.
book book
Home awards catalogs newsletter calendar resources exam about
.



Search the Site
.


Enter keywords, ISBN, author, or book title

 
.
Search the Site

Art
Art
College Planning
Education and Teaching
Language and Literature
Foriegn Language Instruction
Performing Arts
Reference
Science and Mathematics
Social Studies
Test Prep
Writer's Workshop

Search the Site
.


Sign-up for the High School Newsletter:
   

.
Search the Site

.

online catalog --
--
title info
ABOUT THE AUTHOR
AUTHOR Q & A
AWARDS
READ AN EXCERPT
READER'S GUIDE
order this title
ordering info for teachers
--
Email this Page
Print this Page
Search Again
--
What We Talk About When We Talk About Anne Frank
Stories
Written by Nathan Englander

What We Talk About When We Talk About Anne Frank
Enlarge View
.

Category: Fiction - Short Stories (single author); Fiction - Jewish; Fiction - Literary
Imprint: Vintage
Format: Trade Paperback
Pub Date: March 2013
Price: $15.00
Can. Price: $18.00
ISBN: 978-0-307-94960-8 (0-307-94960-5)
Pages: 240
Also available as an unabridged audiobook download and an eBook.



 
Pulitzer Prize Finalist 2013
A New York Times Notable Book
An NPR Best Book of 2012

These eight powerful stories, dazzling in their display of language and imagination, show a celebrated short-story writer and novelist grappling with the great questions of modern life.

From the title story, a provocative portrait of two marriages inspired by Raymond Carver’s masterpiece, to “Peep Show” and “How We Avenged the Blums,” two stories that return to the author’s classic themes of sexual longing and ingenuity in the face of adversity, these stories affirm Nathan Englander’s place at the very forefront of contemporary American fiction.

“Showcases Mr. Englander’s extraordinary gifts as a writer.” —Michiko Kakutani, The New York Times

“I’m in love. For evidence that collections can be just as satisfying, read as deep, if not deeper, and beat with as much life and insight as a hulking novel, look no further.” —Elissa Schappell, Vanity Fair

Audacious and idiosyncratic, darkly clever and brightly faceted.” —San Francisco Chronicle

“Terrific. . . . When is a short story mightier than a novel? When its elisions speak as loudly as its lines. Englander knows where to hold back, a particular gift when writing about and around the martyr of his title, the locked up and locked in. A kind of hard-won wisdom spills out on every page.” —Stacy Schiff, The New York Times Book Review

“Imaginatively powerful. . . . What makes the stories resonate long after their final paragraphs is Englander’s odd coupling of the morally serious and the deliciously comic. . . . His second collection of short stories more than fulfills the large promises of his first. What do we do when we talk about Englander? We talk about how he has become a master storyteller.” —The Miami Herald

“Humane, philosophically provocative. . . . Each story in the book is essentially a parable, and Englander’s special talent is to burnish his parables with a patina of persuasive realism. . . . Characters tell (and re-tell) stories within stories, and seek to understand themselves by means of narrative, in a way that seems quintessentially, satisfyingly Jewish.” —Boston Globe

“Englander is at his best. . . . He never writes less than gorgeously, but when, from narrow confines, he puts his finger on the universal, he’s Shakespeare.” —Bloomberg News

“Nathan Englander is a master at putting remarks into the mouths of ordinary people that distill entire streams of politics and religion. . . . They ring true and are a funny, chilling, joy to read.” —The Plain Dealer

“Profound and magical. . . . These eight masterful stories also continue the work of Philip Roth, Saul Bellow and Bernard Malamud—authors who mined the Jewish-American experience with tremendous humor, humanity and healthy amounts of guilt.” —USA Today

“What Englander is saying is that we know ourselves, or don’t, on different levels, that we exist individually and as part of a heritage. . . . Who will hide us? Who are we, really? How do ritual and culture intersect? Such questions exist at the heart of this accomplished collection, in which stories are what make us who we are.” —Los Angeles Times

“Nathan Englander writes the stories I am always hoping for, searching for. These are stories that transport you into other lives, other dreams. This is deft, engrossing, deeply satisfying work. Englander is, to me, the modern master of the form. And this collection is the very best.” —Geraldine Brooks

“Grade A. . . . Virtuosic. . . . Each of these meticulously chiseled stories contains a hidden stinger that throws the reader for a wicked loop. . . . These are stories that give you goose bumps.” —Entertainment Weekly

“Englander’s latest short story collection marks him out as one of the finest American writers of his generation.” —Financial Times

“It takes an exceptional combination of moral humility and moral assurance to integrate fine-grained comedy and large-scale tragedy as daringly as Nathan Englander does.” —Jonathan Franzen

“The stories are so tightly wrought, the sentences laid out so cleanly, the dialogue so real and the humor so self-lacerating. . . . If Mr. Englander is in fact the future of Jewish-American prose, then that future looks to be a far more moral and compassionate one than the writing of the recent past. . . . The humor and the brilliance, and the investigation of cultural identity, are all still there.” —The New York Observer

What We Talk About When We Talk About Anne Frank is Nathan Englander’s wisest, funniest, bravest, and most beautiful book. It overflows with revelations and gems.” —Jonathan Safran Foer



AWARDS

 
FINALIST 2013 - Pulitzer Prize



ABOUT THE AUTHOR

 
Nathan Englander’s short fiction has appeared in The New Yorker, The Atlantic, and numerous anthologies, including The Best American Short Stories and The O. Henry Prize Stories. Englander is the author of the novel The Ministry of Special Cases and the story collection For the Relief of Unbearable Urges, which earned him a PEN/Malamud Award and the Sue Kaufman Prize for First Fiction from the American Academy of Arts and Letters. He lives in Brooklyn, New York.





.
.
.
.
.
.