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AUGUST 2008
Dear Readers,
It's not often that a knight of my stature admits defeat, but this month I am confronted by an insurmountable opponent: that staunch, implacable foe that, in the words of the inimitable J. R. R. Tolkien, "all things devours." I was reminded of the imminent event when my squire, usually a dour creature, entered my scriptorium with flushed cheeks and an anxious air, holding forth a small parcel wrapped gingerly in white cloth.
With some trepidation, I accepted the parcel, watching its bearer shift nervously from foot to foot as I unsealed it; and when, at length, I drew forth its contents—a pair of gilded ailettes in the shape of lions—I was so bewildered by the occurrence that only a swift consultation with my collection of astrological texts enlightened me, whereupon I turned to my squire (who has by now learned a great measure of patience) and said, "My most heartfelt thanks for these, on this occasion which you have so generously commemorated"; at which my squire was most pleased. Yes, dear readers, you have it aright: it is my birthday.
I shan't tell you how old I am, but I will tell you this: the scriptorium seems curiously filled with temporally imaginative delights at the moment. There's City at the End of Time, about three young people who dream of the eponymous metropolis; The Last Theorem, the final work by Arthur C. Clarke, written in conjunction with Frederik Pohl, involving a mathematical dilemma with unexpected ramifications; and Elric: To Rescue Tanelorn, the second volume in our series of collections starring that most eternal of champions. And then there's my personal favorite, which I'm so looking forward to having in my hands: Lord Tophet, the sequel to Gregory Frost's much-lauded Shadowbridge, a treasure box of a novel, brimming with luminous tales. I count it an excellent birthday gift.
Read well and be merry,
Sir Kaitlin
kheller@randomhouse.com
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DEL REY NEWS AND ANNOUNCEMENTS
AUTHORS ON TOUR
TERRY BROOKS will be touring at the locations below for readings and signings of his new novel, Genesis of Shannara: The Gypsy Morph.
Seattle, WA
August 26 @ 7:00pm
University Bookstore
4326 University Way N.E., 98105
Reading, Q&A, Signing
Seattle, WA
August 27 @ 6:30pm
Barnes & Noble
2600 Southwest Barton, 98126
Reading, Q&A, Signing
Baileys Crossroads, VA
September 3 @ 7:30pm
Borders Books & Music
5871 Crossroads Center Way, 22041
Reading, Q&A, Signing
Richmond, VA
September 4 @ 6:30pm
The Fountain Bookstore
Historic Shockoe Slip
1312 E. Cary St., 23219
Reading, Q&A, Signing
Raleigh, NC
September 5 @ 7:30pm
Quail Ridge Books & Music
3522 Wade Ave., 27607
Reading, Q&A, Signing
Charlotte, NC
September 6 @ 6:00pm
Charlotte Literary Festival
Charlotte Convention Center
501 S. College St., 28202
Reading, Q&A, Signing
Knoxville, TN
September 8 @ 6:30pm
Carpe Librum Booksellers
5113A Kingston Pike, 37919
Reading, Q&A, Signing
Fort Worth, TX
September 9 @ 7:00pm
Casa Manana
3101 West Lancaster Avenue, 76107
Reading, Q&A, Signing
*Fans of Terry Brooks can get two free reserved seats by either sending their request with a stamped, self-addressed envelope to "An Evening with Terry Brooks" c/o The Star-Telegram, P.O. Box 1870, Fort Worth TX 76101 Attn: Melinda Mason, or by calling (817) 390-7579. There is free parking in the Casa Manana lot at the intersection of West Lancaster and University Drive.
Denver, CO
September 11 @ 7:30pm
Tattered Cover LoDo
1628 16th Street, 80202
Reading, Q&A, Signing
Mountain View, CA
September 12 @ 7:30pm
Books Inc.
301 Castro St., 94041
Reading, Q&A, Signing
San Francisco, CA
September 13 @ 4:00pm
Bookshop Santa Cruz
1520 Pacific Avenue, 95060
Reading, Q&A, Signing
Sacramento, CA
September 14 @ 2:00pm
Borders Books & Music
2339 Fair Oaks Blvd., 95825
Reading, Q&A, Signing
Uninc Pierce County, WA
September 20 @ 11:00am - 1:00pm
Fort Lewis
Signing
*military ID required
GREGORY FROST will have a local event to read and sign his new book, Lord Tophet.
Devon, PA
August 7 @ 7:00pm
Barnes & Noble Booksellers
150 West Swedesford Road, 19333
BABYLON A.D. HITS THE BIG SCREEN
Babylon A. D. hits theatres August 29! The movie stars Vin Diesel and is based on Del Rey mass market Babylon Babies by Maurice Dantec, on sale now!
SAN DIEGO COMIC CON: BIGGER THAN EVER
This year's SDCC was a smashing huge success, with all tickets completely sold out! Check out the Owl Ship from the new Watchmen movie, interviews with Del Rey authors such as Dean Koontz and Greg Bear, and of course our own Ali Kokmen's Shakespearean address to the Del Rey troops—and much, much more—at Suvudu.
ASK THE AUTHOR: MATT FORBECK
Matt Forbeck is the author of Mutant Chronicles based on the screenplay for the new movie based on the video game, Mutant Chronicles. Do you want to know how he adapts a book from a script, or what it's like to work with a game company? Well, here's your chance! Ask Matt your questions this month by sending an email to delrey@randomhouse.com. The answers will be posted in a future DRIN!
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FROM THE AUTHOR: GREGORY FROST |
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Gregory Frost, author of Shadowbridge and its sequel, Lord Tophet, talks about the creation of the world that's been getting stellar reviews in this essay.
Publishers Weekly reviews Lord Tophet, on sale Aug. 1 from Del Rey:
* (Starred) Lord Tophet: A Shadowbridge Novel
The "infinite bridge spirals of Shadowbridge" cover a watery world full of enchanting stories, the wonderfully eerie environment for this stirring sequel to 2007's Shadowbridge. Gifted shadow puppeteer Leodora, who disguises herself as a man to perform under the name of Jax, finds herself whisked away to the nebulous afterlife called Edgeworld. When the gods return her to the town of Colemaigne, blighted by soul-devouring Lord Tophet, her presence restores it to its former glory, restoring buildings and drawing the adoration of the populace. Tophet, "the embodiment of Chaos," furious at finding his curse has been broken, sends his sinister Agents after "Jax," not realizing a mere girl is the legendary puppeteer. Frost brings the charm of an ancient storyteller and the wit of a contemporary tale-spinner to this dramatic tale, effortlessly manipulating his troupe of mortals and immortals and bringing the truths and myths of Shadowbridge equally to life.
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New York Times Bestselling Horror Author
John Saul |
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DEL REY: John, Faces of Fear is your 35th novel - congratulations! That's a long time in the literary world. Do you think the horror genre has changed over the years? If so, how?
JOHN SAUL: I think the genre changes in popularity, and right now it seems to be on an upswing. Commercial fiction always seems to go through cycles, and I've always thought it's connected a lot with economics. When times are good, people like to read more serious things; when they're bad, everyone goes for entertainment, and the one thing I've always tried to be is entertaining.
DR: Faces of Fear follows a teenage girl who falls prey to a psychotic plastic surgeon who tries to remodel her into the perfect woman. Why do you think that we are fascinated with Frankenstein-type horror stories?
JS: The whole concept of making the perfect being, or constructing the perfect beauty is always endlessly fascinating for a simple reason: it casts man as god. Given that I've always been certain that man created god in his own image, I don't find it the least bit surprising that the idea of men (or women) creating men or women according to some fancied ideal is always popular. Wouldn't everyone like to create the "perfect" partner, whether they'll admit it or not? Let's face it--we all want to be Dr. Frankenstein!
DR: You've written so many novels over the years, where do you get your ideas? Sometimes they seem horribly realistic, do you get inspiration from the news? A recent visit to the doctor, perhaps?
JS: I've gotten ideas from the news, from seeing an odd-looking building, from exploring an island, from driving through the Rockies, and at least a dozen other places. For instance, the idea for Midnight Voices evolved while researching The Manhattan Hunt Club and wondering what else might be going on in The Dakota other than Rosemary's Baby. Manhattan Hunt Club, in turn, evolved out of wondering what the people living in the tunnels under Manhattan were really up to.
DR: Obviously, you're a horror fan and don't scare easily. But, if something were to keep you up all night with all the lights on, what would it be?
JS: Actually, I'm a card carrying coward, and never read horror at all, nor do I go to horror movies. I tried to watch The Exorcist and wound up standing in the lobby until everyone else was done with the movie. Actually, I think it's my basic cowardliness that makes me good at what I do, since I'm totally terrified as I write my books. My fear then infects my audience...Or maybe I'm just stone crazy!
DR: We'd love to know what you're working on. Can you tell us what's next for John Saul?
JS: All I'll say is that it's going to have a major haunted house.
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Greg Bear on Entropy
Praise for Greg Bear and City at the End of Time
"Lyrical, beautiful, and set 100 trillion years after the heat death of the universe."
—Jeff Bezos, Chairman and CEO, Amazon.com
"One of our greatest science-fiction writers."
—Vernor Vinge, award-winning author of Rainbows End
ENTROPY, AIN'T IT COOL
"Things fall apart." Somehow, we always seem to associate thermodynamics with end-times, and entropy with death. Some have even said—erroneously—that living things are anti-entropic, whatever that might mean. (Maybe it means that when we approach a stove with a breakfast plate, our eggs unfry, liquefy, and fly back into their shells, which suddenly become intact again. I haven't experienced such a thing, myself.)
But entropy is not just about death and destruction, but flows of energy. Lord Kelvin told us, over a century ago, that a high-energy part of a closed, unified system will tend to trade energy with a low-energy part. Pour cold water into a cup of hot water, and eventually you'll have a cup of warmish water. If we regard the cup as the entire system, that's where it ends. If the cup is part of a larger system that is colder than the water in the cup, then the cup continues to cool. But entropy is the measure of energy flow in a closed, isolated system, which will tend toward equilibrium—equal temperature everywhere.
In fact, without such flows of energy, life couldn't exist. Life flourishes wherever there's a flow of energy. A cow has more energy than the grass it feeds upon; it stockpiles the grass's energy as fat and muscle, and so, a predator has to eat less cow than a cow has to eat grass. And the grass, in turn, has to sit out beneath a flow of energy--from warm sun to cold space, with Earth sucking up part of the flow—much longer to produce the energy the cow stockpiles. It all gets pushed up the food-chain, until the predator poops—returning nutrients to the grass—or dies. There are fewer predators in most eco-systems than prey animals, and more grass than grass-eaters, and more bacteria than grass. And most of the so-called waste in these systems gets efficiently processed back into useful materials by scavengers and bacteria, who are equipped biologically to squeeze the last bit of useful energy from the leftover chemical compounds. Sunlight then energizes the plants to utilize the basic materials all over again. It's a little bit like a steam engine with a continuous source of heat.
A star converts a substantial portion of its mass into radiation, which then floods the universe and eventually bumps up against matter, causing it to warm (vibrate faster) or otherwise move into a higher energy state. This vibration of matter is called heat. If the universe were closed, then it would seem possible that all the stars would eventually heat up the matter until everything was lost in a not-so-cozy fading glow. The stars would eventually run out of useful fuel, the glow would rise to a certain (still very cold) temperature, and we would have heat-death—the universe at equilibrium, with no energy flows anywhere, and hence no life. This has certainly been imagined, especially back in the heyday of thermodynamics, say, around the time of H.G. Wells's The Time Machine, which seems to depict just such an end for our Earth and sun.
Radioactive decay complicated things, and then along came Einstein, Heisenberg, and a host of other geniuses, who told us that we're actually all ignorant sods, and steam-engine thermodynamics would be complicated by a host of other factors. Black holes, for example.
With the advent of quantum theory and information theory, the discussion became even more abstract, with physicists asking questions such as, "Can information ever escape from a black hole, once it falls in?" Stephen Hawking showed that radiation can escape from a black hole, but decided initially that the escaping radiation would be unable to convey information. In 2005, he changed his mind. (To be sure, Hawking was limiting his definition of information to the quantum realm—and I still don't know in what way we can mix this up with the Claude Shannon sense of what can be transmitted along a phone line, and how any conceivable message can be most efficiently encoded and mathematically described. Maybe we shouldn't try.)
I do know that encoding a random system—say, a very, very noisy digital photograph—requires a larger amount of memory than encoding a smooth, clear picture. The same is true of random text, or the tail end of "pi," which goes on forever without making any sense. These systems or numbers can be described as their own most efficient expression.
Of course, pi can be generated by an equation in a computer, as can an apparently random hash of pixels. While pi will be the same every time, since it's a constant, the random hash will very likely be different, not the same.
But what does all this have to do with the end of the universe? To tell the actual truth, we don't know.
It appears now that the universe is flat on a large scale—that is, it will not curl up on itself, or cycle through expansions and contractions and then rebirths, but simply keep on going on, until things get very thin and spread out. In fact, it seems to be expanding faster than it used to. The rate of expansion is accelerating. This is mysterious. Something is pushing the universe apart, other than the initial energy of the Big Bang.
Our problem is, if the universe is an open system, expanding forever, then entropy is the least of our problems. The radiation of all the stars throughout all time will simply expand outward forever, everything will grow very, very cold, the constituents of matter themselves may decay (in something like 10 ex 40 years), even black holes will decay and vanish, and constants may change... The Four Horsemen of the Apocalypse come and go, and then just smear out and fade away. Not a cheery ending. Not an ending at all. But at least we don't have to worry about heat-death, as such. Conceivably, some superhuman entity in the far, far future could measure the total information as it spreads out, and nod sagely, saying, "Yup. It's the same... amount-wise, of course. Three cosmic teaspoons full."
But I doubt there would be enough available energy to take that measurement, much less reconstruct that information into anything useful.
Unless, of course, we still don't know what we're talking about, and things are even more complicated and fascinating than we could possible imagine.
Which is where my new novel, City at the End of Time, actually begins...
I've taken a few liberties with all time scales, on the assumption that physics has a lot more surprises in store. I hope no one is offended.
Now, begin counting with me: one, one hundred, one hundred trillion...
Visit Greg Bear's website for his new novel, cityattheendoftime.com
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