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ALVIN EPSTEIN (Morrie). Broadway
and Off-Broadway includes: Orson Welles' King Lear,
Lucky in the American premiere of Waiting For Godot,
the American premiere of Endgame, world premiere
of Sam Shepard and Joe Chaikin's When the World Was Green,
and the Ragpicker in The Madwoman of Chaillot. Recent
roles at American Repertory Theatre: The Herald in Marat/Sade,
Dr. Giannoni in Pirandello's Enrico IV and Camillo
in The Winter's Tale. Awards include Most Promising
Actor by the New York Drama Critics in 1956, an Obie for
his role as the Sergeant in Dynamite Tonite!, the
Jason Robards Award for Dedication to the Theatre, among
many others. Epstein is a former Artistic Director of the
Guthrie Theatre and Associate Director of the Yale Repertory
Theatre, and he currently teaches at the A.R.T./Moscow Art
Theatre Institute.
JON TENNEY (Mitch). Credits
include: Lincoln Center Theater: Chaucer in Rome, The
Heiress (Broadway), The Substance of Fire. Broadway:
Biloxi Blues, Brighton Beach Memoirs, Sweet
Sue. Off-Broadway: Impossible Marriage (Roundabout),
Current Events, Beggars in the House of Plenty
(MTC), A Shayna Maidel, Tartuffe, The Substance of Fire
(Playwrights Horizons). National Tour: The Real Thing.
Regional: Three Days of Rain (premiere at South Coast
Rep.), Romeo and Juliet (Old Globe, San Diego), The
Substance of Fire (mark Taper, LA), Snakebit, Dark
Rapture, Orpheus Descending (NYSAF), four seasons with
the Williamstown Theater Festival. Films include: You
Can Count on Me, Fools Rush In, Tombstone, Watch it, Twilight
of the Golds, Lassie, With Friends Like These..., Lovelife,
among others. TV series include: "Get Real," Brooklyn
South," "Equal Justice," and "Kristin." Graduate: Vassar
College, trained at the Julliard School.
MITCH ALBOM (Co-Author) is
the author of seven books, most notably Tuesdays with
Morrie, which was at or near the top of The New York
Times bestseller list for four straight years following
its 1997 publication. A nationally syndicated columnist
for the Detroit Free Press and a nationally syndicated radio
host for ABC, Albom has, for more than a decade, been named
the top sports columnist in the nation by the Sports Editors
of America, the highest honor in his field. A panelist on
ESPN's "Sports Reporters," Albom also regularly serves as
a commentator for that network. He serves on numerous charitable
boards, speaks for many charities throughout the country,
and has founded two charities in metro Detroit - the Dream
Fund, which helps underprivileged youth study the arts,
and A Time to Help, a monthly volunteer program.
JEFFREY HATCHER (Co-Author).
Mr. Hatcher's plays have been produced by major theatres
in the U.S. and abroad. His newest plays are A Picasso;
an adaptation on Kaufman and Hart's The Fabulous Invalid;
and the book for the Jerome Kern musical Never Gonna
Dance (Broadway 2003). For film, he has written Compleat
Female Stage Beauty, based on his play (Artisan/Tribeca,
directed by Richard Eyre); and Georgiana, based on
the biography of the Duchess of Devonshire. Awards/Grants:
American Theatre Critics Association, NEA, TCG and others.
Member: Dramatists Guild, Playwrights Center and New Dramatists.
DAVID ESBJORNSON (Director)
recently staged the Tony-winning production of Edward Albee's
The Goat, Israel Horovitz's My Old Lady, the
critically acclaimed N.Y. premiere of Albee's The Play
About the Baby, and the Tony nominated The Ride Down
Mt. Morgan by Arthur Miller at the Public Theater and
on Broadway (FANY Award, Outstanding Direction). He directed
the world premieres of Suzan-Lori Parks' In the Blood
for the Public, and Tony Kushner's newest play Homebody/Kabul
for Chelsea Center in London. Other recent credits include
the Maria Irene Fornes plays Mud and Drowning
for the Signature Theatre; the new Arthur Miller play Resurrection
Blues, Who's Afraid of Virginia Woolf, Hedda
Gabler and Summer and Smoke for The Guthrie Theater
and the musical Eliot Ness in Cleveland for
the Cleveland Play House. David was artistic director of
the Classic Stage Company from 1992-1999 (Lucille Lortel
Award for Body of Work 1999). His productions at CSC include
Neal Bell's Therese Racquin (OBIE Award, Outstanding
Direction), Beckett's Endgame (Drama Desk nom., Best
Revival), Ellen McLaughlin's Iphigenia and Other
Daughters (Drama Desk nom., Outstanding Direction),
Osborne's The Entertainer (Drama League nom., Best
Revival) and Orton's Entertaining Mr. Sloane (Lucille
Lortel Award; Drama League nom., Best Revival).
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