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  • In Praise of Messy Lives: Essays
  • Written by Katie Roiphe
  • Format: eBook | ISBN: 9780679644026
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In Praise of Messy Lives: Essays

Written by Katie RoipheAuthor Alerts:  Random House will alert you to new works by Katie Roiphe

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List Price: $12.99

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On Sale: September 04, 2012
Pages: 288 | ISBN: 978-0-679-64402-6
Published by : The Dial Press Random House Group
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ABOUT THE BOOK ABOUT THE BOOK
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Synopsis|Excerpt

Synopsis

This powerful collection of essays ranges from pop culture to politics, from Hillary Clinton to Susan Sontag, from Facebook to Mad Men, from Joan Didion to David Foster Wallace to—most strikingly—the author’s own life. For fans of the essays of John Jeremiah Sullivan and Jonathan Lethem.

NAMED ONE OF THE BEST BOOKS OF THE YEAR BY
The New York Times • The Wall Street Journal
 
Katie Roiphe’s writing—whether in the form of personal essays, literary criticism, or cultural reporting—is bracing, wickedly entertaining, and deeply engaged with our mores and manners. In these pages, she turns her exacting gaze on the surprisingly narrow-minded conventions governing the way we live now. Is there a preoccupation with “healthiness” above all else? If so, does it lead insidiously to judging anyone who tries to live differently? Examining such subjects as the current fascination with Mad Men, the oppressiveness of Facebook (“the novel we are all writing”), and the quiet malice our society displays toward single mothers, Roiphe makes her case throughout these electric pages. She profiles a New York prep school grad turned dominatrix; isolates the exact, endlessly repeated ingredients of a magazine “celebrity profile”; and draws unexpected, timeless lessons from news-cycle hits such as Arnold Schwarzenegger’s “love child” revelations. On ample display in this book are Roiphe’s insightful, occasionally obsessive takes on an array of literary figures, including Jane Austen, John Updike, Susan Sontag, Joan Didion, and Margaret Wise Brown, the troubled author of Goodnight, Moon. And reprinted for the first time and expanded here is her much-debated New York Times Book Review cover piece, “The Naked and the Conflicted”—an unabashed argument on sex and the contemporary American male writer that is in itself an exciting and refreshing reminder that criticism matters. As steely-eyed in examining her own life as she is in skewering our cultural pitfalls, Roiphe gives us autobiographical pieces—on divorce, motherhood, an emotionally fraught trip to Vietnam, the breakup of a female friendship—that are by turns deeply moving, self-critical, razor-sharp, and unapologetic in their defense of “the messy life.”
 
In Praise of Messy Lives is powerfully unified, vital work from one of our most astute and provocative voices.


From the Hardcover edition.

Excerpt

The Great Escape



In times of trouble, some people turn to cigarettes and other people turn to drink and I read books I have read a million times before. And so in the harrowing time after I separated from my husband, I reread The Age of Innocence. In the early chapters, the Countess Olenska returns from Europe, having separated from her husband, and most of fashionable New York refuses to attend a dinner thrown in her honor. Even when Edith Wharton was writing, this attitude was already outdated, and yet somehow I feel a hint of it still: the same stigma mingled with fascination. I feel, suddenly, an instinctive recognition of Countess Olenska, foreign, scrutinized.

In the weeks after my husband moves out, I receive an email from someone offering to help me clean the house or cook, an email evoking images of dishes piling up in the sink, flies hovering around half-eaten peanut butter sandwiches, laundry accumulating. I wonder where these nightmarish visions of our domestic situation are coming from. Why would the departure of my husband launch me and my three-year-old, Violet, into a life of squalor? Someone else writes at around the same time: “There are no words for a catastrophe of this magnitude. I am thinking of you.” And it begins to seem as if my husband has not moved five minutes away but died.

In these early days, I find telling anyone other than my closest friends about my separation a little draining, not because of my own emotions but because of theirs. One acquaintance has tears in her eyes. “Oh, my God! You poor thing. Is it so awful when you get home in the evening and there is no one to have dinner with? Is it so awful to have all those hours alone?” I am touched by her concern, but it also makes me feel like someone who has fallen off the edge of one of those colorful medieval maps to the place where there are only sea monsters and dragons. In the coming months, this tone will become familiar to me, ambient as it is of fatal illnesses. I am tempted to remind her and others of a useful line a friend drew my attention to from As You Like It: “Men have died from time to time, and worms have eaten them, but not for love.”

Some months later, I am sitting in Bryant Park having coffee with a philosophy professor I know. It is one of those radiant early summer days when people flood out of their offices, shedding jackets and cardigans. We have both been doing research in the New York Public Library, and we are in the habit of sometimes taking a break for coffee. I am in the middle of telling him that I am finally feeling a little bit better.

“I think you are cut off from your feelings,” he says. “This is a very hard time for you.”

I try again. “I think maybe the worst part is over and now I am finally going to—”

“You are very fragile right now.” His voice is gentle. He is going to be infinitely patient with me. “You have to take care of yourself.”

And the conversation goes along in this vein. He thinks that my plan to buy a house in the next few months is “too ambitious.” He thinks that the new man I am going to meet for drinks is “too soon.” He thinks I am “taking on too much.” Still that gentle tone of voice. Still stirring his espresso with a spoon. By the time we leave the park, I am half persuaded that I will barely make it home on the subway, since undoubtedly the ride downtown is “too much” as well. I am beginning to wonder about these expectations that I am collapsing. At no other point in my life have so many people tried so hard to convince me of how miserable I am. The professor emails my closest friend, who is a bit surprised: “I am worried about Katie.” All of which reminds me that in The Age of Innocence, the rather powerful Countess Olenska is viewed by her peers as a “pathetic and even pitiful figure,” “an exposed and pitiful figure,” and “poor Ellen Olenska.”

It’s becoming clear to me that there is some image of the impending divorcée that I am not living up to here: hollow-eyed, bitter, harassed. Some of the more extreme sympathy I receive seems remarkably impersonal; it has less to do with me and anything I am saying than with what other people are hearing. The specifics of my experience vanish into an abstract idea about a woman’s leaving a marriage. And then there seems to be a rigid script to these conversations. If I answered the question “Is it so awful to have dinner alone?” with the honest response—“Actually, sometimes I make myself a salad, and feel the stretch of the evening opening up, and reach for a book I have been wanting to read, and it is less lonely than other kinds of dinners”—it would have been almost impolite. It is counterintuitive, I know, but the true force of the loss has passed. For me, the great, unmanageable sadness came before, and this part, the starting-again part, brings along with the obvious terror its own relief.

On one of the hottest days of summer, I emerge from the train from Amagansett with Violet in my arms, both of us covered in a layer of dust, and also coated in sixteen different kinds of stickiness, including but in no way limited to a bottle of lemonade toppled on the train. Violet, meanwhile, has a cold, her nose running, in addition to pinkeye, and we are making our way home. I am balancing her on one hip and carrying our luggage with the other arm. All of a sudden, I see two very close friends bounding toward us with their giant dog, baby strapped in a Björn on the husband’s chest. “How are you?” comes the inevitable question. The giant dog leaps up. Violet is terrified of the dog. She cringes into my chest. Her big bloodshot eyes emanate absolute disillusion with any hope this tattered, dissolute world has to offer. I want to say “We’re fine! She’s just afraid of the dog!” But then I see the tableau. We are a Walker Evans photograph of Appalachia: dirty sundresses, baby’s nose running, matted hair. We are fulfilling every idea the world has of us. We are falling apart!

I once wrote an entire book about how one shouldn’t reach for easy feminist interpretations of the world. And yet, even I can sense the residual sexism at work: while a woman outside of marriage is still considered a vulnerable and troubling figure, a man is granted a higher measure of autonomy. My husband, for instance, hasn’t been receiving quite this level of solicitude. I don’t think we are nearly as quick to assume that divorced men are falling into a life of despondency. I don’t think that we are as concerned about what will happen to them, that we are filled with the same exquisite worry over their situation. We assume they will marry again, and until they do, we assume they’re fine.

I am not trying here to make the outlandish case that I am happy. When you leave someone, there is always a small funeral going on in the back of your head. But there are also peculiar elations to this particular phase of life. It reminds me of college and shortly afterward, when you walk down the street feeling every single thing, bad and good, more vividly than you do in a more comfortable stage of life, when your feelings are more muffled. It can, of course, be hard to reconcile this overstrong feeling with the rhythms of life with a child. When I stay up until four in the morning because I have too much energy to fall asleep, because I am thinking, again like a college student, and then have to wake up with my daughter at six-thirty and make French toast, my body is, to say the least, perplexed.

There is something that happens when you burn your entire life down, which is the release of a strange jittery energy. The feeling is raw, close to the bone, jangly, nervous, productive. I have never, for instance, focused more on my writing or thought more clearly than in this particular time. Would I give up the book I wrote for a couple of years of happiness? Of course. But there are consolations to this kind of unhappiness; there are strange, felicitous side effects. This is one of the very few times in adult life when you get a chance to invent yourself. There is in the furious nihilism of losing someone, in the depths of how destroyed you are, a sense of terrifying openness, of absolute possibility. And if one is honest, this feeling can be perversely pleasurable.

One of the disturbing things about my marriage’s breaking up, it turns out, is the feeling that I have lost a significant chunk of time to unhappiness. This may be why I don’t want to give myself the “time” that people seem to think I need to recover. This may be why I don’t want to wait for the ideal future when my attachments change themselves into a more conventional pattern. At a certain point, all you have are these raw, transitional hours: this is your life, and you may as well enjoy it.

I have been out at a party. I have a new dress that I have worn out to the party. The next day, I have a slightly pleasurable depleted feeling, as I push Violet in her stroller, as she eats a scone, on a twenty-minute walk to school. Later, I am out for Cobb salads on the Upper East Side with a relative who is slightly older than me. She is expressing her view that it is immature for me to be out late at parties; it is undignified for me to be floating through the night like I am in my twenties. She points out furthermore that I have a small child, a fact that I have not, in all of the hullabaloo, forgotten. Here again is the hostility toward the blurring lines, toward the falling out of categories that, I should in my defense point out, I didn’t choose.

Recently, one of my friends ran into an acquaintance of mine at a party. She leaned into him, hand on his arm, and whispered in a confidential tone, “How’s Katie?” He said, “She’s great. She is having a great time teaching.” This acquaintance leaned in closer, eyes widening: “How is she really?” My friend, a little subversive of the usual pieties, said, “I think she is the happiest woman in New York.” Untrue, of course. But still, one appreciates the gesture.

One does have to wonder about the prurient hunger for unhappy detail. Is there an imperative for certain married people to believe that anyone existing outside of the institution of marriage must be suffering? Does this imperative, perhaps, have something to do with their own discontents? (The happily married couples I know are noticeably less invested in the idea that I am suffering some form of collapse. Warwick Deeping, a novelist of the twenties, observed, “Those who have made a success of marriage can be gentler to the failures.”) I have noticed the couples most interested in the grand tour of my tragedy are often in couples therapy. They are often in that phase where they hire a babysitter once a week so that they can sit across from each other at a restaurant and distract themselves from the vast distance, the dullness, that has risen up between them with the bustle of menus and waiters. For whatever reason, it is extremely important for these couples to believe that once you are outside of marriage, you have fallen into the abyss. Furthermore, they are extremely interested in watching you, limbs flailing, as you are falling. But what if you, say, refuse to fall?

I begin to notice that when I am a little bit happy, there is nearly always someone there to tell me that I should be serious. That I should be focusing on my situation. That I should be worrying about my child. There is nearly always someone to deftly reel any subject I have ranged onto back to the question of whether my daughter is okay. I am, of course, always ready to worry about whether she is okay. But I wonder if it is truly in her best interest to embrace the philosophy of perpetual worry people seem to be encouraging. Wouldn’t it be better to take her to the zoo?

When The Age of Innocence came out in 1920, the advertising leaflets began with the provocative tagline “Was She Justified in Seeking a Divorce?” And of course, this is still the question that needs to be answered. There may have been a time in the seventies when divorce was too acceptable, and even had a certain amount of cachet, but now we are back to older moral attitudes. There is still the unspoken assumption that if you worked a little bit harder, if you went to a therapist, if you tried a little harder to get along, you could have made it work, for the kids.

Someone I know almost left her husband several years ago. She had always been one of those women unusually invested in the orderliness of her life, in the outward emanations of her various perfections: her sprawling apartment on the Upper East Side, her children in their excellent schools, her scrupulously planned vacations. In thinking about her dilemma, she said, at one point, “I am not the kind of person who gets divorced! I am the kind of person who looks down on people who get divorced.” This is perhaps more honest than most people would care to be on this subject.

I can’t help thinking that this particular form of moral disapproval is related to our current madness about child-rearing, our desire for $900 Bugaboo strollers, Oeuf toddler beds, organic hand-milled baby food, and French classes for toddlers, not to mention sign language classes for babies so that they can communicate before they can be bothered to learn to speak: in short, our strange, hopeless obsession with the perfectibility of childhood. We seem to be laboring under the fashionable illusion that if we put all of our energy into making our children’s lives ostensibly perfect, then they will be. And those of us who have separated or divorced have rather spectacularly failed in creating that perfect environment. The true stigma of divorce, at this particular moment in time, is that of failing as a parent.

On a tour of my daughter’s preschool, during the question-and-answer period, one of the fathers raises his hand. He noticed a basket of pale-yellow biscuits being passed around to the four-year-olds during snack time. “What was in those cookies? Are they organic? Do they have sugar? And are the children just, um, allowed to eat as many as they want?” The headmistress of the school looks amused. No, they are not organic. Yes, they are allowed to take as many as they want. She smiles benevolently at this father. She is used to our generation’s interest in controlling our children’s lives. I remember the parties my parents threw, the grown-ups eating and drinking wine in the house, sometimes spilling out into the garden to smoke; the children running around outside, in bathing suits and sweatshirts, catching fireflies in jars, and no one worrying about exactly when we went to bed or whether we had four pieces of cake. Was that environment a little more forgiving of the alternative, of the house, the family that didn’t look the same? I imagine it was.

In any event, the largely unspoken taboo against divorce involves the largely unspoken accusation that you are somehow behaving recklessly toward your children. But every now and then, and in different ways, someone just says it. Which is how I find myself with my most committedly bohemian, childless friend, sitting on my sofa quoting me statistics of studies that he can’t quite name or define about how terrible divorce is for children. I look at him: a week of stubble, longish hair, corduroys. He has been working on a novel for the fifteen years since college; he still sleeps until four in afternoon; it would not be much of an exaggeration to say that his entire life is a monument to the refusal of adult responsibility, and yet even he is issuing grave warnings on parenting. (He is himself a child of divorce, which may account for his near-religious zeal on the subject.) I cautiously mention that in certain instances it might be better for a child if his parents don’t stay in an unhappy situation. He quickly tells me that I am deluding myself, that this is a selfish platitude that parents always use to reassure themselves. He refers back to the sinister and shadowy studies. I would, again very cautiously, mention that my own child seems just for the moment to be thriving, but the evidence of the senses is not what is required here.

I have no doubt that in an ideal world, a child grows up with two happy parents under one roof. But by the time you are even contemplating divorce, you are no longer living in that ideal world and probably haven’t been for a very long time. There are no true studies on the children of parents who have stayed together when they shouldn’t have, no control group to tell us about the secret damage of that situation. And then, of course, there are times when the dissolution of marriage is simply unstoppable. As Theodore Dreiser put it in a 1930 essay, “God certainly has joined some peculiar creatures.”

The reason this particular form of moralism is so pernicious, of course, is that it plays to your own deepest fears: you are failing at the one thing in the world that matters. To the outside eye, Violet seemed to adapt fairly quickly to the new situation. She likes when her father takes her to look at the boats on the way to school; she likes when he plays cards with her for hours at a time. But it’s hard to know. She is only three. She still believes that if you drink out of someone’s straw, you will become them. I can tell her elaborate bedtime stories about a group of children living on the moon. I can give her a big, warm, chaotic extended family. I can find her a tiny replica of a doctor’s examination table for her eleven babies. And yet I can’t give her an intact, ordinary home. Will her unorthodox childhood offer up its own consolations? One can only hope.
Katie Roiphe

About Katie Roiphe

Katie Roiphe - In Praise of Messy Lives: Essays

Photo © Deborah Copaken Kogan

Katie Roiphe received her Ph.D. from Princeton in English literature. Her articles have appeared in the New York Times, The Washington Post, Slate, Esquire, Vogue, Harper’s, and The New Yorker. Her previous books include The Morning After, Last Night in Paradise, and a novel, Still She Haunts Me. She lives in New York.
Praise

Praise

“[A] devastatingly good new book . . . Ms. Roiphe’s are how you want your essays to sound: lean and literate, not unlike Orwell’s, with a frightening ratio of velocity to torque. . . . Among Ms. Roiphe’s gifts is one for brevity. She lingers long enough to make her points, and no longer. If I could condense my opinion of her new book onto a T-shirt, that Beefy-T would read: ‘Team Roiphe.’” —Dwight Garner, The New York Times

“Watch out, Camille Paglia! Your starring role as our leading literary provocateur might be threatened by 44-year-old Katie Roiphe, whose book In Praise of Messy Lives I’m sending to a dozen friends for Christmas. Daring, vivid, combative . . . the refreshing irreverence of her book might well be unique among writers of her generation.” —Francine du Plessix Gray, Wall Street Journal

“The 10 literary essays at the heart of In Praise of Messy Lives are wicked and endearing; the language is conversational and burnished to a hard shine.” —The New York Times Book Review

“Bracing . . . and hilarious. . . . Roiphe writes with an archer’s aim and a bullfighter’s bravado. . . . her cultural soundings do run deep.” —Booklist

“Fascinating, lively . . . Roiphe is a fine, serious writer. Her essays are surprising, interesting and sharp. . . .her voice is confident and consistent.” —Kirkus Reviews

“Roiphe’s writing is prickly and provocative . . . courageous, and most welcome when it cuts deep.” —Publisher's Weekly
 
“No sacred cow, exalted personage, or sanctimonious hypocrisy is safe from the sharp eye of Katie Roiphe. In In Praise of Messy Lives, she delivers timely, coruscating verdicts on everything from working women’s fantasies to Philip Roth to the rage of Gawker. An essential read for our cultural confusion.” —Tina Brown
 
“Katie Roiphe does not so much explode pieties as slice them open and prod their strands apart with equal parts rigor and transfixed, childlike curiosity. In Praise of Messy Lives represents a warm, freethinking, and satisfying embrace of the inartificial, the vexed, and the unruly.” —Alison Bechdel
 
“Katie Roiphe is one of the most insightful, exciting writers of her generation. She’s daring, fierce, and entirely original.” —Gay Talese


From the Hardcover edition.

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