adds vibrancy and a strong emotional tone to Oliver’s plight. Readers who are less familiar with the story will find this an engaging read and might even be persuaded to read the full-length tome.”— Library Journal

Author

Lines and colors have been a part of Rajesh Nagulakonda's life from his childhood in Andhra Pradesh. His grandfather was a goldsmith and his father a printer. Both influenced him to take up art. He spends most of his time visualizing and exploring different art forms. His pursuits have led him to sculpture, nail art on paper, metal engraving, and painting. Rajesh's previous Campfire titles include Magical Animals, Krishna, The Little Alien, Ganesha, Pride and Prejudice, the award-winning Buddha: An Enlightened Life. View titles by Rajesh Nagulakonda

Praise

"It is no small task to condense one of Dickens's most beloved and frequently retold stories from 400 pages into a mere 88 while maintaining the major plot developments. However, remarkably, this graphic novel version is generally a success. . . . Owing to the minor violence and complexity of Dickens's plot twists, this would be suitable for middle school students who like darker stories; think A Series of Unfortunate Events for older readers." -- Library Journal

"I highly recommend Campfire’s comics. They do what they are intended to do and do it in  a way that excites kids about classic literature." — Chris Wilson, The Graphic Classroom (a resource for teachers and librarians)

PRH Education High School Collections

All reading communities should contain protected time for the sake of reading. Independent reading practices emphasize the process of making meaning through reading, not an end product. The school culture (teachers, administration, etc.) should affirm this daily practice time as inherently important instructional time for all readers. (NCTE, 2019)   The Penguin Random House High

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PRH Education Translanguaging Collections

Translanguaging is a communicative practice of bilinguals and multilinguals, that is, it is a practice whereby bilinguals and multilinguals use their entire linguistic repertoire to communicate and make meaning (García, 2009; García, Ibarra Johnson, & Seltzer, 2017)   It is through that lens that we have partnered with teacher educators and bilingual education experts, Drs.

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PRH Education Classroom Libraries

“Books are a students’ passport to entering and actively participating in a global society with the empathy, compassion, and knowledge it takes to become the problem solvers the world needs.” –Laura Robb   Research shows that reading and literacy directly impacts students’ academic success and personal growth. To help promote the importance of daily independent

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