Random House: Bringing You the Best in Fiction, Nonfiction, and Children's Books
Authors
Books
Features
Newletters and Alerts

Buy now from Random House

  • I'm Not Scared
  • Written by Niccolo Ammaniti
    Translated by Jonathan Hunt
  • Format: Trade Paperback | ISBN: 9781400075638
  • Our Price: $14.00
  • Quantity:
See more online stores - I'm Not Scared

I'm Not Scared

Written by Niccolo AmmanitiAuthor Alerts:  Random House will alert you to new works by Niccolo Ammaniti
Translated by Jonathan HuntAuthor Alerts:  Random House will alert you to new works by Jonathan Hunt

I'm Not Scared Cover

Bookmark,
Share & Shelve:

  • Add This - I'm Not Scared
  • Email this page - I'm Not Scared
  • Print this page - I'm Not Scared
ABOUT THE BOOK ABOUT THE BOOK
ABOUT THE AUTHOR ABOUT THE AUTHOR
PRAISE PRAISE
READER'S GUIDE READER'S GUIDE
Categories for this book
Tags for this book (powered by Library Thing)
fiction (111) italy (64) thriller (24) childhood (21) kidnapping (21)
» see more tags
» hide
Synopsis|Excerpt

Synopsis

“Stop all this talk about monsters, Michele. Monsters don’t exist. It’s men you should be afraid of, not monsters.”

A sweltering heat wave hits a tiny village in Southern Italy, sending the adults to seek shelter, while their children bicycle freely throughout the countryside, playing games and getting into trouble. On a dare, nine-year-old Michele Amitrano enters an old, abandoned farmhouse, where he stumbles upon a secret so terrible that he can’t tell anybody. As the truth emerges, Michele learns that the horror in the creepy old house is closer to home than he ever imagined.

A widely acclaimed international bestseller, I’m Not Scared is a spine-tingling novel that combines a coming of age narrative with a satisfying, enthralling story of suspense.

Excerpt

One

I was just about to overtake Salvatore when I heard my sister scream. I turned and saw her disappear, swallowed up by the wheat that covered the hill.

I shouldn't have brought her along. Mama would be furious with me. I stopped. I was sweaty. I got my breath back and called to her: 'Maria? Maria?'

A plaintive little voice answered me: 'Michele.'

'Have you hurt yourself?'

'Yes, come here.'

'Where've you hurt yourself?'

'On the leg.'

She was faking, she was tired. I'm going on, I said to myself. But what if she really was hurt? Where were the others?

I saw their tracks in the wheat. They were rising slowly, in parallel lines, like the fingers of a hand, towards the top of the hill, leaving a wake of trampled stalks behind them.

The wheat was high that year. In late spring it had rained a lot, and by mid-June the stalks were higher and more luxuriant than ever. They grew densely packed, heavy-eared, ready to be harvested.

Everything was covered in wheat. The low hills rolled away like the waves of a golden ocean. As far as the horizon nothing but wheat, sky, crickets, sun and heat.

I had no idea how hot it was, degrees centigrade don't mean much to a nine-year-old, but I knew it wasn't normal.

That damned summer of 1978 has gone down in history as one of the hottest of the century. The heat got into the stones, crumbled the earth, scorched the plants and killed the livestock, made the houses sweltering. When you picked the tomatoes in the vegetable garden they had no juice and the zucchini were small and hard. The sun took away your breath, your strength, your desire to play, everything. And it was just as unbearable at night.

At Acqua Traverse the grown-ups didn't leave the houses till six in the evening. They shut themselves up indoors with the blinds drawn. Only we children ventured out into the fiery deserted countryside.

My sister Maria was five and followed me as stubbornly as a little mongrel rescued from a dog pound.

'I want to do what you do,' she always said. Mama backed her up.

'Are you or are you not her big brother?' And there was nothing for it, I had to take her along.

No one had stopped to help her.

After all, it was a race.

'Straight up the hill. No curves. No following each other. No stopping. Last one there pays a forfeit,' Skull had decided and he had conceded to me: 'All right, your sister's not in the race. She's too small.'

'I'm not too small!' Maria had protested. 'I want to race too!' And then she had fallen down.

Pity, I was lying third.

First was Antonio. As usual.

Antonio Natale, known as Skull. Why we called him Skull I can't remember. Maybe because once he had stuck a skull on his arm, one of those transfers you bought at the tobacconist's and fixed on with water. Skull was the oldest in the gang. Twelve years old. And he was the chief. He liked giving orders and if you didn't obey he turned nasty. He was no Einstein, but he was big, strong and brave. And he was going up that hill like a goddamn bulldozer.

Second was Salvatore.

Salvatore Scardaccione was nine, the same age as me. We were classmates. He was my best friend. Salvatore was taller than me. He was a loner. Sometimes he came with us but often he kept to himself. He was brighter than Skull, and could easily have deposed him, but he wasn't interested in becoming chief. His father, the Avvocato Emilio Scardaccione, was a big shot in Rome. And had a lot of money stashed away in Switzerland. That's what they said, anyway.

Then there was me, Michele. Michele Amitrano. And I was third that time, yet again. I had been going well, but now, thanks to my sister, I was at a standstill.

I was debating whether to turn back or leave her there, when I found myself in fourth place. On the other side of the ridge that duffer Remo Marzano had overtaken me. And if I didn't start climbing again straight away Barbara Mura would overtake me too.

That would be awful. Overtaken by a girl. And a fat one too.

Barbara Mura was scrambling up on all fours like a demented sow. All sweaty and covered in earth.

'Hey, aren't you going back for your little sister? Didn't you hear her? She's hurt herself, poor little thing,' she grunted happily. For once it wasn't going to be her who paid the forfeit.

'I'm going, I'm going . . . And I'll beat you too.' I couldn't admit defeat to her just like that.

I turned and started back down, waving my arms and whooping like a Sioux. My leather sandals slipped on the wheat. I fell down on my backside a couple of times.

I couldn't see her. 'Maria! Maria! Where are you?'

'Michele . . .'

There she was. Small and unhappy. Sitting on a ring of broken stalks. Rubbing her ankle with one hand and holding her glasses in the other. Her hair was stuck to her forehead and her eyes were moist. When she saw me she twisted her mouth and swelled up like a turkey.

'Michele?'

'Maria, you've made me lose the race! I told you not to come, damn you.' I sat down. 'What have you done?'

'I tripped up. I hurt my foot and . . .' She threw her mouth wide open, screwed up her eyes, shook her head and exploded into a wail: 'My glasses! My glasses are broken!'

I could have thumped her. It was the third time she had broken her glasses since school had finished. And every time, who did mama blame?

'You've got to look after your sister, you're her big brother.'

'Mama, I . . .'

'I don't want to hear any of your excuses. It hasn't sunk into your head yet, but I don't find money in the vegetable garden. The next time you break those glasses I'll give you such a hiding . . .'

They had snapped in the middle, where they had already been stuck together once before. They were a write-off.

Meanwhile my sister kept on crying.

'Mama . . . She'll be cross . . . What are we going to do?'

'What else can we do? Stick them together with Scotch tape. Up you get, come on.'

'They look horrible with Scotch tape. Really horrible. I don't like them.'

I put the glasses in my pocket. Without them my sister couldn't see a thing, she had a squint and the doctor had said she would have to have an operation before she grew up. 'Never mind. Up you get.'

She stopped crying and started sniffing. 'My foot hurts.'

'Where?' I kept thinking of the others, they must have reached the top of the hill ages ago. I was last. I only hoped Skull wouldn't make me do too tough a forfeit. Once when I had lost a bike race he had made me run through nettles.

'Where does it hurt?'

'Here.' She showed me her ankle.

'You've twisted it. It's nothing. It'll soon stop hurting.'

I unlaced her trainer and took it off very carefully. As a doctor would have done. 'Is that better?'

'A bit. Shall we go home? I'm terribly thirsty. And mama . . .'

She was right. We had come too far. And we had been out too long. It was way past lunchtime and mama would be on the lookout at the window.

I wasn't looking forward to our return home.

But who would have thought it a few hours earlier.

That morning we had gone off on our bikes.

Usually we went for short rides, round the houses. We cycled as far as the edges of the fields, the dried-up stream, and raced each other back.

My bike was an old boneshaker, with a patched-up saddle, and so high I had to lean right over to touch the ground.

Everyone called it 'the Crock'. Salvatore said it was the bike the Alpine troops had used in the war. But I liked it, it was my father's.

If we didn't go cycling we stayed in the street playing football, steal-the-flag, or one-two-three-star, or lounged under the shed roof doing nothing.

We could do whatever we liked. No cars ever went by. There were no dangers. And the grown-ups stayed shut up indoors, like toads waiting for the heat to die down.

Time passed slowly. By the end of the summer we were longing for school to start again.

That morning we had been talking about Melichetti's pigs.

We often talked about Melichetti's pigs. Rumour had it old Melichetti trained them to savage hens, and sometimes rabbits and cats he found by the roadside.

Skull spat out a spray of white saliva. 'I've never told you till now. Because I couldn't say. But now I will tell you: those pigs ate Melichetti's daughter's dachshund.'

A general chorus arose: 'No, they couldn't have!'

'They did. I swear on the heart of the Madonna. Alive. Completely alive.'

'It's not possible!'

What sort of monsters must they be to eat a pedigree dog?

Skull nodded. 'Melichetti threw it into the pigsty. The dachshund tried to get away, they're crafty animals, but Melichetti's pigs are craftier. Didn't give him a chance. Torn to shreds in two seconds.' Then he added: 'Worse than wild boars.'

Barbara asked him: 'But why did he throw it to them?'

Skull thought for a moment. 'It pissed in the house. And if you fall in there, you fat lump, they'll strip all the flesh off you, right down to the bone.'

Maria stood up. 'Is Melichetti crazy?.

Skull spat on the ground again. 'Crazier than his pigs.'

We were silent for a few moments imagining Melichetti's daughter with such a wicked father. None of us knew her name, but she was famous for having a sort of iron brace round one leg.

'We could go and see them!' I suggested suddenly.

'An expedition!' said Barbara.

'It's a long way away, Melichetti's farm. It'd take ages,' Salvatore grumbled.

'No, it isn't, it's not far at all, let's go . . .' Skull got on his bike. He never missed a chance to put Salvatore down.

I had an idea. 'Why don't we take a hen from Remo's chicken run, so when we get there we can throw it into the pigsty and see how they tear it apart?'

'Brilliant!' Skull approved.

'But papa will kill me if we take one of his hens,' Remo wailed.

It was no use, the idea was a really good one.

We went into the chicken run, chose the thinnest, scrawniest hen and stuck it in a bag.

And off we went, all six of us and the hen, to see those famous pigs of Melichetti's, and we pedalled along between the wheatfields, and as we pedalled the sun rose and roasted everything.

Salvatore was right, Melichetti's farm was a long way away. By the time we got there we were parched and our heads were boiling.

Melichetti was sitting, with sunglasses on, in a rusty old rocking chair under a crooked beach umbrella.

The house was falling to pieces and the roof had been roughly patched up with tin and tar. In the farmyard there was a heap of rubbish: wheels, a rusty Bianchina, some bottomless chairs, a table with one leg missing. On an ivy-covered wooden post hung some cows' skulls, worn by the rain and sun. And a smaller skull with no horns. Goodness knows what animal that came from.

A great big dog, all skin and bone, barked on a chain.

Behind the house were some corrugated iron huts and the pigsties, on the edge of a gravina.

Gravinas are small canyons, long crevasses dug by the water in the rock. White spires, rocks and pointed crags protrude from the red earth. Inside, twisted olive trees, arbutuses and holly often grow, and there are caves where the shepherds put their sheep.

Melichetti looked like a mummy. His wrinkled skin hung off him, and he was hairless, except for a white tuft in the middle of his chest. Round his neck he had an orthopaedic collar fastened with green elastic bands, and he was wearing black shorts and brown plastic flipflops.

He had seen us arrive on our bikes, but he didn't move. We must have seemed like a mirage to him. Nobody ever passed by on that road, except the occasional truck carrying hay.

There was a smell of piss. And millions of horseflies. They didn't bother Melichetti. They settled on his head and round his eyes, like they do on cows. Only if they got on his lips did he react, puffing them away.

Skull stepped forward. 'Signore, we're thirsty. Have you got any water?'

Iwas worried, because a man like Melichetti was liable to shoot you, throw you to the pigs, or give you poisoned water to drink. Papa had told me about a guy in America who had a pond where he kept crocodiles, and if you stopped to ask him the way he would ask you in, knock you on the head and feed you to the crocodiles. And when the police had come, rather than go to prison he had let his pets tear him to pieces. Melichetti could easily be that sort of guy.

The old man raised his sunglasses. 'What are you doing here, kids? Aren't you a bit far from home?'

'Signor Melichetti, is it true you fed your dachshund to the pigs?' Barbara piped up.

I could have died. Skull turned and gave her a glare of hatred. Salvatore kicked her in the shin.

Melichetti burst out laughing, had a fit of coughing and nearly choked. When he had recovered he said: 'Who tells you these daft stories, little girl?'

Barbara pointed at Skull: 'He does!'

Skull blushed, hung his head and looked at his shoes.

I knew why Barbara had said it.

A few days earlier we had had a stone-throwing competition and Barbara had lost. As a forfeit Skull had ordered her to unbutton her shirt and show us her breasts. Barbara was eleven. She had a small bosom, just flea-bites, nothing to what she would have in a couple of years' time. She had refused. 'If you don't, you can forget about coming with us any more,' Skull had threatened her. I had felt bad about it, the forfeit wasn't fair. I didn't like Barbara, as soon as she got the chance she would try to pull a fast one on you, but showing her tits, no, that seemed too much.

Skull had decided: 'Either show us your tits or get lost.'

And Barbara, without a word, had gone ahead and unbuttoned her shirt.

I couldn't help looking at them. They were the first tits I had seen in my life, except for mama's. Maybe once, when she had come to stay with us, I had seen my cousin Evelina's, she was ten years older than me. Anyway, I had already formed an idea of the sort of tits I liked, and Barbara's I didn't like at all. They looked like scamorzas, folds of skin, not much different from the rolls of fat on her stomach.
Jonathan Hunt

About Jonathan Hunt

Jonathan Hunt - I'm Not Scared
JONATHAN HUNT was born in Portsmouth in 1951. He has taught at the universities of Munich, Cambridge, and Turin, and his translations from the Italian include Niccolo Ammaniti's I'm Not Scared and Steal You Away, and Carlo Petrini's Slow Food Nation.
Praise

Praise

“A suspense story as gripping as any Hitchcock classic.” —The Washington Post

“Niccolò Ammaniti is talented, and his descriptions of the sun-baked Italian earth give off a heat that singes the reader’s fingertips. . . . Enjoy this book right down to its bittersweet Faulknerian ending.” —San Francisco Chronicle

“Ammaniti [has an] almost cinematic ability to conjure detail . . . utterly convincing.” —The New Yorker

“This book is breathless, and surprising, to the last word.” —The Baltimore Sun


Reader's Guide|About the Book|Author Biography|Discussion Questions|Suggestions

About the Book

“This book is breathless, and surprising, to the last word.” —The Baltimore Sun

The introduction, discussion questions, suggestions for further reading, and author biography that follow are designed to enhance your group’s discussion of I’m Not Scared, Niccolò Ammaniti’s troubling and moving tale of one boy’s initiation into the darker secrets of adulthood.

About the Guide

When Michele Amitrano stumbles onto a boy held prisoner in a hole deep in the Italian countryside, he begins a journey that will lead him to a series of startling discoveries.

I’m Not Scared explores the playful and volatile world of childhood through the eyes of nine-year-old Michele, who is forced, again and again, to make the hard choices that will define his character. As the book opens, he must choose between helping his younger sister or winning a race. Later, he must choose between letting his friend Barbara be humiliated or taking the punishment himself. And as the novel approaches its stunning climax, he must choose between obeying his father and fulfilling the oath he swore to him, or following his conscience and keeping his promise to Filippo, the boy who has been kidnapped. But the choices he makes bring him into serious danger, not from the monsters of his childish imagination but from the adults around him who are capable of violence and monstrosities that are all too real.

Written with an immediacy and poignancy which is itself evocative of childhood, I’m Not Scared is a powerful tale of how one boy finds the courage to overcome his fear, risk his life, and make wrenchingly difficult moral choices.

About the Author

Niccolò Ammaniti was born in Rome in 1966. He is the author of three novels, as well as a collection of short stories. At thirty-four, he was the youngest ever winner of the prestigious Viareggio-Repaci prize for I’m Not Scared which has been translated into twenty languages.

Discussion Guides

1. I’m Not Scared is preceded by an epigraph by Jack London: “That much he knew. He had fallen into darkness. And at the instant he knew, he ceased to know.” Why has Niccolò Ammaniti chosen to begin his novel with this quote? How does it illuminate what happens in the story? What is the literal and symbolic significance, in terms of the novel, of falling into darkness?

2. The novel opens with a scene in which Michele must choose between winning the race or helping his sister Maria. What conflicts and choices does this moment prefigure? What is revealed about Michele’s character at this point?

3. How does Ammaniti recreate the texture and atmosphere of childhood in his novel? What aspects of Michele’s way of seeing himself and the world seem most authentically childlike?

4. Michele first stumbles onto Filippo because of a sacrifice he makes to save his friend Barbara. What are the ultimate consequences of this decision? Where else does Michele demonstrate this generosity and willingness to sacrifice himself?

5. Why does Michele identify with Filippo so strongly? Why does he think at first that Filippo is his brother? Why does he feel that Filippo “was mine and that they had taken him away from me” [p. 169]?

6. Michele father’s once told him to “Stop all this talk about monsters. . . . Monsters don’t exist. It’s men you should be afraid of, not monsters” [p. 170]. In what ways does the novel itself prove the truth of this statement? What does it say about Michele’s father that he would offer this advice to his son?

7. In the games they play and in their behavior toward one another, how do Michele and his group of friends—Salvatore, Skull, Remo, and Barbara—compare to the adults in the novel? In what ways are the children’s minor cruelties mirrored in the adults’ more serious crimes? In what way does Michele possess an integrity that the adults, and even the other children, lack?

8. What motivates the kidnappers, Sergio, Felice, and Michele’s father? Are readers meant to feel some sympathy for them? How do they manipulate and betray the innocence of childhood?

9. When Michele is running in the night to try to find Filippo, he fights off his fears by asking himself what Tiger Jack, a fictional Navajo hero, would have done: “I must be brave. Tiger Jack. Think of Tiger Jack. The Indian would help me. Before making any move, I must think what the Indian would do in my place. That was the secret” [p. 183]. How does this moment illustrate the value of literature? How does Tiger Jack help him? How might I’m Not Scared itself serve as a kind of moral guide?

10. Why does Michele break his oath to his father not to visit Filippo? “I wanted to turn back,” he thinks, “but my legs pedaled and an irresistible force dragged me towards the hill” [p. 164]. What is that force?

11. In the novel’s final scene, Michele seems to be lead to the hole where Filippo is hidden by an owl whose nest he has accidentally knocked down. Should this be read as a kind of supernatural intervention, or simply as a chance occurrence?

12. I’m Not Scared ends suddenly and dramatically, the details of which won’t be revealed here. Often, such a climatic moment is followed by a dénouement, in which the story’s loose ends are tied up and explained. Why has Ammaniti chosen to end his novel in this way? What does this ending achieve? What is likely to happen to Michele and his family in the aftermath of this moment?

13. Ammaniti’s novel can be described as a coming-of-age story. In what sense does Michele grow up during the course of the story? What hard lessons does he learn about the adult world?

Suggested Readings

Charles Dickens, Great Expectations; Italo Calvino, The Baron in the Trees; James Joyce, Portrait of the Artist as a Young Man; Peter Robinson, Close to Home; J. D. Salinger, The Catcher in the Rye; William Trevor, The Story of Lucy Gault; Mark Twain, The Adventures of Tom Sawyer.

  • I'm Not Scared by Niccolo Ammaniti Translated by Jonathan Hunt
  • March 09, 2004
  • Fiction - Literary
  • Anchor
  • $14.00
  • 9781400075638

Your E-Mail Address
send me a copy

Recipient's E-Mail Address
(multiple addresses may be separated by commas)

A personal message: