"Superbly written, with that sensitivity to sunset and afterglow that has always been Miss Cather's."
—The New York Times
Willa Cather wrote Shadows on the Rock immediately after her historical masterpiece, Death Comes for the Archbishop. Like its predecessor, this novel of seventeenth-century Quebec is a luminous evocation of North American origins, and of the men and women who struggled to adapt to that new world even as they clung to the artifacts and manners of one they left behind.
In 1697, Quebec is an island of French civilization perched on a bare gray rock amid a wilderness of trackless forests. For many of its settlers, Quebec is a place of exile, so remote that an entire winter passes without a word from home. But to twelve-year-old Cécile Auclair, the rock is home, where even the formidable Governor Frontenac entertains children in his palace and beavers lie beside the lambs in a Christmas créche. As Cather follows this devout and resourceful child over the course of a year, she re-creates the continent as it must have appeared to its first European inhabitants. And she gives us a spellbinding work of historical fiction in which great events occur first as rumors and then as legends—and in which even the most intimate domestic scenes are suffused with a sense of wonder.
BONUS: The edition includes an excerpt from The Selected Letters of Willa Cather.
About Willa Cather
Willa Cather was probably born in Virginia in 1873, although her parents did not register the date, and it is probably incorrectly given on her tombstone. Because she is so famous for her Nebraska novels, many people assume she was born there, but Willa Cather was about nine years old when her family moved to a small Nebraska frontier town called Red Cloud that was populated by immigrant Swedes, Bohemians, Germans, Poles, Czechs, and Russians. The oldest of seven children, she was educated at home, studied Latin with a neighbor, and read the English classics in the evening. By the time she went to the University of Nebraska in 1891–where she began by wearing boy’s clothes and cut her hair close to her head–she had decided to be a writer.
After graduation she worked for a Lincoln, Nebraska, newspaper, then moved to Pittsburgh and finally to New York City. There she joined McClure’s magazine, a popular muckraking periodical that encouraged the writing of new young authors. After meeting the author Sarah Orne Jewett, she decided to quit journalism and devote herself full time to fiction. Her first novel, Alexander’s Bridge, appeared in serial form in McClure’ s in 1912. But her place in American literature was established with her first Nebraska novel, O Pioneers!, published in 1913, which was followed by her most famous pioneer novel, My Antonia, in 1918. In 1922 she won the Pulitzer Prize for one of her lesser-known books, One of Ours. Death Comes for the Archbishop (1927), her masterpiece, and Shadows on the Rock (1931) also celebrated the pioneer spirit, but in the Southwest and French Canada. Her other novels include The Song of the Lark (1915), The Professor’ s House (1925), My Mortal Enemy (1926), and Lucy Gayheart (1935). Willa Cather died in 1947.