Brent Runyon was 14 years old when he set himself on fire.

This is a true story.

In The Burn Journals, Runyon describes that devastating suicide attempt and his recovery over the following year. He takes us into the Burn Unit in a children’s hospital and through painful burn care and skin-grafting procedures. Then to a rehabilitation hospital, for intensive physical, occupational, and psychological therapy. And then finally back home, to the frightening prospect of entering high school.

But more importantly, Runyon takes us into his own mind. He shares his thoughts and hopes and fears with such unflinching honesty that we understand—with a terrible clarity—what it means to want to kill yourself and how it feels to struggle back toward normality.

Intense, exposed, insightful, The Burn Journals is a deeply personal story with universal reach. It is impossible to look away. Impossible to remain unmoved.

This truly riveting memoir is a spectacular debut for a talented new writer.


“We may never understand why fourteen-year-old Brent Runyon went home and set himself on fire one afternoon, but we can’t fail to feel invested in his remarkable journey of recovery and the changes it brings about in him. This is a fascinating account of the mending of a body and a mind, told with the simple and honest sensibility of someone too young to have endured so much.” —Arthur Golden

“An excruciating, brilliant book…WOW.” —A.M. Homes

“In The Burn Journals, Brent Runyon lays himself astonishingly bare, writing with a candor so profound that it feels like innocence. This is the narrative both of his horrifying despair and of how some few rays of hope penetrated the darkness. The book is strange and elegiac and clear and true, at once unbearable and irresistible. To read it is to feel like you have made a suicide attempt yourself—and survived. It describes a particular kind of youthful male desolation better than it has ever been described before, by anyone, and will perhaps make some people lost in unhappiness feel a little bit less alone, a little bit less bewildering to themselves, a little more willing to stay alive.” —Andrew Solomon, author of The Noonday Demon
© Judith Haut
"The second hardest thing to do in life is to change from a child into an adult. There are so many ways to mess up. So many ways to get lost. It's like crossing the ocean in a rowboat."--Brent Runyon

FROM THE AUTHOR
I took a job as a newspaper reporter a few months ago to help pay the bills. The other reason I took the job is that I get to do the police briefs, the section of the paper that details all of the crime and arrests in the small town I live in.

I’ve always loved that section of the paper. Especially here in this town. For years, I’ve been opening up to that section first, because there’s always something special in there.

A tan work glove was reported stolen from a 55-year-old man's unlocked car on Spinnaker Lane, at 9:32 AM. The man told police his GPS was moved but not stolen. A neighbor said his unlocked car was also rifled through, some change had been stolen, and a tan work glove was left on his seat.


Or:

An Alderberry Lane, man was arrested at 7:10 PM after neighbors reported he was threatening to kill them with a phone book.


Or:

Police were dispatched to Lakeview Avenue for a report of an uncontrollable teenage boy at 9:42 PM. The teen was reportedly refusing to follow directions, yelling, and screaming at his mother.

Maybe it’s just me, but I love the idea of the teenage boy who is so uncontrollable his parents have to call the cops to get him to calm down.

Not because it would be fun to be in that situation, but because I think we’ve probably all been in that situation–at least on one side of it. Most of us, I’m guessing, don’t get to the point where we call the cops.

Imagine if we did?

Dispatcher: 911, what is your emergency?
Parent: Yeah, hi, I have an uncontrollable teenage boy on my hands out here on Lakeview.
Dispatcher: What is the teenager doing?
Parent: Not following directions. Yelling and screaming. Acting in a generally uncontrollable ways.
Dispatcher: I’ve already dispatched a unit. Hold tight.


I mean, I get calling the cops if your car has been stolen or someone breaks into your house, but for a missing work glove? A phone book? An uncontrollable teenager?

But people do it all the time. And I mean, all the time. In a big city, probably, that stuff never gets into the police briefs because there are cars being stolen and homes broken into and worse.

And that’s part of the reason I took this job in this town for this newspaper. I love that I get to write about this stuff, because in a way, it makes the town seem small and quiet and normal.

There are still houses getting broken into, and the occasional car stolen, and every once in awhile there’s a murder.

But it’s still the kind of place where a tan work glove is stolen from an unlocked car, the police show up to write a report, and it makes it into the local newspaper. View titles by Brent Runyon
When seventh period is finally over, I run to my locker and put all my books inside. I won’t need them anymore. I grab my lock-picking set and a spare Ace of Spades that I have lying around.
At the end of the hallway, I can see Stephen talking to Megan, the girl we both have a crush on. I walk up to them and say hi. She smiles at me and I try to smile back. He looks a little suspicious.
I don’t really want to say anything, I don’t want to tell them what I’m going to do. I hand him the Ace of Spades and say, “Good-bye,” and I walk away. I hope they’ll be happy together.
I see my friend Jake at his locker and give him the lock-picking set. “Use them wisely,” I say, and head toward the bus.
Laura walks with me down D hall. She says, “Hey, I heard you set that fire in gym class.”
“Yeah.”
“What are you going to do?”
“I’m going to set myself on fire.” She stops at her locker, and I keep walking.

On the bus ride home, I sit by myself. I lean my head against the cold glass window and try not to think about all the stupid things I’ve done, all the bad things I’ve done, and all the pain I’ve caused everyone.

My brother is playing basketball outside the house when I get home. He’s shooting free throws.
I rebound the ball for him and throw it back. I don’t want to take any shots. I tell him the whole story, about what I did and what they’re going to do to me. I don’t tell him what I’m going to do to myself.
When I’m done talking, he says, “That sucks,” and I go inside the house. I don’t have to write a note anymore. Craig knows everything.
I walk out to the shed to get the gas can. I bring it inside to the bathroom at the top of the stairs because that’s the room with the most locks. I go back downstairs and get the matches from the kitchen.

I take off all my clothes and put on the pair of red boxers with glow-in-the-dark lips that my mom bought for me at the mall last weekend. I bring my bathrobe into the shower and I pour the gasoline all over it. The gas can is only about a quarter full, but it seems like enough.
I step into the bathtub and I put the bathrobe over my shoulders. It’s wet and heavy, but there’s something kind of comforting about the smell, like going on a long car trip. I hold the box of matches out in front of me in my left hand.
I take out a strike-anywhere match and hold it against the box.
Should I do it?
Yes. Do it.
I strike the match, but it doesn’t light. Try again.
I light the match. Nothing happens. I bring it closer to my wrist and then it goes up, all over me, eating through me everywhere. I can’t breathe. I’m screaming, “Craig! Craig!”
I fall down. I’m going to die. I’m going to find out what death is like. I’m going to know. But nothing’s happening.
This hurts too much. I need to stop it. I need to get up. I stand. I don’t know how I stand, but I do, and I turn on the shower. I’m breathing water and smoke. I unlock the door and open it. My hand is all black. I walk out. There’s Craig with Rusty, our dog, next to him. They have the same expression on their faces.
Craig yells something and runs downstairs. I think he’s calling 911. I’m following him. He hands me the phone and runs off. There’s a woman on the phone asking me questions. I try to tell her what’s happened, but my voice sounds choked and brittle. There’s something wrong with my voice.
The woman on the phone says the fire trucks and ambulances are on their way. Somehow she knows my address. Craig is gone now, gone to get Mom, and Rusty is hiding somewhere. Smoke is coming from the bathroom upstairs and I can see that the whole room has turned black. I look down and see my flesh is charred and flaking and the glow-in-the-dark boxer shorts are burnt into my skin.
The woman on the phone says everything is going to be all right, and I believe her. She has a nice voice. She keeps asking me if I’m still on fire and I say, “I don’t think so.”
I’m walking around the kitchen, waiting for the ambulance to come. I can see my reflection in the microwave. Where’s my hair? Where did my hair go? Is that my face?
We used to put marshmallows in the microwave. We used to watch them get bigger and bigger and then shrink down.
“Oh God, just tell them to get here, just tell them to get here, okay?”
She says, “It’s okay. They’re coming. They’re almost there.”
“I’m so sorry. I’m so sorry.”
“It’s okay, that’s okay.”
I can hear the sirens in the distance now.
I say, “I want to lie down. I’m going to lie down.” It hurts to talk. I think there’s something wrong in my throat.
“You can’t lie down.”
“But I have to.”
“Okay, you can lie down.”
The men are here. The firemen are here. They’re putting me on a plastic sheet. They say I’m going to be okay. One of them puts something over my face. That feels good. That feels so good. The cold air feels so good going into my lungs.
What are they talking about? What are they saying? They’re giving me a shot. They say it’s going to make the pain go away. Make the pain go away.
I’m looking at the faces of all the men who are gathered around me. Their eyes are so blue and so clear.
I turn my head and see Craig in the front hall. He’s yelling and punching the walls. He’s angry.
And my mom is here, and she’s smiling and saying she loves me, and her eyes, which are green like my eyes, are the most beautiful things I’ve ever seen.
  • WINNER
    New York Public Library Books for the Teen Age
  • WINNER | 2007
    Rhode Island Teen Book Master List
  • WINNER | 2006
    Pennyslvania Young Readers Choice Master List
  • WINNER | 2006
    Texas TAYSHAS High School Reading List
  • NOMINEE | 2007
    Missouri Gateway Readers Award

“[The Burn Journals] describes a particular kind of youthful male desolation better than it has ever been described before, by anyone.”  —Andrew Solomon, author of The Noonday Demon

 

“A fascinating account of the mending of a body and mind, told with the simple and honest sensibility of someone too young to have endured so much.” —Arthur Golden, author of Memoirs of a Geisha

 

"Runyon has, perhaps, written the defining book of a new genre, one that gazes...unflinchingly at boys on the emotional edge." —Booklist (starred review)

 

"A taut, chilling account of the author's attempt to commit suicide...a must-read for teenagers struggling with self-doubt." —The Denver Post

 

“An excruciating, brilliant book...WOW.” —A.M. Homes, author of Things You Should Know

About

Brent Runyon was 14 years old when he set himself on fire.

This is a true story.

In The Burn Journals, Runyon describes that devastating suicide attempt and his recovery over the following year. He takes us into the Burn Unit in a children’s hospital and through painful burn care and skin-grafting procedures. Then to a rehabilitation hospital, for intensive physical, occupational, and psychological therapy. And then finally back home, to the frightening prospect of entering high school.

But more importantly, Runyon takes us into his own mind. He shares his thoughts and hopes and fears with such unflinching honesty that we understand—with a terrible clarity—what it means to want to kill yourself and how it feels to struggle back toward normality.

Intense, exposed, insightful, The Burn Journals is a deeply personal story with universal reach. It is impossible to look away. Impossible to remain unmoved.

This truly riveting memoir is a spectacular debut for a talented new writer.


“We may never understand why fourteen-year-old Brent Runyon went home and set himself on fire one afternoon, but we can’t fail to feel invested in his remarkable journey of recovery and the changes it brings about in him. This is a fascinating account of the mending of a body and a mind, told with the simple and honest sensibility of someone too young to have endured so much.” —Arthur Golden

“An excruciating, brilliant book…WOW.” —A.M. Homes

“In The Burn Journals, Brent Runyon lays himself astonishingly bare, writing with a candor so profound that it feels like innocence. This is the narrative both of his horrifying despair and of how some few rays of hope penetrated the darkness. The book is strange and elegiac and clear and true, at once unbearable and irresistible. To read it is to feel like you have made a suicide attempt yourself—and survived. It describes a particular kind of youthful male desolation better than it has ever been described before, by anyone, and will perhaps make some people lost in unhappiness feel a little bit less alone, a little bit less bewildering to themselves, a little more willing to stay alive.” —Andrew Solomon, author of The Noonday Demon

Author

© Judith Haut
"The second hardest thing to do in life is to change from a child into an adult. There are so many ways to mess up. So many ways to get lost. It's like crossing the ocean in a rowboat."--Brent Runyon

FROM THE AUTHOR
I took a job as a newspaper reporter a few months ago to help pay the bills. The other reason I took the job is that I get to do the police briefs, the section of the paper that details all of the crime and arrests in the small town I live in.

I’ve always loved that section of the paper. Especially here in this town. For years, I’ve been opening up to that section first, because there’s always something special in there.

A tan work glove was reported stolen from a 55-year-old man's unlocked car on Spinnaker Lane, at 9:32 AM. The man told police his GPS was moved but not stolen. A neighbor said his unlocked car was also rifled through, some change had been stolen, and a tan work glove was left on his seat.


Or:

An Alderberry Lane, man was arrested at 7:10 PM after neighbors reported he was threatening to kill them with a phone book.


Or:

Police were dispatched to Lakeview Avenue for a report of an uncontrollable teenage boy at 9:42 PM. The teen was reportedly refusing to follow directions, yelling, and screaming at his mother.

Maybe it’s just me, but I love the idea of the teenage boy who is so uncontrollable his parents have to call the cops to get him to calm down.

Not because it would be fun to be in that situation, but because I think we’ve probably all been in that situation–at least on one side of it. Most of us, I’m guessing, don’t get to the point where we call the cops.

Imagine if we did?

Dispatcher: 911, what is your emergency?
Parent: Yeah, hi, I have an uncontrollable teenage boy on my hands out here on Lakeview.
Dispatcher: What is the teenager doing?
Parent: Not following directions. Yelling and screaming. Acting in a generally uncontrollable ways.
Dispatcher: I’ve already dispatched a unit. Hold tight.


I mean, I get calling the cops if your car has been stolen or someone breaks into your house, but for a missing work glove? A phone book? An uncontrollable teenager?

But people do it all the time. And I mean, all the time. In a big city, probably, that stuff never gets into the police briefs because there are cars being stolen and homes broken into and worse.

And that’s part of the reason I took this job in this town for this newspaper. I love that I get to write about this stuff, because in a way, it makes the town seem small and quiet and normal.

There are still houses getting broken into, and the occasional car stolen, and every once in awhile there’s a murder.

But it’s still the kind of place where a tan work glove is stolen from an unlocked car, the police show up to write a report, and it makes it into the local newspaper. View titles by Brent Runyon

Excerpt

When seventh period is finally over, I run to my locker and put all my books inside. I won’t need them anymore. I grab my lock-picking set and a spare Ace of Spades that I have lying around.
At the end of the hallway, I can see Stephen talking to Megan, the girl we both have a crush on. I walk up to them and say hi. She smiles at me and I try to smile back. He looks a little suspicious.
I don’t really want to say anything, I don’t want to tell them what I’m going to do. I hand him the Ace of Spades and say, “Good-bye,” and I walk away. I hope they’ll be happy together.
I see my friend Jake at his locker and give him the lock-picking set. “Use them wisely,” I say, and head toward the bus.
Laura walks with me down D hall. She says, “Hey, I heard you set that fire in gym class.”
“Yeah.”
“What are you going to do?”
“I’m going to set myself on fire.” She stops at her locker, and I keep walking.

On the bus ride home, I sit by myself. I lean my head against the cold glass window and try not to think about all the stupid things I’ve done, all the bad things I’ve done, and all the pain I’ve caused everyone.

My brother is playing basketball outside the house when I get home. He’s shooting free throws.
I rebound the ball for him and throw it back. I don’t want to take any shots. I tell him the whole story, about what I did and what they’re going to do to me. I don’t tell him what I’m going to do to myself.
When I’m done talking, he says, “That sucks,” and I go inside the house. I don’t have to write a note anymore. Craig knows everything.
I walk out to the shed to get the gas can. I bring it inside to the bathroom at the top of the stairs because that’s the room with the most locks. I go back downstairs and get the matches from the kitchen.

I take off all my clothes and put on the pair of red boxers with glow-in-the-dark lips that my mom bought for me at the mall last weekend. I bring my bathrobe into the shower and I pour the gasoline all over it. The gas can is only about a quarter full, but it seems like enough.
I step into the bathtub and I put the bathrobe over my shoulders. It’s wet and heavy, but there’s something kind of comforting about the smell, like going on a long car trip. I hold the box of matches out in front of me in my left hand.
I take out a strike-anywhere match and hold it against the box.
Should I do it?
Yes. Do it.
I strike the match, but it doesn’t light. Try again.
I light the match. Nothing happens. I bring it closer to my wrist and then it goes up, all over me, eating through me everywhere. I can’t breathe. I’m screaming, “Craig! Craig!”
I fall down. I’m going to die. I’m going to find out what death is like. I’m going to know. But nothing’s happening.
This hurts too much. I need to stop it. I need to get up. I stand. I don’t know how I stand, but I do, and I turn on the shower. I’m breathing water and smoke. I unlock the door and open it. My hand is all black. I walk out. There’s Craig with Rusty, our dog, next to him. They have the same expression on their faces.
Craig yells something and runs downstairs. I think he’s calling 911. I’m following him. He hands me the phone and runs off. There’s a woman on the phone asking me questions. I try to tell her what’s happened, but my voice sounds choked and brittle. There’s something wrong with my voice.
The woman on the phone says the fire trucks and ambulances are on their way. Somehow she knows my address. Craig is gone now, gone to get Mom, and Rusty is hiding somewhere. Smoke is coming from the bathroom upstairs and I can see that the whole room has turned black. I look down and see my flesh is charred and flaking and the glow-in-the-dark boxer shorts are burnt into my skin.
The woman on the phone says everything is going to be all right, and I believe her. She has a nice voice. She keeps asking me if I’m still on fire and I say, “I don’t think so.”
I’m walking around the kitchen, waiting for the ambulance to come. I can see my reflection in the microwave. Where’s my hair? Where did my hair go? Is that my face?
We used to put marshmallows in the microwave. We used to watch them get bigger and bigger and then shrink down.
“Oh God, just tell them to get here, just tell them to get here, okay?”
She says, “It’s okay. They’re coming. They’re almost there.”
“I’m so sorry. I’m so sorry.”
“It’s okay, that’s okay.”
I can hear the sirens in the distance now.
I say, “I want to lie down. I’m going to lie down.” It hurts to talk. I think there’s something wrong in my throat.
“You can’t lie down.”
“But I have to.”
“Okay, you can lie down.”
The men are here. The firemen are here. They’re putting me on a plastic sheet. They say I’m going to be okay. One of them puts something over my face. That feels good. That feels so good. The cold air feels so good going into my lungs.
What are they talking about? What are they saying? They’re giving me a shot. They say it’s going to make the pain go away. Make the pain go away.
I’m looking at the faces of all the men who are gathered around me. Their eyes are so blue and so clear.
I turn my head and see Craig in the front hall. He’s yelling and punching the walls. He’s angry.
And my mom is here, and she’s smiling and saying she loves me, and her eyes, which are green like my eyes, are the most beautiful things I’ve ever seen.

Awards

  • WINNER
    New York Public Library Books for the Teen Age
  • WINNER | 2007
    Rhode Island Teen Book Master List
  • WINNER | 2006
    Pennyslvania Young Readers Choice Master List
  • WINNER | 2006
    Texas TAYSHAS High School Reading List
  • NOMINEE | 2007
    Missouri Gateway Readers Award

Praise

“[The Burn Journals] describes a particular kind of youthful male desolation better than it has ever been described before, by anyone.”  —Andrew Solomon, author of The Noonday Demon

 

“A fascinating account of the mending of a body and mind, told with the simple and honest sensibility of someone too young to have endured so much.” —Arthur Golden, author of Memoirs of a Geisha

 

"Runyon has, perhaps, written the defining book of a new genre, one that gazes...unflinchingly at boys on the emotional edge." —Booklist (starred review)

 

"A taut, chilling account of the author's attempt to commit suicide...a must-read for teenagers struggling with self-doubt." —The Denver Post

 

“An excruciating, brilliant book...WOW.” —A.M. Homes, author of Things You Should Know

PRH Education High School Collections

All reading communities should contain protected time for the sake of reading. Independent reading practices emphasize the process of making meaning through reading, not an end product. The school culture (teachers, administration, etc.) should affirm this daily practice time as inherently important instructional time for all readers. (NCTE, 2019)   The Penguin Random House High

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PRH Education Translanguaging Collections

Translanguaging is a communicative practice of bilinguals and multilinguals, that is, it is a practice whereby bilinguals and multilinguals use their entire linguistic repertoire to communicate and make meaning (García, 2009; García, Ibarra Johnson, & Seltzer, 2017)   It is through that lens that we have partnered with teacher educators and bilingual education experts, Drs.

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PRH Education Classroom Libraries

“Books are a students’ passport to entering and actively participating in a global society with the empathy, compassion, and knowledge it takes to become the problem solvers the world needs.” –Laura Robb   Research shows that reading and literacy directly impacts students’ academic success and personal growth. To help promote the importance of daily independent

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