From the acclaimed author of Atlas of Unknowns, a bravura collection of short stories—set, by turns, in London, Sierra Leone, and the American Midwest—that captures the yearning and dislocation of young men and women around the world.
In “Light & Luminous,” a gifted instructor of Indian dance falls victim to the vanity and insecurities that have followed her into middle age. In “The Scriptological Review: A Last Letter from the Editor,” a damaged young man obsessively studies his father’s handwriting in hopes of making sense of his suicide. And in “What to Do with Henry,” a white woman from Ohio takes in the illegitimate child her husband left behind in Sierra Leone, as well as an orphaned chimpanzee who comes to anchor this strange new family. With Aerogrammes, Tania James once again introduces us to a host of delicate, complicated, and beautifully realized characters who find themselves separated from their friends, families, and communities by race, pride, and grief.
Excerpted from Aerogrammes by Tania James. Copyright © 2013 by Tania James. Excerpted by permission of Vintage, a division of Random House LLC. All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
TANIA JAMES is the author of the novel Atlas of Unknowns and the short story collection Aerogrammes. Her fiction has appeared in Boston Review, Granta, Guernica, One Story, A Public Space, and The Kenyon Review. She lives in Washington, DC.
1. Why is the book called Aerogrammes? What is the thematic implication of this title, and how does it transcend the title story? Discuss the symbolic meaning, to James, of the aerogramme.
2. On the surface, “Lion and Panther in London” tells the story of two wrestling heroes, “Gama the Great” and Imam, the “Panther of the Punjab,” who come to London to claim the world title. But on a deeper level it is also a story about the tensions between East and West, and in particular the relationship between India and Britain. Can you discuss how these themes infuse the story with tension and meaning? And how they relate to the story’s title? Look in particular at the propaganda about Gama and Imam with which James has elected to begin the story.
3. “Lion and Panther in London” ends with a paragraph that begins: “He says this so softly he could be talking to himself, if not for that one tender word, which Imam has not heard from him in years. It is as if they are eight and twelve again, and Gama has set him apart from everyone else—chotu. Imam feels himself rising to the word. Inglorious as it is, this is something for once only he can be.” How does the intimacy and emotion of this final paragraph reframe the story for the reader? How do these closing lines recast your perception of the nature of the brothers’ journey?
4. In the story “What to Do with Henry,” how can Henry’s struggle to fit in and find a sense of belonging at the zoo be read as an allegory of our human strivings?
5. What do you think of Pearl’s decision, in “What to Do with Henry,” to travel to Sierra Leone and to take responsibility for Neneh? What would you have done in this situation? Why do you suppose Pearl was prepared to adopt her husband’s illegitimate child?
6. Discuss Pearl’s thoughts when she first sees Henry. Look in particular at the paragraph on page 29 that begins, “As Pearl reached for the chimp, she felt a rejuvenating sense of certainty, a rectitude with no moral or rational ground.” What is the nature of her epiphany here, and why is Henry the catalyst for it?
7. What kind of analogy can be drawn between Neneh’s experiences in school and Henry’s experiences at the zoo?
8. On page 41, Neneh reflects that “by rescuing [Henry], they had ruined him.” She also wonders “if Pearl had felt similarly about rescuing her.” Discuss the parallels between Neneh and Henry’s journeys. Look in particular at the passage, on page 37, where Pearl tells Neneh that Henry “can’t be two things at once.”
9. How do you feel about the story’s conclusion, and the final confrontation between Henry and Neneh at the zoo? When James writes, “And though he could not talk, they were communicating in a wordless language all their own, and he was thanking her, he was telling her that he loved her, he was promising her that she was not alone,” do you believe her? Is this intended to be taken at face value, or ironically?
10. What is The Scriptological Review, and what purpose does it serve? How and why is Vijay using it to mourn his dead father?
11. Discuss the relationship, in the title story, between Hari Panicker and May Daly. Is it harmful or sustaining? How does James use their struggles with their sons—Mr. Panicker’s actual son, Sunit, and May’s fictive son, Satyanand Satyanarayana—to illuminate their personal struggles?
12. Is Mr. Panicker in denial? Is May? How did you feel about the story’s conclusion?
13. What is the significance of Minal Auntie’s trip to the beauty salon in “Light & Luminous”? Do you think James intends the name of the facial Minal Auntie receives (the “Fairness Facial”) as a pun, and, if so, what does the pun imply about skin color? Look also at Aartie’s description of Minal Auntie’s advice to her on page 133—“She said your color is your color, and there’s nothing you can do about it”—and Minal Auntie’s recollection of her own intentions at the time: “It seemed, at the time, like honesty, meant to equip the girl with a tougher skin” (page 134). James uses the word “skin” both literally and figuratively here. Why, and to what end?
14. How did you feel about the premise of “Girl Marries Ghost”? Did you find this story essentially comic or essentially tragic? What are the benefits of marrying a ghost?
15. Discuss James’s use of humor in the collection. Many of the book’s most heartbreaking stories are also motored by absurdity and humor. Where did you find this to be the case, and to what effect?
16. Themes of displacement and exile, of physical or emotional alienation and dislocation, reverberate throughout many of Tania James’s stories. Where do you think these predicaments are most powerfully and tellingly expressed? What do you think James is trying to tell us about the nature of the immigrant experience in America and abroad?