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A Novel

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List Price: $11.99


On Sale: June 03, 2003
Pages: 0 | ISBN: 978-0-345-46424-8
Published by : Ballantine Books Ballantine Group
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Years ago, Meghann Dontess made a terrible choice that cost her everything, including the love of her sister, Claire. Now, Meghann is a highly successful attorney who doesn’t believe in intimacy–until she meets the one man who can change her mind. Claire Cavenaugh has fallen in love for the first time in her life. As her wedding day approaches, she prepares to face her strong-willed older sister. Reunited after more than two decades apart, these two women who believe they have nothing in common will try to become what they never were: a family. Tender, funny, bittersweet, and moving, Between Sisters skillfully explores the profound joys and sorrows shared by sisters, the mistakes made in the name of love, and the promise of redemption– all beautifully told by acclaimed author Kristin Hannah.



Dr. Bloom waited patiently for an answer.

Meghann Dontess leaned back in her seat and studied her fingernails. It was time for a manicure. Past time. "I try not to feel too much, Harriet. You know that. I find it impedes my enjoyment of life."

"Is that why you've seen me every week for four years? Because you enjoy your life so much?"

"I wouldn't point that out if I were you. It doesn't say much for your psychiatric skills. It's entirely possible, you know, that I was perfectly normal when I met you and you're actually making me crazy."

"You're using humor as a shield again."

"You're giving me too much credit. That wasn't funny."

Harriet didn't smile. "I rarely think you're funny."

"There goes my dream of doing stand-up."

"Let's talk about the day you and Claire were separated."

Meghann shifted uncomfortably in her seat. Just when she needed a smart-ass response, her mind went blank. She knew what Harriet was poking around for, and Harriet knew she knew. If Meghann didn't answer, the question would simply be asked again. "Separated. A nice, clean word. Detached. I like it, but that subject is closed."

"It's interesting that you maintain a relationship with your mother while distancing yourself from your sister."

Meghann shrugged. "Mama's an actress. I'm a lawyer. We're comfortable with make-believe."


"Have you ever read one of her interviews?"


"She tells everyone that we lived this poor, pathetic-but-loving existence. We pretend it's the truth."

"You were living in Bakersfield when the pathetic-but-loving pretense ended, right?"

Meghann remained silent. Harriet had maneuvered her back to the painful subject like a rat through a maze.

Harriet went on, "Claire was nine years old. She was missing several teeth, if I remember correctly, and she was having difficulties with math."

"Don't," Meghann curled her fingers around the chair's sleek wooden arms.

Harriet stared at her. Beneath the unruly black ledge of her eyebrows, her gaze was steady. Small round glasses magnified her eyes. "Don't back away, Meg. We're making progress."

"Any more progress and I'll need an aid car. We should talk about my practice. That's why I come to you, you know. It's a pressure cooker down in Family Court these days. Yesterday, I had a deadbeat dad drive up in a Ferrari and then swear he was flat broke. The shithead. Didn't want to pay for his daughter's tuition. Too bad for him I videotaped his arrival."

"Why do you keep paying me if you don't want to discuss the root of your problems?"

"I have issues, not problems. And there's no point in poking around in the past. I was sixteen when all that happened. Now, I'm a whopping forty-two. It's time to move on. I did the right thing. It doesn't matter anymore."

"Then why do you still have the nightmare?"

She fiddled with the silver David Yurman bracelet on her wrist. "I have nightmares about spiders who wear Oakley sunglasses, too. But you never ask about that. Oh, and last week, I dreamed I was trapped in a glass room that had a floor made of bacon. I could hear people crying, but I couldn't find the key. You want to talk about that one?"

"A feeling of isolation. An awareness that people are upset by your actions, or missing you. Okay, let's talk about that dream. Who is crying?"

"Shit." Meghann should have seen that. After all, she had an undergraduate degree in psychology. Not to mention the fact that she'd once been called a child prodigy.

She glanced down at her platinum and gold watch. "Too bad, Harriet. Time's up. I guess we'll have to solve my pesky neuroses next week." She stood up, smoothed the pant legs of her navy Armani suit. Not that there was a wrinkle to be found.

Harriet slowly removed her glasses.

Meghann crossed her arms in an instinctive gesture of self-protection. "This should be good."

"Do you like your life, Meghann?"

That wasn't what she'd expected. "What's not to like? I'm the best divorce attorney in the state. I live--"


"--in a kick-ass condo above the Public Market and drive a brand-new Porsche."


"I talk to Elizabeth every Thursday night."


Maybe it was time to get a new therapist. Harriet had ferreted out all of Meghann's weak points. "My mom stayed with me for a week last year. If I'm lucky, she'll come back for another visit just in time to watch the colonization of Mars on MTV."

"And Claire?"

"My sister and I have problems, I'll admit it. But nothing major. We're just too busy to get together." When Harriet didn't speak, Meghann rushed in to fill the silence. "Okay, she makes me crazy, the way she's throwing her life away. She's smart enough to do anything, but she stays tied to that loser campground they call a resort."

"With her father."

"I don't want to discuss my sister. And I definitely don't want to discuss her father."

Harriet tapped her pen on the table. "Okay, how about this: When was the last time you slept with the same man twice?"

"You're the only one who thinks that's a bad thing. I like variety."

"The way you like younger men, right? Men who have no desire to settle down. You get rid of them before they can get rid of you."

"Again, sleeping with younger, sexy men who don't want to settle down is not a bad thing. I don't want a house with a picket fence in suburbia. I'm not interested in family life, but I like sex."

"And the loneliness, do you like that?"

"I'm not lonely," she said stubbornly. "I'm independent. Men don't like a strong woman."

"Strong men do."

"Then I better start hanging out in gyms instead of bars."

"And strong women face their fears. They talk about the painful choices they've made in their lives."

Meghann actually flinched. "Sorry, Harriet, I need to scoot. See you next week."

She left the office.

Outside, it was a gloriously bright June day. Early in the so-called summer. Everywhere else in the country, people were swimming and barbecuing and organizing poolside picnics. Here, in good ole Seattle, people were methodically checking their calendars and muttering that it was June, damn it.

Only a few tourists were around this morning; out-of-towners recognizable by the umbrellas tucked under their arms.

Meghann finally released her breath as she crossed the busy street and stepped up onto the grassy lawn of the waterfront park. A towering totem pole greeted her. Behind it, a dozen seagulls dived for bits of discarded food.

She walked past a park bench where a man lay huddled beneath a blanket of yellowed newspapers. In front of her, the deep blue Sound stretched along the pale horizon. She wished she could take comfort from that view; often, she could. But today, her mind was caught in the net of another time and place.

If she closed her eyes--which she definitely dared not do--she'd remember it all: the dialing of the telephone number, the stilted, desperate conversation with a man she didn't know, the long, silent drive to that shit-ass little town up north. And worst of all, the tears she'd wiped from her little sister's flushed cheeks when she said, I'm leaving you, Claire.

Her fingers tightened around the railing. Dr. Bloom was wrong. Talking about Meghann's painful choice and the lonely years that had followed it wouldn't help.

Her past wasn't a collection of memories to be worked through; it was like an oversize Samsonite with a bum wheel. Meghann had learned that a long time ago. All she could do was drag it along behind her.

Each November, the mighty Skykomish River strained against its muddy banks. The threat of flooding was a yearly event; in a dance as old as time itself, the people who lived in the tiny towns along the river watched and waited, sandbags at the ready. Their memory went back for generations. Everyone had a story to tell about the time the water rose to the second floor of so-and-so's house . . . to the top of the doorways at the grange hall . . . to the corner of Spring and Azalea Streets. People who lived in flatter, safer places watched the nightly news and shook their heads, clucking about the ridiculousness of farmers who lived on the flood plain.

When the river finally began to lower, a collective sigh of relief ran through town. It usually started with Emmett Mulvaney, the pharmacist who religiously watched The Weather Channel on Hayden's only big-screen television. He would notice some tiny tidbit of information, something even those hotshot meteorologists in Seattle had missed. He'd pass his assessment on to Sheriff Dick Parks, who told his secretary, Martha. In less time than it took to drive from one end of town to the other, the word spread: This year is going to be okay. The danger has passed. Sure enough, twenty-four hours after Emmett's prediction, the meteorologists agreed.

This year had been no exception, but now, on this beautiful early summer's day, it was easy to forget those dangerous months in which rainfall made everyone crazy.

Claire Cavenaugh stood on the banks on the river, her work boots almost ankle-deep in the soft brown mud. Beside her, an out-of-gas Weed Eater lay on its side.

She smiled, wiped a gloved hand across her sweaty brow. The amount of manual labor it took to get the resort ready for summer was unbelievable.


That was what her dad called these sixteen acres. Sam Cavenaugh had come across this acreage almost forty years ago, back when Hayden had been nothing more than a gas station stop on the rise up Stevens Pass. He'd bought the parcel for a song and settled into the decrepit farmhouse that came with it. He'd named his place River's Edge Resort and begun to dream of a life that didn't include hard hats and earplugs and night shifts at the paper plant in Everett.

At first he'd worked after hours and weekends. With a chain saw, a pickup truck, and a plan drawn out on a cocktail napkin, he began. He hacked out campsites and cleaned out a hundred years' worth of underbrush and built each knotty pine riverfront cabin by hand. Now, River's Edge was a thriving family business. There were eight cabins in all, each with two pretty little bedrooms and a single bathroom and a deck that overlooked the river.

In the past few years, they'd added a swimming pool and a game room. Plans for a mini golf course and a Laundromat were in the works. It was the kind of place where the same families came back year after year to spend their precious vacation time.

Claire still remembered the first time she'd seen it. The towering trees and rushing silver river had seemed like paradise to a girl raised in a trailer that only stopped on the poor side of town. Her childhood memories before coming to River's Edge were gray: ugly towns that came and went; uglier apartments in run-down buildings. And Mama. Always on the run from something or other. Mama had been married repeatedly, but Claire couldn't remember a man ever being around for longer than a carton of milk. Meghann was the one Claire remembered. The older sister who took care of everything . . . and then walked away one day, leaving Claire behind.

Now, all these years later, their lives were connected by the thinnest of strands. Once every few months, she and Meg talked on the phone. On particularly bad days, they fell to talking about the weather. Then Meg would invariably "get another call" and hang up. Her sister loved to underscore how successful she was. Meghann could rattle on for ten minutes about how Claire had sold herself short. "Living on that silly little campground, cleaning up after people," was the usual wording. Every single Christmas she offered to pay for college.

As if reading Beowulf would improve Claire's life.

For years, Claire had longed to be friends as well as sisters, but Meghann didn't want that, and Meghann always got her way. They were what Meghann wanted them to be: Polite strangers who shared a blood type and an ugly childhood.

Claire reached down for the Weed Eater. As she slogged across the spongy ground, she noticed a dozen things that needed to be done before opening day. Roses that needed to be trimmed, moss that needed to be scraped off the roofs, mildew that needed to be bleached off the porch railings. And there was the mowing. A long, wet winter had turned into a surprisingly bright spring, and the grass had grown as tall as Claire's knees. She made a mental note to ask George, their handyman, to scrub out the canoes and kayaks this afternoon.

She tossed the Weed Eater in the back of the pickup. It hit with a clanging thunk that rattled the rusted bed.

"Hey, sweetie. You goin' to town?"

She turned and saw her father standing on the porch of the registration building. He wore a ratty pair of overalls, stained brown down the bib from some long-forgotten oil change, and flannel shirt.

He pulled a red bandanna out of his hip pocket and wiped his brow as he walked toward her. "I'm fixing that freezer, by the way. Don't you go pricing new ones."

There wasn't an appliance made he couldn't repair, but Claire was going to check out prices, just the same. "You need anything from town?"

"Smitty has a part for me. Could you pick it up?"

"You bet. And have George start on the canoes when he gets here, okay?"

"I'll put it on the list."

"And have Teena bleach the bathroom ceiling in cabin six. It got mildewy this winter." She closed the pickup's bed.

"You here for dinner?"

"Not tonight. Ali has a Tee Ball game at Riverfront Park, remember? Five o'clock."

"Oh, yeah. I'll be there."

Claire nodded, knowing that he would. He hadn't missed a single event in his granddaughter's life. "Bye, Dad."

She wrenched the truck's door handle and yanked hard. The door screeched open. She grabbed the black steering wheel and climbed up into the seat.

Dad thumped the truck's door. "Drive safely. Watch the turn at milepost seven."

She smiled. He'd been giving her that exact bit of advice for almost two decades. "I love you, Dad."

"I love you, too. Now, go get my granddaughter. If you hurry, we'll have time to watch SpongeBob SquarePants before the game."


The west side of the office building faced puget sound. a wall of floor-to-ceiling windows framed the beautiful blue-washed view. In the distance lay the forested mound of Bainbridge Island. At night, a few lights could be seen amid all that black and green darkness; in the daylight, though, the island looked uninhabited. Only the white ferry, chugging into its dock every hour, indicated that people lived there.

From the Hardcover edition.
Kristin Hannah|Author Q&A

About Kristin Hannah

Kristin Hannah - Between Sisters

Photo © charlesbush.com

Kristin Hannah is the bestselling author of On Mystic Lake, Angel Falls, Home Again, Summer Island, Distant Shores, Between Sisters, and The Things We Do for Love. She lives with her husband and son in the Pacific Northwest.

Author Q&A

Random House Reader’s Circle: This is the first time Between Sisters has been released as a trade paperback and as a Random House Reader’s Circle novel. How does it feel to return to this earlier novel of yours?

 Kristin Hannah: It was actually a surprising and interesting endeavor, to look back on my own past. I imagined that it would be like looking at old photographs in a yearbook–you know what I mean. Where you look at your younger self and wonder what on earth you were thinking to choose that hairstyle. As a child of the disco era, I have a lot of those pictures gathering dust somewhere. Anyway, when I first realized that I’d have to reread the novel (which is something I never do), I was nervous. But the truth is that I was able to read the book as a pure reader, with no red pen in hand, and it was a lot of fun. I fell in love with the characters all over again. I can honestly say that I adore so many of the characters in this book. Meghann, Claire, Joe, the Bluesers . . . it’s a fun group of people who inhabit this world. 

RHRC: Readers originally met the lead character, Meghann Dontess, in your novel Distant Shores. What made you decide to write her story? Did you already have a story in mind for her when you were writing Distant Shores? 

KH: I have now written eighteen novels, and Meghann Dontess is the only character to date who has ever appeared as a secondary character and demanded her own story. In the beginning, she was a relatively unimportant character–the heroine’s best friend, who showed up for a few margarita nights–but by the time I finished her first scene, I knew I wanted to find out more about her. From her first line of dialogue, she was funny, sarcastic, angry, and deeply damaged. In short, I loved her and wanted to know more. By the time I finished Distant Shores, I was already imagining what Meghann’s life would be like. That was the start of Between Sisters. 

RHRC: Your novels are very much about emotional ties and relationships between people. In this book, you highlight the bond between sisters–what compelled you to tell this story about two estranged sisters? 

KH: In retrospect, I can see how important a book like Between Sisters was for me. At the time, it seemed that I was doing what I always do–following an idea that compels me. But in fact, Between Sisters was a career changing choice. It was the first time I’d written a novel that focused primarily on women. Sure, there are men in the story–and women who fall in love–but the heart of this story is the relationship between two women. And once I’d opened that door, it changed the course of my career and my ideas. In the years since, I have gone on to write about all the facets of women’s lives. 

RHRC: Your characters are so true-to-life and well drawn. What’s your process for creating characters? Do you start with a few characteristics and then let them evolve as the story progresses or do you already have a “model” for each character? Do you base them on people in your real life? 

KH: I am often asked if I base characters on the people in my own life, and I take this as a real compliment. Hopefully it means my characters are so full of life that readers believe they must be drawn from reality. The truth is that more often than not, my characters are wholly imaginary. I have never consciously modeled a character after anyone I know. That being said, I will reveal that most of the characters I create are somehow a part of me. In Between Sisters, Meghann comes from my obsessive, controlling, frightened side; Claire springs from my caring, relaxed, at-home-mom side. So in a way, it can be said that this book is a metaphorical melding of my own personality traits. This is true in much of my work. My characters are often working through issues that touch upon my own life. This is why so many of my female characters grapple with the early, painful loss of a mother. It’s my own form of therapy. In this novel, the mother is absent, but the effect is the same: growing up without a mother leaves a mark on a woman. 

As to my process for creating characters, it is all about layering. I begin with a broad idea of what a character needs to be to make the plot/premise work. It’s almost an archtype. And then, draft by draft, I add defining characteristics and back story, until, hopefully, I’ve created a fully animated imaginary person. If I’ve done my job, the reader will believe that my characters can truly “walk right off the page” and sit down for coffee. 

RHRC: Do any of your characters ever surprise you? 

KH: I am not one of those authors who loses control throughout the writing of the book. I am almost entirely the puppet master in the creation of characters. Thus, it is rare that my characters do things that surprise me. What does happen, however, is I find that occasionally a character will not do what I need them to do. That means a redo of the plot. When I hit a wall like that, I know that something critical is wrong earlier; that I haven’t created the right motivation for a given action. What does surprise me on occasion is how much I like a character, or how pleased I am with the end result. A few of my favorite characters–Izzy from On Mystic Lake, Alice from Magic Hour, Tully from Firefly Lane, and Anya from Winter Garden. 

RHRC: As a mother yourself, was it difficult for you to write about a mother who abandoned her children? How did you feel when you were writing about Ellie? 

KH: It’s clear from my body of work that motherhood is a huge thing for me. There’s no doubt that I identify primarily as a mother. Like all women, I am many other things as well–writer, wife, girlfriend, daughter, sister– but motherhood is the very core of who I am. So, yes, it was difficult to write about a woman who was so cavalier about her responsibilities, and therefore, so cruel. Obviously, the effect on her children was devastating. It’s clear that Meghann’s personality was shaped and wounded by the abandonment; it is the reason she cannot really believe in love and why she’s so angry. She really uses sex to keep love at bay, and she doesn’t see how much this choice is hurting her. 

Between Sisters is definitely a sisters’ book first and foremost, but it’s also about motherhood. Claire has worked hard to become the kind of mother she never had. And that’s important to me; to point out that cycles of abuse can be stopped; that love can change the dynamic of a family. In the end, I felt that Ellie was a tragic character, who was probably profoundly wounded herself. 

RHRC: You have a knack of making readers feel what your characters are feeling. I had to fight back tears reading some of your more emotional scenes. Do you ever feel emotionally raw after writing a scene? Have you ever cried while writing a scene? 

KH: Thank you so much for that nice compliment. It used to worry me that readers so often were moved to tears while reading my novels, but I’ve come to realize that all of us need a good cry now and then. I work very hard at creating characters that you know well enough to care about. 

I know there are many writers who are so moved by their own work that they cry while writing the pivotal scenes. For the most part, I am not one of those writers. As I said in one of the previous answers, I am very firmly in control during the writing process. There’s always a part of me who is looking at the work from a distance, judging each word choice, manipulating each action and reaction, editing the pacing. But I do end these difficult scenes feeling completely spent and wrung out. Emotionally raw is a great way to put it. It takes a lot out of me to “go” to these sad and frightening places. There’s a scene in Between Sisters that was particularly difficult: Claire’s saying goodbye to her daughter. I had to take a long walk on the beach after that. 

If I am going to cry over my own work, it will happen after the writing is done, when I’m reading the advance reader’s copy. Supposedly, I’m looking for errors, but occasionally, I have found my eyes welling up. Firefly Lane and Winter Garden come to mind in this regard. Both of these novels had scenes that made me cry. 

RHRC: Claire and Bobby fell in love at first sight and after only a few weeks of marriage, Bobby stuck it through with Claire during the worst of times. Do you believe in love at first sight? Do you think that it’s possible to love someone so unconditionally after knowing them for so little time? 

KH: I believe in something at first sight. It’s not quite love, but certainly it can be the start of it. Obviously, true love is not an endgame; it’s a process. The journey is what matters. But I do believe that you can see someone and know right away that there’s something special between you. Passion + caring + commitment can certainly equal true love. What we do know is that love can last a lifetime but it takes a lot of work. That’s one of the lessons Claire has to learn in this novel. Because of the way she was raised, she can’t allow herself to believe in Bobby’s love. Not really. Ironically, it is tough-as-nails Meghann who believes in Bobby. 

RHRC: When you write, do you ever think about how readers will relate to the issues you present in your books? In particular, what do you want women and/or sisters to take from this book? What discussions would you like to be opened up from this book? 

KH: I do not actively think about readers when I write my novels. I think that would be crippling. I have enough of my own thoughts rattling around in the attic of my mind. I don’t think I can handle much more. 

I think what women can and should take away from this book is a realization that the dynamics of a family can always change. Bad choices made in the past can be undone. Love can grow in ground that has been weedy and untended for years. As far as discussion, I’d love it if women reassessed “lost” relationships in their lives and talked about reconnecting with old friends/estranged family members. 

RHRC: What can we expect to see from you in the future? 

KH: It’s always a surprise to me, too. Ideas are like guardian angels; they simply appear when you need them most. I rarely know where exactly I’m headed. What I can say is that I am always drawn to female relationships and the price of love. I am continually exploring ideas of redemption, loss, grief, and forgiveness. 



“Hannah is superb at delving into her main characters’ psyches and delineating nuances of feeling.”— Washington Post Book World

“Bestselling author Hannah writes witty dialogue . . . bringing snap and a lot of warmth to a familiar lesson: that contentment comes from accepting each other’s flaws.”—People

“ENORMOUSLY ENTERTAINING . . . Hannah has a nice ear for dialogue and a knack for getting the reader inside the characters’ heads.”—Seattle Times

“[Hannah] writes of love with compassion and conviction.”—Luanne Rice
Discussion Questions

Discussion Guides

1. In the opening scene of the novel, Meghann Dontess is talking to her therapist, but clearly Meghann has little or no interest in really addressing the pain in her past. Why does she see a psychiatrist? What does it say about her character that she spends time and money in pursuit of emotional well-being, but refuses to actually answer the questions posed by Dr. Bloom?

 2. Meghann and Claire obviously grew up in a very dysfunctional home environment. Each has in large part fashioned a life based on the lessons learned from their inattentive/unloving mother. How are the sisters alike in their choices? How are they different? 

3. Meghann often uses sex to dull the pain of her loneliness. But sex with strangers generally leaves her feeling more alienated and dissatisfied with her life. Why is she so afraid of intimacy? Why does she really have these random encounters with men? 

4. In many ways, Between Sisters is a novel about the disappointments that come with love. As a hotshot divorce attorney, Meghann is particularly entwined with the daily aftermath of a love gone bad. She believes she is protecting her heart by steering clear of love, but is she? Or is she more damaged by her inability to love at all? In one scene, a client finally says to her, “What happened to you?” 

Meghann answers that it requires emotional armor of a sort to do her job. Is that the truth, though? How is that question–what happened to you?–the centerpiece of the novel? The question that each character must ultimately face and answer. 

5. Claire is obviously scarred by her mother’s neglect and abandonment. Why is Claire more able to rebound from these wounds? Does she blame Meghann for leaving her in the first place or for never really coming back? Did Meghann make the right decision all those years ago? Would you have done the same thing in that situation? 

6. Joe and Meghann both claim to be unable to truly feel their own emotions. Is that true? Or are they both able to feel loss? How are they alike in the way they handle pain? 

7. Meghann is a deeply flawed and wounded character. Would she agree with this assessment? If not, why not? And if her flaws are a product of an unhappy childhood, why is Claire so different? How much do the Bluesers contribute to Claire’s happiness with her own life? Discuss the pivotal role of female friendship in our lives. Do you think it becomes even more important as we get older? 

8. At the beginning of the novel, Meghann may be unhappy and aware of that unhappiness, but she is a force to be reckoned with in the legal world. How does her career as a divorce attorney play into her world view and sustain her fear of intimacy? It’s clear that as she begins to “break apart,” her ability to practice family law is one of the first things to go. Why is that? 

9. What is your opinion of Meghann? She is certainly judgmental and hardheaded and critical of people and their emotions. How much of her cynicism is real? How much of it is a defense mechanism? Why is she so afraid of her own emotions? Do you know anyone like her? 

10. How much of the sisters’ personalities were shaped by their shared and separate past? Who would Meghann have become if Sam had taken her in and made her a part of his family? Did she give Sam a chance or was she looking for an excuse to leave? 

11. What drew you to each character? With which character did you sympathize? Did your opinions change over the course of the story? 

12. The medical crisis is ultimately the catalyst for change in the novel. As is often true, terrible times can bring out both the best and the worst in people. In many ways it can be said that Meghann became her best self during the tragedy with her sister and ultimately even helped to save Claire. But how did the crisis–and Claire–save Meghann? 

13. Claire’s battle with cancer brings the sisters opposing personalities into sharp focus. Each must grapple with faith and hope and the possible loss of both. How does this struggle change each character? How does the idea of death bring Meghann and Claire closer together? How does it push them apart? 

14. In Between Sisters there is a deeply symbiotic relationship between the characters and the place in which they live. Each sister is defined to a great extent by where she lives. Meghann learns to adapt to, and even love, Claire’s hometown. Could Claire ever be as happy in Meghann’s world? 

15. How will Claire’s life change with Bobby’s success? 

16. After a lifetime of responsible, rational decisions, Claire falls in love with Bobby in one evening. Or does she? Does she really believe in love at first sight? Do you? 

17. Was Claire right not to tell Bobby about her illness? Did you understand her decision? About this choice to protect her husband, Claire says to her father, “You can sacrifice for them. Isn’t that what love is?” What does this scene tell you about Claire’s idea of love? 

18. What is Mama really like? When she sees Claire in the hospital, Mama’s accent disappears and she won’t let Meghann touch her. What do these little choices reveal about Mama? Do you believe she loved her daughters? Was she capable of love? And how did their mother’s view of love shape the girls sense of worth? 

19. Joe is carrying a heavy burden and has been for several years. The death of his wife–and his part in it–has eroded a part of his soul. Do you think Claire is right when she says, “She shouldn’t have asked it of you?” If Diana truly loved Joe, would she have asked such a thing of him, knowing the cost? And should Joe have done it? Do you consider euthanasia an act of mercy or murder? 

20. Were you surprised by the ending of the novel? Was it organic to the story, or did you feel it was too easy? What would have happened to Meghann and Joe and Ali if Claire had been less fortunate? 

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