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NOVEMBER 2008
Dear Readers,
 There's something I must tell you. It's not easy to admit; indeed, I'm a little shy about revealing this. It's the sort of embarrassing fact that spills out drunkenly at a jousting party, and then you're forever outed as one of those people. But yes, all right, here it is: I am writing a novel.
You see, it's National Novel Writing Month, and as it happens, my scribe is off on vacation somewhere dangerous-sounding (a place called "Ah-rhu-bah"), so I thought I'd try my hand in the scriptorium. What with one thing and another, well, I found myself several parchment sheets in, and I thought: why not? I will say, though, I have no intention of ever being published. They say to write what you know, and who wants to read about a dashing knight running about saving far-off kingdoms and averting sorcerous catastrophe?
In the meantime, I'll be pausing in my endeavours for a number of titles this month, including Alan Dean Foster's Quofum, set in the same universe as his Pip & Flinx adventures; Dragonheart by Todd McCaffrey, a new novel of Pern; a collection of horror stories by the late, great Robert E. Howard; A Woman Worth Ten Coppers, a new fantasy from Morgan Howell; and the official tie-in to Gears of War, Aspho Fields, written by Karen Traviss, whose comments thereupon (which you'll find in the sidebar) made me anxious to crack open a copy. Anything to avoid writing the end of this scene.
Read well and be merry,
Sir Kaitlin
kheller@randomhouse.com
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DEL REY NEWS AND ANNOUNCEMENTS
AUTHORS ON TOUR
TODD MCCAFFREY will be appearing at the locations below to sign copies of Dragonheart, the new novel of Pern.
Huntington Beach, CA
Wednesday, November 12 @ 7:00 PM
Barnes & Noble
7881 Edinger Avenue
Northridge, CA
Thursday, November 13 @ 7:00 PM
Borders
9301 Tampa Avenue
San Diego, CA
Saturday, November 22 @ 4:00 PM
Mysterious Galaxy
7051 Clairemont Mesa Blvd.
Suite #302
PETER JACKSON OPTIONS TEMERAIRE BOOKS 4 AND 5
Naomi Novik's newest Temeraire novels, Empire of Ivory and Victory of Eagles, have been optioned by Academy Award-winning director Peter Jackson. Jackson previously optioned the first three books in the series. We can't wait to see Temeraire on the big screen!
BEST OF THE YEAR LISTS: PUBLISHERS WEEKLY AND AMAZON
City at the End of Time by Greg Bear is one of only seven SF/fantasy titles called out by Publishers Weekly for excellence in the field this year.
Also, Amazon.com has just announced their Best of 2008 lists, and Del Rey nabbed some choice slots—see below!
Editors' Best of Science Fiction and Fantasy
#10. Victory of Eagles, Naomi Novik
Customer Favorites in Comics and Graphic Novels
#2. In Odd We Trust, Dean Koontz
#4. The Dresden Files: Welcome to the Jungle, Jim Butcher
Customer Favorites in Science Fiction and Fantasy
#7. The Gypsy Morph, Terry Brooks
#8. Star Wars: Legacy of the Force: Invincible, Troy Denning
#10. Star Wars: Legacy of the Force: Revelation, Karen Traviss
PHOTOS FROM WFC
This year's World Fantasy Convention took place recently in Calgary, Canada, where authors, editors, and professionals mingled, and a merry time was had by all. See below for some snapshots!
 Holly Phillips
 Peter Brett
 Ellen Datlow
MANUSCRIPT DELIVERIES
China Miéville's June 2009 novel, The City & the City, has just arrived in final manuscript form, as has David Gunn's new Death's Head novel, which is scheduled for publication next July.
Also, Alex Irvine's spectacular near-future thriller, Buyout, was delivered, to much rejoicing. It goes on sale next March.
BLOGGERS WANTED
Are you regular blogger and avid reader of science fiction, fantasy, horror, movie, and gaming books? Sign-up here for our mailing list and you'll be eligible to receive advance copies of Del Rey Books. Your blog may be featured in a future issue of the DRIN.
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TODD MCCAFFREY ON DRAGONHEART
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I started writing Dragonheart on the heels of Dragonharper. I wanted to continue the story of Kindan and Lorana, which had begun in Dragonsblood. But as I progressed, I realized that I wasn't ready to tell that story and that, in fact, I had to lay some groundwork. A lot of this is because I realized that the story of Lorana and Kindan was a bigger story and needed more characters for the telling. Six months into the novel, I decided to scrap most of what I'd written—it just wasn't working.
Having made that painful decision, I found that the book moved forward again, although it was much different from what I'd originally envisioned. For one, it was better. For two, it was bigger. And as I moved on with Dragonheart I realized that I didn't have just one but three novels in a tight-knit arc. I was wrong. As it turns out, I've got four.
Dragonheart tells the story of Fiona, Lord Holder Bemin's only surviving child, starting when she is almost fourteen, nearly twelve Turns (Pernese years) after the Plague. Of all the characters I've written so far, Fiona amazes me the most. She does things that I wouldn't have imagined, and makes them work in ways that has my head shaking in surprise and admiration.
Dragonheart is the longest book I've written to date. It needed the length to get Fiona's story told right. By the end of the book, I hope you'll find that Fiona has found a place in your heart, perhaps even as dear a one as Lessa's. And now that I'm nearly finished with the next book, I can tell you that Fiona's story will continue even as we reunite with Kindan and Lorana and the three of them grope for solutions to the huge problem facing all Pern—too much Thread and too few dragons to fight it!
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KAREN TRAVISS ON GEARS OF WAR

I'd actually been gripped by Gears in 2006, long before I had a clue what it was, because the TV promotion screened in the UK just blew me away. It was only after Jerry Holkins (Tycho of Penny Arcade) told me Gears was pretty well made for me that I did some Googling for images and realized it was the same property that had riveted me as a cinematic sequence back in 2006. Yes, it's true that Penny Arcade was 95% responsible for my taking the gig - when my editor at Del Rey asked if I was interested in doing another military game tie-in, I was a little wary, so I asked Jerry what he thought of the game, without explanation. He said, clairvoyantly: "It's Traviss Town." And it really was. The more I found out, the more I loved the property, and the bonus was working with Epic Games, who really are a fantastic team. That might not matter to the reader, who only sees the finished product, but when you sweat blood writing a book, it really makes a difference to work with utterly professional, quality-oriented people. Instead of a grind - tie-ins are much more demanding than creator-owned work - it becomes a labour of love. Gears was like a massive shot of adrenaline for me.
I fell in love with Gears because it looks utterly real, and the characters are believable; the cinematics are perfect storytelling, meticulously detailed. Everything you need to know about the characters and how they relate to one another is encapsulated in those sequences. The book - like many of my novels - is from the ordinary soldier's perspective, and despite my very public affection for the game's Lancer chainsaw rifle, Aspho Fields is squarely about people and what war does to them, not the machinery of war. My mother read an early copy of the book - "Come on, I'm 83, I can't wait around forever" - and told me she cried her eyes out over it. Now, I'm not known for my happy fluffy stories at the best of times, and I don't shy from tragedy or its realities, but my mother thought Aspho Fields was markedly different from my other novels. I'm still trying to work out why, but one of the things she said was that it didn't feel like SF - it felt like here and now. Having recognizable "Earth" character names and no alien perspectives at all made it more accessible, I think, even though she's an avid SF reader. But she and my father lived through the last war, and know what it's like to be bombed night after night, and to have to get by on rationed food; their experiences shaped my outlook, just as the war shaped my home city's culture. I aim for authenticity, and there's something about the city under siege storyline of Gears that struck a very deep chord in me beyond the experiences of my own lifetime. I grew up in a family who'd lived war for real and lost loved ones. When war has come to your own front door - real war, real bombs, the threat of imminent invasion - the world looks different, and it stays different for generations afterwards.

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