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The Origin of German Tragic Drama

Written by Walter BenjaminAuthor Alerts:  Random House will alert you to new works by Walter Benjamin
Translated by John OsborneAuthor Alerts:  Random House will alert you to new works by John Osborne
Introduction by George SteinerAuthor Alerts:  Random House will alert you to new works by George Steiner

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Synopsis

Synopsis

Cited by Lukács as a principal source of literary modernism, Walter Benjamin’s study of the baroque stage-form called Trauerspiel (literally, “mourning play”) is the most complete document of his prismatic literary and philosophical practice. Engaging with sixteenth- and seventeenth-century German playwrights as well as the plays of Shakespeare and Calderón and the engravings of Dürer, Benjamin attempts to show how the historically charged forms of the Trauerspiel broke free of tragedy’s mythological timelessness. From its philosophical prologue, which offers a rare account of Benjamin’s early aesthetics, to its mind-wrenching meditation on allegory, The Origin of German Tragic Drama sparkles with early insights and the seeds of Benjamin’s later thought.
Praise

Praise

“Walter Benjamin is the most important German aesthetician and literary critic of [the twentieth] century.”—Sunday Times

“He drew, from the obscure disdained German baroque, elements of the modern sensibility: the taste for allegory, surrealist shock effects, discontinuous utterance, a sense of historical catastrophe.”—Susan Sontag

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