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  • Rose House
  • Written by Tina Ann Forkner
  • Format: Trade Paperback | ISBN: 9781400073597
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  • Rose House
  • Written by Tina Ann Forkner
  • Format: eBook | ISBN: 9780307457936
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A Novel

Written by Tina Ann ForknerAuthor Alerts:  Random House will alert you to new works by Tina Ann Forkner

eBook

List Price: $9.99

eBook

On Sale: May 05, 2009
Pages: | ISBN: 978-0-307-45793-6
Published by : WaterBrook Press Religion-Business-Forum
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ABOUT THE BOOK ABOUT THE BOOK
ABOUT THE AUTHOR ABOUT THE AUTHOR
PRAISE PRAISE
READER'S GUIDE READER'S GUIDE
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Synopsis|Excerpt

Synopsis

“A story nestled in a masterful weaving of secrets, betrayals, hope, and healing.”
–Allison Pittman, author of Stealing Home and Saturdays with Stella

A vivid story of a private grief, a secret painting, and one woman’s search for hope

Still mourning the loss of her family in a tragic accident, Lillian Diamon finds herself drawn back to the Rose House, a quiet cottage where four years earlier she had poured out her anguish among its fragrant blossoms.

She returns to the rolling hills and lush vineyards of the Sonoma Valley in search of something she can’t quite name. But then Lillian stumbles onto an unexpected discovery: displayed in the La Rosaleda Gallery is a painting that captures every detail of her most private moment of misery, from the sorrow etched across her face to the sandals on her feet.

What kind of artist would dare to intrude on such a personal scene, and how did he happen to witness Lillian’s pain? As the mystery surrounding the portrait becomes entangled with the accident that claimed the lives of her husband and children, Lillian is forced to rethink her assumptions about what really happened that day.

A captivating novel rich with detail, Rose House explores how the brushstrokes of pain can illuminate the true beauty of life.

Excerpt

It seemed to be a cottage that was alive, but it was only the vines twining in on themselves and clinging to the structure that were living, not unlike the memories and feelings people had attached to the house over time, making it mean more than mere sticks, pieces of wood, nails, and peeling paint could ever imply on their own.


The camera zoomed out to trace the rose brambles wrapping along the awning, curling over the banister and into the flowering borders along one side of the porch.The rest of the house gradually came into view, filling
the scene with an abundance of roses in shades of scarlet draping the windows like curtains, then rambling across the roof, around the chimney and sweeping to the edges of the house, where they seemed to reach
out their thorny branches toward passersby.


The lens didn’t capture the woman’s form at first as it swept away from the house down toward the yard and footpath with its border of snow white Shasta daisies and purple coneflowers. It leisurely zoomed in on a mass of daisies, capturing the breeze that sent an occasional ripple through the border, until the camera was forced to pause at the surprise interruption: a foot that intruded on the otherwise perfect scene.


To the artist behind the lens it was an exquisitely formed foot with a milky white ankle and pink-painted toenails. The lens suddenly tightened its view to capture the sandal decorated with pink and white pearlescent beads and a delicate pink ribbon that wound around the ankle and tied neatly above the heel.


The camera’s focus rose to the hem of a white peasant skirt that billowed softly in the breeze. Traveling upward, the lens skimmed long sleeves of gauzy blue adorned with tiny silver beads that crisscrossed both shoulders, edging along the neckline where beads dangled from the ends of a pink ribbon tie. The camera paused on a silver cross pendant that sparkled with the morning sunrise, glinting off the red jewel nested in the center.Moving up her profile, the lens traced blond tendrils escaping from beaded combs that held back her amber-streaked hair threatening to tumble from a loosely arranged bun. The lens paused, studying the dampness of her flushed cheeks, the unsteady rhythmto which her shoulders rose and fell, how her slight body slumped forward just a little, as if she might throw herself at the mercy of the house.


She straightened, startled,when a succession of clicks broke the silence surrounding the Rose House. Rather abruptly, the lens zoomed out. She was looking directly into the camera. More clicks. Her reddened eyes
grew wide as she turned unexpectedly and ran down the path toward the main house of the Frances-DiCamillo Vineyards.


The camera zoomed in on her departing figure, following her for a moment, capturing in its lens the way her glossy hair slipped fromits bun and cascaded over her shoulders. After a few more clicks, the lens panned
back to the house, zooming in on a flawless, wine-colored blossom. It was a perfect rose, a work of art.


Click.

Lillian dropped her camera into INTOher pocket. She had thought she was alone, but someone else was there, taking pictures of the Rose House—and of her. Ice encircled the nape of her neck as she recalled the words of the investigators.


“You probably shouldn’t be alone until we have this figured out,” they had said. But she’d gone against their advice, not even telling them she was taking a trip alone to La Rosaleda.
Tina Ann Forkner

About Tina Ann Forkner

Tina Ann Forkner - Rose House
Tina Ann Forkner is the author of Ruby Among Us. Originally from Oklahoma, she now lives with her husband and three children in Wyoming, where she serves on the Laramie County Library Foundation’s board of directors.
Praise

Praise

“In Rose House, Tina Ann Forkner brings us back to the beauty of California wine country and draws us into a story fit for the misty gothic moors. Just as the Rose House itself sits within a mass of beautiful, entwined roses and vines, so is the story nestled in a masterful weaving of secrets, betrayals, hope, and healing.”
–Allison Pittman, author of Stealing Home and Saturdays with Stella

“Tina Ann Forkner pens a compelling tale of betrayal and grief, of hope and forgiveness in Rose House. The unique setting and her lyrical descriptions enticed me into the scene, where I was captivated by the appealing characters and the story’s underlying mystery. I couldn’t put it down.”
–Ane Mulligan, Editor and Co-Owner of Novel Journey

“With Rose House, Tina Ann Forkner paints a breathtaking canvas of lush prose brushstrokes. Don’t get lulled into a sense of calm; the storyline casts suspenseful shadows on this masterpiece of women’s fiction. Delightful!”
–Patti Lacy, author of An Irishwoman’s Tale and What the Bayou Saw

“Captivating, mysterious, and romantically enticing, Forkner’s Rose House keeps the pages turning.”
–Alice J. Wisler, author of Rain Song and How Sweet It Is

More praise for Tina Ann Forkner on Ruby Among Us
Ruby Among Us is a powerful story that will linger long after reading it. Forkner’s writing transported me to California’s vineyards and wove a fascinating saga of how secrets and decisions impact the lives of following generations–and how love can redeem.”
–Cindy Woodsmall, New York Times best-selling author of When the Morning Comes

“Ms. Forkner has given us a gift that like fine music rises at an ever-spiraling pace. Neither rushed nor delayed, Ruby Among Us offers a satisfying journey I will long remember.”
–Jane Kirkpatrick, award-winning author of A Mending at the Edge

“A multi-generational saga of hope, regret, and the grace that brings us home, Ruby Among Us evokes an invitational sense of place, a cache of characters you enjoy knowing, and a story that rips and mends your heart all at once.”
–Mary E. DeMuth, author of Watching the Tree Limbs and Wishing on Dandelions

“So engaging from the first sentence. I found myself holding my breath as I read. Tina has painted the pictures so real. I love the honesty and innocence. Mothers and daughters alike will feel very connected with this book.”
–Cindy Morgan Brouwer, singer/songwriter

“Don’t miss this one! Tina Ann Forkner is a strong new voice in fiction and Ruby Among Us is an amazing story of trials, regrets, and, ultimately, redemption. Lucy and her family history in the historic wine country of Sonoma bring to life the Scriptures about the Vine and His branches.”
–Kristin Billerbeck, author of The Trophy Wives Club

Ruby Among Us is a haunting, beautifully-told novel of past secrets and present pain. Lovely, lovely voice and story. A remarkable debut by Tina Ann Forkner, an author to watch.”
–Colleen Coble, author of Anathema

“A subtle, intimate story of grace and redemption that touches the heart!”
–Pamela Nowak, author of the historical romance Chances

“Forkner writes from a place of intimate transparency, allowing the reader to discover priceless treasures found in the pursuit of truth. Ruby’s story unfolds in fascinating layers, revealing at its core the universal power of a mother-daughter relationship.”
–Bonnie Keen, speaker, vocalist, and author of A Ladder Out of Depression

“Reading is a passion of mine, and when I find myself identifying with the characters, anxious to get to the next page to find answers to my questions, I know I’m into a good book! The daughter-mother-grandmother theme in Ruby Among Us pulled me in. Wonderful story-telling.”
–Jordin Sparks, 2007 winner of American Idol

“If you’re a fan of fiction that inflames your heart and your spirit, Tina Ann Forkner has a debut novel you should read. Ruby Among Us is filled with powerful emotions of secrets, joy, grief, the freedom that is found in the truth, and, ultimately, in redeeming love.”
–Kim Hill, worship leader and recording artist

“What an incredible story. As both mothers and daughters, Ruby Among Us struck a special cord in each of the four of us. Tina writes in a way that makes us feel like we’re there; from the first line, we were captivated and drawn into an intricate weaving of the precious and fragile relationships that define us.”
–Point of Grace

“A skillfully written, moving tale of women (and their men) who find that love covers a multitude of sins. Tina Ann Forkner weaves this story together with great detail and, like the quilts that are such an integral part of the novel, pieces it together with beautiful results.”
–Debbie Smith, songwriter with and wife of Michael W. Smith, and mother of their five children

“From the first page of this emotionally-gripping novel, I was absorbed in Lucy’s story. The author weaves a beautiful tapestry of meaning and grace, with an underlying truth: every heart needs a place to call ‘home.’ Lucy’s journey toward her place of belonging is poignantly told.”
–Kim Vogel Sawyer, author of Blessings and My Heart Remembers

“Ruby Among Us is an intriguing story of lost love, brokenness, and ultimately, restored relationships. It is one girl's search to unlock the secrets of her family's past that ultimately leads to redemption, hope, and new life. This great read will truly touch your heart!”
–Denise Jackson, best-selling author of It's All About Him
Discussion Questions

Discussion Guides

1. When Lillian discovers her most private moment of grief has been captured on canvas by an anonymous artist, her journey to come to terms with the artist and the painting leads her to discover the true meaning behind the Rose House. What is the meaning behind the Rose House for Lillian? For Kitty? And for Truman? What, if anything, does the Rose House mean to Geena?

2. Have you ever had your own personal Rose House—a place or group of friends or family that brought about healing in your life? Share your experience.

3. What role does Aunt Bren play in this story? Describe someone who has played a similar role in your life.

4. Why does Lillian cling to the memory of her deceased husband
even after she learns he wasn’t everything she thought he was
when he was alive? What does this say about the nature of love? Do you think Lillian ever stops being in love with Robert? Why? Is it truly possible to love two people in one’s lifetime, or is there only one soul mate per person who makes everyone else pale in comparison? Explain.

5. Lillian vacillates between being head over heels in love with Truman and not trusting him. Why? Is it ever possible to be 100 percent certain that a person is the right one? What makes it so hard to know?

6. What drove Geena to essentially abandon Lillian after the accident? Was there ever a time in the story that you thought Geena was trying to harm Lillian? How does Geena’s attitude toward her sister change throughout the novel? How do Lillian’s feelings toward her sister change?

7. When is it okay to draw a line between yourself and another family member, as Lillian did between herself and Geena? Do you think God always expects total forgiveness? What actions and events led to reconciliation between Geena and Lillian?

8. The cross necklace that belonged to Lillian’s daughter is very meaningful to Lillian. Why else is it significant to Lillian’s journey?

9. Lillian drew a line between herself and God after losing her children. Why do you think she did this? What events and encounters eventually began to close that gap?

10. How much fault, if any, did Lillian bear when it came to her troubles with Geena? Do you think she did enough to make amends with Geena? What about Geena? Is it even possible for someone like Geena to make up for what they have done to others? Can we ever truly erase the harm we do to others? What makes two sisters, raised in the same family, take such different paths in life as Geena and Lillian did for many years?

11. Truman seeks to show truth in his paintings, but truth isn’t always what the viewer of the painting wants to see. How well do you think Beauty and the Beast Within mirrors Lillian’s journey of grief and healing? How does Truman’s depiction of her change over time? Why does Truman sometimes paint secret images in his paintings?

12. Truman knows his own private loss. How does meeting Lillian help him find healing? How does the grief Truman and Lillian each know bring them together? Does it ever push them apart?

13. Truman leaves Lillian behind for a time to give her time and space. Do you think he did the right thing? Why or why not?

14. Charles is an artist too. What do you think he means in the end when he says that once people know they are being observed, it is more difficult to capture the truth of the moment on their faces? Why does Truman tell Charles to look for truth in his work?

15. What did the author mean by describing each character at the end as being poised at the edge of a blank canvas?

16. Imagine that God is the Master Artist who is purposely painting your life on a canvas. What do you think your portrait looks like now? Describe what you hope it will look like when the paint dries.


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