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  • Heartwood
  • Written by James Lee Burke
  • Format: Paperback | ISBN: 9780440224013
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  • Heartwood
  • Written by James Lee Burke
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Heartwood

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Written by James Lee BurkeAuthor Alerts:  Random House will alert you to new works by James Lee Burke

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List Price: $7.99

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On Sale: September 21, 2011
Pages: 400 | ISBN: 978-0-307-80747-2
Published by : Island Books Bantam Dell
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mystery (39) fiction (32) billy bob holland (16) texas (14) crime (12) 20th century (5) detective (4) novel (4)
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Synopsis|Excerpt

Synopsis

A brilliantly layered novel of crime, character, and place from the two-time Edgar Award winner, Gold Dagger Award winner, and New York Times bestselling author of  Sunset Limited.

Few writers in America today combine James Lee Burke's lush prose, crackling story lines, and tremendous sense of history and landscape.  In Cimmaron Rose, longtime fans of the Dave Robicheaux series found that the struggles of Texas defense attorney Billy Bob Holland show Burke at his best in exploring classic American themes--the sometimes subtle, often violent strains between the haves and the have-nots; the collision of past and present; the inequities in the criminal justice system.

Heartwood is a kind of tree that grows in layers. And as Billy Bob's grandfather once told him, you do well in life by keeping the roots in a clear stream and not letting anyone taint the water for you. But in Holland's dusty little hometown of Deaf Smith, in the hill country north of Austin, local kingpin Earl Deitrich has made a fortune running roughshod and tainting anyone who stands in his way. Billy Bob has problems with Deitrich and his shamelessly callous demeanor, but can't shake the legacy of his passion for Deitrich's "heartbreak-beautiful" wife, Peggy Jean.

When Holland takes on the defense of Wilbur Pickett--a man accused of stealing an heirloom and three hundred thousand dollars in bonds from Deitrich's office--he finds himself up against not only Earl's power and influence, but also a past Billy Bob can't will away.  A wonderfully realized novel, rich in Texas atmosphere and lore, and a dazzling portrait of the deadly consequences of self-delusion, Heartwood could only have been written by James Lee Burke, a writer in expert command of his craft.


From the Hardcover edition.

Excerpt

IT WOULD BE EASY TO SAY WE RESENTED EARL Deitrich because he was rich. Maybe to a degree we did. He grew up in River  Oaks, down in Houston, in an enormous white mansion set up on a hillock surrounded by shade trees. Its size and seclusion separated it even from the Midas levels of wealth that characterized his few neighbors. But our problem with him was not simply his money.

He was an officer, on leave from the army, when he came to the town of Deaf Smith, up in the Texas hill country, where the working classes wrestled drill bits and waited tables and the new rich chewed on toothpicks at the country club. He used his wealth to hold up a mirror to our inadequacies and take Peggy Jean Murphy from our midst, then brought her back to us as his wife and possession, almost as though she were on display.

Peggy Jean Murphy, who was heart-breakingly beautiful, who lived in our dreams, who commanded such inclusive respect the roughest kids in the West End dared not make a loose remark about her lest they be punched senseless by their own kind.

Earl Deitrich made us realize that our moments on the dance floor with her at high school proms and the romantic fantasies we entertained about marriage to her had always been the vanity of blue-collar kids who had never been in the running at all. Maybe even the high school quarterback she'd loved before he'd been drafted and killed on the Mekong had not been in the running, either.

But that was a long time ago. I tried not to think about Peggy Jean anymore. She and Earl lived abroad and in Montana much of the year and I didn't have occasion to see them, or to regret the decisions that led me into law enforcement on the border and the months of unrecorded and officially denied nocturnal raids into Coahuila, where a playing card emblazoned with the badge of the Texas Rangers was stuffed into the mouths of the dead.

But try as I might, I would never forget the spring afternoon when Peggy Jean got down from the back of my horse and walked with me into a woods above the river and allowed me to lose my virginity inside her.

When I rose from her hot body, her pale blue eyes were empty, staring at the clouds above the pine tops. I wanted her to say something, but she didn't.

"I don't guess I got a lot of experience at this," I said.

She ran her hand down my arm and held my fingers. There were blades of grass on her shoulders and breasts.

"You were fine, Billy Bob," she said.

Then I knew she had not made love to me but to a soldier who had died in Vietnam.

"You want to go to a movie tonight?" I asked.

"Maybe tomorrow," she replied.

"I like you a whole lot. I know when you lose somebody, it takes a long--"

"We'd better go back now. We'll go to the movie tomorrow. I promise," she said.

But no one competes well with ghosts. At least no one in our town did, not until Earl Deitrich arrived.

Earl and Peggy Jean's house was rumored to have cost twelve million dollars to build. It was three stories high, concave in shape, inset in a scooped-out hillside, the yard terraced with tons of flagstone. The front was filled with windows the size of garages, framed by white-painted steel beams. Ninety-foot skinned and lacquered ponderosa logs were anchored at angles from the roof to the ground, so that at a distance the house looked like a giant, gold-streaked tooth couched in the hills.

It was spring, on a Thursday, when I drove my Avalon out to their house for lunch. I had never felt comfortable around Earl, even though I did my best to like him, but she had left a handwritten note in the mailbox at my law office, saying they were back in town and would love to see me.

So I drove across the old iron bridge on the river, back into the hills, then through a cattleguard and down a long green valley whose fields were covered with buttercups and bluebonnets and Indian paintbrush. As I approached the house I saw a sun-browned, blond man in khakis and scuffed boots and a cut-off denim shirt setting fence posts around a horse lot that had been nubbed down to dirt.

His name was Wilbur Pickett and he had failed at almost every endeavor he had ever undertaken. When he tried to borrow money to start up a truck farm, his own mother told everybody in town Wilbur couldn't grow germs on the bottom of his shoe.

He wildcatted down in Mexico and set fire to a sludge pit next to the rig, then the wind blew the flames through a dry field and burned down the local police chief's ranch house. Wilbur barely got back across the border with his life.

In the Flint Hills of eastern Kansas, after a blistering 110-degree day, he unloaded an eighteen-wheeler full of hogs in rest pens without noticing the rails were down on the far side. Then watched them fan across the hills into three counties under a sky spiderwebbed with lightning.

But when it came to horses and bulls, Wilbur could come out of a rodeo chute like his pants were stitched to their hides. He broke mustangs in Wyoming and went seven seconds with Bodacious, the most notorious bull on the professional circuit (Bodacious would pitch the rider forward, then rear his head into the rider's face and crush the bones in it). Wilbur's face had to be rebuilt with metal plates, so that it now looked chiseled, the profile and jawline faintly iridescent, as though there were chemicals in his skin.

I stopped my car and waited for him to walk over to the window. His gray, shapeless cowboy hat was sweat-stained around the base of the crown. He took it off and wiped his brow and smiled.

"I got a pipeline deal down in Venezuela. Twenty or thirty grand can get you in on the ground floor," he said.

"I bet," I said.

"How about sluice mining in British Columbia? I'm talking about float gold big as elks' teeth, son."

"How's the weather up there in January?"

"Beats the hell out of listening to rich people tell you how much money they got," he said.

"See you, Wilbur."

"Jobbing out like this? Temporary situation. I'm fixing to make it happen."

He grinned, full of self-irony, and pulled his work gloves from his back pocket and knocked the dust out of them against his palm.


Peggy Jean and Earl had other guests that afternoon, too--a United States congressman, a real estate broker from Houston, a member of the state legislature, their wives, and a small, nervous, dark-haired man with a hawk's nose and thick glasses and dandruff on the shoulders of his blue suit.

Peggy Jean wore a white sundress with purple and green flowers on it. She had always been a statuesque girl and the years had not affected her posture or figure. There was a mole by the side of her mouth, and her hair was the color of mahogany, so thick and lustrous you wanted to reach out and touch it when she walked by.

She saw me looking at her from across the room. I went into the kitchen with her and helped her make a pitcher of iced tea and a second pitcher of lemonade. She washed a bowl of mint from the garden, then trimmed the sprigs with scissors and handed me two of them to put in the lemonade. The tips of her fingers were wet when she touched my palm.

"Earl's going to talk business with you," she said.

"He can talk it all he wants," I said.

"You don't do civil law?"

"Not his kind."

"He can't help where his family's money came from," she said.

"You're looking great, Peggy Jean," I said.

She picked up the tray and walked ahead of me onto the side porch, which was furnished and built to look like an eating area in a simple home of sixty years ago. The walls were unpainted slat board, the ceiling posts wood and lathed with bulbous undulations in them; the long plank table was covered with a checkered cloth; an old-time icebox, with oak doors and brass handles, stood in the corner; a bladed fan turned lazily overhead. I stood by the open window and looked at Wilbur Pickett dropping a shaved and beveled fence post into a hole.

"Last year I inherited half a city block in downtown Houston," Earl said to me, smiling, a glass of iced tea in his hand. He was a handsome man, at ease in his corduroys and soft burnt-orange shirt, his fine brown hair combed like a little boy's across his forehead. There was nothing directly aggressive about Earl, but his conversation always had to do with himself, or what he owned, or the steelhead fishing trips he took to Idaho or up on the St. Lawrence River. If he had any interest in anyone outside his own frame of reference, he gave no sign of it.

"But it's my worst nightmare," he went on. "A failed savings and loan had the lease on the site. The government seized the savings and loan, and I can't do anything with the property. The government doesn't pay rent on seized properties and at the same time I have a six-figure tax obligation on the land. Can you believe that?"

"This has something to do with me?" I asked.

"It might," he replied.

"Not interested," I said.

He winked and squeezed my forearm with two fingers. "Let's eat some lunch," he said.

Then he followed my gaze out to the horse lot where Wilbur was working.

"You know Wilbur?" he said.

"I've bought horses from him."

"We'll invite him in."

"You don't need to do that, Earl," I said.

"I like him." He cut his head philosophically. "Sometimes I wish I could trade places with a guy like that," he said.

I was soon to relearn an old lesson about the few very rich people I had known. Their cruelty was seldom deliberate, but its effect was more injurious than if it were the result of a calculated act, primarily because the victim was made to understand how insignificant his life really was.

An elderly black man, whose name was John, went out to the horse lot to get Wilbur, who looked uncertainly at the house a moment, then washed his hands and forearms and face with a garden hose and came in through the kitchen. He pulled up one of the cushioned redwood chairs to the table and nodded politely while he was introduced, his shirtfront plastered against his chest, his neck cuffed with fresh sunburn.

"Y'all pardon my appearance," he said.

"Don't worry about that. Eat up," Earl said.

"It looks mighty good, I'll tell you that," Wilbur said.

But Earl was not listening now. "I want to show y'all a real piece of history," Earl said to the others, and opened a blue velvet box, inside of which was a huge brass-cased vest watch with a thick, square-link chain. "This was taken off a Mexican prisoner at the battle of San Jacinto in 1836. The story is the Mexican looted it off a dead Texan at the Alamo. I have a feeling this was one day he wished he'd left it at home."

The men at the table laughed.

Earl opened the hinged casing on each side of the watch and held it up by the chain. The watch twisted in a circle, like an impaired butterfly, a refracted, oily light wobbling on the yellowed face and Roman numerals.

"That come from the Alamo?" Wilbur said.

"You ever see one like it?" Earl said.

"No, sir. But my ancestor is supposed to have fought at San Jacinto. That's the good part of the story. The bad part is the family says he stole horses and sold them to both sides," Wilbur said.

But no one laughed, and Wilbur blinked and looked at a spot on the wall.

"John, would you bring a second glass for everyone so we can have some wine?" Earl said to the elderly black man.

"Yes, sir, right away," John replied.

"Y'all have to come up on the Gallatin in Montana," Earl said. "We catch five-pound rainbow right out the front door."

Wilbur had picked up the watch from the velvet case and was looking at the calligraphy incised on the case. Without missing a beat in his description of Montana trout fishing, Earl reached out and gingerly lifted the watch by its chain out of Wilbur's hand and replaced it in the box and closed the lid.

Wilbur's face was like a pink lightbulb.

I finished eating and turned to Peggy Jean.

"I have to get back to the office. It was surely a fine lunch," I said.

"Yeah, we'll talk more later about that real estate problem I mentioned," Earl said.

"I don't think so," I replied.

"You'll see," Earl said, and winked again. "Anyway, I want y'all to see the alligator I dumped in my pond," he said to the others. Then he turned to Wilbur and said, "You don't need to finish that fence today. Just help John clean up here and we'll call it square."

Earl and his guests went out the door and strolled through a peach orchard that was white with bloom. Wilbur stood for a long time by the plank table, his face empty, his leather work gloves sticking from his back pocket.

"You go on and finish what you were doing out there. John and I will take care of things here," Peggy Jean said.

"No, ma'am, I don't mind doing it. I'm always glad to hep out," Wilbur said, and began stacking dirty plates one on top of another.

I walked out to my car, into the bright, cool air and the smell of flowers and horses in the fields, and decided I couldn't afford any more lunches with Earl Deitrich.

But the lunch and its aftermath were not over. At four that afternoon Earl called me at my office on the town square.

"Have you seen that sonofabitch?" he said.

"Pardon?" I said.

"Wilbur Pickett. I put that watch on my office desk. When Peggy Jean's back was turned, he went in after it."

"Wilbur? That's hard to believe."

"Believe this. He didn't take just the watch. My safe door was open. He robbed me of three hundred thousand dollars in bearer bonds."


From the Hardcover edition.
James Lee Burke

About James Lee Burke

James Lee Burke - Heartwood
James Lee Burke is the author of nineteen books, including the bestsellers Heartwood, Sunset Limited, Cimarron Rose, Cadillac Jukebox, Burning Angel, and Dixie City Jam. He lives with his wife in Missoula, Montana, and New Iberia, Louisiana.
Praise

Praise

Critical acclaim for James Lee Burke and the Billy Bob Holland Series:

"Burke is a master at setting mood, laying in atmosphere, all with quirky, raunchy dialogue that's a delight."
--Elmore Leonard

"Billy Bob Holland is as angst-ridden and morally shell-shocked as Dave Robicheaux ever was, but like Robicheaux, Holland's moral compass always points to true north...Don't miss out."
--Rocky Mountain News

"Burke [is] one of the best writers of our time.  His plots build tension to such a pitch that it tempts one to rush through his books.  But his writing demands that his works be savored."
--Denver Post

"Burke is known for the lush bayou cadences that give solid flesh to his longtime series hero, deputy sheriff Dave Robicheaux, and this prose style moves easily to the steamy precincts of southeast Texas."
--Chicago Sun-Times


From the Hardcover edition.

  • Heartwood by James Lee Burke
  • July 11, 2000
  • Fiction - Mystery & Detective
  • Island Books
  • $7.99
  • 9780440224013

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