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  • Oracles of Delphi Keep
  • Written by Victoria Laurie
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  • Oracles of Delphi Keep
  • Written by Victoria Laurie
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On Sale: May 26, 2009
Pages: 560 | ISBN: 978-0-375-89258-5
Published by : Delacorte Books for Young Readers RH Childrens Books

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Synopsis|Excerpt

Synopsis

Ian Wigby is about to find out that he is a very special boy.

Along the southern coast of England, atop the White Cliffs of Dover, stands a castle. And at that castle’s old keep is an orphanage. Delphi Keep has seen many youngsters come and go through its gates, and Ian Wigby and his sister, Theodosia, are happy to call it home. Life has always been simple at the Keep, and the orphanage safe, until one day, Ian and Theo find a silver treasure box. And within the box, a prophesy. Three thousand years ago a great Greek oracle wrote of a quest. A quest on which the fate of the world depends. A quest that names two children—Ian and Theodosia. Suddenly Delphi Keep is no longer safe. And Ian and Theo, along with a very special group of friends, realize they must unravel the meaning behind the scroll of Dover cavern before darkness falls on the world. And before an unfathomable evil catches up with them.


From the Hardcover edition.

Excerpt

A New Orphan at Delphi Keep

Dover, England, September 1930

Ian Wigby sat on his cot, staring at the raging storm just beyond his window. It seemed that Lady Lightning and Master Thunder were having another argument, or so the headmistress Madam Dimbleby liked to say.

“That old married couple,” she would tell the children, “Lady Lightning and Master Thunder, sometimes have arguments, as married couples often do. Lady Lightning likes to keep her husband, Master Thunder, in line, you see, so she zaps him a good sting every now and again. But the master won’t have it, and he roars back at her. Give them a few hours to tire themselves out and they’ll soon settle down and let their daughter Mistress Rain have the sky all to herself again.”

Madam Dimbleby told the story of Lady Lightning and Master Thunder to all the orphans who came to live at Delphi Keep, to help them adjust to the turbulent weather that often visited their little patch of England. And it worked, if the seven sleeping boys behind Ian were any indication.

But Ian wasn’t fearful of the tempest outside. In fact, he’d never been afraid of any storm. Instead, he was fascinated by the brilliant light and the clapping thunder, and he loved storms at night best of all. Yet this squall brought a foreboding to him that he couldn’t quite shake, and for some time he’d been less interested in what was happening in the night sky and more absorbed in watching the ground below.

Deep in his five-year-old bones he knew that his life was about to change. Intently, he watched the road leading to the keep, a thin strip of black that he was just able to make out every time Lady Lightning sent a snap to her husband. There had been nothing on the road to call his attention, and yet he couldn’t take his eyes off it.

The clock at the foot of the stairs chimed. He counted as the old timepiece gonged eleven times.

Ian sighed. His eyelids were growing heavy and the storm was dying down. Perhaps he should give up his vigil and crawl under the covers. But just as he was about to turn and pull back the bedclothes, Lady Lightning sent a terrific zap across the sky and something on the road materialized out of the darkness. Ian squinted and rested his forehead on the windowpane. The form that had caught his attention appeared to be large.

Ian cupped his hands around his eyes, straining to peer into the darkness. There! Something moved! In fact, it was racing along the road toward the keep! As he watched, he began to put features to the form. It looked like a man on a horse, riding hard through the rain. Ian’s mouth fell open. He’d been right! Something exciting was about to happen.

He jumped out of bed and trotted on tiptoe to the other end of the long room, past the double rows of sleeping boys. He paused at the door and placed his ear at the crack. Soon he was rewarded with the banging of a fist on the heavy oak door of the keep.

For a moment the interior of the old fortress remained quiet, but just as he was about to open his door to get Madam Dimbleby, he heard her shuffling down the hallway with her cousin and companion headmistress, Madam Scargill.

“Who could that be at this hour?” he heard Madam Dimbleby ask.

“Whoever it is should be taught some manners!” Madam Scargill complained as more pounding echoed from downstairs.

Ian opened his door a crack and peered into the hallway, catching a glimpse of the back of Madam Scargill’s head as she descended the staircase. He waited a beat, then stepped into the hallway and crept to the railing. There was an old table butted up against the wooden slats with a small hole in the back that would give him both cover and a convenient spy hole. He scooted under the table just in time to see the headmistresses open the door and reveal a stranger.

A bony-looking man, soaked to the skin, stood in the doorway. His hair was long and stuck to his unshaven face. He wore a tattered coat and large black boots, and in the dim light he appeared quite frightful. “Please,” he said in a deep voice. “I come on a mission of mercy!”

The headmistresses had stepped back as they’d opened the door to the man, and Ian could see their doubtful expressions when they turned to each other in silent contemplation. As they hesitated, the man stepped forward and pulled something out from the folds of his coat. Both women gasped when they saw that it was a small child. “I found ’er not four hours ago,” he explained. “She was toddlin’ about in this muck, if you can believe it. I took ’er ’ome for a time to wait the rain out, but I don’t ’ave any food fit for ’er and up until a bit ago she was frettin’ as bad as this storm.”

“Oh, my!” said Madam Dimbleby as she hurried to take the child. After hugging the toddler to her chest and pulling the folds of her shawl about the babe, she asked, “Where on earth did you find her?”

“?’Er mum rents the cottage on the edge of me property,” the man said. “I found this little one wandering about in the field next to the ’ouse, so I went looking for ’er mum but she’s cleared out.”

“Cleared out?” Madam Scargill asked in her usual clipped speech. “What do you mean, ‘cleared out’?”

“All ’er belongings is gone. ’Er clothes, ’er trunk, all ’er personal things. There was this note, though,” he said, and once more he dug around in the folds of his coat, from which he fished a crumpled, damp letter that he held out to the women.

Madam Scargill took the paper, placing her half-glasses onto her nose before she read, “?‘I cannot stay any longer. The child would be in danger if she were found with me. Please get her safely to the orphanage at the keep near Castle Dover.’?”

“Horrible!” Madam Dimbleby exclaimed as she rocked the small child. “To abandon a helpless child and in the middle of a terrible night like this!”

“And how dreadful of her to leave the job of getting the girl to us up to any passing stranger,” sniffed Madam Scargill.


From the Hardcover edition.
Victoria Laurie

About Victoria Laurie

Victoria Laurie - Oracles of Delphi Keep
Real-life professional psychic Victoria Laurie drew from her career as a gifted clairvoyant and police psychic to create the character of Abigail Cooper. She lives in Arlington, Massachusetts, with her two spoiled dachshunds, Lilly and Toby. For information about upcoming novels and appointments for readings, visit her Web site at www.VictoriaLaurie.com.

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