Margaret Atwood, whose work has been published in thirty-five countries, is the author of more than forty books of fiction, poetry, and critical essays. In addition to The Handmaid's Tale, her novels include Cat's Eye, short-listed for the Booker Prize; Alias Grace, which won the Giller Prize in Canada and the Premio Mondello in Italy; The Blind Assassin, winner of the 2000 Booker Prize; Oryx and Crake, short-listed for the 2003 Man Booker Prize; The Year of the Flood; and her most recent, MaddAddam. She is the recipient of the Los Angeles Times Innovator's Award, and lives in Toronto with the writer Graeme Gibson.
1. The specters of the circus Fat Lady and Joan's perfectly coifed mother are the twin specters that haunt Joan throughout the novel. How does each of these visions alter with each subsequent encounter? What does each represent for Joan?
2. Examine the parallels between Joan's life and the adventures of her Gothic heroines. How does Atwood use excerpts from the novel to illuminate turning points in Joan's own story?
3. Atwood devotes the first half of the novel to detailing Joan's childhood. How do her experiences surviving her mother, her obesity, and the torments she suffers at the hands of her peers affect her adult life? Her development as a writer?
4. Although Joan has long made a consistent living as a novelist and becomes a runaway success as a poet, she is still ashamed enough of her novels to keep them a secret from Arthur and is quick to side with the detractors who disdain her poetry. Why is Joan unable to accept and embrace her achievements?
5. "Nice men did things for you; bad men did things to you," is Joan's mother's motto. Compare the various men that dot Joan's life; do you find any truth in this syllogism?
6. In addition to Joan's own host of identities, this novel is laden with other secret dualities: Joan's daffodil manrescuer, her murderer-resurrectionist father, the Royal PorcupineChuck Brewer, and Leda SprottE.P. Revele. What is Atwood's purpose for creating this mosaic of multiplicity? Can truth exist when there are so many versions of each story?
7. "I discovered there was something missing in me. This lack came from having been fat; it was like being without a sense of pain, and pain and fear are protective, up to a point. I'd never developed the usual female fears," notes Joan soon after she's shed the hundred pounds. Obesity confers on Joan a certain invisibility. Discuss the implications of this phenomenon in her adolescence and later life.
8. Throughout her childhood, Joan views Aunt Lou as the only adult who offers her unconditional love, but it is Aunt Lou who makes her the most conditional offer of her life: she will inherit the money only if she loses the weight. What does this offer reveal about Aunt Lou and her relationship with Joan? Joan's childhood perceptions of Lou?
9. "I decided that passionate revelation scenes were better avoided and that hidden depths should remain hidden; facades were at least as truthful," Joan reports. Today, confessional memoirs are all the rage: the more outre, damaging, and abusive one's past, the better. From high-brow literature to talk-show television, the urge to tell-all is pervasive. What compels Joan to not only hide but fabricate her entire past ? Is her shame and compulsive secrecy personally or sociologically motivated?
10. "I'd given up expecting [Arthur] to be a cloaked, sinuous, and faintly menacing stranger . . . Strangers didn't leave their socks on the floor . . . I kept Arthur in our apartment and the strangers in their castles and mansions, where they belonged," claims Joan. How successful is she at separating her desires from her expectations? At compartmentalizing her romantic and domestic needs? What catalyzes her affair with the Royal Porcupine? Causes the breakdown of her and Arthur's marriage?
11. Although Joan claims to be seeking an entirely new, incognito life, she very nearly gives herself away by returning to a place where she is readily recognized. Does she run with the primary hope of being caught, like one of her Gothic heroines? Throughout the novel, Joan's frequent solution to her problems is flight. What happens in the few instances when she chooses to fight?
12. How does your view of the Resurgenites influence your view of Arthur? How effective is he as a husband, a political rebel, a companion and lover for Joan?
13. "The future," Joan claims, "doesn't appeal to me as much as the past, but I'm sure it's better for you." Ultimately, Joan resolves to disclose the secrets of her past in order to protect her friends. Do you believe this disclosure will enable her to begin living in the present? If so, what might her next step be?