Los Angeles, 1958. Killings, beatings, bribes, shakedowns--it's standard procedure for Lieutenant Dave Klein, LAPD. He's a slumlord, a bagman, an enforcer--a power in his own small corner of hell. Then the Feds announce a full-out investigation into local police corruption, and everything goes haywire.
Klein's been hung out as bait, "a bad cop to draw the heat," and the heat's coming from all sides: from local politicians, from LAPD brass, from racketeers and drug kingpins--all of them hell-bent on keeping their own secrets hidden. For Klein, "forty-two and going on dead," it's dues time.
Klein tells his own story--his voice clipped, sharp, often as brutal as the events he's describing--taking us with him on a journey through a world shaped by monstrous ambition, avarice, and perversion. It's a world he created, but now he'll do anything to get out of it alive.
Fierce, riveting, and honed to a razor edge, White Jazz is crime fiction at its most shattering.
About James Ellroy
James Ellroy was born in Los Angeles in 1948. He is the author of the Underworld U.S.A. Trilogy—American Tabloid, The Cold Six Thousand, and Blood’s A Rover—and the L. A. Quartet novels, The Black Dahlia, The Big Nowhere, L. A. Confidential, and White Jazz. American Tabloid was Time magazine’s Best Book (fiction) of 1995; his memoir My Dark Places was a Time Best Book of the Year and a New York Times Notable Book for 1996. The Cold Six Thousand was a New York Times Notable Book and a Los Angeles Times Best Book of 2001. He lives in Los Angeles.
James Ellroy is represented by Random House Speakers Bureau (http://www.rhspeakers.com).
"One of the great American writers of our time." --Los Angeles Times Book Review
"White Jazz makes previous detective fiction read like Dr. Seuss." --San Francisco Examiner
"Riffling, rolling, reeling. . . . Ellroy's best." --The Denver Post
"Riveting. . . . Impossible to put down. . . . An author who breaks all the rules. He's a kamikaze pilot on a collision course with hell. The pen moves madly across the page. . . . A book that is one long scream of rage and emptiness and longing." --The News and Observer