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A Novel

Written by Maryka BiaggioAuthor Alerts:  Random House will alert you to new works by Maryka Biaggio



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On Sale: January 15, 2013
Pages: 352 | ISBN: 978-0-385-53623-3
Published by : Anchor Knopf

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Read by Leslie Carroll
On Sale: January 15, 2013
ISBN: 978-0-449-80669-2
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Synopsis|Excerpt

Synopsis

Based on a true story, comes a sweeping historical novel about a beautiful con artist whose turn-of-the-century escapades take her around the world as she's doggedly pursued by a Pinkerton Agency detective
 
The novel opens in 1917 with our cunning protagonist, May Dugas, standing trial for extortion. As the trial unfolds, May tells her version of events.
 
In 1887, at the tender age of eighteen, May ventures to Chicago in hopes of earning enough money to support her family. Circumstances force her to take up residence at the city’s most infamous bordello, but May soon learns to employ her considerable feminine wiles to extract not only sidelong looks but also large sums of money from the men she encounters.  Insinuating herself into Chicago’s high society, May lands a well-to-do fiancé—until, that is, a Pinkerton Agency detective named Reed Doherty intervenes and summarily foils the engagement. 
 
Unflappable May quickly rebounds, elevating seduction and social climbing to an art form as she travels the world, eventually marrying a wealthy Dutch Baron. Unfortunately, Reed Doherty is never far behind and continues to track May in a delicious cat-and-mouse game as the newly-minted Baroness’s misadventures take her from San Francisco to Shanghai to London and points in between.
 
The Pinkerton Agency really did dub May the “Most Dangerous Woman,” branding her a crafty blackmailer and ruthless seductress.  To many, though, she was the most glamorous woman to grace high society. Was the real May Dugas a cold-hearted swindler or simply a resourceful provider for her poor family?
 
As the narrative bounces back and forth between the trial taking place in 1917 and May’s devious but undeniably entertaining path to the courtroom—hoodwinking and waltzing her way through the gilded age and into the twentieth century—we're left to ponder her guilt as we move closer to finding out what fate ultimately has in store for our irresistible adventuress. 

Excerpt

The Trial



Menominee, Michigan—­January 22, 1917

I believe, dear reader—­and these words come from the bottom of my heart—­that I can truly trust you. Look at yourself. You’ve sought out my story; you’re willing to hear me out through these many pages. Who but a worldly and curious soul would undertake such a journey? Why, already I discern in you the intellect and refinement of a person with an open heart and nimble mind. You and I, my new friend, will become well acquainted over the course of this tale.

But you’ll want me to proceed with the telling. That’s what you’ve come for, and I’ll not thwart your wishes a moment longer. So choose your favorite spot—­a divan in a sumptuous hotel suite, the leather chair in front of your blazing fireplace, or a sun-­soaked bench in a sculpture garden—­any place, really, where we might enjoy the luxury of uninterrupted time together, and I will tell you the tale of the most dangerous woman in the world—­or so the Pinkertons dubbed me.

Today was the first day of my trial in the booming metropolis of Menominee. I narrowed my attire choices down to an indigo dress or a modest black dress with fluted collar. Looking at the black dress, I thought, heavens, it’s no funeral, and donned the blue one. It hugged my torso in a becoming manner, but still struck the serious and formal note required of the occasion. I kept my jewelry to a minimum: a simple sapphire necklace and matching earrings; the carved gold bracelet the Baron gave me on our first wedding anniversary; and my three-­stone diamond ring with garland filigrees. As much as I love my jewels, this was no time for ostentation.

With the trial slated to open at two in the afternoon, my brothers and I enjoyed a leisurely luncheon at home. Then Paul drove us through swirling snow to the courthouse in his 1916 Apperson Jack Rabbit. He’s so proud of that car—­with its spruce-­green exterior and leather seats as comfortable as a sofa. But, then, his automobile business does stock the latest models in the Upper Peninsula.

“I believe, Paul,” I observed from the back seat, “that Mr. Apperson has taught Henry Ford a thing or two with this car.”

Gene, who sat beside me, said, “Taught him how to build the most expensive thing on wheels is what he’s done.”

I chuckled—­Gene and I fell easily into the sport of teasing our older sibling—­and added, “Now, if only you could find a buyer for it in Menominee.”

Paul pivoted his blocky head in my direction. “If I get the chance to sell it.”

I resented Paul’s insinuation that he stood to lose property in the lawsuit. After Papa’s passing, Paul had ordained himself head of the family, even though the best he’d ever managed was a lumber worker’s salary—­that is, until I financed his automobile business. In truth, the responsibility for substantial support of the family had always fallen to me.

I reached over the front seat and patted Paul’s shoulder. “You needn’t worry. Have I ever let you down?”

“You’re coming damn close,” said Paul.

“Oh, don’t make it harder than it already is,” Gene said. “None of us likes being dragged to court.”

I could always count on Gene to take my side whenever Paul goaded me. With a winking nod to Gene, I said, “I’m sure it will all come out fine.”

Everyone should have a brother like Gene. He’s as loyal as a musketeer, always ready to serve up merriment, and dashing to boot. Today he sported a trim charcoal-­gray suit; Paul wore a baggy black jacket and shiny-­with-­wear wool pants. Gene, at six foot two, surpasses Paul in height and carries himself as erect as a proud stallion. Gene has the sort of looks that beguile women—­twinkly blue eyes, a shapely mustache, and tawny-­brown hair. Paul, stouter of build and perpetually glum, has only managed to attract a dowdy wife who disdains the revelry Gene and I naturally fall into. How perfectly provident that Gene, and not dull Paul, was named after our charming father.

Paul eased up on the accelerator as we rounded the corner onto Ogden Avenue. Wagon and car wheel ruts grooved the snow-­packed streets, and our car jostled over the ridges, bouncing us up and down on our seats. Between buildings and in storefront cul-­de-­sacs, a gusting wind played the snowdrifts, skimming snow off their thin peaks and carving them into lopsided mounds. The drying cold of winter that hangs in the air even during a snowstorm pricked my bare cheeks and neck; I clutched the folds of my moleskin coat against its bite.

We approached Foster’s Dry Goods, and I spied Mr. and Mrs. Foster standing as still as mannequins, gazing out the window. As we drove by, the couple stretched their necks to study us, making no attempt at a greeting.

Gene leaned forward and gripped Paul’s seat. “Look at the Fosters admiring your car.”

Paul trained his eyes straight ahead. “More likely trying to spot our notorious sister.”

“Well, you’re wise to drive this car around town,” I said, intent on nudging Paul back to some measure of civility. “Surely it’s good for business.”

Not that Menominee offers much by way of business. I’ve seen cities all over the world—­Chicago, sparkling and booming after the Great Fire; Portland, brash as the Wild West; Shanghai, steeped in trade and mystery; and London, civilized and regal. This town, however, has “bust” written all over it: the sorry storefronts bleached as ashen as driftwood; many of its once-­booming lumber mills shuttered; the ice-­encrusted shores of Lake Michigan impassable for months on end; and the surrounding forests, once thick with white pine, nearly all logged out. All in all, a rather pitiful place. As for me, I’d rather roast in the Mojave than live in Menominee. The only good thing that comes of being stuck here for this trial is the chance to enjoy my brothers’ company.

We parked beside the courthouse, among a hodgepodge of Tin Lizzies and horse-­drawn wagons and carriages. The piebald mare only a few feet away drooped her head as snow collected in splotchy blankets on her contoured back. At the slamming of our car doors she neither budged nor blinked. The poor thing—­what a shame that this trial forced her to endure such numbing cold.

Positioning myself between Paul and Gene, I hooked a hand under each one’s arm, and they escorted me through the front door and up to the second-­floor courtroom. Paul opened the door and I stepped forward.

Townspeople had absolutely mobbed the courtroom—­to say nothing of the eight to ten newsmen with writing pads at the ready. As we walked in, heads turned and followed us. On the water-­stained wood floor, snow melted and puddled around the onlookers’ feet. Coats, gloves, and farmers’ boots gave off wet-­wool, stale-­dirt, and manure odors. The pungent brew tickled my nose; I swept my wrist under my nostrils to supplant the stench with my Jasmin perfume.

As we marched along, Gene exchanged soft hellos with several people seated on the aisle. Holding my chin up proudly, I smiled and nodded at those who dared to cast their probing gaze my way.

I wasn’t surprised that nearly half the town had shown up for the trial; it’s been the talk of the Upper Peninsula for months now. If I had to live here season after season, I’d consider it the highlight of the year, too. Imagine how it’s been these past months: On afternoons when their husbands toiled at the mill or factory, women gathered over their needlework to speculate and gossip about me. That’s not to say the men are uninterested. Oh, no, I can’t walk ten feet in this town without a man’s eyes trailing me—­surreptitiously if his wife is on hand, but even if she isn’t, never so boldly as to require a chastening from a sister, the pastor, or whoever might observe him ogling that “swindler May,” as the town’s women have likely christened me. Why, I wasn’t even surprised to hear they’d been rehashing what turned out to be a mistaken pregnancy by hometown boy Robby Jacobsen.

Oh, yes, the womenfolk of Menominee had flocked to the courthouse, and as I stood unfastening my coat at the defendant’s table, I noticed they weren’t too proud to stare. Most of the crowd was older—­women without children or chores, I imagine—­all gussied up in their Sunday best with their hair neatly combed and hats pinned in place. They packed into the rows and chattered away like youngsters on a sleigh ride. The smattering of husbands accompanying their wives sat hunched over, clutching their hats two-­handed, pretending a lack of interest. The fact is, they were all there because this trial is the most exciting thing that’s happened around here since the great train heist of ’93. Well, who can begrudge them the diversion and entertainment my trial offers?

But such a bleak place the courtroom was, with plain, stiff-­backed chairs in the jury box and pew benches for onlookers. Bare lightbulbs hung from twisted brown cords and lit the room as bright as new snow. All the sounds around me—­the bailiff’s clacking heels, my lawyer and his associate’s whispered exchanges, and the buzz of conversation from the crowd—­bounced off the high, unadorned white walls like the bleats of animals shut up in a barn.

I took my seat on the hardwood chair next to my attorney, greeted him, and smoothed the folds of my skirt. Through the tall windows lining the room, only bare, spindly treetops could be glimpsed, as if the architect intended to intimidate with narrow, jail-­style windows. Radiators pinged, wafting the tinny scent of melting snow on their waves.

The bailiff announced, “All rise,” and the assembly shuffled to its feet. Judge Flanagan strutted in, his black gown trailing over the bench steps.

And so began my trial. Now, I’ve made a bargain with you, gentle reader, and I intend to keep my end of it. I will tell you my story—­all of it—­and truthfully, as I’ve never been able to tell anyone before. Then you can decide: Were my actions justified? You, my discerning reader, are the most important juror. You have the advantage of hearing the whole story, straight from the one who lived it. So I say to you now, without hesitation or compunction, hear me out, and then you be the judge.
Maryka Biaggio

About Maryka Biaggio

Maryka Biaggio - Parlor Games

Photo © Barbara Isaacs

Maryka Biaggio, a former psychology professor, has many scholarly publishing credits to her name, but Parlor Games is her debut novel. Maryka loves the challenge of starting with actual historical figures and dramatizing their lives—imagining what motivated them to behave as the did, studying how the cultural and historical context may have influenced them, and recreating some sense of their emotional world through dialogue and action. She travels extensively, for both work and pleasure, is crazy about opera, and enjoys gardening, art films, and, of course, great fiction. She lives in Portland, Oregon, that edgy green gem of the Pacific Northwest.

Praise

Praise

“A captivating tale narrated by [an] irresistible and deliciously unreliable con-woman…. Wildly entertaining.” —Daisy Goodwin, author of The American Heiress
  
“Prepare to be joyously fleeced. . . . A true pleasure, something like munching your way through a box of chocolates all by yourself.” —Kate Alcott, author of The Dressmaker
 
“Like Becky Sharp from Vanity Fair before her, May Dugas—delightfully unrepentant—charms with tantalizing glimpses of her con games.” —Eva Stachniak, author of The Winter Palace

“A story of scheming, ladder-climbing and scandal during the Gilded Age.” –The Oregonian

Parlor Games is both playful and deeply serious in its portrayal of one determined woman’s battle to make her way in a man’s world. You’ll be cheering for May Dugas as she cons her way across the continents. She’s a terrific creation.” —Matt Rees, author of Mozart’s Last Aria

“An engaging glimpse into a character who categorically eludes our attempts to define her.” —Kirkus Reviews 

“An entertaining romp across the globe, through bedrooms on several continents, and a fascinating insight into a very complicated, and perhaps totally amoral woman.” —State Journal-Register (Springfield, IL)

“Biaggio re-creates the deliciously fabulous foibles and follies of a woman born into hardscrabble circumstances but determined to make her way in the world with wit, beauty, and a brazen ability to exploit her feminine charms for a very high price. Whether one admires or reviles May, there’s no doubt that she [Biaggio] makes the most of every entertaining opportunity. . . . Sheer, frenetic fun.” —Booklist

“Mae West once quipped that ‘good girls go to heaven, but bad girls go everywhere,’ and this other May sure is one bad girl who goes everywhere. . . . Sparkles.” —Historical Novels Review

Reader's Guide|About the Book|Author Biography|Discussion Questions

About the Book

The questions, discussion topics, and suggestions for further reading that follow are intended to enrich your discussion of Maryka Biaggio’s Parlor Games.

About the Guide

Based on a true story, comes a sweeping historical novel about a beautiful con artist whose turn-of-the-century escapades take her around the world as she's doggedly pursued by a Pinkerton Agency detective.
 
The novel opens in 1917 with our cunning protagonist, May Dugas, standing trial for extortion. As the trial unfolds, May tells her version of events.
 
In 1887, at the tender age of eighteen, May ventures to Chicago in hopes of earning enough money to support her family. Circumstances force her to take up residence at the city’s most infamous bordello, but May soon learns to employ her considerable feminine wiles to extract not only sidelong looks but also large sums of money from the men she encounters.  Insinuating herself into Chicago’s high society, May lands a well-to-do fiancé—until, that is, a Pinkerton Agency detective named Reed Doherty intervenes and summarily foils the engagement.
 
Unflappable May quickly rebounds, elevating seduction and social climbing to an art form as she travels the world, eventually marrying a wealthy Dutch Baron. Unfortunately, Reed Doherty is never far behind and continues to track May in a delicious cat-and-mouse game as the newly-minted Baroness’s misadventures take her from San Francisco to Shanghai to London and points in between.
 
The Pinkerton Agency really did dub May the “Most Dangerous Woman,” branding her a crafty blackmailer and ruthless seductress.  To many, though, she was the most glamorous woman to grace high society. Was the real May Dugas a cold-hearted swindler or simply a resourceful provider for her poor family?
 
As the narrative bounces back and forth between the trial taking place in 1917 and May’s devious but undeniably entertaining path to the courtroom—hoodwinking and waltzing her way through the gilded age and into the twentieth century—we're left to ponder her guilt as we move closer to finding out what fate ultimately has in store for our irresistible adventuress.

About the Author

Maryka Biaggio, a former psychology professor, has many scholarly publishing credits to her name, but Parlor Games is her debut novel. Maryka loves the challenge of starting with actual historical figures and dramatizing their lives—imagining what motivated them to behave as the did, studying how the cultural and historical context may have influenced them, and recreating some sense of their emotional world through dialogue and action. She travels extensively, for both work and pleasure, is crazy about opera, and enjoys gardening, art films, and, of course, great fiction. She lives in Portland, Oregon, that edgy green gem of the Pacific Northwest.

Discussion Guides

1. In the first paragraph May says, “You and I, my new friend, will become well acquainted over the course of this tale.”  How well do you think you really know May by the end of the novel?

2. At the end of the first chapter May explains, “I will tell you my story—all of it—and truthfully, as I’ve never been able to tell anyone before.” Is she always honest and, if not, what gives her away?

3. What do Frank’s letters imply about the nature of the relationship between her and May? Can we trust Frank’s portrayal of her relationship with May?

4. What kind of influence did May’s childhood have on her?

5. To what extent do you believe May’s actions were motivated by a desire to serve her family? And do you think May considers this a justification for her actions?

6. Do you believe May really loved any of the men she met during her travels? Did she ever find true love?

7. What does the yellow diamond necklace symbolize to May? What does it mean to you?

8. Were Pinkerton Detective Reed Dougherty charges of blackmail, spying, and extortion justified, or was he, as May contends, interfering in personal matters outside the province of the law?

9. Did May learn anything over the course of her adventures and trials? If so, what lessons did she learn?

10. At the close of the opening chapter, May exhorts the reader to hear her out and then be the judge. What is your verdict on May and her dealings with Frank and the men in her world?


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