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Some Luck
A novel
Written by Jane Smiley

Some Luck
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Category: Fiction - Literary; Fiction - Family Saga; Fiction - Historical
Imprint: Knopf
Format: Hardcover
Pub Date: October 2014
Price: $26.95
Can. Price: $32.00
ISBN: 978-0-307-70031-5 (0-307-70031-3)
Pages: 416
Also available as an unabridged audio CD, unabridged audiobook download, eBook and a trade paperback.



 
Longlisted for the 2014 National Book Award

From the winner of the Pulitzer Prize: a powerful, engrossing new novel—the life and times of a remarkable family over three transformative decades in America. 

On their farm in Denby, Iowa, Rosanna and Walter Langdon abide by time-honored values that they pass on to their five wildly different children: from Frank, the handsome, willful first born, and Joe, whose love of animals and the land sustains him, to Claire, who earns a special place in her father’s heart. 

Each chapter in Some Luck covers a single year, beginning in 1920, as American soldiers like Walter return home from World War I, and going up through the early 1950s, with the country on the cusp of enormous social and economic change. As the Langdons branch out from Iowa to both coasts of America, the personal and the historical merge seamlessly: one moment electricity is just beginning to power the farm, and the next a son is volunteering to fight the Nazis; later still, a girl you’d seen growing up now has a little girl of her own, and you discover that your laughter and your admiration for all these lives are mixing with tears.   

Some Luck delivers on everything we look for in a work of fiction. Taking us through cycles of births and deaths, passions and betrayals, among characters we come to know inside and out, it is a tour de force that stands wholly on its own. But it is also the first part of a dazzling epic trilogy—a literary adventure that will span a century in America: an astonishing feat of storytelling by a beloved writer at the height of her powers.


“Midwestern farm country has proved fertile soil for fiction writers, and no one has cultivated it to such fine effect as Smiley. This new novel, the first in a Balzacian project—the saga of the American family sprung from immigrant stock rooted in farmland—follows a family through major events of the first half of the 20th century. Smiley’s range is, as ever, remarkable: she inhabits the heroic firstborn, the diffident little brother, the angelic girl, the bookish boy, the [child who is an] afterthought, always managing to convey the specific nature of each character’s experience, even as her narrative balances birth order as fate against character as destiny. The cumulative experiences of these people, all depicted with such convincing care and detail, convey a sense of the relations that create a world.” —Ellen Akins, Minneapolis Star Tribune
 
“Delightfully engaging, a novel full of pleasures both large and small. History makes its way into the story realistically and unobtrusively—the history is personal, told in stories passed down through generations. The chronological approach allows the novel room to breathe . . . Smiley clearly enjoys her characters without being besotted by them. Her writing has an edge of gentle humor about a place that has four seasons: ‘mud, heat, harvest exhaustion, and snow.’” —Margaret Quamme, The Columbus Dispatch
 
“Engrossing . . . While Some Luck evokes the Iowa landscape Smiley knows well, the novel is as much about the passage of time as the people inhabiting it. As the years pass and crops grow, so does the Langdon family. Parents Walter and Rosanna have their first child, Frank. Smart, charismatic and restless, he’s followed by sensitive, reliable Joe; sweet-natured Lillian; bookish Henry; and baby Claire. From birth, each is an indelible character . . . ‘All ordinary people are extraordinary,’ she says. ‘I don’t actually believe in the concept of ordinary people. I think individuals are always interesting . . . They have unique lives, and things happen to them. They all have adventures.’” —Georgia Rowe, San Jose Mercury News
 
“Fascinating—an impressive accounting of family life . . . Some Luck would qualify as Smiley’s magnum opus if this, her 14th novel, were a single work and not the first in her trilogy. [As] the story, told from the multiple viewpoints of the Langdon family, moves through history, Smiley portrays her characters with such clarity that we care about their fate . . . The book’s message [is] that farm life is a harrowing enterprise, needful of great reserves of fortitude. Frank will grow up handsome, brilliant and heartless—the mesmerizing center of the book . . . No one captures the rhythms of ordinary life like Smiley does: babies, sewing, cooking . . . In 1992 Smiley’s A Thousand Acres won the Pulitzer for fiction and looked to stand as her epic achievement, retelling King Lear in Iowa. Now, with Some Luck and a return to the heartland, the remarkable Smiley just got a little more remarkable.” —Barbara Liss, Houston Chronicle

“A masterpiece in the making . . . intimate, miraculous—the auspicious beginning of an American saga every bit as ambitious as Updike’s magnum opus, anchored in the satisfactions and challenges of life on a farm, but expand[ing] to various American cities and beyond . . . Frank is one of the most fascinating and complex characters in recent fiction. The way Smiley gets deep inside [all] the children’s heads is a staggering literary feat in which we see human character being assembled in something that feels like real time. An abundant harvest.” —Kevin Nance, USA Today
 
“Engaging, bold . . . Smiley delivers a straightforward, old-fashioned tale of rural family life in changing times, depicting isolated farm life with precision . . . It is especially satisfying to hear a powerful writer narrate men’s and women’s lives lovingly and with equal attention. Subtle, wry and moving.” —Valerie Sayers, The Washington Post
 
“Convincing . . . A young couple, Walter and Rosanna Langdon, are just setting out on their own [in] 1920. Eventually they will have five children; Smiley gives each of them a turn in the spotlight, filling in the details of their lives and drawing the reader into a story meant to last a long time . . . Smiley has been compared to some of the great writers of the 19th century, [and] in that tradition, she gives her trilogy the sweep of history. But what interests her most is the way historic events play out in the lives of one family whose roots are deeply embedded in the middle of America.” —Lynn Neary, NPR Weekend Sunday Edition
 
“Smiley is prolific [and] seemingly writes the way her idol Dickens did—as easily as if it were breathing . . . She made up her mind at an early age that she was going to master not just one genre, but all of them. Her new book is the first volume of a trilogy—one of the few forms left for her to tackle . . . Some Luckstarts in 1920 and follows the fortunes of a Midwestern farming family; each chapter covers a single year. What most surprised her, she said, was the way that, more than in her other books, the characters took on lives of their own. ‘I got the feeling that I got on a train and sat down, and all these people were talking. I was eavesdropping, and the train was just heading into the future.’” —Charles McGrath, The New York Times
 
“Audaciously delicious . . . Every character here steals our heart. Smiley has turned her considerable talents to the story of an Iowa farm and the people who inhabit it. The suspense is found in the impeccably drawn scenes and in the myriad ways in which Smiley narrows and opens her camera’s lens. Her language has the intimacy of a first-person telling; her stance is in-the-moment.  Always at the narrative hearth stand Walter and Rosanna and that Iowa farm, a character in its own right, a landscape remembered by those who flee to Chicago, Italy, San Francisco, Washington D.C. and New York . . . We read these lives, and we find our own.” —Beth Kephart, Chicago Tribune
 
“Sumptuous . . . A meditation on the things we encounter in our lives that shape our personal histories. Smiley impresses the reader by shifting perspectives that include those of the Langdon children as infants and toddlers learning how to grip, walk—and manipulate their parents and siblings. Readers will find much enjoyment in Smiley’s sharp prose and finely observed details. She’s in no hurry to get us anywhere, allowing readers to luxuriate in this study of character, place and time. By the time I got to the end of this big, human book I wondered where the time had gone.” —Christi Clancy, Milwaukee Journal Sentinel
 
“Quietly suspenseful, subtle, and captivating . . . We see a changing world through the eyes of a hard-working family trying to make ends meet on their farm in the Iowa heartland. Some Luck is set against a backdrop of sweeping social, political, and economic change—the Great Depression, the rise of Communism, World War Two, and innovations like electricity and automobiles. As the landscape evolves, the Langdons’ world expands beyond the corn fields to the big city, a university campus, and the battlefield . . . Their family life is filled with conflict, rivalries, and shifting alliances—the reader forms a close bond with them . . . Smiley’s deft prose is succinct and clear; she covers the span of a season in a few sentences, then focuses on an ordinary event that turns out to have enormous consequences. The mundane becomes profound, and the effect is smooth and seamless.” —Eleanora Buckbee, Everyday eBook

“No writer has ever captured the satisfactions and frustrations of the American farmer with more insight, humor, accuracy and grace than Smiley. In the first novel of her forthcoming trilogy, she serves up 33 years (1920-53) of American history, viewed through the particular lens of an Iowa farm. The Depression, the Dust Bowl, WWII and the early Cold War provide a compelling backdrop to the lives of Walter and Rosanna Langdon and their six children, all drawn with Smiley’s signature specificity and clear-eyed compassion. The storytelling is shared among the characters, [with] each chapter representing one year of drought or plenty—an almanac to honor these harsh and beautiful lives.” —Pam Houston, More

“Starting from a farm in Iowa, the Langdon family knows growth, diaspora, heartbreak, and passion over three decades. It’s breathtaking to realize that this novel is the first of a trilogy!” —Philadelphia Inquirer
 
“From Pulitzer winner Smiley, a multi-generational saga about an Iowa farming family’s shifting fortunes.” —Kim Hubbard, People, One of the “Best Books of the Fall”
 
“Marvelous, a tour de force . . . Some Luck opens in 1920 with Walter Langdon on the eve of his 25th birthday, thinking about the vicissitudes of farming; his strict father; his wife; and his five-month-old son—the first of five children who grow into memorable individuals over the course of the novel. With her vivid, tactile depiction of rural Iowa farm life, Smiley has imaginatively recaptured the dangers and rewards—the play of good luck and bad luck—in a lost way of life . . . Some Luck moves swiftly and assuredly through 33 years of the Langford clan’s experiences, [becoming] an exploration of 20th-century American culture and politics. Smiley says the novel’s velocity arises from the year-by-year approach she deploys throughout the trilogy. She says she began with the concept of the trilogy but ended up being swept away by the trajectories of her characters. She writes about farm life, family life and, suggestively, near the end, national political life. There are farming scenes, sex scenes, combat scenes and table-talk scenes . . . Wherever Smiley goes in Some Luck, most readers will willingly follow. Then wait, with bated breath, for her next steps.” —Alden Mudge, BookPage
 
“Kicking off a new trilogy that follows the Langdon family for 100 years, this novel starts with their humble beginnings on an Iowa farm, and takes them from the Depression to the Red Scare. As times change, so do relationships, hearts and minds.” —Woman’s Day 
 
“Epic, striking . . . The reader becomes intimately involved with the characters amid the minutiae of family life, sharing Rosanna’s anxieties over the children and Walter’s worries about his crop prices, understanding Frank’s desire to leave and Joey’s desire to stay. The cumulative effect is a story so fully immersive and absorbing that I finished the book with a sense of loss. Masterly.” —Alice O’Keeffe, The Bookseller (UK)
 
“The expansive American epic is Smiley’s métier, and she’s in top form with this multigenerational story of an Iowa farming family—sturdy sons, passionate daughters, a tough but tender existence—across the first half of the 20th century.” —Time

“Pulitzer Prize-winning Smiley moves from the 1920s to the 1950s as she unfolds the life of Iowa farmers Rosanna and Walter Langdon and their five children. As the children grow up and sometimes move away, we get a wide-angle view of mid-century America. Told in beautiful, you-are-there language, the narrative lets ordinary events accumulate to give us a significant feel of life at the time, with the importance and dangers of farming particularly well portrayed. In the end, though, this is the story of parents and children, of hope and disappointment . . . Highly recommended; a lush and grounded reading experience.” —Barbara Hoffert, Library Journal (starred review)

“Tremendous . . . Smiley is a seductive writer in perfect command of every element of language. She was awarded the Pulitzer Prize for A Thousand Acres, a novel about a farming family in Iowa, and she returns to that fertile ground to tell the stories of the Langdons, a clan deeply in accord with the land . . . As barbed in her wit as ever, Smiley is also munificently tender. The Langdons endure the Depression, Walter agonizes over giving up his horses for a tractor, and Joe tries the new synthetic fertilizers. Then, as Frank serves in WWII and, covertly, the Cold War, the novel’s velocity, intensity, and wonder redouble. This [is a] saga of the vicissitudes of luck, and our futile efforts to control it. Smiley’s grand, assured, quietly heroic, and affecting novel is a supremely nuanced portrait of a family spanning three pivotal American decades. It will be on the top of countless to-read lists.” —Donna Seaman, Booklist (starred review)

“Exciting. . . In the first volume of a planned trilogy, Smiley returns to the Iowa of her Pulitzer Prize winning A Thousand Acres, but in a different vein. The Langdons [are] a loving family whose members, like most people, are exceptional only in their human particularity; the story covers the 1920s through the early ‘50s, years during which the family farm survives the Depression and drought, and the five children grow up and have to decide whether to stay or leave. Smiley is particularly good at depicting the world from the viewpoint of young children—all five are distinct individuals from their earliest days. The standout is the oldest son, Frank, born with an eye for opportunity. But as Smiley shifts her attention from one character to another, they all come to feel like real and relatable people. Smiley conjures a world—time, place, people—and an engaging story that makes readers eager to know what happens next. Smiley plans to extend the tale of the Langdon family well into the 21st century; she’s off to a very strong start.” —Publishers Weekly (starred review)

“Smiley follows an Iowa farm family through the thick of the 20th century, [as] the Langdons raise five children to varied destinies; [there’s a] sense that we’ve simply dropped in on a continuing saga. Smiley juggles characters and events with her customary aplomb and storytelling craft . . . Underpinning the unfolding of three decades is farm folks’ knowledge that disaster is always one bad crop away, and luck is never to be relied on; it wouldn’t be a Smiley novel without at least one cruel twist of fate. Smiley is the least sentimental of writers, but when Rosanna and Walter Langdon look at the 23 people gathered at Thanksgiving in 1948 and ‘agreed in an instant: something had created itself from nothing,’ it’s a moment of honest sentiment, honestly earned. An expansive tale showing this generally flinty author in a mellow mood: surprising, but engaging.” —Kirkus (starred review)



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