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  • Written by Kelley Armstrong
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Written by Kelley ArmstrongAuthor Alerts:  Random House will alert you to new works by Kelley Armstrong


List Price: $9.99


On Sale: October 31, 2006
Pages: 0 | ISBN: 978-0-553-90395-9
Published by : Bantam Bantam Dell
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From one of today’s most original writers comes the mesmerizing tale of an exceptional young woman caught up in an otherworldly realm where some will stop at nothing to get what they want.

Paige Winterbourne was always either too young or too rebellious to succeed her mother as leader of one of the world’s most powerful elite organizations—the American Coven of Witches. Now that she is twenty-three and her mother is dead, the Elders can no longer deny her. But even Paige’s wildest antics can’t hold a candle to those of her new charge—an orphan who is all too willing to use her budding powers for evil...and evil is all too willing to claim her. For this girl is being pursued by a dark faction of the supernatural underworld. They are a vicious group who will do anything to woo the young, malleable, and extremely powerful neophyte, including commit murder—and frame Paige for the crime. It’s an initiation into adulthood, womanhood, and the brutal side of magic that Paige will have to do everything within her power to make sure they both survive.


Chapter One

Bewitched, Bothered and Bewildered

I was in trouble with the elders. Again.

I'd been a trial to them all my life and now, at twenty-three—no longer a precocious child or a rebellious youth—they were running out of excuses for me.

"Something must be done about Savannah." The speaker phone added a not-inappropriate whine to Victoria Alden's voice.

"Uh-huh." My fingers flew across the keyboard, hammering out the next line of code.

"I hear typing," Victoria said. "Are you typing, Paige?"

"Deadline," I said. "Enhancements to the Springfield Legal Services Web site. Due in two days. And counting. Look, can we discuss this later? I'll be at the Coven meeting next week, and—"

"Next week? I don't think you're taking this seriously, Paige. Pick up the telephone, stop working, and talk to me. Where did you ever learn such manners? Not from your mother, rest her soul."

I lifted the receiver, gripped it between my shoulder and ear and tried to type quietly.

"It's about Savannah," Victoria said.

Wasn't it always? One of the few perks of having custody of thirteen-year-old Savannah Levine was that my rebellions paled in comparison.

"What's she done now?" I asked. I flipped to my file list of JavaScript functions. I was sure I'd written a function for this last year. Damned if I could find it now.

"Well, I was talking to Grace last night and she expressed concern over something Savannah told Brittany. Now, Grace admits Brittany may have misunderstood the details, which I can certainly see. We don't expose Coven neophytes to this sort of thing, so I'd be shocked if Brittany did understand what Savannah was talking about. It seems—" Victoria paused and inhaled sharply, as if it pained her to go on. "It seems Brittany is having trouble with a few girls at school and Savannah offered to . . . to help her make a potion that would result in these girls being unable to attend the school dance."

"Uh-huh." Ah, there was that function. A few hours of coding saved. "Then what?"

"What do you mean, 'then what'? Savannah offered to show Brittany how to make these girls sick!"

"She's thirteen. At her age, I would have liked to make a lot of people sick."

"But you didn't, did you?"

"Only because I didn't know the spells. Which was probably a good thing or there'd have been some serious epidemics going on."

"See?" Victoria said. "This is exactly what I've been talking about. This attitude of yours—"

"I thought we were talking about Savannah's attitude."

"That's it exactly. I'm trying to bring a serious matter to your attention and you brush it off with quips. This flippant attitude will never make you Coven Leader."

I stifled the urge to remind her that, as of my mother's death, I was Coven Leader. If I did, she'd "remind" me that I was Leader in name only, and this discussion would turn from irritating to ugly in a heartbeat.

"Savannah is my responsibility," I said. "You Elders have made that very clear."

"For good reason."

"Because her mother practiced dark magic. Oooh. Scary. Well, you know what? The only scary thing about Savannah is how fast she's outgrowing her clothes. She's a kid. A normal, rebellious teenager. Not a black witch. She told Brit she could make her a potion. Big deal. Ten to one she can't even do it. She was either showing off or trying to shock us. That's what adolescents do."

"You're defending her."

"Of course I'm defending her. No one else will. The poor kid went through hell last summer. Before my mother died, she asked me to take care of Savannah—"

"Or so that woman told you."

"That woman is a friend of mine. You don't think my mother would have asked me to take Savannah? Of course she would. That's our job. To protect our sisters."

"Not at the risk of endangering ourselves."

"Since when is it more important—"

"I don't have time to argue with you, Paige. Talk to Savannah or I will."


I slammed down the phone and stalked from my office, muttering everything I wished I'd said to Victoria. I knew when to hold my tongue, though sometimes knowing and doing were very different things. My mother was the political one. She'd spend years working to effect one small change to Coven Law, soothing every rumpled feather and arguing her point with a smile.

Now she was gone. Murdered nine months ago. Nine months, three weeks, and two days. My mind performed the calculation unbidden, springing open the stoppered well of grief. I slammed it shut. She wouldn't have wanted that.

I was brought into this world for one reason. At fifty-two, after a life too busy for children, my mother looked around the Coven and saw no worthy successor, so she found a suitable "genetic donor" and, using magic, conceived me. A daughter born and raised to lead the Coven. Now that she was gone, I had to honor her memory by fulfilling that purpose. And I would, whether the Elders wanted it or not.

I abandoned my computer. Victoria's call had chased all interest in programming from my brain. When I got like this, I needed to do something that reminded me of who I was, and what I wanted to accomplish. That meant practicing my spells—not Coven-sanctioned spells, but the magic they forbade.

In my bedroom, I pulled back the area rug, unlocked the crawl space hatch, and tugged out a knapsack. Then, bending down and reaching farther into the hole, I undid a secret latch, opened a second compartment, and pulled out two books. My secret grimoires. After putting the books into my bag, I headed for the back door.

I was slipping on my sandals when the front doorknob turned. I checked my watch. Three p.m. Savannah didn't get out of school until three forty-five, which is why I figured I had nearly an hour to practice before making her after-school snack. Yes, Savannah was too old for the milk-and-cookies routine, but I did it every day without fail. Let's be honest, at twenty-three I was ill equipped to parent a teenager. Being home for her after school was one thing I could manage.

"What happened?" I asked, hurrying into the hall. "Is everything okay?"

Savannah backpedaled, as if fearing I might do something rash, like hug her. "Teacher's meeting today. Early dismissal. Remember?"

"Did you tell me?"

She rubbed her nose, trying to decide whether she could get away with a lie. "I forgot. But I would have called if I had a cell phone."

"You'll get a cell phone when you can pay for the airtime."

"But I'm too young to get a job!"

"Then you're too young for a cell phone."

Old argument. We knew our lines, and never wavered from them. That was one advantage to being a mere decade older than Savannah—I remembered pulling the same crap with my mom, so I knew how to handle it. Maintain the routine. Give no sign of wearing down. Eventually she'd give up . . . not that I ever did.

Savannah peered over my shoulder to look down at my backpack, a feat she could easily manage, being two inches taller than my five feet two. Two inches taller and about thirty pounds lighter. I could have explained the weight difference by pointing out that Savannah was very slender, but to be truthful, I was about fifteen pounds over what most women's magazines listed as the ideal weight for my height.

Savannah, by contrast, was very tall for her age: tall, thin, and coltish, all awkward angles and jutting limbs. I told her she'd grow into her body, as she'd grow into her oversized blue eyes. She didn't believe me. Like she didn't believe me when I'd advised her that cutting off her waist-length black hair would be a mistake. Now she had a straight, wispy bob that only made the angles of her face even more prominent. Naturally, she blamed me, because I didn't forbid her to cut her hair, instead of just cautioning against it.

"Heading out for spell practice?" she said, pointing at my knapsack. "What are you working on?"

"Making you a snack. White milk or chocolate?"

Dramatic sigh. "Come on, Paige. I know what kind of stuff you practice. I don't blame you. Those Coven spells are for five-year-olds."

"Five-year-olds don't cast spells."

"Neither does the Coven. Not real spells. Oh, come on. We can work together. Maybe I can get that wind spell working for you."

I turned to look at her.

"You wrote in your journal that you were having trouble with it," she said. "Sounds like a cool spell. My mom never had anything like that. Tell you what—you teach me that one and I'll show you some real magic."

"You read my journal?"

"Just the spell practice journal. Not your personal one."

"How do you know I have a personal one?"

"Do you? Hey, you know what happened at school today? Mr. Ellis told me he's sending two of my paintings to get framed. They're going to hang them at graduation next week."

Savannah headed for the kitchen, still talking. Should I pursue the journal comment? I considered, then rejected it. Instead I hefted my knapsack and headed to my room to return the bag to its hiding spot.

If Savannah did read my personal journal, at least it meant she was taking an interest in me. Which was good. Unless she was snooping in hopes of finding something she could use to blackmail me into buying her a cell phone. Which wouldn't be so good. What exactly did I have in my journal, anyway. . . ?

While I was locking away my bag, the doorbell rang. Savannah shouted "Got it" and thundered into the hallway, making enough noise for someone three times her size. When I walked into the living room a few minutes later, she was standing in the hall doorway, lifting a letter to the light and squinting at it.

"Testing your psychic abilities?" I said. "A letter opener works much faster."

She jumped and jerked the letter down, hesitated, then held it out.

"Ah, for me. In that case, I'd advise steaming it open." I took the letter. "Registered mail? That bumps it up from simple mail fraud to mail fraud plus forgery. I hope you're not using that skill to sign my name to any notes at school."

"As if," she said, heading back toward the kitchen. "What would be the good of skipping school in this town? No mall, no Starbucks, not even a Mickey D's."

"You could hang around outside the hardware store with the rest of the kids."

She snorted and disappeared into the kitchen.

The envelope was standard letter-sized, no unusual markings, just my name and address handwritten in clean, exact strokes and a return address preprinted in the upper left corner. The sender? A California law firm.

I tore it open. My eyes went straight to the first line, which requested—no, demanded—my presence at a meeting tomorrow morning. The first thing I thought was: "Oh, shit." I suppose that's the normal reaction for anyone receiving an unexpected legal summons.

I assumed it had something to do with my business. I created and managed company Web sites for women tired of male Web designers who thought they'd want nothing more technically challenging than floral wallpaper. When it comes to the Internet, the issue of copyright is as murky and convoluted as a celebrity prenup so, seeing a letter filled with legal jargon, I assumed I'd done something like design a Flash sequence that inadvertently bore some passing similarity to one on a Web site in Zaire.

Then I read the next line.

"The purpose of this meeting is to discuss our client's petition for custody of the juvenile, Savannah Levine . . ."

I closed my eyes and inhaled. Okay, I'd known this could happen. Savannah's only living relative was one of the Coven Elders, but I always assumed Savannah's mother might have had friends who would be wondering what became of Eve and her young daughter. When they discovered that a great-aunt had taken custody of Savannah and handed her over to me, they'd want answers. And they might want Savannah.

Naturally, I'd fight. The problem was that Savannah's aunt Margaret was the weakest of the three Elders, and if Victoria insisted Margaret relinquish custody, she would. The Elders hated trouble; they broke into collective hives at the mere prospect of drawing attention to the Coven. To secure their support, I'd need to persuade them that they'd face graver personal danger by giving up Savannah than by keeping her. With the Elders, it always came down to that: what was best for them, safest for them.

I scanned the rest of the letter, sifting through the legal jargon to find the petitioner's name. When I found it, my stomach dropped to my shoes. I couldn't believe it. No, strike that. I believed it only too well. Cursed myself for not seeing it coming.

Did I mention how my mother died? Last year, a small group of humans learned about the supernatural world and wanted to harness our powers, so they kidnapped a sampling of powerful supernaturals. One of those was Savannah's mother, Eve. Savannah had the misfortune to be home from school that day and was taken as well.

Eve, however, quickly proved more dangerous than her captors expected, so they killed her. As a replacement, they targeted my mother, the elderly leader of the Coven. My mother was taken, along with Elena Michaels, a werewolf. There they met another captive, a half-demon who would later kill my mother and blame Savannah—part of an intricate plot to take control of Savannah, and so gain access to a young, malleable, and extremely powerful neophyte witch.

That half-demon's name? Leah O'Donnell. The same name that now stared up at me from the custody petition.

Chapter Two

Home Security

Leah was a telekinetic half-demon of the highest order. A half-demon is the offspring of a male demon and a female human. Half-demons always look human, taking after their mother. What they inherit from their father depends on what kind of demon he is. For Leah, that power was telekinesis. That means she could move things with her mind. Only don't think sideshow spoon-bending. Think of a woman who can mentally hurl a steel desk into a wall—literally into a wall, with such force that the desk embeds itself in the plaster and obliterates anything in its path.

Not surprisingly, then, the first thing I did upon reading this letter was rush around securing the house. After fastening the door locks and pulling the blinds, I moved to less conventional security. At each door I cast a lock spell, which would hold them closed even if the dead bolts failed. Next I used perimeter spells at all the doors and windows. Think of perimeter spells as supernatural security systems. No one could enter the house without my knowing it.
Kelley Armstrong|Author Q&A

About Kelley Armstrong

Kelley Armstrong - Dime Store Magic

Photo © Kathryn Hollinrake

Kelley Armstrong is the author of eleven novels and two short-story collections in the Otherworld series. She lives in Ontario with her family.

Author Q&A

The Art of Making Witches Real
by Kelley Armstrong

Imagine a world where creatures of nightmare and legend exist...

That’s the tagline on the first page of my website, and I often wonder what kind of image it conjures up in the minds of first-time visitors. Something dark and thrilling, I’m sure. Maybe a leather-jacketed vampire swooping along a moonlit alley. Or a coven of caped witches casting deadly spells by moonlight. Or a grotesque wolf-beast ripping through flesh that once was human. All that good gothic stuff. Then they’ll read one of my novels. And what will they find? Blue-jean-wearing vampires strolling the city streets at high noon. A coven of witches casting healing spells in a community center. A werewolf ripping her way through a stack of pancakes and ham.

Okay, it’s not quite the world one would imagine from the tagline, but when I sat down to start the series, I really did try to “imagine a world where creatures of nightmare and legend existed.” Not just any world, though. I wanted to make these creatures exist in our world. For me, the challenge of the series would be trying to make the supernatural as natural as possible, to plop these “monsters” into contemporary North America and convince a reader that maybe, just maybe, they could indeed live among us.

I started with werewolves, which have always held a special place in my imagination. I created a subculture of werewolves who lived in a pack, with an Alpha, and who changed into actual wolves. Nothing new in anything I did here—I cherry-picked from existing legends and came up with the most believable werewolves I could imagine. Then I created my main character. Being a woman myself, a female protagonist was the obvious choice. For added fun, I made her the only living female werewolf. The result was Elena Michaels, the narrator of my first two books, Bitten and Stolen.

By the time Stolen ends, one of the characters, Paige Winterbourne, finds herself the de facto guardian of Savannah Levine, a twelve-year-old witch captive that Elena befriended. Mothering a preteen stranger would be tough enough for any twenty-two-year-old. But Savannah is also the daughter of a notorious black witch, now dead, and is herself already showing signs of becoming an extremely powerful supernatural. When Paige takes Savannah, there’s bound to be trouble. For a writer, trouble is good...and as irresistible as a siren’s call. So, after Stolen, I nudged my werewolves aside to make room for a few spellcasters.

Spellcasters are much easier to make realistic than shape-shifters. As long as your witches aren’ t cartoonish crones flying around on broomsticks, it’s pretty easy to convince readers that they could exist, undetected, in modern society. My main challenge here was to keep their spells as believable as possible. None of that “making cakes appear from nothing” stuff from Bewitched. Sure, I’d love to be able to make a double-chocolate cake just by twitching my nose, and I’m sure Paige would too, but it really does stretch the boundaries of believability . . . not to mention the waistline! So I stuck to more practical magic.

Paige’s story begins in Dime Store Magic. When Paige first took custody of Savannah, she knew others would come after the girl, hoping to woo the powerful neophyte witch to their side. So she’s ready for a custody fight. But she’s not quite so ready to face off against a full team of supernaturals who’ ll do anything to get Savannah. Cut off from her friends, accused of witchcraft, satanism, necromancy, murder...Paige quickly realizes that keeping Savannah could mean losing everything else.

In the next book, Industrial Magic (available 11/04), someone is killing the teenage children of high-powered supernaturals. When infighting among the various groups threatens to let the killer continue his spree, Paige and her crusading boyfriend decide it's up to them to stop him. The chase takes them on a cross-country hunt through the supernatural world, where allies can be found in the strangest places, including a celebrity necromancer, a wisecracking Celtic deity, a pissed-off ghost, a half-mad clairvoyant, and a group of vampires who'd really rather be in an Anne Rice novel.

Right now I’m working on book five and, again, I’ve switched narrators. Back in Stolen, I introduced Savannah, whose infamous mother, Eve Levine, both a witch and a half-demon, had already been killed by their kidnappers. But in this series, just because someone is dead doesn’t mean they can’ t have their own novel. In book 5, we’ll finally meet Eve in the flesh—so to speak. She’s a ghost on a mission, fulfilling a promise she made to the Fates, a quest that will take her to every corner of the spirit world.

And that’s it. My supernatural world...so far. If I’m fortunate enough to be able to continue the series, this world will keep growing, inhabited by a regular cast of characters who will tell their stories, and cycle through the stories of others. As for which characters reappear, that decision lies partly in the hands of my readers. Readers can—and have—told me whom they want to see more of, and I listen. I also supplement the series with an annual free online novella, another way for me to explore characters and situations that readers wanted to know more about. It’s all part of exploring and growing this supernatural world...a world where creatures of nightmare and legend exist.



"A convincing small-town setting, clever contemporary dialogue, compelling characterizations and a touch of cool humor .... This story’s special strength lies in its seamless incorporation of the supernatural into the real world."—Publishers Weekly
Kelley Armstrong

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Kelley Armstrong - Dime Store Magic

Photo © Kathryn Hollinrake

4/10/2015 Ad Astra, Sheraton Parkway North Hotel, 600 Hwy-7.
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7/13/2015 University of Toronto Summer Writing School.
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