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  • First Coming
  • Written by John Feinstein
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  • First Coming
  • Written by John Feinstein
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On Sale: October 06, 2010
Pages: 88 | ISBN: 978-0-307-76697-7
Published by : Ballantine Books Ballantine Group
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golf (5)
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Synopsis|Excerpt

Synopsis

THE LIBRARY OF CONTEMPORARY THOUGHT

"The Masters elevated Tiger Woods to a level of fame that perhaps no athlete outside of Muhammed Ali had ever achieved. People who knew absolutely nothing about golf, cared not at all about the sport, stopped to watch Tiger play. . . . He signed endorsement contracts for staggering amounts of money. He blew off the president of the United States and Rachel Robinson, the widow of the century's most important athlete--and made no apologies for it. He didn't have to. He was Tiger. They weren't."
--from The First Coming

Excerpt

Day one of the 1997 United States Open.        

At exactly noon, Tiger Woods, once known as Eldrick, now known as golf's
messiah, stepped onto the first tee at the Congressional Country Club with
playing partners Steve Jones and Tom Lehman. Jones was the defending Open
champion. Lehman was the reigning British Open champion. Among the
thousands pressed against the gallery ropes, five and six deep from tee to
green, there might have been a hundred who were there to see the two Open
titleholders.

Everyone else had come to see Tiger. He was twenty-one years old, a
multi-multi-millionaire, and already a one-name athlete, as in Michael or
Shaq, Deion or The Shark. Only, at that moment Tiger was bigger than all
of them. Even Michael. He was nine weeks removed from one of the most
stunning performances in the history of sports, a twelve-shot victory in
the Masters that had left people in golf groping for words to describe
what they had seen. And what they had seen was impossible. "He's a boy
among men," Tom Watson had said at the time. "And he's teaching the men a
lesson."

The Masters had elevated Woods to a level of fame that perhaps no athlete
other than Muhammad Ali had ever achieved. People who knew absolutely
nothing about golf, cared not at all about the sport, stopped to watch
Tiger play. Children who once wanted to "be like Mike" and slam-dunk from
the free-throw line now wanted to be Tiger and hit 350-yard drives. He
signed endorsement contracts for staggering amounts of money. He blew off
the president of the United States and Rachel Robinson, the widow of the
century's most important athlete--and made no apologies for it. He didn't
have to. He was Tiger. They weren't.

His arrival on the grounds of Congressional at the start of the week had
made a presidential motorcade look understated. Every time he moved,
thousands moved with him. He was surrounded by so many security people
that even other players were hesitant to approach him for fear they might
get knocked backward by a large, unsmiling man in sunglasses.
Miraculously, Woods seemed perfectly at ease with it all. At one point,
lingering on the driving range while dozens of media types stood at a
respectful distance, Woods looked at a couple of friends and said, "Watch
this."

He took five steps to his left, as if to leave the range. The security
force immediately began to form a wedge, advance men flying toward the
ropes to clear the area lest some fan momentarily impede Tiger's exit. The
media also began moving. Cameras were hoisted onto shoulders, tape
recorders began whirring, notebooks were scribbled in. Then Tiger stopped.
The wedge stopped instantly. The media, of course, also stopped. Tiger
smiled, turned, and walked back to where he had been standing. It was a
remarkable display of absolute power.
John Feinstein

About John Feinstein

John Feinstein - First Coming

Photo © Phil Hofmann

John Feinstein spent years on the staff at the Washington Post, as well as writing for Sports Illustrated and the National Sports Daily. He is a commentator on NPR's "Morning Edition," a regular on ESPN's "The Sports Reporters" and a visiting professor of journalism at Duke University.

His first book, A Season on the Brink, is the bestselling sports book of all time. His first book for younger readers, Last Shot, was a bestseller. His current book for younger readers is Vanishing Act.

A conversation with John Feinstein


Q: LAST SHOT and VANISHING ACT feature two budding young journalists. Do you hope to inspire more children to pick up the pen with this novel?

A:I think I'm a little bit like Bobby Kelleher in that I think it is important to steer kids to writing–and journalism–and not TV, which is the easy and popular way to go these days. TV is more glamorous, no doubt, but I know from personal experience that writing–and reporting–is far more fulfilling. I hope this book carries that message in some way...


Q: How old were you when you started writing? Did you always know you wanted to be a writer?

A:I spent most of my boyhood planning to be either the point guard for the Knicks or play centerfield for the Mets. By the time I went to college–as a swimmer–I knew that wasn't happening. I started working at the Duke student newspaper as a freshman and was pretty much hooked on journalism by the end of my freshman year.


Q: Several real sports journalists play roles in your books. Are any of them aware that they are in your book? And how do they feel about the way you portray them?

A:All the real people in the book are aware of their, "involvement." Most are amused; some are flattered; Tony Kornheiser has promised to sue me...


Q: LAST SHOT features a serious conspiracy. Has anything comparable ever happened in the history of the Final Four?

A:Point shaving scandals have been a problem in college basketball dating to the 1950s, when the sport was wracked by them, notably at City College of New York (which never recovered) and Kentucky. There have been numerous other point shaving scandals since then: Boston College in the early 80s; Tulane in 1985 and a rumor, never proven, that heavily-favored Nevada-Las Vegas dumped its 1991 Final Four game to Duke.


Q: Your first two books were mysteries. Since then you have written all non-fiction. How did it feel to return to the “whodunit” genre?


A:It was fun writing a mystery again; challenging to try to create a believable story in an environment that actually exists. The main difference between this and my other two mysteries is that the protagonists do not use a lot of the words used by the people in my first two mysteries.


Q: What were some of your favorite books growing up?

A:As a kid I read all the "Hardy Boys," books and "Chip Hilton," and "Bronc Burnett," both series about star athletes. I also read all the Signature and Landmark books, which really got me into history. When I got older I was very into historical novels: Johnny Tremain remains an all time favorite (recently read by my son) and, for some reason, I vividly remember reading, Journey to the Center of the Earth.

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