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JANUARY 2009
Dear Readers,

The cold month is here. I've been clanking into the scriptorium covered in minuscule icicles, brushing frost off my stylus and inkbottle. Carolus Magnus dubbed it simply Wintarmanoth—the month of winter. An apt appellation, to be sure, but as the wind howls and the snowdrifts deepen, I find myself drawn to more obscure nomenclatures: the Saxon name Wulfmonath, or wolf-month; the Czech Leden, or ice-time; and most evocative of all, the Finnish tammikuu, meaning month of oak, or originally, month of winter's heart.
But I see I am betraying my Norse origins. To take my mind off the cold, I'll be curling up with not a few good reads this month, including a new Star Wars adventure, Luke Skywalker and the Shadows of Mindor; the New Orleans-set thriller The Vampire Agent; and a jewelbox of a short story collection by acclaimed novelist David Marusek. It's also a good month for heroes (and antiheroes): I'm looking forward to The Steel Remains, a high fantasy with Richard K. Morgan's distinctive bite, and most especially to Wings of Hell, the new addition to the Starfist series, whose heroes are an example to knights everywhere.
And now, it's back to the out-of-doors for me. Even the most dashing knight needs milk in the fridge. If only they made ice-scrapers for plate armor.
Read well and be merry,
Sir Kaitlin
kheller@randomhouse.com
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DEL REY NEWS AND ANNOUNCEMENTS
RIGHT NOW ON SUVUDU: WIN WEEKEND TICKETS TO NEW YORK COMIC CON!
Suvudu is giving away three pairs of Weekend Tickets to New York Comic Con, one of the biggest Comics, Sci Fi, Fantasy, Manga, Television, Movies, You-Name-It-They-Got-It Extravaganzas known to mankind! Check it out on suvudu.com!
AUTHORS ON TOUR
JOHN BIRMINGHAM will be appearing at the locations below to sign and discuss his new science fiction thriller Without Warning.
SAN FRANCISCO, CA
Tuesday, February 3 @ 7:00 PM
Borderlands Books
866 Valencia St.
SAN DIEGO, CA
Wednesday, February 4 @ 7:00 PM
Mysterious Galaxy
7051 Clairemont Mesa Blvd
NEW YORK, NY
Friday, February 6 - Saturday, February 7
New York Comic Con
Jacob Javits Center
HOUSTON, TX
Wednesday, February 11 @ 7:00 PM
Borders Books & Music
3025 Kirby Rd.
SEATTLE, WA
Thursday, February 12 @ 7:00 PM
University Bookstore
4326 University Way NE
ONLINE ONLY
Thursday, February 12
The Signed Page
Website
NEW YORK COMIC CON!
New York Comic Con is coming February 6-8 and, of course, Del Rey will be there! If you're coming in to town for the show—and why wouldn't you be?—be sure to take advantage of several chances to meet some of your favorite authors.
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Artist Koren Shadmi (In the Flesh) was born in Israel but moved to New York to study at the School of Visual Arts. Listen to him talk about how New York has influenced his work at the New York Through Its Authors panel (Feb 6 at 5:45 p.m. in Room 1A21) |
| Peter V. Brett (The Warded Man), Alex C. Irvine (Buyout), and John Birmingham (Without Warning) discuss their work on a panel on Science-Fiction, Supernatural, and Fantasy Authors moderated by Del Rey's very own editor extraordinaire Liz Scheier. (On Feb. 7 at 1:30 in Room 1A21) |
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Charlie Huston (Already Dead) expounds on his experience writing comics and books on the Writers on Writing panel, moderated by Del Rey Editor-in-Chief Betsy Mitchell (Feb. 8 at 12:15 in Room 1A14) |
And don't miss the Random House/Del Rey Panel on Feb. 7 at 5:30 p.m. in Room 1A22 to hear about upcoming projects from Del Rey, Villard Graphic Novels, and Dabel Brothers, as well as a Q&A between Betsy Mitchell and author John Birmingham.
New York Comic Con and Del Rey bring you all this—and much, much more!—so be sure to drop by our booth 1940 for the latest schedule of events!
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DAVID MARUSEK: FROM THE INTRODUCTION TO
GETTING TO KNOW YOU
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It has always struck me that reading short fiction is hard work and that most of the heavy lifting occurs in the first two pages. When we begin a new story, we are dropped on our heads into the lives of complete strangers, and it's up to us to suss out, with few clues (title, dialogue, action), just who these people are, what they are up to, who to root for, what it all means, and why we should even care.
Our reward, if the writer is any good, is emotional intimacy, suspense and release, a new insight, and—once in a great while—an epiphany that may change the way we experience the world.
But if reading short fiction is hard, believe me, writing it is many times more so. There is no end to the decisions, constraints, and sheer perniciousness of the short form. So why do I write short stories? Beyond the sheer joy of telling a good yarn, that is, and the boundless wealth and fame a story generates?
Writing short fiction started out as a means to an end for me. When I seriously began to write, I considered myself a "born novelist." But I began my first novel without compass or map, and I spent six years writing myself in circles. So I turned to short fiction out of desperation, to actually finish something, to get my name in print and thus be able to call myself a writer.
It turned out to be a good move, as I seem to have a knack for the little buggers. I have even developed an affection for them, which I hope comes through to the reader.
Still, you wouldn't exactly call me a prolific short story writer, since I finish only about one a year. Now that I've returned to novels, my reason for writing them has changed as well. Short fiction is a marvelous venue for practicing elements of craft and for trying out new things, and the pieces in this collection document my development as a writer. For example, how does one perform sex on the page? Or murder? These and other indelicate acts take a little practice to get right, and I find them easier to broach in the short form. Or, how does one weave together a whole believable world? In my case—one story at a time.
Here then are all of my science fiction short stories to date. Some heavy lifting may still be required, so roll up your sleeves and do a few knee bends before you start.
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INTERVIEW WITH THE VAMPIRE WRITERS
A Conversation with Patricia Rosemoor and Marc Paoletti

We won't lie. Writing a book is hard work. But it can be a lot easier when you write with a partner, especially a partner who shares your vision, writes with a similar sensibility and tone, and is willing to listen. Such was the case with us. We both wanted The Last Vampire and The Vampire Agent to be different from any other vampire book out there, but we also wanted to stay true to our fang-toothed friends and the urban fantasy genre as a whole. It was a fine line to tread, but we relied on each other to get the job done. Does that mean we didn't have our conflicts? Of course not. Even though we shared a vision, we disagreed on aspects of the execution—and that's where the listening came in. Whenever one of us had a problem with plot, character, theme, or whatever else, the other stopped and took the concern to heart. Our rule: If something didn't work for one of us, we'd work together to change it, no matter what. Period. In fact, we'd email a chapter back and forth—many times if necessary?\until we both gave it a thumbs up. This mutual respect allowed us to solve problems quickly and in a way that improved each story. It didn't hurt that we had great editors on the projects, too, of course. Writing The Last Vampire and The Vampire Agent was a fun and satisfying experience, and we hope that readers will share our enthusiasm from first page to last.
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