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  • Among the Missing
  • Written by Morag Joss
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  • Among the Missing
  • Written by Morag Joss
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A Novel

Written by Morag JossAuthor Alerts:  Random House will alert you to new works by Morag Joss


List Price: $12.99


On Sale: June 21, 2011
Pages: 0 | ISBN: 978-0-440-42346-1
Published by : Delacorte Press Bantam Dell
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An accident can end a life.
The same accident can begin one.

Three lives collide in the wake of an unforeseeable tragedy. When a bridge collapses in the Highlands of Scotland, dozens of commuters vanish into the freezing river below, swept by the currents toward the sea, and only an amateur video and the bridge’s security camera record their last moments. 

A woman tourist, whose car was filmed pulling onto the bridge seconds before it fell, is assumed to be among the missing. But in desperate need of money, she had sold the car only hours before. Now she can begin life over. Her path leads her to a spartan cabin on the bank of the river where, as Annabel, she is reborn, free from her past. Here she lives with Silva, an illegal immigrant whose predicament is compounded by the disappearance of her husband and their child. She waits for them each day, clinging to hope against overwhelming evidence. 

The two women are befriended by the boatman Ron, and together they create a fragile sanctuary in the shadow of the bridge that has changed their lives. They keep secrets from one another, yet also connect in ways none of them expects. Lost souls all, they struggle to survive, to trust, and to love even as the consequences of the past prove inescapable.

A masterly novel about the invisible ties that bind us to our identities, to our histories, and to one another, Among the Missing soars with the peerless voice of the author described by P. D. James as an “exciting talent.” Morag Joss, with the psychological penetration and the finely wrought prose that are her hallmarks, spins a brilliant tale of damage and reparation, suspicion and salvation.


When Ron was first released, he discovered that prison had made him observant, as if he’d been reminded there, by its sudden absence, of the world’s surfeit of objects, its gross overabundance of things to look at. Not beautiful things. It wasn’t a case of seeing the world’s wonders anew or anything like that; rather, it was the opposite. Observation didn’t sharpen his faculties, it stupefied them. He was dazed by the quantity and variety, the massive, compacted volume of it all; he noticed everything but had no idea what was worth his notice. People’s faces and brick walls, town gutters and plowed fields, church towers and shop fronts, all claimed his attention equally. He couldn’t discriminate, nor could he locate in himself a particular attitude to any of it ?beyond disorientation, sometimes mild alarm. He surveyed the bur?geoning, seething material of other people’s lives and very little moved him.

After a while, his alarm grew. He began to think there must be some invisible force at work in the world, some unstoppable law of accretion that filled up every surface and corner with streets, office blocks, rivers, factories, houses. Only he seemed to see it, this chaotic, impossible density, all this hoarding and flowing over; was nobody else concerned? If it went on like this, someday the whole planet would clog up and there would not be enough room in the sky for all the crisscrossing exhaust trails of planes, or on the sea for the countless interweaving, frothy wakes of ships. Swirling lines of traffic would spill off the teeming highways. Already there was no such thing as an unfilled space; it was impossible to see nothing. However deserted or arbitrarily spacious, every inch of the world was a place taken up and touched in some way, claimed for one purpose or another, even if it was, as he found in Scotland, to be left bare so that people could see it empty. But there was no true emptiness, no real nothingness, no desert stillness, a phrase that came into his mind and he now wished were more than a phrase. Everywhere—crowded and disorderly, or deliberately pristine—was somewhere, laden with the paraphernalia and expectation of some human design, and in not one of these places was his presence relevant. He tried not to think about it. He tried not to panic, and to concentrate instead on tiny things, one at a time.

He practiced on people. In cafés and checkout queues he would study them, and take in only physical details: the curve of an ear, a ridged fingernail, the asymmetric lift of one eyebrow. Every feature was odd in some way, once he focused on it, not that this disappointed him at all, for he was not looking for perfection or hoping to find a special value in the unique. He simply noticed and remembered. He filed every detail in his mind disjointedly and without cross-reference, each alone for its isolated, particular, frangible self. He welcomed this dullness of perception in himself, for it would have been unbearable to dwell on anything more than how precious and how breakable were these vulnerable, separate, flawed parts of other people’s bodies. Sometimes he knew he was staring at a stranger too hard and should apologize, but he didn’t know what to be sorry for. For not knowing how his own mind worked? For not being sure he bore more than a trivial surface resemblance to other human beings anymore?

He would have liked someone to tell it all to. He called his sister. She told him it would be fine for him to come for a few days if it was up to her, but Derek wasn’t ready to see him.

“Listen, Ron, he accepts it was an accident,” she said. “So do I. But he’s just not ready, you know?”

Ron did know, but he said nothing.

“I mean, Ron, criminal negligence is, well, what it says. You know?”

“I know,” he said.

“And as Derek says, six children died. Plus the pregnant woman. Give us a few months.”

“I’ve been in prison over five years.”

“And then he says, it just makes us look at our two and think, you know? Anyway, the extension’s not finished.”

He left her another couple of messages. Then she sent him a big check with a note saying she trusted the enclosed would help him make a fresh start “somewhere new.” She’d be in touch, she wrote.

He called his former neighbor Jeff and thanked him for the card. It had meant a lot, he said, on his first Christmas in prison.

“That’d be Lynne,” Jeff said. “She sends cards to everybody.”

He left the words even you unspoken, but Ron heard them nonetheless.

“How’s Kathy? Has Lynne seen her?”

Jeff hesitated. “They’re in touch, yeah. Doing better. Knocks you sideways, divorce, never mind everything else she’s had to contend with.”

Ron said it would be good to meet up for a drink. They agreed on a day the following week. The next day Jeff sent a text message to say he couldn’t make it and he’d call soon, but he didn’t.

They’d found him a room for the first month, and a social worker, and he worked the night shift for a while in a bakery, standing on a line wrapping buns and cakes in a warm, yellow-lit factory that smelled of sugar icing and machine oil. His fellow workers were all women who spoke rapidly to one another in their own language and ignored him except to pass on commands about cellophane or cardboard boxes.

To get away from all of that he cashed his sister’s check, bought an old Land Rover, and reverted to his life’s previous pattern, the covering of distances. He knew how to measure a day or night in miles rather than in hours on a factory clock, and he found comfort in the old equation of roads traveled versus time spent equals a portion of his life somehow suspended in transit. As a boy he’d been fascinated by time zones, which he could hardly distinguish from time travel; if you went west crossing zone after zone, going always back in time, one day would you be a man of twenty-one in a high chair with a bib and a spoon? Or going always east and forward, would you find yourself stooped and white-haired and still ten years old? It couldn’t be so, of course, but he had concluded then that the secret was to keep moving. Forget about direction and destination, just keep moving, and surely your life would never be able to catch you up with restrictions and obstacles and all its weighty boredom.

Now, amused by a childish hope that was, if foolish, at least familiar, he took again to the road, sleeping most nights in the Land Rover, parking at the end of the day within reach of a pub and whenever possible near a fast-running stream or a river, whose sound in the night was perhaps a lulling echo of the flow of the daytime traffic. Occasionally he stayed in cheap places when he needed to shave and shower and wash clothes in a hand basin, and sometimes he halted for a week or two here or there and took casual jobs: kitchen portering, laboring, hauling timber, loading and moving, anything physical; it was surprising how often he got a few days’ work just by asking. But mainly he drove. As the first year passed, that was the task that kept him becalmed, though he had to get used to the absence of passengers. There could never be any more passengers.
Morag Joss

About Morag Joss

Morag Joss - Among the Missing

Photo © Jerry Bauer

Morag Joss grew up on the west coast of Scotland. Her first Sara Selkirk novel, Funeral Music, was nominated by the Independent Mystery Booksellers Association for the Dilys Award for the year’s favorite mystery. Her fourth novel, Half Broken Things, won the 2003 CWA Silver Dagger Award. Morag Joss lives in the country outside the city of Bath and in London.


Advance praise for Among the Missing
“This remarkable novel has an abundance of suspense at its core, put forth in beautiful prose that all but glows on the page….The author keeps a jittery tension going as the novel spins toward its violent, grand-scaled finale. Like most thrillers with a literary bent, this one spends time with the thoughts and feelings of the characters. In lesser hands, this can be stultifying, especially if the people aren’t that interesting. But these two women have fascinating inner lives, and Joss details them in vivid, propulsive language.”

—Booklist (starred review)

“A haunting, harrowing punch to the heart, Among the Missing is flat-out brilliant.  About the secrets we keep, the lives we are desperate to live, and the chances we miss, it’s a psychological dazzler.  Truly, one of my favorite books of this year—or any year.”
—Caroline Leavitt, New York Times bestselling author of Pictures of You

“Morag Joss has composed a thought-provoking pageturner, enwrapped it in beautiful language, and drawn characters you will be unable to shake.  Among the Missing vividly displays both the loveliness and the tragic consequences that can arise from the freedom to start over.  
What Alice Sebold did for grief, Morag Joss has done for reconcilement.”
—David Cristofano, author of The Girl She Used to Be

“Morag Joss is a writer who knows the old truth that genuine suspense comes not from car chases or gunplay, but from the clash of conflicting hearts.  Her latest novel, Among the Missing, is evidence not of a rising talent, but of one already fully formed.”  
—Thomas H. Cook, author of The Fate of Katherine Carr
“Vivid, intelligently written and thought-provoking, Among the Missing is a twisty and unputdownable novel.  The high-wire tension builds with such subtlety and finesse that you won't feel the shock of the ending until it's already upon you.”  
—Linda Castillo, author of Breaking Silence
"Morag Joss's haunting and beautifully written novel about the disenfranchised will pull you under, into the watery psyches of her characters. Told in their own distinct voices, their stories--individual and collective--will have you riveted to the stunning end."  
—Heather Sharfeddin, author of Damaged Goods
"Like a ticking bomb, Morag Joss's Among the Missing peels away the layers of human deception until what we are left with is a picture of ourselves. Among the Missing is the best thriller I've read in years.  Stunning and horrific, gentle yet terrifying, all at the same time. I loved this novel."
—Robert Ellis, author of The Lost Witness

“This beautifully nuanced tale of intertwined lives, loves and losses should be read slowly, the better to savor Morag Joss’s exquisite prose. I tried…but the inexorable ticking of the tightly-wound plot had me racing to the end.”  
—Vicki Lane, author of Under the Skin

“The harrowing collapse of a Scottish bridge links three lost souls as they lurch toward an even more horrifying finale….Joss builds the relationships among her sad trio slowly, through excruciatingly subtle modulations of tone.  But the ending fully justifies every intimation of imminent doom.”  

“Joss’ beautiful, evocative novel is filled with tension and suspense….this is a spectacular psychological thriller.”  
—Romantic Times Book Review

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