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The Long Walk

A Story of War and the Life That Follows

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In the tradition of Michael Herr’s Dispatches and works by such masters of the memoir as Mary Karr and Tobias Wolff, a powerful account of war and homecoming.

Brian Castner served three tours of duty in the Middle East, two of them as the commander of an Explosive Ordnance Disposal unit in Iraq. Days and nights he and his team—his brothers—would venture forth in heavily armed convoys from their Forward Operating Base to engage in the nerve-racking yet strangely exhilarating work of either disarming the deadly improvised explosive devices that had been discovered, or picking up the pieces when the alert came too late. They relied on an army of remote-controlled cameras and robots, but if that technology failed, a technician would have to don the eighty-pound Kevlar suit, take the Long Walk up to the bomb, and disarm it by hand. This lethal game of cat and mouse was, and continues to be, the real war within America’s wars in Iraq and Afghanistan.
But The Long Walk is not just about battle itself. It is also an unflinching portrayal of the toll war exacts on the men and women who are fighting it. When Castner returned home to his wife and family, he began a struggle with a no less insidious foe, an unshakable feeling of fear and confusion and survivor’s guilt that he terms The Crazy. His thrilling, heartbreaking, stunningly honest book immerses the reader in two harrowing and simultaneous realities: the terror and excitement and camaraderie of combat, and the lonely battle against the enemy within—the haunting memories that will not fade, the survival instincts that will not switch off. After enduring what he has endured, can there ever again be such a thing as “normal”? The Long Walk will hook you from the very first sentence, and it will stay with you long after its final gripping page has been turned.
© Marty Castner
BRIAN CASTNER is a former Explosive Ordnance Disposal officer who received a Bronze Star for his service in the Iraq War. He is the author of two books, The Long Walk (2012) and All the Ways We Kill and Die (2016), and the co-editor of the anthology The Road Ahead (2017). His journalism and essays have appeared in Esquire, Wired, Vice, the New York Times, the Washington Post, the Atlantic, and other publications. He and his family live in Buffalo, New York. View titles by Brian Castner
I  |  Whirl Is King

The first thing you should know about me is that I’m Crazy.

I haven’t always been. Until that one day, the day I went Crazy, I was fine. Or I thought I was. Not anymore.

My Crazy is a feeling. It’s the worst, most intolerable feeling I’ve ever had. And it never goes away.

When you’re Crazy, you make a list of people you have told, the people you have come out to. My list is small. One best friend but not another. Jimbo and John and Greg, but not the other guys on the team. Your wife but not your mother. Those that you think will get it, will understand.

And now I’m telling you. That I’m Crazy, and I don’t know why.

The second thing you should know about me is that I don’t know how to fix it. Or control it. Or endure from one moment to the next. The Crazy is winning.

So I run.

I run every day, twice a day sometimes, out the front door of my peaceful suburban home, past sticky blast scenes of sewage, and motor oil, and bloody swamps of trash and debris, ankle deep, filling the road, sidewalks, shop and house doorsteps. I run through dust clouds, blown in off the desert or kicked up by the helo rotor wash. I run past the screaming women that never shut up, don’t shut up now. I should have made them stop when I had a chance. I run as fast as I can, as long as I can, my feet hitting the pavement in a furious rhythm, along the river near my home.

I run in the hottest part of the day, the full afternoon blaze, the heat of the black asphalt, baking in the summer sun, rising through my shoes and into my feet. I speed up, but the Crazy feeling is still winning. It overwhelms. Sweat pours down my flushed face, in my eyes. Albeitz is chalk white skin and brown dried blood from head to toe. Kermit’s skin was blue, after they finally found him and put him in his box. Did Jeff have any skin left to show his mother?

I run every day, on the road and along the river stretching to my left, occasionally veiled by low trees swaying in the sunshine and the light breeze off the water. My left knee started aching five miles ago. My teeth are rotting out of my head. My throat closes. My left eye twitches. The detonation rains concrete chunks on my head, splits my ears, dismantles our robot, and peppers the armored truck with molten steel. I reach for my rifle.

I run down the road outside my home, to the drone of Humvee diesel engines and in the purple sunrise over a flat desert. The Crazy in my chest is full to bursting, but the protest of my overworked lungs and heart tamps it down. The Crazy feeling never leaves, but the run makes the rest of the body scream louder, one din to cover another.

The foot sits in the box. Because why not? Where else would you put it? The foot sat in the box.

I run and don’t want to stop. The adrenaline has been building all day, and it finally has a release. The boil overflows. Fidgety legs and shaking arms pump and swing. When I stop, the Crazy feeling refloods my swollen heart, lungs, ribs. My eye twitches. I speed up again.

My head swims and swirls. Helicopters and dust fade. I put my rifle down, shrug off my vest. Sweat wipes clean Albeitz’s hands, and Ricky’s head, and Jeff and Kermit, and . . . and? My knee is screaming louder than the women. My ragged breath shakes my chest. I run, and run, and run, and in the Is try to pound out of my head what once Was.

The C-­130 landed in Kirkuk just before dark. A couple of Toyota Hilux pickup trucks, driven by our tired predecessors, were there to meet us at the end of a long and exhausting day. Truth is, they would gladly have met us at any time, in the middle of the night even, because our arrival meant they could leave. Leave to go home, to wives and children and sex and alcohol and sleeping in and not getting shot at. The place we had just come from.

You can drive the little stick-­shift Hiluxes on the FOB—­our walled Forward Operating Base—­because no one is trying to kill you there. It’s a foreign reminder of home, a normal thing to do every day. Get in a regular truck and drive, on the right side of the road, at a normal speed, with no one trying to shoot you. Simple pleasure.

Bags of gear piled high in the truck beds, we pulled up to the converted hardened aircraft shelter on the west side of the runway, our home base for the rest of our tour. The French-­made blast doors of the HAS were cracked open, and the two-­foot-­thick rounded concrete roof arched three stories overhead. Inside were the aluminum bunk trailers, the plywood offices and ops desk, a tent or two housing dusty equipment. Our whole operation, under the protective concrete canopy.

As I lay in bed that night, in my new cell—­bed, table, trunk, shelf—­I stared at the ceiling. I closed my eyes, and I was in my old room in Balad. I opened them in Kirkuk. Closed, and I smelled the diesel fuel off the droning generator, the dead mice caught in our traps, the rotting tent flaps of my fabric-­partitioned room in Balad. Open them and it’s just the sheet-­metal ceiling of my box in Kirkuk.

I’m back. I’m still here. I never left.

It was less than a year and I was back in Iraq. It was less than a minute and I was back in Iraq.

I needed to be back. I would do better this time.

I lie in bed blown up like a balloon, my chest distended and full. The Crazy feeling has filled me to the brim in the darkness of my bedroom, alone next to my sleeping wife. My left arm has gone numb again, left eye twitching as I attempt to close it. The gurgling in my back is growing, first low, then on my upper left side. My heart beats loud, hard, sporadic. I miss a beat. Speed up, catch up. Miss two. A catch-­up again. The more I miss the more the Crazy feeling grows. High, full, boiling sea.

I sit up, turn my feet over the side of the bed, and just try to breathe. My lips tingle and my head spins. My wife has found me on the floor before, face to the pine, a divot on my forehead where I hit the dresser corner on the way down. I lie back down to avoid a repeat.

My heart bumps, skips, and gurgles. My jaw aches and I check again for loose teeth. My eye twitches. And again. The Crazy feeling builds and builds. It never stops, it never ends, there is no relief.

My helium chest is light as a feather. The weight of the ceiling is a granite block pushing my chest into the bed.

What the fuck is happening to me?

The streets got narrower and narrower as we entered the town of Hawija. The broad highway gave way to two-­lane main arteries, then narrower neighborhood roads, then one-­lane funnels between high courtyard walls. Over a curb and through one tiny gap, and our driving mirrors on each side snapped off clean, our door handles scraping away rock and concrete in the pinch point. Flanks scoured clean, our armored truck now matched the security vehicles to the front and rear.

No one drives through the heart of Hawija unless forced; so much hate packed into such a small space. But with the ring roads blocked by route-­clearance teams and security cordons, we plunged into the center, as fast as the Humvees allowed.

Dodging old blast craters, dead dogs, and mountainous garbage piles, we snaked through fortified neighborhoods before hitting the marketplace at the town’s center. In the busy market, the number of civilians suddenly swelled, and our convoy started to get bogged down, weaving but stymied by foot and vehicle traffic. Soon the mass of humanity started to press in, and we slowed further.

“Why are we slowing down?” I yelled up to Ackeret, who was behind the wheel.

“There are people in the way, and they won’t fucking move!” came the reply.

Slowing is okay. Stopping is not.

I turned in my seat, faced out. I checked my rifle mag, pistol, stretched in my body armor and readjusted it. Right hand went to the rifle, left hand to the truck door handle. We slowed further.

I searched the crowd. Booths and stalls, selling fruit and electronics, lined the sidewalks. The crowds walked and pushed closer and closer the slower our Humvees went. Kids pointed at us through our armored glass windows, yelling then scurrying back down alleyways that emerged every half block. I scanned for threats, but the tent covers of the shop booths, stretched taut to shade the harsh summer sun, blocked my view of rooftops. Shots from higher ground? An RKG-­3 antitank grenade, tossed from the opening crowd? The Iraqi Army and local police were nowhere to be seen. I readjusted my rifle again, and popped open the dust covers on my optical sight.

But we had not stopped. Not yet.

Men with flat faces of unreadable sternness, walking alongside, began to look into the Humvee windows. Kids moved up, tapped on the door, and then ran off, disappearing into the rabbit warrens. If the attack comes, it will be quick. The crowd, like a school of fish, will suddenly all turn and move away. The sea parts, the attacker rushes in, grenade already in the air. A detonation, a lance through the flimsy armor, a flash through arm, leg, chest, and then the flock closes again, attacker absorbed, and scatters.

We stopped. Ackeret repeatedly hit the steering wheel in frustration.

I looked out, and the enraged beast was now pressed against the side of the Humvee, banging and yelling.

“We need to get moving!” But we didn’t. We had ground to a halt in the center of the market.

I gripped the door handle tighter. If we started to get overrun, we needed to disperse the crowd. There was a small gap, less than eighteen inches, between my door and the edge of the mob. I placed my foot on the bottom of the door, and prepared to push. With no top gunner on our Humvee, we’d have to exit and shoot to get a rioting crowd to move back. In one motion, I would throw the two-­hundred-­pound door open into the throng as hard as I could and rush out. My rifle would come up and forward, barrel end a battering ram directly into the chest of the man closest to me, pulling the trigger as I moved the rifle back to my shoulder. The man in the red-­and-­white shirt would die first, bullet into chest with no gap between barrel and skin. The next three, teenager in a Nike shirt, older man in a tan man-­dress, and another with a bike, would die from my shots two feet away, probably as they fell back in reaction to Red-­and-­White going down. With the crowd knocked back from the force of the opening door and the shock of the first four dead, I would have time to remount. And if not, if I was swarmed and my rifle grabbed, the pistol in the cross-­draw holster on my chest was in easy reach of one hand. It could come out, and need not move far for me to fire and earn me a second or two.

The crowd had to break. The convoy had to move. I would get back to the FOB. I would get home.

I chose who would die in what order. Red-­and-­White, Nike Shirt, Man-­Dress, then Bike. I looked in their eyes, flipped the safety on my rifle to Single, and waited.

I waited for the shot to come. It didn’t.

I waited for the grenade to be thrown. It wasn’t.

I waited for the mob to riot. They didn’t.

With a crawl, we started to move again, and drove off.



The Crazy didn’t start right away. It stalked me for years.

Your first sign something may be amiss comes quickly, the moment you get off the plane at the airport in Baltimore. After months of deprivation, American excess is overwhelming. Crowds of self-­important bustling businessmen. Shrill and impatient advertising that saturates your eyes and ears. Five choices of restaurant, with a hundred menu items each, only a half-­minute walk away at all times. In the land you just left, dinners are uniformly brown and served on trays when served at all. I was disoriented by the choice, the lights, the infinite variety of gummy candy that filled an entire wall of the convenience store, a gluttonous buffet repeated every four gates. The simple pleasure of a cup of coffee after a good night’s sleep, sleep you haven’t had since you received your deployment orders, seems overly simple when reunited with such a vast volume of overindulgent options.

But the shock wears off, more quickly for some, but eventually for most. Fast food and alcohol are seductive, and I didn’t fight too hard. Your old routine is easy to fall back into, preferences and tastes return. It’s not hard to be a fussy, overstuffed American. After a couple of months, home is no longer foreign, and you are free to resume your old life.

I thought I did. Resume my old life, that is. I was wrong.

The car bomb went off just outside of our FOB, in downtown Kirkuk, on the highway that leads north to Irbil and the peaceful Kurdish lands untouched by the war. We felt it in the HAS, a shaking rumble like thunder on a clear hot day. We had put our gear on and were waiting for our security escort even before the call came in to go investigate.

The car had stopped burning by the time we arrived. A twisted black shell, frame, and engine block smoldering, hot to the touch. The Iraqi Police had cordoned off the scene, yelling at pedestrians to move back. The reverse dichotomy always struck me. The scene of the blast, where so much violence had happened minutes before, was now empty and quiet. The surrounding neighborhood, peaceful until the attack, was now a roiling cauldron of frustration and anger.

Castleman and I started the investigation at the blast hole. The asphalt punctured, wet with a mix of fluids, some mechanical, some human. The car frame was several feet from the crater, thrown by the force of the explosion. It yielded no clues; any wires, switches, batteries, or fingerprints were burned away in the fire. We could have found traces of explosive residue if we had had the time. We didn’t have the time.

I looked up from the hulk and surveyed further out. Chunks of steel frag were buried in a nearby concrete wall. A fully intact artillery projectile, a 130 or 155, probably, from the size and shape, failing to detonate and instead kicked out by the blast, was caught in a fence a hundred feet away. We would grab that and blow it before we left.

“It smells like shit!” I said. And it did.

“Sir, it always smells like shit in this country,” answered Castleman.

He was right. But this wasn’t the normal smell of shit: diesel exhaust, burning trash, sweat, and grime, the body odor of an unwashed city. We smelled that mix every day. No, this smelled like actual shit. Human shit.

“Check this out,” called Castleman.

He had found the target of the car bomb. Bloody shirts and boots of Iraqi policemen. A pair of pants, dropped or torn off, with a month’s wages in frayed and scorched 250-­dinar notes poking out from a front pocket. Hands and feet. Several pools of drying blood. The smell of shit was stifling, and getting worse.

A quick count of right hands indicated a couple dead, at least. Who knows how many wounded, pulled out by their fellow police, now dead or dying at the overwhelmed hospital. The Iraqi cops had already picked up the biggest parts, so any count we made was going to be wrong. It wasn’t worth the trouble to get the exact right number anyway. I continued on.

The smell of shit was overwhelming in the afternoon heat. I looked down.

“Hey, I found it!” I yelled to Castleman, who was taking pictures of the scene for evidence.

There at my feet was a perfectly formed, and entirely intact, lower intestine. The small intestine above and anus below were torn off and scattered, but the colon itself was pristine, and lay there like I had just removed it from the organ bag in the gut of a Thanksgiving turkey. It was beautiful, stuffed with the digested remains of an unknown last meal.

Castleman walked over and looked down where I pointed. The intestine smelled like it was cooking in a pan.

He shrugged. I shrugged back.

We walked off and left that shit-­filled colon to bake on the black asphalt in the hot Iraqi summer sun.
Praise for The Long Walk:

“The Long Walk
is a raw, wrenching, blood-soaked chronicle of the human cost of war. Brian Castner, the leader of a military bomb disposal team, recounts his deployment to Iraq with unflinching candor, and in the process exposes crucial truths not only about this particular conflict, but also about war throughout history. Castner’s memoir brings to mind Erich Maria Remarque’s masterpiece, All Quiet on the Western Front. ”
Jon Krakauer, author of Where Men Win Glory
 

“Castner has written a powerful book about the long cost of combat and the brotherhood of men at arms. Remarkably, he has made the world of the EOD entertaining, occasionally hilarious, and always harrowing. His honesty is refreshing and the book is written with such candor and openness that one can't help but root for him. And did I mention that it is entertaining? There were scenes at work with the bomb disposal unit where I found myself holding my breath.”
Anthony Swofford, author of Jarhead


Do you want to know a little something about our war in Iraq?  Begin with The Long Walk, Brian Castner’s elegant, superbly written story about the bomb-disposal guys.  As you read think of Alan Sillitoe’s The Loneliness of the Long-Distance Runner.  Castner gives us that steady rhythm of one foot in front of the other.  Think of Vonnegut’s Slaughterhouse-Five.  Here is the reality of the exhausted mind, and of profound thought wandering all Creation: this is what I saw, this is what I did, this is what I have become.  It’s the story of the long walk out, as they say, from the Humvee to the bomb in the street, and the long look back.”
Larry Heinemann, author of the National Book Award-winning Paco’s Story and Close Quarters 


Damn, this is a very human book.  If you have come back from Iraq or Afghanistan, or know someone who has, you need to read The Long Walk.”
Thomas E. Ricks, author of Fiasco and The Gamble


"[A] painful but compelling read."—Quil Lawrence, NPR's Morning Edition


"At times, The Long Walk...is almost unbearable to read. Not because the writing is bad — it’s often excellent. It’s unbearable because of Castner’s brutally vivid descriptions of the war and the way it tore apart his mind and his life.... [T]his is an important book to read for anyone who wants to get some sense of the long-term human toll of the Iraq war. How many soldiers have been damaged as Castner has? How many lives and families have been destroyed — or will be — by the effects of TBI? The Long Walk brings home in a visceral way the hidden, personal burden of war that many veterans continue to carry.”—The Boston Globe


"Vivid.... Castner's book intersperses stateside scenes of intense military training, off-hours hijinks and marital strife with vivid, often grisly accounts from Iraq's war-ravaged landscape, where his EOD teams disarmed improvised explosive devices, hunted for the bomb makers or cleaned up after their horrific handiwork while dodging gunfire and angry locals... [He writes] bluntly in describing how he has been changed by the war."—Associated Press


"The Long Walk
is a powerful, intimate, disturbing look at the ways that war can infect the life of a soldier. By the end of the story...we’ve watched him fight a deftly drawn series of battles, from the physical, to the emotional, to the existential. Each one of these is more intense and wrenching than the last. The Long Walk is not for the faint of heart.... Castner tells us what he is thinking and feeling at all times and has the magnificent ability to fill his scenes with the suspense of the moment....  It is the ultimate show-not-tell."—Jennifer Miller, Christian Science Monitor


"Not the typical testosterone-driven account that plagues the war-memoir genre.... [Castner] gives equal, if not more, weight to the time and effort that goes into readjusting to his family life, and his straightforward, unself-conscious writing paints an absorbing picture of war in the twenty-first century.... [This] memoir forces a reader to empathize with these unrelenting psychic and emotional pressures."—Chloe Fox, www.newyorker.com


"Brian Castner is a bomb-disposal technician who served two tours in Iraq, in Balad and Kirkuk, in 2005 and 2006. His affecting war memoir, The Long Walk, contains vivid depictions of “The Crazy” he has battled since coming home: the imaginary rifle he finds himself clutching at all times—at the breakfast table with his kids, in bed with his wife, sitting at the top of the stairs in the middle of the night; the gaps in his memory of home; the lucid recall he has of the war—each IED-destroying mission and the taut tedium in between; the constant, painful tightness in his chest. “I died in Iraq,” Castner writes. “If I didn’t die, I don’t know what else to call it.”

A Freudian might reply that this identification with death is one way of expressing the impossible burden of living. At the end of his narrative, Castner seems to be improving—coming back to himself, and to his family—though “The Crazy” still follows him like a shadow. We leave The Long Walk trusting that the shadow will one day leave him—but also understanding why, for a disquieting number of Iraq and Afghanistan veterans, the fight against the war’s after-effects is ending in suicide....[It] demands to be read now. These stories remind us that we are at war, and that the effects of war will be with us long after the final soldier returns home. They begin to make audible the too-silent struggles of the people who wage it, over there and over here. And in awakening our empathy, they can perhaps inspire that most urgent and rarest of leaps: toward a reckoning with how the war is lived and relived by the people—Iraqi and Afghan, Pakistani and Yemeni—upon whom it is waged."—Eli Jelly-Schapiro, the Nation


"Although the stress and terror of war is tough, this memoir shows the return to civilian life presents the biggest, longest challenge.... Castner offers a brutally honest, sharply observed account of life at war.... [His] descriptions are written with a clarity that brings alive not just the stress, terror, and anxiety of disarming improvised explosive devices, but also the difficult stretches of boredom and loneliness, not to mention the glimmers of joy and brotherhood that go along with it. Even more compelling is Castner’s account of just how hard it is to return to civilian life. Back in the U.S. with his wife and children, Castner struggles to keep at bay a host of troublesome emotions and reflexes—together denoted simply as “Crazy” in his telling. The Long Walk is both harrowing and poignant—an intensely personal story of what it takes not just to survive war, but also to fully leave behind the nightmare of combat and readapt to ordinary life."—The Daily Beast


"Forthright, unflinching.... What makes Castner’s astonishing memoir so unique is his forthright, unflinching look at postwar life. To read this veteran’s story is to realize that even after returning home, a veteran’s hardest battles may still lie ahead."—David Tarrant, Dallas Morning News


"
There are many memoirs of trauma-affected minds, and there are sure to be more coming as vets keep returning. Castner's is an opening salvo in a defensive war.... [He] maps out this new and sorrowful territory with the skill and focus of someone who has had to defuse a bomb inside his own body."—Emily Carter, Minneapolis Star Tribune


"Brian Castner writes like a man on fire in a searing memoir about dismantling bombs in Iraq - and the permanent scars he's brought home.... Then and now, Brian Castner feels like a tightly coiled spring, ready to pop at any time. And his memoir...transmits this sensation with heartbreaking mastery. His book is so viscerally engaging that it's hard to read it without shaking. Castner writes with a keen mind, sharp intellect and literary flair. His powers of observation are extraordinary — just what you would expect of a man accustomed to scanning every little pile of roadway trash for evidence of a concealed bomb. At the same time, Castner writes with the desperate immediacy of a man whose skin has been burned away.”—Brad Buchholz, Austin Statesman


“ ‘The first thing you should know about me is that I’m Crazy.’ So begins this affecting tale of a modern war and its home-front consequences.... Scarifying stuff...[that is] absolutely worth reading.”—Kirkus Reviews


"A powerful account of war and homecoming.... [A] gripping tale of intense endeavor, and also of the aftermath at home once the war zone is left behind-if it ever really is."—Blaine Taylor, Military Advisor

About

In the tradition of Michael Herr’s Dispatches and works by such masters of the memoir as Mary Karr and Tobias Wolff, a powerful account of war and homecoming.

Brian Castner served three tours of duty in the Middle East, two of them as the commander of an Explosive Ordnance Disposal unit in Iraq. Days and nights he and his team—his brothers—would venture forth in heavily armed convoys from their Forward Operating Base to engage in the nerve-racking yet strangely exhilarating work of either disarming the deadly improvised explosive devices that had been discovered, or picking up the pieces when the alert came too late. They relied on an army of remote-controlled cameras and robots, but if that technology failed, a technician would have to don the eighty-pound Kevlar suit, take the Long Walk up to the bomb, and disarm it by hand. This lethal game of cat and mouse was, and continues to be, the real war within America’s wars in Iraq and Afghanistan.
But The Long Walk is not just about battle itself. It is also an unflinching portrayal of the toll war exacts on the men and women who are fighting it. When Castner returned home to his wife and family, he began a struggle with a no less insidious foe, an unshakable feeling of fear and confusion and survivor’s guilt that he terms The Crazy. His thrilling, heartbreaking, stunningly honest book immerses the reader in two harrowing and simultaneous realities: the terror and excitement and camaraderie of combat, and the lonely battle against the enemy within—the haunting memories that will not fade, the survival instincts that will not switch off. After enduring what he has endured, can there ever again be such a thing as “normal”? The Long Walk will hook you from the very first sentence, and it will stay with you long after its final gripping page has been turned.

Author

© Marty Castner
BRIAN CASTNER is a former Explosive Ordnance Disposal officer who received a Bronze Star for his service in the Iraq War. He is the author of two books, The Long Walk (2012) and All the Ways We Kill and Die (2016), and the co-editor of the anthology The Road Ahead (2017). His journalism and essays have appeared in Esquire, Wired, Vice, the New York Times, the Washington Post, the Atlantic, and other publications. He and his family live in Buffalo, New York. View titles by Brian Castner

Excerpt

I  |  Whirl Is King

The first thing you should know about me is that I’m Crazy.

I haven’t always been. Until that one day, the day I went Crazy, I was fine. Or I thought I was. Not anymore.

My Crazy is a feeling. It’s the worst, most intolerable feeling I’ve ever had. And it never goes away.

When you’re Crazy, you make a list of people you have told, the people you have come out to. My list is small. One best friend but not another. Jimbo and John and Greg, but not the other guys on the team. Your wife but not your mother. Those that you think will get it, will understand.

And now I’m telling you. That I’m Crazy, and I don’t know why.

The second thing you should know about me is that I don’t know how to fix it. Or control it. Or endure from one moment to the next. The Crazy is winning.

So I run.

I run every day, twice a day sometimes, out the front door of my peaceful suburban home, past sticky blast scenes of sewage, and motor oil, and bloody swamps of trash and debris, ankle deep, filling the road, sidewalks, shop and house doorsteps. I run through dust clouds, blown in off the desert or kicked up by the helo rotor wash. I run past the screaming women that never shut up, don’t shut up now. I should have made them stop when I had a chance. I run as fast as I can, as long as I can, my feet hitting the pavement in a furious rhythm, along the river near my home.

I run in the hottest part of the day, the full afternoon blaze, the heat of the black asphalt, baking in the summer sun, rising through my shoes and into my feet. I speed up, but the Crazy feeling is still winning. It overwhelms. Sweat pours down my flushed face, in my eyes. Albeitz is chalk white skin and brown dried blood from head to toe. Kermit’s skin was blue, after they finally found him and put him in his box. Did Jeff have any skin left to show his mother?

I run every day, on the road and along the river stretching to my left, occasionally veiled by low trees swaying in the sunshine and the light breeze off the water. My left knee started aching five miles ago. My teeth are rotting out of my head. My throat closes. My left eye twitches. The detonation rains concrete chunks on my head, splits my ears, dismantles our robot, and peppers the armored truck with molten steel. I reach for my rifle.

I run down the road outside my home, to the drone of Humvee diesel engines and in the purple sunrise over a flat desert. The Crazy in my chest is full to bursting, but the protest of my overworked lungs and heart tamps it down. The Crazy feeling never leaves, but the run makes the rest of the body scream louder, one din to cover another.

The foot sits in the box. Because why not? Where else would you put it? The foot sat in the box.

I run and don’t want to stop. The adrenaline has been building all day, and it finally has a release. The boil overflows. Fidgety legs and shaking arms pump and swing. When I stop, the Crazy feeling refloods my swollen heart, lungs, ribs. My eye twitches. I speed up again.

My head swims and swirls. Helicopters and dust fade. I put my rifle down, shrug off my vest. Sweat wipes clean Albeitz’s hands, and Ricky’s head, and Jeff and Kermit, and . . . and? My knee is screaming louder than the women. My ragged breath shakes my chest. I run, and run, and run, and in the Is try to pound out of my head what once Was.

The C-­130 landed in Kirkuk just before dark. A couple of Toyota Hilux pickup trucks, driven by our tired predecessors, were there to meet us at the end of a long and exhausting day. Truth is, they would gladly have met us at any time, in the middle of the night even, because our arrival meant they could leave. Leave to go home, to wives and children and sex and alcohol and sleeping in and not getting shot at. The place we had just come from.

You can drive the little stick-­shift Hiluxes on the FOB—­our walled Forward Operating Base—­because no one is trying to kill you there. It’s a foreign reminder of home, a normal thing to do every day. Get in a regular truck and drive, on the right side of the road, at a normal speed, with no one trying to shoot you. Simple pleasure.

Bags of gear piled high in the truck beds, we pulled up to the converted hardened aircraft shelter on the west side of the runway, our home base for the rest of our tour. The French-­made blast doors of the HAS were cracked open, and the two-­foot-­thick rounded concrete roof arched three stories overhead. Inside were the aluminum bunk trailers, the plywood offices and ops desk, a tent or two housing dusty equipment. Our whole operation, under the protective concrete canopy.

As I lay in bed that night, in my new cell—­bed, table, trunk, shelf—­I stared at the ceiling. I closed my eyes, and I was in my old room in Balad. I opened them in Kirkuk. Closed, and I smelled the diesel fuel off the droning generator, the dead mice caught in our traps, the rotting tent flaps of my fabric-­partitioned room in Balad. Open them and it’s just the sheet-­metal ceiling of my box in Kirkuk.

I’m back. I’m still here. I never left.

It was less than a year and I was back in Iraq. It was less than a minute and I was back in Iraq.

I needed to be back. I would do better this time.

I lie in bed blown up like a balloon, my chest distended and full. The Crazy feeling has filled me to the brim in the darkness of my bedroom, alone next to my sleeping wife. My left arm has gone numb again, left eye twitching as I attempt to close it. The gurgling in my back is growing, first low, then on my upper left side. My heart beats loud, hard, sporadic. I miss a beat. Speed up, catch up. Miss two. A catch-­up again. The more I miss the more the Crazy feeling grows. High, full, boiling sea.

I sit up, turn my feet over the side of the bed, and just try to breathe. My lips tingle and my head spins. My wife has found me on the floor before, face to the pine, a divot on my forehead where I hit the dresser corner on the way down. I lie back down to avoid a repeat.

My heart bumps, skips, and gurgles. My jaw aches and I check again for loose teeth. My eye twitches. And again. The Crazy feeling builds and builds. It never stops, it never ends, there is no relief.

My helium chest is light as a feather. The weight of the ceiling is a granite block pushing my chest into the bed.

What the fuck is happening to me?

The streets got narrower and narrower as we entered the town of Hawija. The broad highway gave way to two-­lane main arteries, then narrower neighborhood roads, then one-­lane funnels between high courtyard walls. Over a curb and through one tiny gap, and our driving mirrors on each side snapped off clean, our door handles scraping away rock and concrete in the pinch point. Flanks scoured clean, our armored truck now matched the security vehicles to the front and rear.

No one drives through the heart of Hawija unless forced; so much hate packed into such a small space. But with the ring roads blocked by route-­clearance teams and security cordons, we plunged into the center, as fast as the Humvees allowed.

Dodging old blast craters, dead dogs, and mountainous garbage piles, we snaked through fortified neighborhoods before hitting the marketplace at the town’s center. In the busy market, the number of civilians suddenly swelled, and our convoy started to get bogged down, weaving but stymied by foot and vehicle traffic. Soon the mass of humanity started to press in, and we slowed further.

“Why are we slowing down?” I yelled up to Ackeret, who was behind the wheel.

“There are people in the way, and they won’t fucking move!” came the reply.

Slowing is okay. Stopping is not.

I turned in my seat, faced out. I checked my rifle mag, pistol, stretched in my body armor and readjusted it. Right hand went to the rifle, left hand to the truck door handle. We slowed further.

I searched the crowd. Booths and stalls, selling fruit and electronics, lined the sidewalks. The crowds walked and pushed closer and closer the slower our Humvees went. Kids pointed at us through our armored glass windows, yelling then scurrying back down alleyways that emerged every half block. I scanned for threats, but the tent covers of the shop booths, stretched taut to shade the harsh summer sun, blocked my view of rooftops. Shots from higher ground? An RKG-­3 antitank grenade, tossed from the opening crowd? The Iraqi Army and local police were nowhere to be seen. I readjusted my rifle again, and popped open the dust covers on my optical sight.

But we had not stopped. Not yet.

Men with flat faces of unreadable sternness, walking alongside, began to look into the Humvee windows. Kids moved up, tapped on the door, and then ran off, disappearing into the rabbit warrens. If the attack comes, it will be quick. The crowd, like a school of fish, will suddenly all turn and move away. The sea parts, the attacker rushes in, grenade already in the air. A detonation, a lance through the flimsy armor, a flash through arm, leg, chest, and then the flock closes again, attacker absorbed, and scatters.

We stopped. Ackeret repeatedly hit the steering wheel in frustration.

I looked out, and the enraged beast was now pressed against the side of the Humvee, banging and yelling.

“We need to get moving!” But we didn’t. We had ground to a halt in the center of the market.

I gripped the door handle tighter. If we started to get overrun, we needed to disperse the crowd. There was a small gap, less than eighteen inches, between my door and the edge of the mob. I placed my foot on the bottom of the door, and prepared to push. With no top gunner on our Humvee, we’d have to exit and shoot to get a rioting crowd to move back. In one motion, I would throw the two-­hundred-­pound door open into the throng as hard as I could and rush out. My rifle would come up and forward, barrel end a battering ram directly into the chest of the man closest to me, pulling the trigger as I moved the rifle back to my shoulder. The man in the red-­and-­white shirt would die first, bullet into chest with no gap between barrel and skin. The next three, teenager in a Nike shirt, older man in a tan man-­dress, and another with a bike, would die from my shots two feet away, probably as they fell back in reaction to Red-­and-­White going down. With the crowd knocked back from the force of the opening door and the shock of the first four dead, I would have time to remount. And if not, if I was swarmed and my rifle grabbed, the pistol in the cross-­draw holster on my chest was in easy reach of one hand. It could come out, and need not move far for me to fire and earn me a second or two.

The crowd had to break. The convoy had to move. I would get back to the FOB. I would get home.

I chose who would die in what order. Red-­and-­White, Nike Shirt, Man-­Dress, then Bike. I looked in their eyes, flipped the safety on my rifle to Single, and waited.

I waited for the shot to come. It didn’t.

I waited for the grenade to be thrown. It wasn’t.

I waited for the mob to riot. They didn’t.

With a crawl, we started to move again, and drove off.



The Crazy didn’t start right away. It stalked me for years.

Your first sign something may be amiss comes quickly, the moment you get off the plane at the airport in Baltimore. After months of deprivation, American excess is overwhelming. Crowds of self-­important bustling businessmen. Shrill and impatient advertising that saturates your eyes and ears. Five choices of restaurant, with a hundred menu items each, only a half-­minute walk away at all times. In the land you just left, dinners are uniformly brown and served on trays when served at all. I was disoriented by the choice, the lights, the infinite variety of gummy candy that filled an entire wall of the convenience store, a gluttonous buffet repeated every four gates. The simple pleasure of a cup of coffee after a good night’s sleep, sleep you haven’t had since you received your deployment orders, seems overly simple when reunited with such a vast volume of overindulgent options.

But the shock wears off, more quickly for some, but eventually for most. Fast food and alcohol are seductive, and I didn’t fight too hard. Your old routine is easy to fall back into, preferences and tastes return. It’s not hard to be a fussy, overstuffed American. After a couple of months, home is no longer foreign, and you are free to resume your old life.

I thought I did. Resume my old life, that is. I was wrong.

The car bomb went off just outside of our FOB, in downtown Kirkuk, on the highway that leads north to Irbil and the peaceful Kurdish lands untouched by the war. We felt it in the HAS, a shaking rumble like thunder on a clear hot day. We had put our gear on and were waiting for our security escort even before the call came in to go investigate.

The car had stopped burning by the time we arrived. A twisted black shell, frame, and engine block smoldering, hot to the touch. The Iraqi Police had cordoned off the scene, yelling at pedestrians to move back. The reverse dichotomy always struck me. The scene of the blast, where so much violence had happened minutes before, was now empty and quiet. The surrounding neighborhood, peaceful until the attack, was now a roiling cauldron of frustration and anger.

Castleman and I started the investigation at the blast hole. The asphalt punctured, wet with a mix of fluids, some mechanical, some human. The car frame was several feet from the crater, thrown by the force of the explosion. It yielded no clues; any wires, switches, batteries, or fingerprints were burned away in the fire. We could have found traces of explosive residue if we had had the time. We didn’t have the time.

I looked up from the hulk and surveyed further out. Chunks of steel frag were buried in a nearby concrete wall. A fully intact artillery projectile, a 130 or 155, probably, from the size and shape, failing to detonate and instead kicked out by the blast, was caught in a fence a hundred feet away. We would grab that and blow it before we left.

“It smells like shit!” I said. And it did.

“Sir, it always smells like shit in this country,” answered Castleman.

He was right. But this wasn’t the normal smell of shit: diesel exhaust, burning trash, sweat, and grime, the body odor of an unwashed city. We smelled that mix every day. No, this smelled like actual shit. Human shit.

“Check this out,” called Castleman.

He had found the target of the car bomb. Bloody shirts and boots of Iraqi policemen. A pair of pants, dropped or torn off, with a month’s wages in frayed and scorched 250-­dinar notes poking out from a front pocket. Hands and feet. Several pools of drying blood. The smell of shit was stifling, and getting worse.

A quick count of right hands indicated a couple dead, at least. Who knows how many wounded, pulled out by their fellow police, now dead or dying at the overwhelmed hospital. The Iraqi cops had already picked up the biggest parts, so any count we made was going to be wrong. It wasn’t worth the trouble to get the exact right number anyway. I continued on.

The smell of shit was overwhelming in the afternoon heat. I looked down.

“Hey, I found it!” I yelled to Castleman, who was taking pictures of the scene for evidence.

There at my feet was a perfectly formed, and entirely intact, lower intestine. The small intestine above and anus below were torn off and scattered, but the colon itself was pristine, and lay there like I had just removed it from the organ bag in the gut of a Thanksgiving turkey. It was beautiful, stuffed with the digested remains of an unknown last meal.

Castleman walked over and looked down where I pointed. The intestine smelled like it was cooking in a pan.

He shrugged. I shrugged back.

We walked off and left that shit-­filled colon to bake on the black asphalt in the hot Iraqi summer sun.

Praise

Praise for The Long Walk:

“The Long Walk
is a raw, wrenching, blood-soaked chronicle of the human cost of war. Brian Castner, the leader of a military bomb disposal team, recounts his deployment to Iraq with unflinching candor, and in the process exposes crucial truths not only about this particular conflict, but also about war throughout history. Castner’s memoir brings to mind Erich Maria Remarque’s masterpiece, All Quiet on the Western Front. ”
Jon Krakauer, author of Where Men Win Glory
 

“Castner has written a powerful book about the long cost of combat and the brotherhood of men at arms. Remarkably, he has made the world of the EOD entertaining, occasionally hilarious, and always harrowing. His honesty is refreshing and the book is written with such candor and openness that one can't help but root for him. And did I mention that it is entertaining? There were scenes at work with the bomb disposal unit where I found myself holding my breath.”
Anthony Swofford, author of Jarhead


Do you want to know a little something about our war in Iraq?  Begin with The Long Walk, Brian Castner’s elegant, superbly written story about the bomb-disposal guys.  As you read think of Alan Sillitoe’s The Loneliness of the Long-Distance Runner.  Castner gives us that steady rhythm of one foot in front of the other.  Think of Vonnegut’s Slaughterhouse-Five.  Here is the reality of the exhausted mind, and of profound thought wandering all Creation: this is what I saw, this is what I did, this is what I have become.  It’s the story of the long walk out, as they say, from the Humvee to the bomb in the street, and the long look back.”
Larry Heinemann, author of the National Book Award-winning Paco’s Story and Close Quarters 


Damn, this is a very human book.  If you have come back from Iraq or Afghanistan, or know someone who has, you need to read The Long Walk.”
Thomas E. Ricks, author of Fiasco and The Gamble


"[A] painful but compelling read."—Quil Lawrence, NPR's Morning Edition


"At times, The Long Walk...is almost unbearable to read. Not because the writing is bad — it’s often excellent. It’s unbearable because of Castner’s brutally vivid descriptions of the war and the way it tore apart his mind and his life.... [T]his is an important book to read for anyone who wants to get some sense of the long-term human toll of the Iraq war. How many soldiers have been damaged as Castner has? How many lives and families have been destroyed — or will be — by the effects of TBI? The Long Walk brings home in a visceral way the hidden, personal burden of war that many veterans continue to carry.”—The Boston Globe


"Vivid.... Castner's book intersperses stateside scenes of intense military training, off-hours hijinks and marital strife with vivid, often grisly accounts from Iraq's war-ravaged landscape, where his EOD teams disarmed improvised explosive devices, hunted for the bomb makers or cleaned up after their horrific handiwork while dodging gunfire and angry locals... [He writes] bluntly in describing how he has been changed by the war."—Associated Press


"The Long Walk
is a powerful, intimate, disturbing look at the ways that war can infect the life of a soldier. By the end of the story...we’ve watched him fight a deftly drawn series of battles, from the physical, to the emotional, to the existential. Each one of these is more intense and wrenching than the last. The Long Walk is not for the faint of heart.... Castner tells us what he is thinking and feeling at all times and has the magnificent ability to fill his scenes with the suspense of the moment....  It is the ultimate show-not-tell."—Jennifer Miller, Christian Science Monitor


"Not the typical testosterone-driven account that plagues the war-memoir genre.... [Castner] gives equal, if not more, weight to the time and effort that goes into readjusting to his family life, and his straightforward, unself-conscious writing paints an absorbing picture of war in the twenty-first century.... [This] memoir forces a reader to empathize with these unrelenting psychic and emotional pressures."—Chloe Fox, www.newyorker.com


"Brian Castner is a bomb-disposal technician who served two tours in Iraq, in Balad and Kirkuk, in 2005 and 2006. His affecting war memoir, The Long Walk, contains vivid depictions of “The Crazy” he has battled since coming home: the imaginary rifle he finds himself clutching at all times—at the breakfast table with his kids, in bed with his wife, sitting at the top of the stairs in the middle of the night; the gaps in his memory of home; the lucid recall he has of the war—each IED-destroying mission and the taut tedium in between; the constant, painful tightness in his chest. “I died in Iraq,” Castner writes. “If I didn’t die, I don’t know what else to call it.”

A Freudian might reply that this identification with death is one way of expressing the impossible burden of living. At the end of his narrative, Castner seems to be improving—coming back to himself, and to his family—though “The Crazy” still follows him like a shadow. We leave The Long Walk trusting that the shadow will one day leave him—but also understanding why, for a disquieting number of Iraq and Afghanistan veterans, the fight against the war’s after-effects is ending in suicide....[It] demands to be read now. These stories remind us that we are at war, and that the effects of war will be with us long after the final soldier returns home. They begin to make audible the too-silent struggles of the people who wage it, over there and over here. And in awakening our empathy, they can perhaps inspire that most urgent and rarest of leaps: toward a reckoning with how the war is lived and relived by the people—Iraqi and Afghan, Pakistani and Yemeni—upon whom it is waged."—Eli Jelly-Schapiro, the Nation


"Although the stress and terror of war is tough, this memoir shows the return to civilian life presents the biggest, longest challenge.... Castner offers a brutally honest, sharply observed account of life at war.... [His] descriptions are written with a clarity that brings alive not just the stress, terror, and anxiety of disarming improvised explosive devices, but also the difficult stretches of boredom and loneliness, not to mention the glimmers of joy and brotherhood that go along with it. Even more compelling is Castner’s account of just how hard it is to return to civilian life. Back in the U.S. with his wife and children, Castner struggles to keep at bay a host of troublesome emotions and reflexes—together denoted simply as “Crazy” in his telling. The Long Walk is both harrowing and poignant—an intensely personal story of what it takes not just to survive war, but also to fully leave behind the nightmare of combat and readapt to ordinary life."—The Daily Beast


"Forthright, unflinching.... What makes Castner’s astonishing memoir so unique is his forthright, unflinching look at postwar life. To read this veteran’s story is to realize that even after returning home, a veteran’s hardest battles may still lie ahead."—David Tarrant, Dallas Morning News


"
There are many memoirs of trauma-affected minds, and there are sure to be more coming as vets keep returning. Castner's is an opening salvo in a defensive war.... [He] maps out this new and sorrowful territory with the skill and focus of someone who has had to defuse a bomb inside his own body."—Emily Carter, Minneapolis Star Tribune


"Brian Castner writes like a man on fire in a searing memoir about dismantling bombs in Iraq - and the permanent scars he's brought home.... Then and now, Brian Castner feels like a tightly coiled spring, ready to pop at any time. And his memoir...transmits this sensation with heartbreaking mastery. His book is so viscerally engaging that it's hard to read it without shaking. Castner writes with a keen mind, sharp intellect and literary flair. His powers of observation are extraordinary — just what you would expect of a man accustomed to scanning every little pile of roadway trash for evidence of a concealed bomb. At the same time, Castner writes with the desperate immediacy of a man whose skin has been burned away.”—Brad Buchholz, Austin Statesman


“ ‘The first thing you should know about me is that I’m Crazy.’ So begins this affecting tale of a modern war and its home-front consequences.... Scarifying stuff...[that is] absolutely worth reading.”—Kirkus Reviews


"A powerful account of war and homecoming.... [A] gripping tale of intense endeavor, and also of the aftermath at home once the war zone is left behind-if it ever really is."—Blaine Taylor, Military Advisor

PRH Education High School Collections

All reading communities should contain protected time for the sake of reading. Independent reading practices emphasize the process of making meaning through reading, not an end product. The school culture (teachers, administration, etc.) should affirm this daily practice time as inherently important instructional time for all readers. (NCTE, 2019)   The Penguin Random House High

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Translanguaging is a communicative practice of bilinguals and multilinguals, that is, it is a practice whereby bilinguals and multilinguals use their entire linguistic repertoire to communicate and make meaning (García, 2009; García, Ibarra Johnson, & Seltzer, 2017)   It is through that lens that we have partnered with teacher educators and bilingual education experts, Drs.

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