1. How long did the creation of FLAGS OF OUR FATHERS take?
In the beginning I didn't conceive of it as a book, it was just a personal
search for my father's past. When we found my dad's Iwo memories in
those cardboard boxes after his death in January of 1994 I was intrigued.
I phoned Dave Severance, his Captain on Iwo Jima, searching for the
reasons my father had been so silent for so long. Dave introduced me
to other Easy Company survivors and I phoned them. And all the while
I was speaking with the other flagraisers' family members. Many years
ago in business I started the habit of taking verbatim notes when people
spoke, rather than relying upon my faulty memory. So when the stories
tumbled over the telephone line, I would close my eyes and type. I emailed
these stories to my family and friends. Their reactions convinced me
to write the book.
2. Your opening chapter (see excerpt on this site) describes your
and your family members' visit to Iwo Jima--a moving, powerful, personal
experience. Was it then you knew you needed to write this book?
The book was well under way by the time we went to Iwo Jima. I realized
I needed to write the book after I visited with the flagraisers' families.
Their stories were just too compelling.
3. How many interviews did you conduct to complete FLAGS OF OUR
FATHERS?
I would guess close to three hundred. It's a gratifying task to talk
to heroes all day.
4. Prior to undertaking your research, what did the flagraising
photo mean to you?
I was always proud when I would see the photo, but I didn't understand
much about it. There will be many people from my past who will be surprised
to learn that my dad was a flagraiser. This is also true for my brothers
and sisters. Following my dad's example, we didn't talk about the subject.
5. Of your subjects, who offered you the most unusual insight, or
surprising fact?
I was intrigued that Mike and Harlon were both convinced they would
die on Iwo Jima. They made preparations for their non-returns with a
confidence that defies explanation. I was surprised by the unusual almost
everyday. I knew the outline of my dad's past, that he fought on Iwo
Jima, was in the photo, that he went on a Bond Tour. But realizing the
battle stands as the most decorated action in the history of the US?
That was a surprise. I didn't know the Japanese were entirely underground
or that the 7th Bond Tour represented the largest voluntary borrowing
from the American people in our history. John Wayne's plaque at Grauman's
Theater in Hollywood is black. He requested he be immortalized in black
cement made from the black sands of Iwo Jima.
6. What proved to be the biggest challenge in the writing of FLAGS
OF OUR FATHERS?
The biggest challenge, by far, was getting the veterans of Iwo Jima
to open up. I have learned that the more one sees in battle, the less
likely they are to speak about it. Iwo Jima presented war as hellish
as it can get, and many don't want to remember. I asked them to speak
to honor the memory of their buddies who had fallen. That resonates
with men who were once prepared to give up their lives for one another.
7. Of the flagraisers other than your father, whose story did you
most enjoy recovering? Why?
I enjoyed recovering the boyhoods of Mike Strank, Harlon Block and Franklin
Sousley. Boyhood was all they ever had.
8. In addition to telling the story of the battle, and the story
behind famous photograph, you give fascinating insight into the Bond
Tour, in and of itself is a wonderful "moment in history" that most
readers know nothing about. Can you describe your sense of what this
tour meant to the country? Could America experience anything like this
today?
The Bond Tour represented grass-roots democracy at its finest. Remember
that at the time of the two world wars, the cost to wage war was not
part of the budget so the government was forced to borrow war funds
from the citizenry. To do this, they had to make a clear case to the
public why we were fighting and how their money was being used. There
was an honesty between the government and its people borne of crisis.
The Bond Tour was necessary to the government to continue to finance
this costly war. For America to respond in a similar fashion the threat
would have to be as viscerally real as it was then. In our relatively
placid times, with conflicts far away in places with names we can hardly
pronounce, we do not have a terrible threat to test us. To feel the
threat Americans felt back then, we'd have to imagine hordes of hostile
armies swarming over our Canadian and Mexican borders, slashing pregnant
women's bellies open and burning everything in their wake. I feel strongly
that if America ever felt an overwhelming threat at its door again,
we would rise to the challenge in a manner that would make my father's
generation proud.
9. The battle scenes in FLAGS OF OUR FATHERS are gritty, powerful,
and very evocative. Can you discuss your experience while "recreating"
them? What was it like?
I asked the veterans to tell me like it was, how it happened, the unvarnished
truth. After these sessions I cried a lot and took long walks by the
ocean with my dog Oscar.
10. What is the most common misconception about the action on Iwo
Jima?
The most common misconception is that the second flag raising was staged.
This is ridiculous, but people with no supporting facts except a "belief"
continue to tell me to my face that the photo was posed.
11. What stays with you most from your visit to Iwo Jima?
When I saw how the 22,000 Japanese defenders fought unseen, underground,
and saw how the American boys had to root the enemy from their secret
killing rooms, I understood why more medals were struck for action on
Iwo Jima than any battle in our history. The United States is 224 years
old. That's about 2700 months. Out of those thousands of months there
is only one month that is America's most honored. It is the month the
Marines and their Corpsmen fought on Iwo Jima.
12. People who have heard you speak have already expressed interest
in reading FLAGS OF OUR FATHERS; early readers among our booksellers
have loved it; the endorsements prior to publication are astonishing.
For new readers, what do you hope they get out of the reading experience?
I hope readers of FLAGS OF OUR FATHERS will understand that the flagraisers
are not the supermen of popular imagination, but ordinary American boys
who were called to duty. I hope readers will understand the horrors
of war and will think carefully before sending our boys into battle.
13. Tell readers a little about the "typical" day in your life-as-an-author.
What routine did you use?
I start writing as soon as I wake up, before my mind becomes cluttered
and before I can succumb to inviting excuses not to write.
14. What writers do you enjoy reading? Do you have a favorite book?
I have always read widely. My favorite book is Lao Tzu's TAO TE CHING.
15. Sum up in one sentence (OK, take two!) what this book means
to you.
The lesson from the lives of the six flagraisers is not that they were
uncommon men of valor, different from us, but that they are we: Americans
of common virtue.
16. What has been the most surprising experience during your odyssey
to your father's story?
Honestly, my biggest surprise was the number of publishers who didn't
see the potential of the story. After all, this is a photo embedded
like a chip into every American's brain from youth onward. Here was
the most reproduced photo in the history of photography, but because
of my dad's silence, no one knew much about the figures in the photograph.
I thought readers would be fascinated to know the stories behind the
photo.