From Chapter 11
I was working my way through the summer reading list when Lord of the Flies brought me to a halt. I wasn’t ready to start another book when I finished that one. I’d never read anything so layered with meaning: it haunted me, and I needed to think about it some more. But I didn’t want to spend the whole break doing nothing but reading and watching TV. Junior was happy shooting baskets all the daylight hours, but there wasn’t much else going on around the projects if you were too old for the playground and not into drugs. Orchard Beach still beckoned, roasting traffic and all, but getting there was a trek you couldn’t make every day. Besides, without Abuelita’s laugh and the anticipation of her overgenerous picnic in the trunk, without Gallego gunning the engine of a car packed with squirming kids, somehow it just wasn’t the same.
So I decided to get a job. Mami and Titi Carmen were sitting in Abuelita’s kitchen over coffee when I announced my plan. There were no shops or businesses in the projects, but maybe I could find someone to hire me in Abuelita’s old neighborhood. Titi Carmen still lived on Southern Boulevard and worked nearby at United Bargains. The momandpop stores under the El wouldn’t hire kids—leaning on family labor rather than paying a stranger—but the bigger retailers along Southern Boulevard might. I proposed to walk down the street and inquire in each one. “Don’t do that,” said Titi Carmen. “Let me ask Angie.” Angie was Titi Carmen’s boss.
My mother meanwhile looked stricken and bit her lip. She didn’t say anything until Titi had gone home. Then, for the first time, she told me a little bit about her own childhood: about sewing and ironing handkerchiefs for Titi Aurora since before she could remember, for hours every day. “I resented it, Sonia. I don’t want you to grow up feeling like I did.” She went on to apologize for being unable to buy us more things but still insisted it would be even worse if I blamed her one day for depriving me of a childhood.
I didn’t see that coming. Nobody was forcing me to work. Sure, a little pocket money would be nice, but that wasn’t the main motivation. “Mami, I want to work,” I told her. She’d worked too hard all her life to appreciate that leisure could mean boredom, but that’s what I knew I’d be facing if I sat home all summer. I promised never to blame her. In that moment, I began to understand how hard my mother’s life had been.
Titi Carmen reported back that Angie was willing to hire me for a dollar an hour. That was less than minimum wage, but since I wasn’t old enough to work legally anyway, they would just pay me off the books. I would take the bus, meet Titi Carmen at her place, and then we’d walk over to United Bargains together. That became our routine. It wasn’t a neighborhood where you walked alone.
United Bargains sold women’s clothing. I pitched in wherever needed: restocking, tidying up, monitoring the dressing rooms. I was supposed to watch for the telltale signs of a shoplifter trying to disappear behind the racks, rolling up merchandise to stuff in a purse.
Junkies were especially suspect. They were easy to spot by the shadow in their eyes, though the tracks on their arms were hidden under long sleeves even in summer. There was never an argument, never a scene. Once in a while I had to say, “Take it out.” Most of the time I didn’t need to utter a word. She would pull the garment out of her bag, put it back on the hanger, or maybe hand it to me, our eyes never meeting as she slinked out. We always let them go. There wasn’t much choice: in a precinct that had come to be known as Fort Apache, the Wild West, the cops had their hands full dealing with the gangs. Besides, the management understood that the shame and pity were punishment enough, and I naturally agreed. I abhorred feeling pitied, that degrading secondhand sadness I would always associate with my family’s reaction to the news I had diabetes. To pity someone else feels no better. When someone’s dignity shatters in front of you, it leaves a hole that any feeling heart naturally wants to fill, if only with its own sadness.
On Saturday nights the store was open late, and it was dark by the time we rolled down the gates. Two patrol officers would meet us at the door and escort us home. I don’t know how this was arranged, whether it was true that one of the saleswomen was sleeping with one of these cops, but I was glad of it anyway. As we walked, we could see the SWAT team on the roofs all along Southern Boulevard, their silhouettes bulging with body armor, assault rifles bristling. One by one the shops would darken, and we could hear the clatter of the graffiti-covered gates being rolled down, trucks driving off, until we were the only ones walking. Even the prostitutes had vanished. You might trip on tourniquets and empty glassine packets when you got into the courtyard area at Titi Carmen’s, but you wouldn’t run into any neighbors. I would spend the night there, talking the night away with Miriam. I wished Nelson were there too, but he was never home anymore.
I remember falling asleep thinking again about Lord of the Flies. It was as if the fly-crusted sow’s head on a stick were planted in a crack of the sidewalk on Southern Boulevard. The junkies haunting the alley were little boys smeared with war paint, abandoned on a hostile island, and the eyes of the hunters cruising slowly down the street glowed with primitive appetites. The cops in their armor were only a fiercer tribe. Where was the conch?
The next morning, in daylight, Southern Boulevard was less threatening. The street vendors were out, shop fronts were open, people were coming and going. On the way home I stopped at a makeshift fruit cart to buy a banana for a snack. I was standing there peeling my purchase when a police car rolled up to the curb. The cop got out and pointed here and there to what he wanted—there was a language barrier—and the vendor loaded two large shopping bags with fruit. The cop made as if to reach for his wallet, but it was only a gesture, and the vendor waved it off. When the cop drove away, I asked the man why he didn’t take the money.
“Es el precio de hacer negocios. If I don’t give the fruit, I can’t sell the fruit.”
My heart sank. I told him I was sorry it was like that.
“We all have to make a living,” he said with a shrug. He looked more ashamed than aggrieved.
Why was I so upset? Without cops our neighborhood would be even more of a war zone than it was. They worked hard at a dangerous job with little thanks from the people they protected. We needed them. Was I angry because I held the police to a higher standard, the same way I did Father Dolan and the nuns?
There was something more to it, beyond the betrayal of trust, beyond the corruption of someone whose uniform is a symbol of the civic order.
How do things break down? In Lord of the Flies, the more mature of those lost boys start off with every intention of building a moral, functional society on their island, drawing on what they remember—looking after the “littluns,” building the shelters, keeping the signal fire burning. Their little community gradually breaks down all the same, battered by those who are more self-indulgent, those who are driven by ego and fear.
Which side was the cop on?
The boys need rules, law, order, to keep their worst instincts in check. The conch they blow to call a meeting or hold for the right to speak stands for order, but it holds no power in itself. Its only power is what they agree to honor. It is a beautiful thing, but fragile.
When I was much younger, on summer days I would sometimes go along with Titi Aurora to the place where she worked as a seamstress. Those must have been days when Mami was working the day shift and, for some reason, I couldn’t go to Abuelita’s. That room with the sewing machines whirring was a vision of hell to me: steaming hot, dark, and airless, with the windows painted black and the door shut tight. I was too young to be useful, but I tried to help anyway, to pass the time. Titi Aurora would give me a box of zippers to untangle, or I’d stack up hangers, sort scraps by color, or fetch things for the women sewing. All day long I’d keep an eye out for anyone heading toward the door. As soon as it opened, I’d race over and stick my head out for a breath of air, until Titi saw me and shooed me back in. I asked her why they didn’t just keep the door open. “They just can’t,” she would say.
Behind the closed door and the blackened windows, all those women were breaking the law. But they weren’t criminals. They were just women toiling long hours under miserable conditions to support their families. They were doing what they had to do to survive. It was my first inkling of what a tough life Titi Aurora had had. Titi never got the schooling that Mami got, and she’d borne the brunt of the father Mami was spared from knowing. Her married life would have many challenges and few rewards. Work was the only way she knew to keep going, and she never missed a day. And though Titi was also the most honest person I knew—if she found a dime in a pay phone, she’d dial the operator to ask where she should mail it—she broke the law every day she went to work.
One evening at United Bargains, the women were making crank calls, dialing random numbers out of the phone book. If a woman’s voice answered, they acted as if they were having an affair with her husband, then howled with laughter at their poor gull’s response. Titi Carmen would join in, taking her turn on the phone and laughing as long and hard as any of them. I couldn’t understand how anyone could be so cruel—so arbitrarily, pointlessly cruel. What was the pleasure in it? Walking home, I asked her, “Titi, can’t you imagine the pain you’re causing in that house?”
“It was just a joke, Sonia. Nobody meant any harm.”
How could she not imagine? How could the cop not imagine what two large shopping bags full of fruit might measure in a poor vendor’s life, maybe a whole day’s earnings? Was it so hard to see himself in the other man’s shoes?
I was fifteen years old when I understood how it is that things break down: people can’t imagine someone else’s point of view.
Three days before Christmas and midway through my freshman year at Cardinal Spellman High School, we moved to a new apartment in Coop City. Once again, my mother had led us to what seemed like the edge of nowhere. Coop City was swampland, home to nothing but a desolate amusement park called Freedomland, until the cement mixers and dump trucks arrived barely a year before we did. We moved into one of the first of thirty buildings planned for a development designed to house fifty-five thousand. To get home from school, I had to hike a mile—down Baychester Avenue, across the freeway overpass, and through the vast construction site of half-built towers and bare, bulldozed mud—before reaching human habitation. An icy wind that could lift you off your feet blew from the Hutchinson River. Flurries of snow blurred the construction cranes against an opaque sky of what seemed like Siberia in the Bronx.
At least now we lived close enough for me to walk to school, and I was glad of that. The hour-long trek by bus and train from Watson Avenue had been tedious. Poor Junior, who was only in sixth grade when we moved, would make the commute in reverse from Coop City to Blessed Sacrament for another two and a half years. No one we knew had ever heard of Coop City. My mother learned about it from some newspaper article on the city’s plans for building affordable housing. The cost of living there was pegged to income, and at the same time you were buying inexpensive shares in a cooperative, so in theory there was a tax break.
My mother was eager to get us into a safer place because the Bronxdale projects were headed downhill fast. Gangs were carving up the territory and each other, adding the threat of gratuitous violence to the scourges of drugs and poverty. A plague of arson was spreading through the surrounding neighborhoods as landlords of crumbling buildings chased insurance. Home was starting to look like a war zone.
It was Dr. Fisher who made the move possible. When he died, he left my mother five thousand dollars in his will, the final and least expected of the countless kindnesses that we could never repay, although we tried. When Dr. Fisher was hospitalized after his wife died, Abuelita made Gallego stop on the way to work every morning to pick up Dr. Fisher’s laundry and deliver clean pajamas to him.
Yes, Coop City was the end of the earth, but once I saw the apartment, it made sense. It had parquet floors and a big window in the living room with a long view. All the rooms were twice the size of those cubbyholes in the projects, and the kitchen was big enough to sit and eat in. Best of all, my mother’s friend Willy, a musician who did handiwork too, was able to partition the master bedroom into two little chambers, each big enough for a twin bed and a tiny bureau, so Junior and I could finally have separate rooms. Each had its own door, and Willy even let us each choose our own wallpaper. Junior chose something neutral, in a restrained shade of beige. Mine had constellations, planets, and signs of the zodiac in an antique style, as if a Renaissance cartographer had drawn a map for space travel.
I was reading a lot of science fiction and fantasizing about travel to other worlds or slipping through a time warp. It had been only the summer before, in July 1969, that two astronauts had walked on the moon, and I was awestruck that it had happened in my own lifetime, especially when I remembered how Papi had predicted this. From the earth’s leaders, Neil Armstrong and Buzz Aldrin carried messages etched in microscopically tiny print on a silicon disk, messages that could fit on the head of a pin, to be deposited on the surface of the moon. Pope Paul’s was from Psalm 8: “I look up at your heavens, made by your fingers, at the moon and stars you set in place. Ah, what is man that you should spare a thought for him? Or the son of man that you should care for him? You have made him a little less than an angel, you have crowned him with glory and splendor, and you have made him lord over the work of your hand.”
Excerpted from My Beloved World by Sonia Sotomayor Copyright © 2013 by Sonia Sotomayor. Excerpted by permission of Vintage, a division of Random House LLC. All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.