A Case of Exploding Mangoes

Praise

“There are many reasons to read this excellent novel, and one for which it should be celebrated: Hanif has found in Zia a veritable Homer Simpson of theocratic zealotry . . . The inevitable comparison here is to Dr. Strangelove, and just as the Kubrick film crystallized the absurdities of nuclear escalation into an archetypal cast of idiots-who-run-the-world, Mangoes provides the necessary update.”
–New York Observer

“Witty, elegant, and deliciously anarchic. Hanif has a lovely eye and an even better ear.”
–John le Carré

“In this brilliant debut, Hanif takes a disarming moment in world history and embellishes it into a darkly comic series of events . . . The author is exceptional in sharing his intimate take on Pakistan and the dynamics of the military. He also has a sharp sense of humor that finds a place in his extraordinary and cleverly fashioned characters . . . The detail is rich, the prose resonant. This is an intelligent book indeed . . . Grade: A.”
–Rocky Mountain News

“Assassination has long been an appealing subject for male novelists: Geoffrey Household’s Rogue Male, Richard Condon’s Manchurian Candidate, Frederick Forsyth’s Day of the Jackal, Don DeLillo’s Libra and James Ellroy’s American Tabloid. Hanif’s exuberant first novel, A Case of Exploding Mangoes, extends this tradition of assassination fiction and shifts it east to Pakistan . . . A historical novel with an eerie timeliness.”
–New York Times Book Review

“Hanif gallantly escorts readers right into the barracks in the darkly comic A Case of Exploding Mangoes . . . Like Catch-22, Mangoes is global satire with a savage bite . . . Richly imagined.”
–Miami Herald

“With perfect-pitch humor and insight, Hanif highlights the all-too-true buffoonery embedded in politics on the world stage.”
–Washington Post

“Fascinating . . . It sardonically examines the workings of the Pakistani state, which comes off like a Third World Brazil imagined by Raymond Chandler. What really drives Mangoes, however, is Hanif’s sharp writing and considerable wit . . . Profoundly humanist.”
–Village Voice

“Hanif’s book is sexy, subversive, and magical . . . Entertaining and original.”
–Slate

“Hanif confidently tackles ‘the biggest cover-up in aviation history since the last biggest cover-up,’ bringing absurdist humor and surprising warmth to his story.”
–Entertainment Weekly

“Funny, subversive, erotic, and sad. Anyone thinking of applying for the job of unhinged, religious dictator should read it first.”    
–Mark Haddon, author of The Curious Incident of the Dog in the Night-time

“Unputdownable and darkly hilarious . . . Mohammed Hanif is a brave, gifted writer. He has taken territory in desperate need of satire–General Zia, the military, Pakistan at the time of the Soviet-Afghan war–and made it undeniably his own.”
–Mohsin Hamid, author of The Reluctant Fundamentalist

“A sure-footed, inventive debut that deftly undercuts its moral rage with comedy and deepens its comedy with moral rage . . . The novel has less in common with the sober literature of fact than it does with Latin American magical realism (especially novels about mythic dictators such as Gabriel García Márquez’s Autumn of the Patriarch) and absurdist military comedy (like Joseph Heller’s Catch-22). Hanif adopts a playful, exuberant voice, as competing theories and assassination plots are ingeniously combined and overlaid.”
–Kirkus Reviews

“Pakistan’s ongoing political turmoil adds a piquant edge to this fact-based farce . . . Hanif’s depiction of military foibles recalls the satirical wallop of Catch-22. [He brings] heft to this sagely absurd depiction of his homeland’s history of political conspiracies and corruption.”
–Publishers Weekly

“Entertaining and illuminating . . . Hanif has crafted a clever black comedy about military culture, love, tyranny, family, and the events that eventually brought us to September 11, 2001.”
–Booklist