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  • Knight's Gambit
  • Written by William Faulkner
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  • Written by William Faulkner
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Written by William FaulknerAuthor Alerts:  Random House will alert you to new works by William Faulkner

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On Sale: May 18, 2011
Pages: 256 | ISBN: 978-0-307-79243-3
Published by : Vintage Knopf
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Synopsis|Excerpt

Synopsis

Gavin Stevens, the wise and forbearing student of crime and the folk ways of Yoknapatawpha County, Mississippi, plays the major role in these six stories of violence.  In each, Stevens’ sharp insights and ingenious detection uncover the underlying motives.

Excerpt

Chapter One

Smoke

Anselm Holland came to Jefferson many years ago. Where from, no one knew. But he was young then and a man of parts, or of presence at least, because within three years he had married the only daughter of a man who owned two thousand acres of some of the best land in the county, and he went to live in his father-in-law's house, where two years later his wife bore him twin sons and where a few years later still the father-in-law died and left Holland in full possession of the property, which was now in his wife's name. But even before that event, we in Jefferson had already listened to him talking a trifle more than loudly of "my land, my crops"; and those of us whose fathers and grandfathers had been bred here looked upon him a little coldly and a little askance for a ruthless man and (from tales told about him by both white and negro tenants and by others with whom he had dealings) for a violent one. But out of consideration for his wife and respect for his father-in-law, we treated him with courtesy if not with regard. So when his wife, too, died while the twin sons were still children, we believed that he was responsible, that her life had been worn out by the crass violence of an underbred outlander. And when his sons reached maturity and first one and then the other left home for good and all, we were not surprised. And when one day six months ago he was found dead, his foot fast in the stirrup of the saddled horse which he rode, and his body pretty badly broken where the horse had apparently dragged him through a rail fence (there still showed at the time on the horse's back and flanks the marks of the blows which he had dealt it in one of his fits of rage), there was none of us who was sorry, because a short time before that he had committed what to men of our town and time and thinking was the unpardonable outrage. On the day he died it was learned that he had been digging up the graves in the family cemetery where his wife's people rested, among them the grave in which his wife had lain for thirty years. So the crazed, hate-ridden old man was buried among the graves which he had attempted to violate, and in the proper time his will was offered for probate. And we learned the substance of the will without surprise. We were not surprised to learn that even from beyond the grave he had struck one final blow at those alone whom he could now injure or outrage: his remaining flesh and blood.

At the time of their father's death the twin sons were forty. The younger one, Anselm, Junior, was said to have been the mother's favorite-perhaps because he was the one who was most like his father. Anyway, from the time of her death, while the boys were still children almost, we would hear of trouble between Old Anse and Young Anse, with Virginius, the other twin, acting as mediator and being cursed for his pains by both father and brother; he was that sort, Virginius was. And Young Anse was his sort too; in his late teens he ran away from home and was gone ten years. When he returned he and his brother were of age, and Anselm made formal demand upon his father that the land which we now learned was held by Old Anse only in trust, be divided and he- Young Anse-be given his share. Old Anse refused violently. Doubtless the request had been as violently made, because the two of them, Old Anse and Young Anse, were so much alike. And we heard that, strange to say, Virginius had taken his father's side. We heard that, that is. Because the land remained intact, and we heard how, in the midst of a scene of unparalleled violence even for them-a scene of such violence that the Negro servants all fled the house and scattered for the night- Young Anse departed, taking with him the team of mules which he did own; and from that day until his father's death, even after Virginius also had been forced to leave home, Anselm never spoke to his father and brother again. He did not leave the county this time, however. He just moved back into the hills ('where he can watch what the old man and Virginius are doing,' some of us said and all of us thought); and for the next fifteen years he lived alone in a dirt-floored, two-room cabin, like a hermit, doing his own cooking, coming into town behind his two mules not four times a year. Some time earlier he had been arrested and tried for making whiskey. He made no defense, refusing to plead either way, was fined both on the charge and for contempt of court, and flew into a rage exactly like his father when his brother Virginius offered to pay the fine. He tried to assault Virginius in the courtroom and went to the penitentiary at his own demand and was pardoned eight months later for good behavior and returned to his cabin-a dark, silent, aquiline-faced man whom both neighbors and strangers let severely alone.

The other twin, Virginius, stayed on, farming the land which his father had never done justice to even while he was alive. (They said of Old Anse, 'wherever he came from and whatever he was bred to be, it was not a farmer.' And so we said among ourselves, taking it to be true, 'That's the trouble between him and Young Anse: watching his father mistreat the land which his mother aimed for him and Virginius to have.') But Virginius stayed on. It could not have been much fun for him, and we said later that Virginius should have known that such an arrangement could not last. And then later than that we said, 'Maybe he did know.' Because that was Virginius. You didn't know what he was thinking at the time, any time. Old Anse and Young Anse were like water. Dark water, maybe; but men could see what they were about. But no man ever knew what Virginius was thinking or doing until afterward. We didn't even know what happened that time when Virginius, who had stuck it out alone for ten years while Young Anse was away, was driven away at last; he didn't tell it, not even to Granby Dodge, probably. But we knew Old Anse and we knew Virginius, and we could imagine it, about like this:

We watched Old Anse smoldering for about a year after Young Anse took his mules and went back into the hills. Then one day he broke out; maybe like this, 'You think that, now your brother is gone, you can just hang around and get it all, don't you?'

'I don't want it all,' Virginius said. 'I just want my share.'

'Ah,' Old Anse said. 'You'd like to have it parceled out right now too, would you? Claim like him it should have been divided up when you and him came of age.'

'I'd rather take a little of it and farm it right than to see it all in the shape it's in now,' Virginius said, still just, still mild-no man in the county ever saw Virginius lose his temper or even get ruffled, not even when Anselm tried to fight him in the courtroom about that fine.

'You would, would you?' Old Anse said. 'And me that's kept it working at all, paying the taxes on it, while you and your brother have been putting money by every year, tax-free.'

'You know Anse never saved a nickel in his life,' Virginius said. 'Say what you want to about him, but don't accuse him of being forehanded.'

'Yes, by heaven! He was man enough to come out and claim what he thought was his and get out when he never got it. But you. You'll just hang around, waiting for me to go, with that damned meal mouth of yours. Pay me the taxes on your half back to the day your mother died, and take it.'

'No,' Virginius said. 'I won't do it.'

'No,' Old Anse said. 'No. Oh, no. Why spend your money for half of it when you can set down and get all of it some day without putting out a cent.' Then we imagined Old Anse (we thought of them as sitting down until now, talking like two civilized men) rising, with his shaggy head and his heavy eyebrows. 'Get out of my house!' he said. But Virginius didn't move, didn't get up, watching his father. Old Anse came toward him, his hand raised. 'Get. Get out of my house. By heaven, I'll. . . .'

Virginius went, then. He didn't hurry, didn't run. He packed up his belongings (he would have more than Anse; quite a few little things) and went four or five miles to live with a cousin, the son of a remote kinsman of his mother. The cousin lived alone, on a good farm too, though now eaten up with mortgages, since the cousin was no farmer either, being half a stock-trader and half a lay preacher-a small, sandy, nondescript man whom you would not remember a minute after you looked at his face and then away-and probably no better at either of these than at farming. Without haste Virginius left, with none of his brother's foolish and violent finality; for which, strange to say, we thought none the less of Young Anse for showing, possessing. In fact, we always looked at Virginius a little askance too; he was a little too much master of himself. For it is human nature to trust quickest those who cannot depend on themselves. We called Virginius a deep one; we were not surprised when we learned how he had used his savings to disencumber the cousin's farm. And neither were we surprised when a year later we learned how Old Anse had refused to pay the taxes on his land and how, two days before the place would have gone delinquent, the sheriff received anonymously in the mail cash to the exact penny of the Holland assessment. 'Trust Virginius,' we said, since we believed we knew that the money needed no name to it. The sheriff had notified Old Anse.

'Put it up for sale and be damned,' Old Anse said. 'If they think that all they have to do is set there waiting, the whole brood and biling of them. . . .'

The sheriff sent Young Anse word. 'It's not my land,' Young Anse sent back.

The sheriff notified Virginius. Virginius came to town and looked at the tax books himself. 'I got all I can carry myself, now,' he said. 'Of course, if he lets it go, I hope I can get it. But I don't know. A good farm like that won't last long or go cheap.' And that was all. No anger, no astonishment, no regret. But he was a deep one; we were not surprised when we learned how the sheriff had received that package of money, with the unsigned note: Tax money for Anselm Holland farm. Send receipt to Anselm Holland, Senior. 'Trust Virginius,' we said. We thought about Virginius quite a lot during the next year, out there in a strange house, farming strange land, watching the farm and the house where he was born and that was rightfully his going to ruin. For the old man was letting it go completely now: year by year the good broad fields were going back to jungle and gully, though still each January the sheriff received that anonymous money in the mail and sent the receipt to Old Anse, because the old man had stopped coming to town altogether now, and the very house was falling down about his head, and nobody save Virginius ever stopped there. Five or six times a year he would ride up to the front porch, and the old man would come out and bellow at him in savage and violent vituperation, Virginius taking it quietly, talking to the few remaining negroes once he had seen with his own eyes that his father was all right, then riding away again. But nobody else ever stopped there, though now and then from a distance someone would see the old man going about the mournful and shaggy fields on the old white horse which was to kill him.

Then last summer we learned that he was digging up the graves in the cedar grove where five generations of his wife's people rested. A negro reported it, and the county health officer went out there and found the white horse tied in the grove, and the old man himself came out of the grove with a shotgun. The health officer returned, and two days later a deputy went out there and found the old man lying beside the horse, his foot fast in the stirrup, and on the horse's rump the savage marks of the stick-not a switch: a stick-where it had been struck again and again and again.

So they buried him, among the graves which he had violated. Virginius and the cousin came to the funeral. They were the funeral, in fact. For Anse, Junior, didn't come. Nor did he come near the place later, though Virginius stayed long enough to lock the house and pay the negroes off. But he too went back to the cousin's, and in due time Old Anse's will was offered for probate to Judge Dukinfield. The substance of the will was no secret; we all learned of it. Regular it was, and we were surprised neither at its regularity nor at its substance nor its wording: . . . with the exception of these two bequests, I give and bequeath . . . my property to my elder son Virginius, provided it be proved to the satisfaction of the . . . Chancellor that it was the said Virginius who has been paying the taxes on my land, the . . . Chancellor to be the sole and unchallenged judge of the proof.

The other two bequests were:

To my younger son Anselm, I give . . . two full sets of mule harness, with the condition that this . . . harness be used by . . . Anselm to make one visit to my grave. Otherwise this . . . harness to become and remain part . . . of my property as described above.

To my cousin-?in-?law Granby Dodge I give . . . one dollar in cash, to be used by him for the purchase of a hymn book or hymn books, as a token of my gratitude for his having fed and lodged my son Virginius since . . . Virginius quitted my roof.
William Faulkner

About William Faulkner

William Faulkner - Knight's Gambit
William Faulkner was born in New Albany, Mississippi, on September 25, 1897. His family was rooted in local history: his great-grandfather, a Confederate colonel and state politician, was assassinated by a former partner in 1889, and his grandfather was a wealth lawyer who owned a railroad. When Faulkner was five his parents moved to Oxford, Mississippi, where he received a desultory education in local schools, dropping out of high school in 1915. Rejected for pilot training in the U.S. Army, he passed himself off as British and joined the Canadian Royal Air Force in 1918, but the war ended before he saw any service. After the war, he took some classes at the University of Mississippi and worked for a time at the university post office. Mostly, however, he educated himself by reading promiscuously.

Faulkner had begun writing poems when he was a schoolboy, and in 1924 he published a poetry collection, The Marble Faun, at his own expense. His literary aspirations were fueled by his close friendship with Sherwood Anderson, whom he met during a stay in New Orleans. Faulkner's first novel, Soldier’s Pay, was published in 1926, followed a year later by Mosquitoes, a literary satire. His next book, Flags in the Dust, was heavily cut and rearranged at the publisher’s insistence and appeared finally as Sartoris in 1929. In the meantime he had completed The Sound and the Fury, and when it appeared at the end of 1929 he had finished Sanctuary and was ready to begin writing As I Lay Dying. That same year he married Estelle Oldham, whom he had courted a decade earlier.

Although Faulkner gained literary acclaim from these and subsequent novels—Light in August (1932), Pylon (1935), Absalom, Absalom! (1936), The Unvanquished (1938), The Wild Palms (1939), The Hamlet (1940), and Go Down, Moses (1942)—and continued to publish stories regularly in magazines, he was unable to support himself solely by writing fiction. he worked as a screenwriter for MGM, Twentieth Century-Fox, and Warner Brothers, forming a close relationship with director Howard Hawks, with whom he worked on To Have and Have Not, The Big Sleep, and Land of the Pharaohs, among other films. In 1944 all but one of Faulkner's novels were out of print, and his personal life was at low ebb due in part to his chronic heavy drinking. During the war he had been discovered by Sartre and Camus and others in the French literary world. In the postwar period his reputation rebounded, as Malcolm Cowley's anthology The Portable Faulkner brought him fresh attention in America, and the immense esteem in which he was held in Europe consolidated his worldwide stature.

Faulkner wrote seventeen books set in the mythical Yoknapatawpha County, home of the Compson family in The Sound and the Fury. “No land in all fiction lives more vividly in its physical presence than this county of Faulkner’s imagination,” Robert Penn Warren wrote in an essay on Cowley’s anthology. “The descendants of the old families, the descendants of bushwhackers and carpetbaggers, the swamp rats, the Negro cooks and farm hands, the bootleggers and gangsters, tenant farmers, college boys, county-seat lawyers, country storekeepers, peddlers—all are here in their fullness of life and their complicated interrelations.” In 1950, Faulkner traveled to Sweden to accept the 1949 Nobel Prize for Literature. In later books—Intruder in the Dust (1948), Requiem for a Nun (1951), A Fable (1954), The Town (1957), The Mansion (1959), and The Reivers (1962)—he continued to explore what he had called “the problems of the human heart in conflict with itself,” but did so in the context of Yoknapatawpha’s increasing connection with the modern world. He died of a heart attack on July 6, 1962.

  • Knight's Gambit by William Faulkner
  • January 03, 2012
  • Fiction - Literary
  • Vintage
  • $15.00
  • 9780307946799

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