Everyone's favorite neurotic second grader is back, with a complete collection of the funniest and most touching Alvin Ho books to date.
Lenore Look’s touching, drop-dead-funny book about an Asian American second grader—with pictures by New York Times bestselling illustrator LeUyen Pham—has tons of boy appeal and is great for reluctant readers. The previous books in the series, Alvin Ho: Allergic to Girls, School, and Other Scary Things and Alvin Ho: Allergic to Camping, Hiking, and Other Natural Disasters, have received rave reviews. “Alvin’s a winner,” declares the New York Post, and Newsday says, “The novel . . . shares with Diary of a Wimpy Kid the humor that stems from the hero’s Herculean efforts to manipulate the world around him in his favor, without all the facts at his disposal.” Perfect for beginning and reluctant readers alike, Alvin Ho perfectly captures the trials and tribulations of boyhood.
About Lenore Look
I first began making picture books in kindergarten because my other career option at the time was stealing. But a life of crime requires practice and patience, neither of which I had, so I settled into industry, making what I coveted but what my parents could not afford to buy: beautiful books like the ones my teacher read to us in school.
Publishing was no problem in those days, not like it is now. By first-grade, I was my own publisher, making multiple copies of my books by hand. As for fame and fortune, I took care of that, too–I taught my brothers and the neighborhood kids how to wait in line for autographed copies, and I charged them 25 cents a book (an enviable paperback royalty today!), but also accepted candy.
By third grade, I had abandoned the literary scene. My parents had bought an old piano and signed me up for lessons and, thus, I began dreaming of becoming a world-famous concert pianist.
Then I came across a book on Maria Tallchief, and became a ballerina, just like that. I weighed only 40 pounds and could leap and pirouette all day without stopping. It was a lot easier than becoming a pianist.
Then I read a book about a surgeon, and one about a veterinarian, and another about a great tennis player . . . and I found myself wanting to become whatever I’d last read.
Eventually I grew up and became a newspaper reporter. It was the perfect job for me. I got paid to do the two things I loved most: writing and being curious. Working as a reporter taught me how to talk to people, how to find the story behind the story, and how to tell a story in a way that keeps a reader reading. I learned to listen to the way people talk. I learned to be precise and concise in my own choice of words. Best of all, the more I wrote, the more I was filled with a sense of wonder. I loved writing not only about what happens to people, but also about what happens inside of them, which is what writing for children is all about, but I didn’t yet know it.
It wasn’t until I became a mother and began reading children’s books again that I felt what the Chinese call yun fuen, a continuing of work begun in past lives. I had long forgotten my early foray into picture books, the thread I’d dropped in kindergarten, a thin rig, like the one a spider would use in rising. I had journeyed nearly 30 years down through space by then, unaware of my silken strand. Then one afternoon, with my two young children clamoring for something to do, I showed them how to fold paper into a book . . . picked up some crayons and a pen, and then . . . felt myself rising . . . returning to that place where I began, that brief age in which I had so many talents, and leapt and pirouetted into the sun, and could not stop.