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    <title>Random House New Releases - Art - Between November 27, 2008 and December 27, 2009.</title>
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      <title>The Ballets Russes and the Art of Design by Anna Winestein</title>
      <link>http://www.randomhouse.com/catalog/display.pperl?isbn=9781580932547</link>
      <guid>http://www.randomhouse.com/catalog/display.pperl?isbn=9781580932547</guid>
      <description>&lt;a href=&quot;http://www.randomhouse.com/catalog/display.pperl?isbn=9781580932547&quot;&gt;&lt;img align=&quot;right&quot; src=&quot;http://www.randomhouse.com/catalog/catalog_cover.pperl?9781580932547&quot; border=&quot;1&quot;/&gt;&lt;/a&gt;&lt;h3&gt;&lt;a href=&quot;http://www.randomhouse.com/catalog/display.pperl?isbn=9781580932547&quot;&gt;The Ballets Russes and the Art of Design&lt;/a&gt; &lt;br/&gt;&lt;b&gt;Edited by&lt;/b&gt; &lt;a href=&quot;http://www.randomhouse.com/author/results.pperl?authorid=100346&quot;&gt;Alston Purvis&lt;/a&gt;, &lt;a href=&quot;http://www.randomhouse.com/author/results.pperl?authorid=24887&quot;&gt;Peter Rand&lt;/a&gt; and &lt;a href=&quot;http://www.randomhouse.com/author/results.pperl?authorid=100347&quot;&gt;Anna Winestein&lt;/a&gt;&lt;/h3&gt;&lt;b&gt;Hardcover&lt;/b&gt;, 208 pages | The Monacelli Press | Art - Design - Textile &amp; Costume; Art - Design | &lt;b&gt;$50.00&lt;/b&gt; | December 1, 2009 | 978-1-58093-254-7 (1-58093-254-1)&lt;p&gt;The Ballets Russes was a phenomenon of the early twentieth century, permeating daily life wherever the company traveled and leaving a lasting impact on dance, theater, and the visual arts. Sergei Diaghilev, impresario from 1909 until his death in 1929, fused the most avant-garde, groundbreaking movements in dance, choreography, art, design, and costume into unique and stunning productions. The work was exciting, and always new, and it stretched the limits of the possible in art. The color, form, and material in costume and set design astonished audiences, transforming every corner of Western culture in the twentieth century. &lt;br&gt;&lt;br&gt;Fashion and decor designers and visual artists in particular&amp;#8212;including Coco Chanel, Natalia Goncharova, Mikhail Larionov, L&amp;#233;on Bakst, and Pablo Picasso&amp;#8212;found inspiration in the Ballets Russes. Designers and artists moved past old boundaries and created costumes and set designs for these extravagant productions, bridging the gaps between tangible and abstract artistic genres. &lt;br&gt;&lt;br&gt;&lt;i&gt;The Ballets Russes and the Art of Design&lt;/i&gt; explores these revolutionary icons and ideas, illuminating Sergei Diaghilev's profound revitalization of the arts, which continues to influence us today. Ten essays by internationally recognized experts and 200 color and black-and-white illustrations&amp;#8212;many from private collections and never-before-published&amp;#8212;discuss a broad range of topics, including set and costume designs, graphic design and poster art, photographs and postcards, Diaghilev's presence in the media, and private and museum collections of Ballets Russes treasures.&lt;/p&gt;&lt;br clear=&quot;all&quot;&gt;</description>
      <dc:date>2009-12-01T00:30:00-05:00</dc:date>
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      <title>Drawing Manga Animals, Chibis, and Other Adorable Creatures by J.C. Amberlyn</title>
      <link>http://www.randomhouse.com/catalog/display.pperl?isbn=9780823095339</link>
      <guid>http://www.randomhouse.com/catalog/display.pperl?isbn=9780823095339</guid>
      <description>&lt;a href=&quot;http://www.randomhouse.com/catalog/display.pperl?isbn=9780823095339&quot;&gt;&lt;img align=&quot;right&quot; src=&quot;http://www.randomhouse.com/catalog/catalog_cover.pperl?9780823095339&quot; border=&quot;1&quot;/&gt;&lt;/a&gt;&lt;h3&gt;&lt;a href=&quot;http://www.randomhouse.com/catalog/display.pperl?isbn=9780823095339&quot;&gt;Drawing Manga Animals, Chibis, and Other Adorable Creatures&lt;/a&gt; &lt;br/&gt;&lt;b&gt;Written by&lt;/b&gt; &lt;a href=&quot;http://www.randomhouse.com/author/results.pperl?authorid=96107&quot;&gt;J.C. Amberlyn&lt;/a&gt;&lt;/h3&gt;&lt;b&gt;Trade Paperback&lt;/b&gt;, 160 pages | Watson-Guptill | Art - Drawing; Art - Subjects &amp; Themes - Plants &amp; Animals | &lt;b&gt;$21.99&lt;/b&gt; | November 17, 2009 | 978-0-8230-9533-9 (0-8230-9533-9)&lt;p&gt;Learn the Tricks of the Trade for Drawing Irresistibly Cute Manga-Style Animals and Chibis!&lt;br&gt;&amp;nbsp;&lt;br&gt;The world of manga is filled with strange creatures and adorable sidekicks. Just about every manga hero and heroine has an animal mascot, and all the most popular ones have a cute &quot;chibi&quot; form. This book teaches aspiring manga artists how to create the funny critters that populate girls' manga and the more gritty, gothic creatures found in boys' manga. &lt;br&gt;&amp;nbsp;&lt;br&gt;It starts with the basics of creating manga-style characters&amp;mdash;everything from drawing heads and faces to eyes and expressions, to creating incredibly cute chibis. Part two features a valuable reference section on the mythological and real animals that have shaped Japanese artwork and stories. The final section has step-by-step demonstrations on using computer programs such as Photoshop and Corel Painter to create manga art and comics. So whether you're just starting out and want to draw a cute, simple mascot, or would like to try something more complex like an Asian dragon, or are ready to create your own otherworldly adventure, this book has something for you no matter what your skill level.&lt;/p&gt;&lt;br clear=&quot;all&quot;&gt;</description>
      <dc:date>2009-11-17T00:30:00-05:00</dc:date>
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      <title>Landscape Painting by Mitchell Albala</title>
      <link>http://www.randomhouse.com/catalog/display.pperl?isbn=9780823032204</link>
      <guid>http://www.randomhouse.com/catalog/display.pperl?isbn=9780823032204</guid>
      <description>&lt;a href=&quot;http://www.randomhouse.com/catalog/display.pperl?isbn=9780823032204&quot;&gt;&lt;img align=&quot;right&quot; src=&quot;http://www.randomhouse.com/catalog/catalog_cover.pperl?9780823032204&quot; border=&quot;1&quot;/&gt;&lt;/a&gt;&lt;h3&gt;&lt;a href=&quot;http://www.randomhouse.com/catalog/display.pperl?isbn=9780823032204&quot;&gt;Landscape Painting&lt;/a&gt; Essential Concepts and Techniques for Plein Air and Studio Practice&lt;br/&gt;&lt;b&gt;Written by&lt;/b&gt; &lt;a href=&quot;http://www.randomhouse.com/author/results.pperl?authorid=96106&quot;&gt;Mitchell Albala&lt;/a&gt;&lt;/h3&gt;&lt;b&gt;Hardcover&lt;/b&gt;, 192 pages | Watson-Guptill | Art - Painting; Art - Subjects &amp; Themes - Landscapes | &lt;b&gt;$35.00&lt;/b&gt; | November 17, 2009 | 978-0-8230-3220-4 (0-8230-3220-5)&lt;p&gt;Because nature is so expansive and complex, so varied in its range of light, landscape painters often have to look further and more deeply to find form and structure, value patterns, and an organized arrangement of shapes. In &lt;i&gt;Landscape Painting&lt;/i&gt;, Mitchell Albala shares his concepts and practices for translating nature's grandeur, complexity, and color dynamics into convincing representations of space and light. &lt;br&gt;&amp;nbsp;&lt;br&gt;Concise, practical, and inspirational, &lt;i&gt;Landscape Painting&lt;/i&gt; focuses on the greatest challenges for the landscape artist, such as:&lt;br&gt;&amp;nbsp;&lt;br&gt;&amp;bull;&amp;nbsp; Simplification and Massing: Learn to reduce nature's complexity by looking beneath the surface of a subject to discover the form's basic masses and shapes.&lt;br&gt;&amp;bull;&amp;nbsp; Color and Light: Explore color theory as it specifically applies to the landscape, and learn the various strategies painters use to capture the illusion of natural light.&lt;br&gt;&amp;bull;&amp;nbsp; Selection and Composition: Learn to select wisely from nature's vast panorama. Albala shows you the essential cues to look for and how to find the most promising subject from a world of possibilities.&lt;br&gt;&amp;nbsp;&lt;br&gt;The lessons in &lt;i&gt;Landscape Painting&lt;/i&gt;&amp;mdash;based on observation rather than imitation and applicable to both plein air and studio practice&amp;mdash;are accompanied by painting examples, demonstrations, photographs, and diagrams. Illustrations draw from the work of more than 40 contemporary artists and such masters of landscape painting as John Constable, Sanford Gifford, and Claude Monet. &lt;br&gt;&amp;nbsp;&lt;br&gt;Based on Albala's 25 years of experience and the proven methods taught at his successful plein air workshops, this in-depth guide to all aspects of landscape painting is a must-have for anyone getting started in the genre, as well as more experienced practitioners who want to hone their skills or learn new perspectives.&lt;/p&gt;&lt;br clear=&quot;all&quot;&gt;</description>
      <dc:date>2009-11-17T00:30:00-05:00</dc:date>
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      <title>Picasso by Philippe Dagen</title>
      <link>http://www.randomhouse.com/catalog/display.pperl?isbn=9781580932578</link>
      <guid>http://www.randomhouse.com/catalog/display.pperl?isbn=9781580932578</guid>
      <description>&lt;a href=&quot;http://www.randomhouse.com/catalog/display.pperl?isbn=9781580932578&quot;&gt;&lt;img align=&quot;right&quot; src=&quot;http://www.randomhouse.com/catalog/catalog_cover.pperl?9781580932578&quot; border=&quot;1&quot;/&gt;&lt;/a&gt;&lt;h3&gt;&lt;a href=&quot;http://www.randomhouse.com/catalog/display.pperl?isbn=9781580932578&quot;&gt;Picasso&lt;/a&gt; &lt;br/&gt;&lt;b&gt;Written by&lt;/b&gt; &lt;a href=&quot;http://www.randomhouse.com/author/results.pperl?authorid=93749&quot;&gt;Philippe Dagen&lt;/a&gt;&lt;/h3&gt;&lt;b&gt;Hardcover&lt;/b&gt;, 512 pages | The Monacelli Press | Art - Individual Artist | &lt;b&gt;$150.00&lt;/b&gt; | November 17, 2009 | 978-1-58093-257-8 (1-58093-257-6)&lt;p&gt;Art critic and scholar Philippe Dagen approaches Picasso as a subject through a series of questions. What does it mean to be an artist in the twentieth century? What does it mean to be an artist in the time of newspapers and museums, in a time when the art market has expanded to reach the entire western world? Is modern civilization so different that it gives an artist a new attitude and causes him to redefine his role for the public, the market, and, therefore, to invent entirely new artistic practices? &lt;br&gt;&lt;br&gt;Picasso is considered here in view of this last, and most probable, hypothesis. He is a product of his situation and time, in the broadest sense of the term. Refusing to confine himself to his studio or the small artistic community in Paris, Picasso responded forcefully to world affairs, giving pictoral and sculptural form to the passions and events he witnessed around him. This is a thoroughly modern Picasso, constantly and consciously confronting the modernity of the world. &lt;br&gt;&lt;br&gt;Dagen's original exploration of his techniques, materials, and images shows how the artist both allowed modernity to in?ltrate his work and at the same time to react against it. Picasso moved between acceptance and rejection, a perpetual confrontation that is, perhaps, the most satisfying explanation of his will to create change that drove him to leave the most varied and diverse body of work in the entire history of art.&lt;/p&gt;&lt;br clear=&quot;all&quot;&gt;</description>
      <dc:date>2009-11-17T00:30:00-05:00</dc:date>
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      <title>Star Pieces by Helen Chislett</title>
      <link>http://www.randomhouse.com/catalog/display.pperl?isbn=9781580932592</link>
      <guid>http://www.randomhouse.com/catalog/display.pperl?isbn=9781580932592</guid>
      <description>&lt;a href=&quot;http://www.randomhouse.com/catalog/display.pperl?isbn=9781580932592&quot;&gt;&lt;img align=&quot;right&quot; src=&quot;http://www.randomhouse.com/catalog/catalog_cover.pperl?9781580932592&quot; border=&quot;1&quot;/&gt;&lt;/a&gt;&lt;h3&gt;&lt;a href=&quot;http://www.randomhouse.com/catalog/display.pperl?isbn=9781580932592&quot;&gt;Star Pieces&lt;/a&gt; The Enduring Beauty of Spectacular Furniture&lt;br/&gt;&lt;b&gt;Written by&lt;/b&gt; &lt;a href=&quot;http://www.randomhouse.com/author/results.pperl?authorid=100350&quot;&gt;David Linley&lt;/a&gt;, &lt;a href=&quot;http://www.randomhouse.com/author/results.pperl?authorid=100351&quot;&gt;Charles Cator&lt;/a&gt; and &lt;a href=&quot;http://www.randomhouse.com/author/results.pperl?authorid=100352&quot;&gt;Helen Chislett&lt;/a&gt;&lt;/h3&gt;&lt;b&gt;Hardcover&lt;/b&gt;, 256 pages | The Monacelli Press | Art - Design - Furniture; Antiques &amp; Collectibles - Furniture | &lt;b&gt;$65.00&lt;/b&gt; | November 17, 2009 | 978-1-58093-259-2 (1-58093-259-2)&lt;p&gt;&lt;b&gt;Furniture has star qualities unlike any other object: &lt;/b&gt;&lt;br&gt;It is both functional and decorative, yet it can connect us to history and far-flung places around the globe in the same way a Renaissance painting sends us back in time or a photograph takes us to a beloved overseas locale. Furniture also appeals  to four of our senses at once: we see the way it makes an otherwise dull room into a glamorous one; we touch its sleek modern lines and soft fabrics; we hear hinges creaking; we smell the rich scents of antique wood and leather.&lt;br&gt;&lt;br&gt;The authors, each of whom are experts on furniture, share their knowledge of its value and importance from an intellectual and emotional perspective, and describe how best to assess it from an aesthetic one, exploring styles, techniques and materials. They introduce twenty golden ages, from the ancient world to the twentieth century, by way of such rich moments as Ming in China, Italian and French Baroque, Chippendale in England, the designs of Newport and Philadelphia in America, Neoclassicism in France, Russia and Sweden, Biedermeier, Shaker and Art Deco. They also spotlight the most brilliant contemporary international designers, both those who see furniture as akin to fine art and those who simply enjoy the craft involved. They explain how your own star piece can enrich an interior with glamour, drama and personality and advise on how to commission a unique handmade piece and buy antique furniture. &lt;br&gt;&lt;br&gt;Two of the field&amp;#8217;s foremost experts &amp;#8211; David Linley, who rose to the head of his profession after founding his own firm in 1985, and Charles Cator, who holds special responsibility in furniture and decorative arts at Christie&amp;#8217;s International &amp;#8211; provide unsurpassable guidance, with their intimate understanding of the subject from both a commercial and enthusiast&amp;#8217;s perspective. Combined with Helen Chislett, who offers insightful comments from her experience as a writer on decorative arts, no group of authors is better suited to discuss these topics. Their illuminating text is supplemented by rich and varied illustrations &amp;#8211; details of carving, ornamentation and upholstery, views of different styles of furniture used in historic and contemporary interiors, original drawings, and spectacular pieces, both antique and contemporary.&lt;/p&gt;&lt;br clear=&quot;all&quot;&gt;</description>
      <dc:date>2009-11-17T00:30:00-05:00</dc:date>
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      <title>The World in Vogue by Alexandra Kotur</title>
      <link>http://www.randomhouse.com/catalog/display.pperl?isbn=9780307271877</link>
      <guid>http://www.randomhouse.com/catalog/display.pperl?isbn=9780307271877</guid>
      <description>&lt;a href=&quot;http://www.randomhouse.com/catalog/display.pperl?isbn=9780307271877&quot;&gt;&lt;img align=&quot;right&quot; src=&quot;http://www.randomhouse.com/catalog/catalog_cover.pperl?9780307271877&quot; border=&quot;1&quot;/&gt;&lt;/a&gt;&lt;h3&gt;&lt;a href=&quot;http://www.randomhouse.com/catalog/display.pperl?isbn=9780307271877&quot;&gt;The World in Vogue&lt;/a&gt; People, Parties, Places&lt;br/&gt;&lt;b&gt;Edited by&lt;/b&gt; &lt;a href=&quot;http://www.randomhouse.com/author/results.pperl?authorid=74094&quot;&gt;Hamish Bowles&lt;/a&gt; and &lt;a href=&quot;http://www.randomhouse.com/author/results.pperl?authorid=107186&quot;&gt;Alexandra Kotur&lt;/a&gt;&lt;/h3&gt;&lt;b&gt;Hardcover&lt;/b&gt;, 400 pages | Knopf | Art - Design - Furniture; Photography - Portraits | &lt;b&gt;$75.00&lt;/b&gt; | November 17, 2009 | 978-0-307-27187-7 (0-307-27187-0)&lt;p&gt;This one-of-a-kind book of 300 photographs of some of the most celebrated actors, artists, models, First Ladies, and social figures draws on stories that have appeared in the pages of &lt;i&gt;Vogue &lt;/i&gt;over the past four decades, as well as photographs from those stories that have never been published. These trendsetters and newsmakers are captured by such famous photographers as Cecil Beaton, Jonathan Becker, Eric Boman, Horst P. Horst, Edward Steichen, Irving Penn, Richard Avedon, Fran&amp;#231;ois Halard, Helmut Newton, Stephen Meisel, Snowdon, Toni Frissell, Bruce Weber, Herb Ritts, and Annie Leibovitz. Not only did these photographers take dazzling portraits&amp;#8212;in studios or on location&amp;#8212;that caught these iconic figures in classic, playful, or dramatic moments but they also documented their parties, weddings, houses, and gardens. Writers like Hamish Bowles, Paul Rudnick, Truman Capote, Francis Wyndham, Jeffrey Steingarten, Joan Juliet Buck, William Norwich, Gloria Steinem, Georgina Howell, Vicki Woods, Marina Rust, Michael Specter, and Jonathan Van Meter tell you the stories behind these figures and events.&lt;br&gt;&lt;br&gt;Here are the glamorous weddings of Plum Sykes in Yorkshire, Lauren Davis in Cartagena, and Minnie Cushing in Newport; Truman Capote writing about cruising the Yugoslavian coast with Lee Radziwill, Luciana Pignatelli, and the Agnellis; gardens from East Hampton to Corfu designed by landscape architect Miranda Brooks; In&amp;#232;s de La Fressange&amp;#8217;s apartment in Paris; Gloria Steinem reporting on the 540 masked partygoers at the Black and White Ball Truman Capote threw for Katharine Graham at the Plaza hotel; the gardens of Valentino&amp;#8217;s seventeenth-century Ch&amp;#226;teau de Wideville, outside Paris; the designers, the best-dressed, and the stars at the annual Costume Institute party at the Metropolitan Museum; Mick Jagger and his family in Mustique; Jacqueline Kennedy and Michelle Obama; Kate Moss, Madonna, Angelina Jolie, Cate Blanchett, Ali MacGraw, Anjelica Huston, Nicole Kidman, Cher, Iman and David Bowie, Pen&amp;#233;lope Cruz, Charlotte Rampling, and many more.&lt;br&gt;&lt;br&gt;Richly illustrated in black-and-white and color, &lt;i&gt;The World in Vogue: People, Parties, Places &lt;/i&gt;is a stunning look at portraits, houses, gardens, and parties of celebrated figures from many worlds.&lt;/p&gt;&lt;br clear=&quot;all&quot;&gt;</description>
      <dc:date>2009-11-17T00:30:00-05:00</dc:date>
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      <title>The Black Book by Toni Morrison</title>
      <link>http://www.randomhouse.com/catalog/display.pperl?isbn=9781400068487</link>
      <guid>http://www.randomhouse.com/catalog/display.pperl?isbn=9781400068487</guid>
      <description>&lt;a href=&quot;http://www.randomhouse.com/catalog/display.pperl?isbn=9781400068487&quot;&gt;&lt;img align=&quot;right&quot; src=&quot;http://www.randomhouse.com/catalog/catalog_cover.pperl?9781400068487&quot; border=&quot;1&quot;/&gt;&lt;/a&gt;&lt;h3&gt;&lt;a href=&quot;http://www.randomhouse.com/catalog/display.pperl?isbn=9781400068487&quot;&gt;The Black Book&lt;/a&gt; 35th Anniversary Edition&lt;br/&gt;&lt;b&gt;Edited by&lt;/b&gt; &lt;a href=&quot;http://www.randomhouse.com/author/results.pperl?authorid=12033&quot;&gt;Middleton A. Harris&lt;/a&gt;, &lt;a href=&quot;http://www.randomhouse.com/author/results.pperl?authorid=97667&quot;&gt;Ernest Smith&lt;/a&gt;, &lt;a href=&quot;http://www.randomhouse.com/author/results.pperl?authorid=97668&quot;&gt;Morris Levitt&lt;/a&gt; and &lt;a href=&quot;http://www.randomhouse.com/author/results.pperl?authorid=97669&quot;&gt;Roger Furman&lt;/a&gt;&lt;br&gt; &lt;b&gt;Foreword by&lt;/b&gt; &lt;a href=&quot;http://www.randomhouse.com/author/results.pperl?authorid=21332&quot;&gt;Toni Morrison&lt;/a&gt;&lt;/h3&gt;&lt;b&gt;Hardcover&lt;/b&gt;, 224 pages | Random House | Social Science - African-American Studies; History - United States; Art - History - American | &lt;b&gt;$35.00&lt;/b&gt; | November 10, 2009 | 978-1-4000-6848-7 (1-4000-6848-7)&lt;p&gt;Seventeenth-century sketches of Africa as it appeared to marauding European traders. Nineteenth-century slave auction notices. Twentieth-century sheet music for work songs and freedom chants. Photographs of war heroes, regal in uniform. Antebellum reward posters for capturing runaway slaves. An 1856 article titled&lt;i&gt; &amp;#8220;A Visit to the Slave Mother Who Killed Her Child.&amp;#8221;&lt;br&gt;&lt;/i&gt;&lt;br&gt;In 1974, Middleton A. Harris and Toni Morrison led a team of gifted, passionate collectors in compiling these images and nearly 500 others into one sensational narrative of the black experience in America: &lt;b&gt;The Black Book&lt;i&gt;.&lt;/i&gt;&lt;/b&gt;&lt;i&gt;&lt;br&gt;&lt;br&gt;&lt;/i&gt;Now in a deluxe 35th anniversary hardcover edition, &lt;b&gt;The Black Book&lt;/b&gt; remains a breathtaking testament to the legendary wisdom, strength, and perseverance of black men and women intent on freedom. Prominent collectors Morris Levitt, Roger Furman, and Ernest Smith, as well as Middleton Harris and Toni Morrison (then a Random House editor, now a two-time Pulitzer Prize&amp;#8212;winning Nobel laureate) spent months studying, laughing at, and crying over these materials&amp;#8211;from transcripts of fugitive slaves&amp;#8217; trials and proclamations by Frederick Douglass and other celebrated abolitionists to chilling images of cross burnings and lynchings, patents registered by black inventors throughout the early twentieth century to vibrant posters from &amp;#8220;Black Hollywood&amp;#8221; films from the 1930s and 1940s.&lt;br&gt;&lt;br&gt;A labor of love and a vital link to the richness and diversity of African American history and culture, &lt;b&gt;The Black Book &lt;/b&gt;honors the past, reminding us where our nation has been, and gives flight to our hopes for what is yet to come. Beautifully and faithfully presented, and featuring a new Foreword and original poem by Toni Morrison, &lt;b&gt;The Black Book&lt;/b&gt; remains a timeless landmark work.&lt;/p&gt;&lt;br clear=&quot;all&quot;&gt;</description>
      <dc:date>2009-11-10T00:30:00-05:00</dc:date>
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      <title>Design Thinking by Thomas Lockwood</title>
      <link>http://www.randomhouse.com/catalog/display.pperl?isbn=9781581156683</link>
      <guid>http://www.randomhouse.com/catalog/display.pperl?isbn=9781581156683</guid>
      <description>&lt;a href=&quot;http://www.randomhouse.com/catalog/display.pperl?isbn=9781581156683&quot;&gt;&lt;img align=&quot;right&quot; src=&quot;http://www.randomhouse.com/catalog/catalog_cover.pperl?9781581156683&quot; border=&quot;1&quot;/&gt;&lt;/a&gt;&lt;h3&gt;&lt;a href=&quot;http://www.randomhouse.com/catalog/display.pperl?isbn=9781581156683&quot;&gt;Design Thinking&lt;/a&gt; Integrating Innovation, Customer Experience, and Brand Value&lt;br/&gt;&lt;b&gt;Edited by&lt;/b&gt; &lt;a href=&quot;http://www.randomhouse.com/author/results.pperl?authorid=99177&quot;&gt;Thomas Lockwood&lt;/a&gt;&lt;/h3&gt;&lt;b&gt;Trade Paperback&lt;/b&gt;, 256 pages | Allworth Press | Business &amp; Economics - Business Communication; Business &amp; Economics - Management; Art - Graphic Arts | &lt;b&gt;$24.95&lt;/b&gt; | November 10, 2009 | 978-1-58115-668-3 (1-58115-668-5)&lt;p&gt;&lt;b&gt;&lt;i&gt;Design Thinking&lt;/i&gt;is packed with intriguing case studies and practical advice from industry experts. This anthology is organized into three sections that focus on the use of design for innovation and brand-building, the emerging role of service design, and the design of meaningful customer experiences. This book provides readers with the strategies necessary to encourage the creative thought process in their companies, which will ultimately help to cultivate innovation, and therefore boost business. Experienced design leaders share their personal stories and give specific examples of their companies&amp;rsquo; forward-thinking creations. This unique approach helps the reader learn how to build a solid brand foundation, solve problems with simplified thinking, anticipate and capitalize on trends, figure out what consumers want before they do, and align mission, vision, and strategy with a corporate brand. A sense of the content within &lt;b&gt;&lt;i&gt;Design Thinking&lt;/i&gt;&lt;/b&gt; can be gained from the titles of some of the key essays: &amp;ldquo;Building Leadership Brands,&amp;rdquo; &amp;ldquo;The Designful Company,&amp;rdquo; &amp;ldquo;Brand Building by Service Design,&amp;rdquo; &amp;ldquo;Service Design Via the Global Web,&amp;rdquo; &amp;ldquo;Customer Loyalty,&amp;rdquo; and &amp;ldquo;Driving Brand Loyalty on the Web&amp;rdquo;.&lt;br&gt;&lt;/b&gt;&lt;/p&gt;&lt;br clear=&quot;all&quot;&gt;</description>
      <dc:date>2009-11-10T00:30:00-05:00</dc:date>
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      <title>Superheroes and Beyond by Christopher Hart</title>
      <link>http://www.randomhouse.com/catalog/display.pperl?isbn=9780823033058</link>
      <guid>http://www.randomhouse.com/catalog/display.pperl?isbn=9780823033058</guid>
      <description>&lt;a href=&quot;http://www.randomhouse.com/catalog/display.pperl?isbn=9780823033058&quot;&gt;&lt;img align=&quot;right&quot; src=&quot;http://www.randomhouse.com/catalog/catalog_cover.pperl?9780823033058&quot; border=&quot;1&quot;/&gt;&lt;/a&gt;&lt;h3&gt;&lt;a href=&quot;http://www.randomhouse.com/catalog/display.pperl?isbn=9780823033058&quot;&gt;Superheroes and Beyond&lt;/a&gt; How to Draw the Leading and Supporting Characters of Today's Comics&lt;br/&gt;&lt;b&gt;Written by&lt;/b&gt; &lt;a href=&quot;http://www.randomhouse.com/author/results.pperl?authorid=74446&quot;&gt;Christopher Hart&lt;/a&gt;&lt;/h3&gt;&lt;b&gt;Trade Paperback&lt;/b&gt;, 160 pages | Watson-Guptill | Art - Cartooning; Comics &amp; Graphic Novels | &lt;b&gt;$21.99&lt;/b&gt; | November 10, 2009 | 978-0-8230-3305-8 (0-8230-3305-8)&lt;p&gt;Superheroes remain the most popular genre of characters in comics and comics-inspired movies. Superheroes &amp;amp; Beyond by Chris Hart shows aspiring artists how to create a huge array of original comic book heroes and villains. The characters found within these pages are broken down into step-by-step constructions that help the student of comics visualize the basic forms and individual features of comic book superheroes.&lt;br&gt;&amp;nbsp;&lt;br&gt;The subjects covered include: drawing faces, drawing the head from all angles, expressions, light and shadow and its effect on the face, heroes, villains and supporting characters, hands and fee,; foreshortening poses, the dynamics of drawing action; sexy gals; talking in speech balloons, placement of speech balloons and captions, storytelling, use of light and dark in silhouettes, superhero environments, and drawing the splash page.&lt;/p&gt;&lt;br clear=&quot;all&quot;&gt;</description>
      <dc:date>2009-11-10T00:30:00-05:00</dc:date>
    </item>
    <item>
      <title>The Bauhaus Group by Nicholas Fox Weber</title>
      <link>http://www.randomhouse.com/catalog/display.pperl?isbn=9780307268365</link>
      <guid>http://www.randomhouse.com/catalog/display.pperl?isbn=9780307268365</guid>
      <description>&lt;a href=&quot;http://www.randomhouse.com/catalog/display.pperl?isbn=9780307268365&quot;&gt;&lt;img align=&quot;right&quot; src=&quot;http://www.randomhouse.com/catalog/catalog_cover.pperl?9780307268365&quot; border=&quot;1&quot;/&gt;&lt;/a&gt;&lt;h3&gt;&lt;a href=&quot;http://www.randomhouse.com/catalog/display.pperl?isbn=9780307268365&quot;&gt;The Bauhaus Group&lt;/a&gt; Six Masters of Modernism&lt;br/&gt;&lt;b&gt;Written by&lt;/b&gt; &lt;a href=&quot;http://www.randomhouse.com/author/results.pperl?authorid=32648&quot;&gt;Nicholas Fox Weber&lt;/a&gt;&lt;/h3&gt;&lt;b&gt;Hardcover&lt;/b&gt;, 544 pages | Knopf | Art - History; Art - History - European; Art - Design | &lt;b&gt;$40.00&lt;/b&gt; | October 27, 2009 | 978-0-307-26836-5 (0-307-26836-5)&lt;p&gt;Nicholas Fox Weber, for thirty-three years head of the Albers Foundation, spent many years with Anni and Josef Albers, the only husband-and-wife artistic pair at the Bauhaus (she was a textile artist; he a professor and an artist, in glass, metal, wood, and photography).&lt;b&gt; &lt;/b&gt;The Alberses told him their own stories and described life at the Bauhaus with their fellow artists and teachers, Walter Gropius, Paul Klee, Wassily Kandinsky, Ludwig Mies van der Rohe, as well these figures&amp;#8217; lesser-known wives and girlfriends. &lt;br&gt;&lt;br&gt;In this extraordinary group biography, Weber brilliantly brings to life the Bauhaus geniuses and the community of the pioneering art school in Germany&amp;#8217;s Weimar and Dessau in the 1920s and early 1930s.&lt;br&gt;&lt;br&gt;Here are: &lt;br&gt;Walter Gropius, founder of the Bauhaus, the architect who streamlined design early in his career and who saw the school as a place for designers to collaborate in an ideal setting . . . a dashing hussar, the ardent young lover of the renowned femme fatale Alma Mahler, beginning when she was the wife of composer Gustav Mahler . . . &lt;br&gt;Paul Klee, the onlooker, smoking his pipe, observing Bauhaus dances as well as his colleagues&amp;#8217; lectures from the back of the room . . . the cook who invented recipes and threw together his limited ingredients with the same spontaneity, sense of proportion, and fascination that underscored his paintings . . . &lt;br&gt;Wassily Kandinsky, the Russian-born pioneer of abstract painting, guarding a secret tragedy one could never have guessed from his lively paintings, in which he used bold colors not just for their visual vibrancy, but for their &amp;#8220;sound&amp;#8221; effects . . . &lt;br&gt;Josef Albers, who entered the Bauhaus as a student in 1920 and was one of the seven remaining faculty members when the school was closed by the Gestapo in 1933 . . .&lt;br&gt;Annelise Else Frieda Fleischmann, a Berlin heiress, an intrepid young woman, who later, as Anni Albers, made art the focal point of her existence . . . &lt;br&gt;Ludwig Mies van der Rohe, imperious, decisive, often harsh, an architect who became director&amp;#8212;the last&amp;#8212;of the Bauhaus, and the person who guided the school&amp;#8217;s final days after SS storm troopers raided the premises.&lt;br&gt;&lt;br&gt;Weber captures the life, spirit, and flair with which these geniuses lived, as well as their consuming goal of making art and architecture. A portrait infused with their fulsome embrace of life, their gift for laughter, and the powerful force of their individual artistic personalities.&lt;/p&gt;&lt;br clear=&quot;all&quot;&gt;</description>
      <dc:date>2009-10-27T00:30:00-05:00</dc:date>
    </item>
    <item>
      <title>The Bauhaus Group by Nicholas Fox Weber</title>
      <link>http://www.randomhouse.com/catalog/display.pperl?isbn=9780307273345</link>
      <guid>http://www.randomhouse.com/catalog/display.pperl?isbn=9780307273345</guid>
      <description>&lt;a href=&quot;http://www.randomhouse.com/catalog/display.pperl?isbn=9780307273345&quot;&gt;&lt;img align=&quot;right&quot; src=&quot;http://www.randomhouse.com/catalog/catalog_cover.pperl?9780307273345&quot; border=&quot;1&quot;/&gt;&lt;/a&gt;&lt;h3&gt;&lt;a href=&quot;http://www.randomhouse.com/catalog/display.pperl?isbn=9780307273345&quot;&gt;The Bauhaus Group&lt;/a&gt; &lt;br/&gt;&lt;b&gt;Written by&lt;/b&gt; &lt;a href=&quot;http://www.randomhouse.com/author/results.pperl?authorid=32648&quot;&gt;Nicholas Fox Weber&lt;/a&gt;&lt;/h3&gt;&lt;b&gt;eBook&lt;/b&gt;, 544 pages | Knopf | Art - History; Art - History - European; Art - Design | &lt;b&gt;$40.00&lt;/b&gt; | October 27, 2009 | 978-0-307-27334-5 (0-307-27334-2)&lt;p&gt;Nicholas Fox Weber, for thirty-three years head of the Albers Foundation, spent many years with Anni and Josef Albers, the only husband-and-wife artistic pair at the Bauhaus (she was a textile artist; he a professor and an artist, in glass, metal, wood, and photography).&lt;b&gt; &lt;/b&gt;The Alberses told him their own stories and described life at the Bauhaus with their fellow artists and teachers, Walter Gropius, Paul Klee, Wassily Kandinsky, Ludwig Mies van der Rohe, as well these figures&amp;#8217; lesser-known wives and girlfriends. &lt;br&gt;&lt;br&gt;In this extraordinary group biography, Weber brilliantly brings to life the Bauhaus geniuses and the community of the pioneering art school in Germany&amp;#8217;s Weimar and Dessau in the 1920s and early 1930s.&lt;br&gt;&lt;br&gt;Here are: &lt;br&gt;Walter Gropius, founder of the Bauhaus, the architect who streamlined design early in his career and who saw the school as a place for designers to collaborate in an ideal setting . . . a dashing hussar, the ardent young lover of the renowned femme fatale Alma Mahler, beginning when she was the wife of composer Gustav Mahler . . . &lt;br&gt;Paul Klee, the onlooker, smoking his pipe, observing Bauhaus dances as well as his colleagues&amp;#8217; lectures from the back of the room . . . the cook who invented recipes and threw together his limited ingredients with the same spontaneity, sense of proportion, and fascination that underscored his paintings . . . &lt;br&gt;Wassily Kandinsky, the Russian-born pioneer of abstract painting, guarding a secret tragedy one could never have guessed from his lively paintings, in which he used bold colors not just for their visual vibrancy, but for their &amp;#8220;sound&amp;#8221; effects . . . &lt;br&gt;Josef Albers, who entered the Bauhaus as a student in 1920 and was one of the seven remaining faculty members when the school was closed by the Gestapo in 1933 . . .&lt;br&gt;Annelise Else Frieda Fleischmann, a Berlin heiress, an intrepid young woman, who later, as Anni Albers, made art the focal point of her existence . . . &lt;br&gt;Ludwig Mies van der Rohe, imperious, decisive, often harsh, an architect who became director&amp;#8212;the last&amp;#8212;of the Bauhaus, and the person who guided the school&amp;#8217;s final days after SS storm troopers raided the premises.&lt;br&gt;&lt;br&gt;Weber captures the life, spirit, and flair with which these geniuses lived, as well as their consuming goal of making art and architecture. A portrait infused with their fulsome embrace of life, their gift for laughter, and the powerful force of their individual artistic personalities.&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;i&gt;From the Hardcover edition.&lt;/i&gt;&lt;/p&gt;&lt;br clear=&quot;all&quot;&gt;</description>
      <dc:date>2009-10-27T00:30:00-05:00</dc:date>
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    <item>
      <title>Painting Below Zero by David Dalton</title>
      <link>http://www.randomhouse.com/catalog/display.pperl?isbn=9780307263421</link>
      <guid>http://www.randomhouse.com/catalog/display.pperl?isbn=9780307263421</guid>
      <description>&lt;a href=&quot;http://www.randomhouse.com/catalog/display.pperl?isbn=9780307263421&quot;&gt;&lt;img align=&quot;right&quot; src=&quot;http://www.randomhouse.com/catalog/catalog_cover.pperl?9780307263421&quot; border=&quot;1&quot;/&gt;&lt;/a&gt;&lt;h3&gt;&lt;a href=&quot;http://www.randomhouse.com/catalog/display.pperl?isbn=9780307263421&quot;&gt;Painting Below Zero&lt;/a&gt; Notes on a Life in Art&lt;br/&gt;&lt;b&gt;Written by&lt;/b&gt; &lt;a href=&quot;http://www.randomhouse.com/author/results.pperl?authorid=69075&quot;&gt;James Rosenquist&lt;/a&gt; and &lt;a href=&quot;http://www.randomhouse.com/author/results.pperl?authorid=6326&quot;&gt;David Dalton&lt;/a&gt;&lt;/h3&gt;&lt;b&gt;Hardcover&lt;/b&gt;, 384 pages | Knopf | Biography &amp; Autobiography - Artist, Architect, Photographer; Art - Oil Painting; Art - History - Contemporary (1945-) | &lt;b&gt;$50.00&lt;/b&gt; | October 27, 2009 | 978-0-307-26342-1 (0-307-26342-8)&lt;p&gt;From James Rosenquist, one of our most iconic pop artists&amp;#8212;along with Andy Warhol, Jim Dine, Claes Oldenburg, and Roy Lichtenstein&amp;#8212;comes this candid and fascinating memoir. Unlike these artists, Rosenquist often works in three-dimensional forms, with highly dramatic shifts in scale and a far more complex palette, including grisaille and Day-Glo colors. A skilled traditional painter, he avoided the stencils and silk screens of Warhol and Lichtenstein. His vast canvases full of brilliant, surreally juxtaposed images would influence both many of his contemporaries and younger generations, as well as revolutionize twentieth-century painting.&lt;br&gt;&lt;br&gt;Ronsequist writes about growing up in a tight-knit community of Scandinavian farmers in North Dakota and Minnesota in the late 1930s and early 1940s; about his mother, who was not only an amateur painter but, along with his father, a passionate aviator; and about leaving that flat midwestern landscape in 1955 for New York, where he had won a scholarship to the Art Students League. George Grosz, Edwin Dickinson, and Robert Beverly Hale were among his teachers, but his early life was a struggle until he discovered sign painting. He describes days suspended on scaffolding high over Broadway, painting movie or theater billboards, and nights at the Cedar Tavern with Willem de Kooning, Franz Kline, and the poet LeRoi Jones. His first major studio, on Coenties Slip, was in the thick of the new art world. Among his neighbors were Ellsworth Kelly, Robert Indiana, Agnes Martin, and Jack Youngerman, and his mentors Robert Rauschenberg and Jasper Johns.&lt;br&gt;&lt;br&gt;Rosenquist writes about his shows with the dealers Richard Bellamy, Ileana Sonnabend, and Leo Castelli, and about colorful collectors like Robert and Ethel Scull. We learn about the 1971 car crash that left his wife and son in a coma and his own life and work in shambles, his lobbying&amp;#8212;along with Rauschenberg&amp;#8212;for artists&amp;#8217; rights in Washington D.C., and how he got his work back on track.&lt;br&gt;&lt;br&gt;With his distinct voice, Roseqnuist writes about the ideas behind some of his major paintings, from the startling revelation that led to his first pop painting, &lt;i&gt;Zone, &lt;/i&gt;to his masterpiece, &lt;i&gt;F-III,&lt;/i&gt; a stunning critique of war and consumerism, to the cosmic reverie of &lt;i&gt;Star Thief.&lt;br&gt;&lt;br&gt;&lt;/i&gt;This is James Rosenquist&amp;#8217;s story in his own words&amp;#8212;captivating and unexpected, a unique look inside the contemporary art world in the company of one of its most important painters.&lt;/p&gt;&lt;br clear=&quot;all&quot;&gt;</description>
      <dc:date>2009-10-27T00:30:00-05:00</dc:date>
    </item>
    <item>
      <title>Painting Below Zero by David Dalton</title>
      <link>http://www.randomhouse.com/catalog/display.pperl?isbn=9780307273291</link>
      <guid>http://www.randomhouse.com/catalog/display.pperl?isbn=9780307273291</guid>
      <description>&lt;a href=&quot;http://www.randomhouse.com/catalog/display.pperl?isbn=9780307273291&quot;&gt;&lt;img align=&quot;right&quot; src=&quot;http://www.randomhouse.com/catalog/catalog_cover.pperl?9780307273291&quot; border=&quot;1&quot;/&gt;&lt;/a&gt;&lt;h3&gt;&lt;a href=&quot;http://www.randomhouse.com/catalog/display.pperl?isbn=9780307273291&quot;&gt;Painting Below Zero&lt;/a&gt; &lt;br/&gt;&lt;b&gt;Written by&lt;/b&gt; &lt;a href=&quot;http://www.randomhouse.com/author/results.pperl?authorid=69075&quot;&gt;James Rosenquist&lt;/a&gt; and &lt;a href=&quot;http://www.randomhouse.com/author/results.pperl?authorid=6326&quot;&gt;David Dalton&lt;/a&gt;&lt;/h3&gt;&lt;b&gt;eBook&lt;/b&gt;, 384 pages | Knopf | Biography &amp; Autobiography - Artist, Architect, Photographer; Art - Oil Painting; Art - History - Contemporary (1945-) | &lt;b&gt;$50.00&lt;/b&gt; | October 27, 2009 | 978-0-307-27329-1 (0-307-27329-6)&lt;p&gt;From James Rosenquist, one of our most iconic pop artists&amp;#8212;along with Andy Warhol, Jim Dine, Claes Oldenburg, and Roy Lichtenstein&amp;#8212;comes this candid and fascinating memoir. Unlike these artists, Rosenquist often works in three-dimensional forms, with highly dramatic shifts in scale and a far more complex palette, including grisaille and Day-Glo colors. A skilled traditional painter, he avoided the stencils and silk screens of Warhol and Lichtenstein. His vast canvases full of brilliant, surreally juxtaposed images would influence both many of his contemporaries and younger generations, as well as revolutionize twentieth-century painting.&lt;br&gt;&lt;br&gt;Ronsequist writes about growing up in a tight-knit community of Scandinavian farmers in North Dakota and Minnesota in the late 1930s and early 1940s; about his mother, who was not only an amateur painter but, along with his father, a passionate aviator; and about leaving that flat midwestern landscape in 1955 for New York, where he had won a scholarship to the Art Students League. George Grosz, Edwin Dickinson, and Robert Beverly Hale were among his teachers, but his early life was a struggle until he discovered sign painting. He describes days suspended on scaffolding high over Broadway, painting movie or theater billboards, and nights at the Cedar Tavern with Willem de Kooning, Franz Kline, and the poet LeRoi Jones. His first major studio, on Coenties Slip, was in the thick of the new art world. Among his neighbors were Ellsworth Kelly, Robert Indiana, Agnes Martin, and Jack Youngerman, and his mentors Robert Rauschenberg and Jasper Johns.&lt;br&gt;&lt;br&gt;Rosenquist writes about his shows with the dealers Richard Bellamy, Ileana Sonnabend, and Leo Castelli, and about colorful collectors like Robert and Ethel Scull. We learn about the 1971 car crash that left his wife and son in a coma and his own life and work in shambles, his lobbying&amp;#8212;along with Rauschenberg&amp;#8212;for artists&amp;#8217; rights in Washington D.C., and how he got his work back on track.&lt;br&gt;&lt;br&gt;With his distinct voice, Roseqnuist writes about the ideas behind some of his major paintings, from the startling revelation that led to his first pop painting, &lt;i&gt;Zone, &lt;/i&gt;to his masterpiece, &lt;i&gt;F-III,&lt;/i&gt; a stunning critique of war and consumerism, to the cosmic reverie of &lt;i&gt;Star Thief.&lt;br&gt;&lt;br&gt;&lt;/i&gt;This is James Rosenquist&amp;#8217;s story in his own words&amp;#8212;captivating and unexpected, a unique look inside the contemporary art world in the company of one of its most important painters.&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;i&gt;From the Hardcover edition.&lt;/i&gt;&lt;/p&gt;&lt;br clear=&quot;all&quot;&gt;</description>
      <dc:date>2009-10-27T00:30:00-05:00</dc:date>
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      <title>Art Without Compromise by Wendy Richmond</title>
      <link>http://www.randomhouse.com/catalog/display.pperl?isbn=9781581156669</link>
      <guid>http://www.randomhouse.com/catalog/display.pperl?isbn=9781581156669</guid>
      <description>&lt;a href=&quot;http://www.randomhouse.com/catalog/display.pperl?isbn=9781581156669&quot;&gt;&lt;img align=&quot;right&quot; src=&quot;http://www.randomhouse.com/catalog/catalog_cover.pperl?9781581156669&quot; border=&quot;1&quot;/&gt;&lt;/a&gt;&lt;h3&gt;&lt;a href=&quot;http://www.randomhouse.com/catalog/display.pperl?isbn=9781581156669&quot;&gt;Art Without Compromise&lt;/a&gt; &lt;br/&gt;&lt;b&gt;Written by&lt;/b&gt; &lt;a href=&quot;http://www.randomhouse.com/author/results.pperl?authorid=100390&quot;&gt;Wendy Richmond&lt;/a&gt;&lt;/h3&gt;&lt;b&gt;Trade Paperback&lt;/b&gt;, 256 pages | Allworth Press | Art; Photography | &lt;b&gt;$24.95&lt;/b&gt; | October 20, 2009 | 978-1-58115-666-9 (1-58115-666-9)&lt;p&gt;Combining 24 years of research and insight from her columns in &lt;i&gt;Communication Arts&lt;/i&gt; magazine, artist, educator, and writer &lt;b&gt;Wendy Richmond&lt;/b&gt; challenges artists to investigate their work through multiple lenses in her newest book, &lt;b&gt;&lt;i&gt;Art Without Compromise*&lt;/i&gt;&lt;/b&gt;. Her commentaries, exercises, and wide-ranging references to contemporary thinkers will inspire artists to change the way they think about their creative landscape, from personal goals to cultural influences to technological realities. Her insights about major cultural figures, from Roland Barthes to Susan Sontag to Walker Evans, introduce their philosophies into the context of contemporary art making. Like a Malcolm Gladwell for artists, &lt;b&gt;Richmond&lt;/b&gt; helps artists to look closely at what they see every day--in their own art making and in the world around them. In the process, she helps artists to develop an uncompromising commitment to finding and protecting their own unique process for making their strongest and most relevant art. &lt;br&gt;This thought-provoking and inspirational book covers such topics as: developing a solid creative process through &amp;#8220;Visual Reflection Notebooks&amp;#8221; and &amp;#8220;Bring Play to Work&amp;#8221;; understanding the artist&amp;#8217;s unique identity in relation to the larger culture; building systems of support and collaboration; explaining how an artist&amp;#8217;s needs and passions can lead to innovation and authenticity; using language to inspire visual creativity; responding to the Internet and changing concepts of what is public and private; and accepting digression as a creative necessity. Through the exercises and techniques outlined in &lt;b&gt;&lt;i&gt;Art Without Compromise*&lt;/i&gt;&lt;/b&gt;, the reader will develop new confidence to pursue individual goals and inspiration to explore new paths, along with motivation to overcome creative blocks. With a revised understanding of the relevance in their own work within the sphere of contemporary culture, the artist will come away with a clearer perspective on his or her past and future work and a critical eye for personal authenticity.&lt;/p&gt;&lt;br clear=&quot;all&quot;&gt;</description>
      <dc:date>2009-10-20T00:30:00-05:00</dc:date>
    </item>
    <item>
      <title>Church Misericords and Bench Ends by Richard Hayman</title>
      <link>http://www.randomhouse.com/catalog/display.pperl?isbn=9780747807445</link>
      <guid>http://www.randomhouse.com/catalog/display.pperl?isbn=9780747807445</guid>
      <description>&lt;a href=&quot;http://www.randomhouse.com/catalog/display.pperl?isbn=9780747807445&quot;&gt;&lt;img align=&quot;right&quot; src=&quot;http://www.randomhouse.com/catalog/catalog_cover.pperl?9780747807445&quot; border=&quot;1&quot;/&gt;&lt;/a&gt;&lt;h3&gt;&lt;a href=&quot;http://www.randomhouse.com/catalog/display.pperl?isbn=9780747807445&quot;&gt;Church Misericords and Bench Ends&lt;/a&gt; &lt;br/&gt;&lt;b&gt;Written by&lt;/b&gt; &lt;a href=&quot;http://www.randomhouse.com/author/results.pperl?authorid=88007&quot;&gt;Richard Hayman&lt;/a&gt;&lt;/h3&gt;&lt;b&gt;Trade Paperback&lt;/b&gt;, 64 pages | Shire | Art - History - Medieval; Antiques &amp; Collectibles - Furniture | &lt;b&gt;$12.95&lt;/b&gt; | October 20, 2009 | 978-0-7478-0744-5 (0-7478-0744-2)&lt;p&gt;Although misericords were originally installed on the hidden undersides of church folding seats to provide comfort to those standing for long periods of prayer, the have gradually become more ornately carved and decorated.  Now they, along with the benches installed in parish churches in the later middle ages, are the objects of a large proportion of the surviving medieval woodcarving in Britain. The subject matter of these carvings is not merely concerned with religion and religious symbolism. This book outlines the history of church seating, considers the status of the craftsmen and the influences on their work, and then explains the subject matter of the carvings.&lt;/p&gt;&lt;br clear=&quot;all&quot;&gt;</description>
      <dc:date>2009-10-20T00:30:00-05:00</dc:date>
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      <title>Master of Shadows by Mark Lamster</title>
      <link>http://www.randomhouse.com/catalog/display.pperl?isbn=9780385523790</link>
      <guid>http://www.randomhouse.com/catalog/display.pperl?isbn=9780385523790</guid>
      <description>&lt;a href=&quot;http://www.randomhouse.com/catalog/display.pperl?isbn=9780385523790&quot;&gt;&lt;img align=&quot;right&quot; src=&quot;http://www.randomhouse.com/catalog/catalog_cover.pperl?9780385523790&quot; border=&quot;1&quot;/&gt;&lt;/a&gt;&lt;h3&gt;&lt;a href=&quot;http://www.randomhouse.com/catalog/display.pperl?isbn=9780385523790&quot;&gt;Master of Shadows&lt;/a&gt; The Secret Diplomatic Career of the Painter Peter Paul Rubens&lt;br/&gt;&lt;b&gt;Written by&lt;/b&gt; &lt;a href=&quot;http://www.randomhouse.com/author/results.pperl?authorid=78448&quot;&gt;Mark Lamster&lt;/a&gt;&lt;/h3&gt;&lt;b&gt;Hardcover&lt;/b&gt;, 336 pages | Nan A. Talese | Art - History - Renaissance; History - Europe | &lt;b&gt;$29.95&lt;/b&gt; | October 20, 2009 | 978-0-385-52379-0 (0-385-52379-3)&lt;p&gt;&lt;b&gt;The true story of how seventeenth-century Europe's most famous painter doubled as a secret agent and negotiated a peace between superpowers.&lt;/b&gt;&lt;br&gt;&lt;br&gt;Peter Paul Rubens is best remembered as the Old Master with the penchant for fleshy, pink nudes whose popularity was eclipsed by that of Rembrandt van Rijn. In his time, however, Rubens had no equal; his contemporaries revered him as the greatest painter of his era, if not in all history. His undeniable artistic genius, bolstered by a modest disposition and a reputation as a man of tact and discretion, made him a favorite among monarchs and political leaders across Europe, and gave him perfect cover for the clandestine activities that shaped the landscape of seventeenth-century politics.&lt;br&gt;&lt;br&gt;In &lt;i&gt;Master of Shadows&lt;/i&gt;, Mark Lamster tells the story of Rubens' life and brilliantly re-creates the culture, religious conflicts, and political intrigues of his time. Commissions to paint military and political leaders drew Rubens from his Antwerp home to London, Madrid, Paris, and Rome. The Spanish crown, recognizing the value of his easy access to figures of power, enlisted him into diplomatic service. His uncommon intelligence, preternatural charm, and ability to navigate through ever-shifting political winds allowed him to negotiate a long-sought peace treaty between England and Spain even as Europe's shrewdest statesmen plotted against him. &lt;br&gt;&lt;br&gt;&lt;i&gt;Master of Shadows&lt;/i&gt; weaves a gripping drama of cloak-and-dagger diplomacy with an insightful, authoritative exploration of Rubens' art and the private passions that influenced it.&lt;/p&gt;&lt;br clear=&quot;all&quot;&gt;</description>
      <dc:date>2009-10-20T00:30:00-05:00</dc:date>
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    <item>
      <title>Master of Shadows by Mark Lamster</title>
      <link>http://www.randomhouse.com/catalog/display.pperl?isbn=9780385532235</link>
      <guid>http://www.randomhouse.com/catalog/display.pperl?isbn=9780385532235</guid>
      <description>&lt;a href=&quot;http://www.randomhouse.com/catalog/display.pperl?isbn=9780385532235&quot;&gt;&lt;img align=&quot;right&quot; src=&quot;http://www.randomhouse.com/catalog/catalog_cover.pperl?9780385532235&quot; border=&quot;1&quot;/&gt;&lt;/a&gt;&lt;h3&gt;&lt;a href=&quot;http://www.randomhouse.com/catalog/display.pperl?isbn=9780385532235&quot;&gt;Master of Shadows&lt;/a&gt; The Secret Diplomatic Career of the Painter Peter Paul Rubens&lt;br/&gt;&lt;b&gt;Written by&lt;/b&gt; &lt;a href=&quot;http://www.randomhouse.com/author/results.pperl?authorid=78448&quot;&gt;Mark Lamster&lt;/a&gt;&lt;/h3&gt;&lt;b&gt;eBook&lt;/b&gt;, 336 pages | Nan A. Talese | Art - History - Renaissance; History - Europe | &lt;b&gt;$29.95&lt;/b&gt; | October 20, 2009 | 978-0-385-53223-5 (0-385-53223-7)&lt;p&gt;&lt;b&gt;The true story of how seventeenth-century Europe's most famous painter doubled as a secret agent and negotiated a peace between superpowers.&lt;/b&gt;&lt;br&gt;&lt;br&gt;Peter Paul Rubens is best remembered as the Old Master with the penchant for fleshy, pink nudes whose popularity was eclipsed by that of Rembrandt van Rijn. In his time, however, Rubens had no equal; his contemporaries revered him as the greatest painter of his era, if not in all history. His undeniable artistic genius, bolstered by a modest disposition and a reputation as a man of tact and discretion, made him a favorite among monarchs and political leaders across Europe, and gave him perfect cover for the clandestine activities that shaped the landscape of seventeenth-century politics.&lt;br&gt;&lt;br&gt;In &lt;i&gt;Master of Shadows&lt;/i&gt;, Mark Lamster tells the story of Rubens' life and brilliantly re-creates the culture, religious conflicts, and political intrigues of his time. Commissions to paint military and political leaders drew Rubens from his Antwerp home to London, Madrid, Paris, and Rome. The Spanish crown, recognizing the value of his easy access to figures of power, enlisted him into diplomatic service. His uncommon intelligence, preternatural charm, and ability to navigate through ever-shifting political winds allowed him to negotiate a long-sought peace treaty between England and Spain even as Europe's shrewdest statesmen plotted against him. &lt;br&gt;&lt;br&gt;&lt;i&gt;Master of Shadows&lt;/i&gt; weaves a gripping drama of cloak-and-dagger diplomacy with an insightful, authoritative exploration of Rubens' art and the private passions that influenced it.&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;i&gt;From the Hardcover edition.&lt;/i&gt;&lt;/p&gt;&lt;br clear=&quot;all&quot;&gt;</description>
      <dc:date>2009-10-20T00:30:00-05:00</dc:date>
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    <item>
      <title>Tiepolo Pink by Roberto Calasso</title>
      <link>http://www.randomhouse.com/catalog/display.pperl?isbn=9780307267665</link>
      <guid>http://www.randomhouse.com/catalog/display.pperl?isbn=9780307267665</guid>
      <description>&lt;a href=&quot;http://www.randomhouse.com/catalog/display.pperl?isbn=9780307267665&quot;&gt;&lt;img align=&quot;right&quot; src=&quot;http://www.randomhouse.com/catalog/catalog_cover.pperl?9780307267665&quot; border=&quot;1&quot;/&gt;&lt;/a&gt;&lt;h3&gt;&lt;a href=&quot;http://www.randomhouse.com/catalog/display.pperl?isbn=9780307267665&quot;&gt;Tiepolo Pink&lt;/a&gt; &lt;br/&gt;&lt;b&gt;Written by&lt;/b&gt; &lt;a href=&quot;http://www.randomhouse.com/author/results.pperl?authorid=4035&quot;&gt;Roberto Calasso&lt;/a&gt;&lt;/h3&gt;&lt;b&gt;Hardcover&lt;/b&gt;, 320 pages | Knopf | Art - History; Art - History - European | &lt;b&gt;$40.00&lt;/b&gt; | October 20, 2009 | 978-0-307-26766-5 (0-307-26766-0)&lt;p&gt;The eighteenth-century Venetian painter Giambattista Tiepolo spent his life executing commissions in churches, palaces, and villas, often covering vast ceilings like those at the W&amp;#252;rzburg Residenz in Germany and the Royal Palace in Madrid with frescoes that are among the glories of Western art. The life of an epoch swirled around him&amp;#8212;but though his contemporaries appreciated and admired him, they failed to understand him.&lt;br&gt;&lt;br&gt;Few have even attempted to tackle Tiepolo&amp;#8217;s series of thirty-three bizarre and haunting etchings, the &lt;i&gt;Capricci&lt;/i&gt; and the &lt;i&gt;Scherzi&lt;/i&gt;, but Roberto Calasso rises to the challenge, interpreting them as chapters in a dark narrative that contains the secret of Tiepolo&amp;#8217;s art. Blooming ephebes, female Satyrs, Oriental sages, owls, snakes: we will find them all, as well as Punchinello and Death, within the pages of this book, along with Venus, Time, Moses, numerous angels, Cleopatra, and Beatrice of Burgundy&amp;#8212;a motley company always on the go.&lt;br&gt;&lt;br&gt;Calasso makes clear that Tiepolo was more than a dazzling intermezzo in the history of painting. Rather, he represented a particular way of meeting the challenge of form: endowed with a fluid, seemingly effortless style, Tiepolo was the last incarnation of that peculiar Italian virtue &lt;i&gt;sprezzatura&lt;/i&gt;, the art of not seeming artful.&lt;/p&gt;&lt;br clear=&quot;all&quot;&gt;</description>
      <dc:date>2009-10-20T00:30:00-05:00</dc:date>
    </item>
    <item>
      <title>Tiepolo Pink by Alastair McEwen</title>
      <link>http://www.randomhouse.com/catalog/display.pperl?isbn=9780307272966</link>
      <guid>http://www.randomhouse.com/catalog/display.pperl?isbn=9780307272966</guid>
      <description>&lt;a href=&quot;http://www.randomhouse.com/catalog/display.pperl?isbn=9780307272966&quot;&gt;&lt;img align=&quot;right&quot; src=&quot;http://www.randomhouse.com/catalog/catalog_cover.pperl?9780307272966&quot; border=&quot;1&quot;/&gt;&lt;/a&gt;&lt;h3&gt;&lt;a href=&quot;http://www.randomhouse.com/catalog/display.pperl?isbn=9780307272966&quot;&gt;Tiepolo Pink&lt;/a&gt; &lt;br/&gt;&lt;b&gt;Written by&lt;/b&gt; &lt;a href=&quot;http://www.randomhouse.com/author/results.pperl?authorid=4035&quot;&gt;Roberto Calasso&lt;/a&gt;&lt;br&gt; &lt;b&gt;Translated by&lt;/b&gt; &lt;a href=&quot;http://www.randomhouse.com/author/results.pperl?authorid=103029&quot;&gt;Alastair McEwen&lt;/a&gt;&lt;/h3&gt;&lt;b&gt;eBook&lt;/b&gt;, 320 pages | Knopf | Art - History; Art - History - European | &lt;b&gt;$40.00&lt;/b&gt; | October 20, 2009 | 978-0-307-27296-6 (0-307-27296-6)&lt;p&gt;The eighteenth-century Venetian painter Giambattista Tiepolo spent his life executing commissions in churches, palaces, and villas, often covering vast ceilings like those at the W&amp;#252;rzburg Residenz in Germany and the Royal Palace in Madrid with frescoes that are among the glories of Western art. The life of an epoch swirled around him&amp;#8212;but though his contemporaries appreciated and admired him, they failed to understand him.&lt;br&gt;&lt;br&gt;Few have even attempted to tackle Tiepolo&amp;#8217;s series of thirty-three bizarre and haunting etchings, the &lt;i&gt;Capricci&lt;/i&gt; and the &lt;i&gt;Scherzi&lt;/i&gt;, but Roberto Calasso rises to the challenge, interpreting them as chapters in a dark narrative that contains the secret of Tiepolo&amp;#8217;s art. Blooming ephebes, female Satyrs, Oriental sages, owls, snakes: we will find them all, as well as Punchinello and Death, within the pages of this book, along with Venus, Time, Moses, numerous angels, Cleopatra, and Beatrice of Burgundy&amp;#8212;a motley company always on the go.&lt;br&gt;&lt;br&gt;Calasso makes clear that Tiepolo was more than a dazzling intermezzo in the history of painting. Rather, he represented a particular way of meeting the challenge of form: endowed with a fluid, seemingly effortless style, Tiepolo was the last incarnation of that peculiar Italian virtue &lt;i&gt;sprezzatura&lt;/i&gt;, the art of not seeming artful.&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;i&gt;From the Hardcover edition.&lt;/i&gt;&lt;/p&gt;&lt;br clear=&quot;all&quot;&gt;</description>
      <dc:date>2009-10-20T00:30:00-05:00</dc:date>
    </item>
    <item>
      <title>The Manga Artist's Workbook by Christopher Hart</title>
      <link>http://www.randomhouse.com/catalog/display.pperl?isbn=9780307462701</link>
      <guid>http://www.randomhouse.com/catalog/display.pperl?isbn=9780307462701</guid>
      <description>&lt;a href=&quot;http://www.randomhouse.com/catalog/display.pperl?isbn=9780307462701&quot;&gt;&lt;img align=&quot;right&quot; src=&quot;http://www.randomhouse.com/catalog/catalog_cover.pperl?9780307462701&quot; border=&quot;1&quot;/&gt;&lt;/a&gt;&lt;h3&gt;&lt;a href=&quot;http://www.randomhouse.com/catalog/display.pperl?isbn=9780307462701&quot;&gt;The Manga Artist's Workbook&lt;/a&gt; Easy-to-Follow Lessons for Creating Your Own Characters&lt;br/&gt;&lt;b&gt;Written by&lt;/b&gt; &lt;a href=&quot;http://www.randomhouse.com/author/results.pperl?authorid=74446&quot;&gt;Christopher Hart&lt;/a&gt;&lt;/h3&gt;&lt;b&gt;Non-traditional book&lt;/b&gt;, 160 pages | Potter Style | Art - Cartooning | &lt;b&gt;$15.99&lt;/b&gt; | October 13, 2009 | 978-0-307-46270-1 (0-307-46270-6)&lt;p&gt;Master the basics of the most popular style of cartooning with &lt;i&gt;The Manga Artist's Workbook&lt;/i&gt; by Christopher Hart, a bestselling author in the field of art instruction. You'll learn the fundamental proportions of the manga face and figure, how to draw those large sparkling eyes, and how to create hairstyles and costumes that make each character unique. A sketchbook and art tutorial rolled into one portable journal, this workbook contains tracing paper, blank practice pages, and exercise to help you become a true manga artist.&lt;/p&gt;&lt;br clear=&quot;all&quot;&gt;</description>
      <dc:date>2009-10-13T00:30:00-05:00</dc:date>
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