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  • A Swift Pure Cry
  • Written by Siobhan Dowd
  • Format: Trade Paperback | ISBN: 9780440422181
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  • A Swift Pure Cry
  • Written by Siobhan Dowd
  • Format: eBook | ISBN: 9780375891557
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On Sale: September 09, 2008
Pages: | ISBN: 978-0-375-89155-7
Published by : David Fickling Books RH Childrens Books
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ireland (43) alcoholism (19) pregnancy (18) teen pregnancy (17) fiction (16) young adult (13) religion (12) ya (9) death (7) poverty (7) relationships (5) novel (4) family (4) mystery (4)
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Synopsis|Excerpt

Synopsis

Ireland 1984.

After Shell's mother dies, her obsessively religious father descends into alcoholic mourning and Shell is left to care for her younger brother and sister. Her only release from the harshness of everyday life comes from her budding spiritual friendship with a naive young priest, and most importantly, her developing relationship with childhood friend, Declan, who is charming, eloquent, and persuasive. But when Declan suddenly leaves Ireland to seek his fortune in America, Shell finds herself pregnant and the center of a scandal that rocks the small community in which she lives, with repercussions across the whole country. The lives of those immediately around her will never be the same again.

This is a story of love and loss, religious belief and spirituality—it will move the hearts of any who read it.


From the Hardcover edition.

Excerpt

One



The place brought to mind a sinking ship. Wood creaked on the floor, across the pews, up in the gallery. Around the walls, a fierce March wind chased itself.

The congregation launched into the Our Father as if every last soul was going down. Heaven. Bread. Trespass. Temptation. The words whisked passed Shell’s ears like rabbits vanishing into their holes. She tried wriggling her nose to make it slimmer. Evil. Mrs McGrath’s hat lurched in front of her, its feather looking drunk: three-to-one odds it would fall off. Declan Ronan, today’s altar boy, was examining the tabernacle, licking his lips with half-shut eyes. Whatever he was thinking, it wasn’t holy.

Trix and Jimmy sat on either side of her, swinging their legs in their falling-down socks. They were in a competition to see who could go higher and faster.

‘Whisht,’ Shell hissed, poking Jimmy in the ribs.

‘Whisht yourself,’ said Jimmy aloud.

Thankfully, Dad didn’t hear. By now he was up at the microphone, reading the lesson like a demented prophet. His sideburns gleamed grey. The lines on his massive forehead rose and fell. This past year, he’d gone religion-mad. He’d become worshipper extraordinaire, handing out the hymn books, going round with the collection boxes every offertory. Most days he went into nearby Castlerock and walked the streets, collecting for the Church’s causes. On Sunday mornings, she’d often glimpse him practising the reading in his bedroom. He’d sit upright in front of the three panelled mirrors of Mam’s old dressing table, spitting out the words like bad grapes.

Shell, on the other hand, had no time for church: not since Mam’s death, over a year back. She remembered how, when she was small, Mam had made her, Jimmy and Trix dress up clean and bright and coaxed them through Mass with colouring pencils and paper. ‘Draw me an angel, Shell, playing hurling in the rain’; ‘Do me a cat, Jimmy, parachuting off a plane.’ Mam had liked the priests, the candles and the rosaries. Most of all, she’d loved the Virgin Mary. She’d said ‘Sweet Mary this and that’ all day long. Sweet Mary if the potatoes boiled over, if the dog caught a crow. Sweet Mary if the scones came out good and soft.

Then she died.

Shell remembered standing by Mam’s bed as she floated off. Dr Fallon, Mrs Duggan and Mrs McGrath had been there, with Father Carroll leading a round of the rosary. Her dad had stood off to the side, like a minor character in a film, mouthing the words rather than saying them. Now and at the hour of our . . . On the word ‘death’ Shell had frozen. Death. The word was a bad breath. The closer you got the more you wanted it to go away. She’d realized then she didn’t believe in heaven any more. Mam wasn’t going anywhere. She was going to nowhere, to nothing. Her face had fallen in, puckered and ash-white. Her thin fingers kneaded the sheets, working over them methodically. In Shell’s mind, Jesus got off the cross and walked off to the nearest bar. Mam’s face scrunched up, like a baby’s that’s about to cry. Then she died. Jesus drained off his glass of beer and went clean out of Shell’s life. Mrs McGrath put the mirror Mam had used for plucking her eyebrows up to her mouth and said, ‘She’s gone.’ It was quiet. Dad didn’t move. He just kept on mouthing the prayers, a fish out of water.

They’d waked her in the house over three days. Mam’s face turned waxen. Her fingers went blue and stiff, then yellow and loose again. They threaded them with her milk-white rosary beads. Then they buried her. It was a drama, the whole village bowing, the men doffing their hats. There were processions and candles, solemn stares, prayers, and callers night and day. I’m sorry for your trouble, they’d say. A feed of drink was drunk. Shell didn’t cry. Not at first. Not until a whole year passed. Then she’d cried long and hard as she planted the grave up with daffodils on a November day, the first anniversary.

The less religious Shell got, the more Dad became. Before Mam died, he’d only ever gone through the motions, standing in the church’s back porch, muttering with the other men about the latest cattlemart or hurling match. Mam hadn’t minded. She’d joked that men fell into two categories: they were either ardent about God and indifferent to women, or ardent about women and indifferent to God. If she’d been alive now, she wouldn’t have known him. He was piety personified. He’d sold the television, saying it was a vehicle of the devil. He’d taken over Mam’s old role and led Shell, Jimmy and Trix in a decade of the rosary every night, except Wednesdays and Saturdays, when he went straight down to Stack’s pub after his day of collecting. He’d given up his job on Duggans’ farm. He said he was devoting his life to the Lord.

Today, he was almost yelling. Avenging angels, crashing temples and false gods resounded in the small church, hurting the ear. Mrs McGrath’s hat slid off when the shock of the word thunder set the microphone off in a high-pitched whine. Dad’s eyes flickered. He was momentarily distracted. He looked up at the congregation, staring into the middle distance, seeing nobody. He clenched the lectern’s sides. Shell held her breath. Had he lost his place? No. He continued, but the steam had gone out of it. Jimmy punched the bench, making it boom, just as Dad faltered to the end.

‘This – is – the – word – of – the – Lord,’ he trailed.

‘Thanks be to God,’ the congregation chorused. Shell for one meant it. He’d done. Jimmy smirked. He made the hymn sheet into a spyglass and twisted to inspect the people in the gallery. Trix curled up on the floor, with her head on the kneeler. Dad came down from the altar. Everybody stood up. Shell averted her eyes from Dad as he shuffled up beside her. Bridie Quinn, her friend from school, caught her eye. She had two fingers up to her temple and was twizzling them round as if to say, Your dad is mad. Shell shrugged as if to reply, It’s nothing to do with me. Everybody was waiting for Father Carroll to do the Gospel. He was stooped and old, with a soft, sing-song voice. You could go off into a sweet, peaceful dream as he pattered out the words.

There was a long pause.

The wind outside died down. Crows cawed.

It wasn’t Father Carroll who approached the microphone but the new curate, Father Rose. He was fresh from the seminary, people said, up in the Midlands. He’d never spoken in public before. Shell had only seen him perform the rites in silence, at Father Carroll’s side. There was a quickening interest all around.

He stood at the lectern, eyes down, and turned the pages of the book with a slight frown of concentration. He was young, with a full head of hair that sprang upwards like bracken. He held his head to one side, as if considering a finer point of theology. When he found the place, he straightened up and smiled. It was the kind of smile that radiated out to everyone, everywhere at once. Shell felt he’d smiled at her alone. She heard him draw his breath.

‘“The next day, as they were leaving Bethany . . .”’ he began.

His voice was even, expressive. The words had a new tune in them, an accent from another place, a richer county. He read the words as if he’d written them himself, telling the story about Jesus throwing over the tables of the moneylenders outside the temple. Jesus raged with righteous anger and Father Rose’s mouth moved in solemn tandem. The air around him vibrated with shining picture bubbles. Shell could hear the caged birds under the arches, the clink of Roman coins. She could see the gorgeous colours of the Israelites’ robes, the light shafting through the temple columns. The images and sounds cascaded out from the pulpit, hanging in the air, turning over like angels in the spring light.

‘Please be seated,’ Father Rose said at the end of the reading. The congregation sat. Only Shell remained standing, her mouth open. The tables of the moneymen turned into hissing snakes. The multitudes fell silent. Jesus became a man, sad and real, smiling upon Shell as she stood in a daze.

‘Be seated,’ Father Rose repeated gently.

There was a rustle around her and Shell remembered where she was. God. Everyone’s staring. She plumped down. Trix tittered. Jimmy dug his spyglass in her side.

Father Rose came down the altar steps and stood before the congregation, arms folded, grinning, as if welcoming guests over for dinner. There was a mutter at this departure from practice. Father Carroll always went to the pulpit for his sermon. Father Rose began to speak.


From the Hardcover edition.
Siobhan Dowd

About Siobhan Dowd

Siobhan Dowd - A Swift Pure Cry

Photo © Geoff Morgan

From the author:

Born of Irish parents, the youngest of four girls, I was raised in a South London suburb. Despite the red buses and red post boxes, Ireland was bred in the bone. We were brought up as Irish-Catholic, went to Catholic schools with other Irish-Catholics, and spent our magical childhood summers playing with our Irish cousins in Ireland’s County Waterford. While there, we lived in a remote cottage with no water or electricity. We washed in water collected in rain barrels and read by gaslight.

The four of us used to liken ourselves to the girls in Little Women, which meant I was the spoilt one, Amy–the short straw.

From the age of seven, I scribbled down poems, ghost stories, and mystery stories and completed my first novel at the age of nine. It was about Anne, the daughter of a harried innkeeper in Bethlehem, and very, very holey (yes, that is how I spelt the word). But it fixed my aim to write for a living when I grew up.

By a long and circuitous route, I’ve finally attained this goal. In between going to Oxford University and studying Classics, working to promote human rights for the writers’ association PEN, doing a Master’s degree in the social sciences, and living on both sides of the Atlantic (I worked for PEN American Centre in New York City between 1990 and 1997), I was always writing something. I wrote diaries, letters, entertainments for my nieces’ and nephews’ birthdays, as well as hundreds of nonfiction articles and reviews for newspapers and magazines. In a secret drawer, I kept a gargantuan adult manuscript-in-progress: I rewrote it four times before putting it aside.

Then I submitted a short story about a young Irish Traveller boy for Skin Deep, an anthology about racism aimed at young adults (Puffin, 2003). What joy when it was accepted! Encouraged, I wrote A Swift Pure Cry in three intensive months in the autumn of 2004.

The story was inspired by two shocking events that occurred in Ireland in 1984. The first was the tragic death of Anne Lovett, aged 15. Unable to seek help when she fell pregnant, she died of exposure and haemorrhaging while trying to give birth on her own in a grotto to the Virgin Mary in the village of Granard, County Longford. Her child also died. Members of her community pleaded in their own defence that they had been unaware of her predicament.

The second case was that of ‘the Kerry Babies.’ A baby boy was found with multiple stab wounds, abandoned on a beach out on County Kerry’s Dingle Peninsula. The Gardai accused Joanne Hayes, a woman in her 20s who was known to have been pregnant out of wedlock, of having murdered him. She said she had buried her own baby boy, who had died, in a local field. I won’t describe here the bizarre train of events that unfolded, but the result was an independent tribunal and a nationwide furore. To date, the murderer of the stabbed baby boy and his parentage remain a mystery.

Perhaps it was a haunting sense of something unresolved in these tragedies that impelled me to write A Swift Pure Cry. Certainly, the story seemed to write itself. Shell Talent and her (completely fictional) story of loss and discovery must have been germinating in the back of my brain for 20 years.

Today, every day I don’t write feels like a lost day. I never believe that a story will be finished until I’ve typed the last period. And it is always a miracle if I get it down before being run over by a juggernaut.

The calm beauty of Oxford, where I live, and a kind, witty husband prevent me from being so doom-laden that I can’t write at all. I’m currently halfway through my fourth novel . . . and I’m being very careful crossing the road.
Praise | Awards

Praise

“IT IS NO small feat to write a story so heavy with foreboding and both deliver on the palpable sense of dread and concoct a hopeful yet realistic ending. Dowd achieves this in her beautifully realized account of one girl’s
loss of innocence, and her resilient recovery.”—Publishers Weekly, Starred

“Dowd’s elegant, unsentimental prose and her instinctive grasp of the struggles of the human heart [lead] toward a hopeful ending. Don’t let your kids keep this book to themselves.”—People Magazine

“Told through flowing eloquent prose, with strong Joycean influences, this engrossing and haunting tale will not let the reader go.”—Kirkus Reviews

Awards

WINNER 2008 ALA Best Books for Young Adults
FINALIST 2007 Publishers Weekly Best Children's Book of the Year
WINNER 2007 Book Sense Children's Pick List
WINNER 2007 Kirkus Reviews Best Book of the Year

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