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What is Utopia?
Utopia is the world's greatest theme park, located
in the Nevada desert north of Las Vegas. It is set apart
from all other theme parks in two special ways: its absolute
commitment to authenticity, and its use of cutting-edge
technology to increase that authenticity. At Utopia, immersion
is everything. The park is divided into four worlds: the
Camelot of King Arthur; Gaslight, a 19th-century London;
Boardwalk, a slice of turn-of-the-century Americana; and
Callisto, a futuristic spaceport set on one of Saturn's
moons. Each of these worlds is recreated down to the smallest
detail: you can see, smell, and taste the thick fog of
Gaslight, for example. Robotics, holograms, and other
technological wonders are used to increase the realism
of the worlds and to make the rides and other attractions
the most exciting and believable of any theme park in
the world.
Have you based Utopia on any existing theme park?
No. There are a lot of great parks out there, but Utopia
is completely fictional. People who have read the book,
though, tell me they wish it was real, because they're
dying to visit it!
What made you write this particular thriller?
It's been a book I've always wanted to write, frankly.
I've always been fascinated by the great theme parks of
the world , not just by their rides, but by the very careful
illusion that they foster, the unique little worlds they
try to recreate where everybody's always happy and things
never go wrong. I wanted to take readers backstage, as
it were, to show them what goes on behind the scenes,
how that illusion is created and maintained. It's also
an ideal setting for a thriller, I believe. When you go
to a theme park, you check your flight-or-fight instincts
at the front door. If you're on a runaway train ride,
for example, you expect the train to lose control. Or
if you're witnessing some gigantic scripted battle in
a light show, you expect huge explosions and pieces of
falling masonry. You just laugh all the harder. In my
novel, that makes you a potential victim. What if some
villainous person were to effectively hold the park's
thousands of visitors for ransom, threatening great harm,
exploiting that way we have of dropping our guard when
we visit a theme park?
What kind of research did you do for the book?
I did a great deal of primary and secondary research,
archival examination, talking to sources, and the like.
As you can imagine, theme parks jealously guard their
secrets. But of course there was more involved than learning
how 3-D thrill rides and roller coasters work. There was
the historical research involved in making sure that each
Utopia's four worlds as completely immersive and believable
for the reader as it would be for a visitor to the park.
You're best known for your seven best-selling books co-authored
with Douglas Preston. What is it like to write a novel
on your own?
Scary. Exciting. Incredibly rewarding. I've very much
enjoyed my ongoing writing partnership with Douglas Preston,
but I think every writer wants to make personal statements,
to create something that is completely his or her own.
(As much as any book can be considered the work of one
person; in my experience it takes a great many people,
offering many different kinds of assistance and input,
to create a finished novel.) Doug Preston has written
several solo works of fiction and non-fiction in past
years, and he has always urged me to do the same. It has
been both challenging and rewarding, and I hope to write
many more solo thrillers in the years to come.
On that subject, would you care to comment on future solo
efforts?
I'm glad you asked! I'm well along with my second novel
for Doubleday. I don't want to reveal too much about it
yet, except to say that it will be the kind of high-concept,
sophisticated techno-thriller that Utopia is. Doubleday
has been very supportive of my work, and they share my
vision of the kind of books I write best.
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